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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CCC41 it is the complementary color #A333BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CCC41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CCC41 shade: #61CC3C, #72DE4F, #83F062, #94FF75 and #A5FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CCC41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CCC41 shade: #5CCC41, #4BBA2E, #3AA81B, #299608 and #188400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CCC41 shade: #5CCC41, #82CC41, #A7CC41, #CCCC41 and #CCA641

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CCC41 shade: #5CCC41, #41CC4C, #41CC71, #41CC97 and #41CCBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CCC41 shade matches the following richer shades: #5CCC41, #50E02E and #44F31A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CCC41 shade: #5CCC41, #68B955, #74A568, #80927B and #8C7F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CCC41 shade: #A7CC41, #82CC41, #5DCC41, #41CC4A and #41CC6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CCC41 shade: #3C9427, #49B430, #5CCC41, #78D562 and #94DD82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CCC41 shade: #5CCC41, #41CCCC and #CC4195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CCC41 shade: #5CCC41, #415DCC and #CC415D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CCC41 shade: #5CCC41, #41CCCC, #B041CC and #CC4141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CCC41 shade: #5CCC41, #41A2CC, #B041CC and #CC6B41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

Complementary color

CMYK 14 / 73 / 0 / 25

HEX #A333BE

RGB 163 51 190

HSL 288.35, 0.58%, 0.47%

LAB 44.05, 64, -50.81

 

CMYK 52 / 0 / 71 / 20

HEX #61CC3C

RGB 97 204 60

HSL 104.58, 0.59%, 0.52%

LAB 73.58, -56.07, 59.3

 

CMYK 49 / 0 / 64 / 13

HEX #72DE4F

RGB 114 222 79

HSL 105.31, 0.68%, 0.59%

LAB 79.83, -56.5, 58.68

 

CMYK 45 / 0 / 59 / 6

HEX #83F062

RGB 131 240 98

HSL 106.06, 0.83%, 0.66%

LAB 86.02, -56.73, 57.77

 

CMYK 42 / 0 / 54 / 0

HEX #94FF75

RGB 148 255 117

HSL 106.52, 1%, 0.73%

LAB 91.28, -55.62, 55.7

 

CMYK 35 / 0 / 47 / 0

HEX #A5FF88

RGB 165 255 136

HSL 105.38, 1%, 0.77%

LAB 92.26, -48.18, 48.3

 

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

CMYK 60 / 0 / 75 / 27

HEX #4BBA2E

RGB 75 186 46

HSL 107.57, 0.6%, 0.45%

LAB 67.13, -56.29, 57.57

 

CMYK 65 / 0 / 84 / 34

HEX #3AA81B

RGB 58 168 27

HSL 106.81, 0.72%, 0.38%

LAB 60.77, -55.13, 57.14

 

CMYK 73 / 0 / 95 / 41

HEX #299608

RGB 41 150 8

HSL 106.06, 0.9%, 0.31%

LAB 54.35, -53.33, 55.31

 

CMYK 82 / 0 / 100 / 48

HEX #188400

RGB 24 132 0

HSL 109.09, 1%, 0.26%

LAB 47.88, -50.61, 51.32

 

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

CMYK 36 / 0 / 68 / 20

HEX #82CC41

RGB 130 204 65

HSL 91.94, 0.58%, 0.53%

LAB 75.02, -45.4, 59.34

 

CMYK 18 / 0 / 68 / 20

HEX #A7CC41

RGB 167 204 65

HSL 75.97, 0.58%, 0.53%

LAB 77.15, -31.61, 62.2

 

CMYK 0 / 0 / 68 / 20

HEX #CCCC41

RGB 204 204 65

HSL 60, 0.58%, 0.53%

LAB 79.84, -16.48, 65.8

 

CMYK 0 / 19 / 68 / 20

HEX #CCA641

RGB 204 166 65

HSL 43.6, 0.58%, 0.53%

LAB 69.82, 3.2, 55.57

 

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

CMYK 68 / 0 / 63 / 20

HEX #41CC4C

RGB 65 204 76

HSL 124.75, 0.58%, 0.53%

LAB 72.78, -61.99, 51.72

 

CMYK 68 / 0 / 45 / 20

HEX #41CC71

RGB 65 204 113

HSL 140.72, 0.58%, 0.53%

LAB 73.22, -56.89, 34.73

 

CMYK 68 / 0 / 26 / 20

HEX #41CC97

RGB 65 204 151

HSL 157.12, 0.58%, 0.53%

LAB 73.9, -49.5, 15.79

 

CMYK 68 / 0 / 8 / 20

HEX #41CCBC

RGB 65 204 188

HSL 173.09, 0.58%, 0.53%

LAB 74.79, -40.44, -2.85

 

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

CMYK 64 / 0 / 79 / 12

HEX #50E02E

RGB 80 224 46

HSL 108.54, 0.74%, 0.53%

LAB 79.16, -68.04, 69.16

 

CMYK 72 / 0 / 89 / 5

HEX #44F31A

RGB 68 243 26

HSL 108.39, 0.9%, 0.53%

LAB 84.69, -76.93, 78.32

 

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

CMYK 44 / 0 / 54 / 27

HEX #68B955

RGB 104 185 85

HSL 108.6, 0.42%, 0.53%

LAB 68.24, -44.04, 42.67

 

CMYK 30 / 0 / 37 / 35

HEX #74A568

RGB 116 165 104

HSL 108.2, 0.25%, 0.53%

LAB 63.03, -28.36, 26.53

 

CMYK 12 / 0 / 16 / 43

HEX #80927B

RGB 128 146 123

HSL 106.96, 0.1%, 0.53%

LAB 58.58, -11, 10.05

 

CMYK 2 / 11 / 0 / 44

HEX #8C7F8F

RGB 140 127 143

HSL 288.75, 0.07%, 0.53%

LAB 54.8, 8.03, -6.82

 

CMYK 18 / 0 / 68 / 20

HEX #A7CC41

RGB 167 204 65

HSL 75.97, 0.58%, 0.53%

LAB 77.15, -31.61, 62.2

 

CMYK 36 / 0 / 68 / 20

HEX #82CC41

RGB 130 204 65

HSL 91.94, 0.58%, 0.53%

LAB 75.02, -45.4, 59.34

 

CMYK 54 / 0 / 68 / 20

HEX #5DCC41

RGB 93 204 65

HSL 107.91, 0.58%, 0.53%

LAB 73.48, -56.74, 57.24

 

CMYK 68 / 0 / 64 / 20

HEX #41CC4A

RGB 65 204 74

HSL 123.88, 0.58%, 0.53%

LAB 72.76, -62.2, 52.56

 

CMYK 68 / 0 / 46 / 20

HEX #41CC6F

RGB 65 204 111

HSL 139.86, 0.58%, 0.53%

LAB 73.19, -57.22, 35.7

 

CMYK 59 / 0 / 74 / 42

HEX #3C9427

RGB 60 148 39

HSL 108.44, 0.58%, 0.37%

LAB 54.33, -46.73, 47.12

 

CMYK 59 / 0 / 73 / 29

HEX #49B430

RGB 73 180 48

HSL 108.64, 0.58%, 0.45%

LAB 65.18, -54.49, 54.89

 

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

CMYK 44 / 0 / 54 / 16

HEX #78D562

RGB 120 213 98

HSL 108.52, 0.58%, 0.61%

LAB 77.56, -49.22, 47.8

 

CMYK 33 / 0 / 41 / 13

HEX #94DD82

RGB 148 221 130

HSL 108.13, 0.57%, 0.69%

LAB 81.63, -39.69, 37.6

 

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

CMYK 68 / 0 / 0 / 20

HEX #41CCCC

RGB 65 204 204

HSL 180, 0.58%, 0.53%

LAB 75.25, -36.04, -10.82

 

CMYK 0 / 68 / 27 / 20

HEX #CC4195

RGB 204 65 149

HSL 323.74, 0.58%, 0.53%

LAB 50.44, 62.25, -16.12

 

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

CMYK 68 / 54 / 0 / 20

HEX #415DCC

RGB 65 93 204

HSL 227.91, 0.58%, 0.53%

LAB 43.23, 26.38, -60.75

 

CMYK 0 / 68 / 54 / 20

HEX #CC415D

RGB 204 65 93

HSL 347.91, 0.58%, 0.53%

LAB 48.77, 56.52, 15.25

 

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

CMYK 68 / 0 / 0 / 20

HEX #41CCCC

RGB 65 204 204

HSL 180, 0.58%, 0.53%

LAB 75.25, -36.04, -10.82

 

CMYK 14 / 68 / 0 / 20

HEX #B041CC

RGB 176 65 204

HSL 287.91, 0.58%, 0.53%

LAB 48.72, 64.06, -51.33

 

CMYK 0 / 68 / 68 / 20

HEX #CC4141

RGB 204 65 65

HSL 0, 0.58%, 0.53%

LAB 48.26, 54.7, 31.37

 

CMYK 55 / 0 / 68 / 20

HEX #5CCC41

RGB 92 204 65

HSL 108.35, 0.58%, 0.53%

LAB 73.44, -57.01, 57.2

 

CMYK 68 / 21 / 0 / 20

HEX #41A2CC

RGB 65 162 204

HSL 198.13, 0.58%, 0.53%

LAB 62.78, -15, -29.77

 

CMYK 14 / 68 / 0 / 20

HEX #B041CC

RGB 176 65 204

HSL 287.91, 0.58%, 0.53%

LAB 48.72, 64.06, -51.33

 

CMYK 0 / 48 / 68 / 20

HEX #CC6B41

RGB 204 107 65

HSL 18.13, 0.58%, 0.53%

LAB 55.82, 35.02, 40.26

 

Description

Color code: HEX #5CCC41 | qconv.com Color code: HEX #5CCC41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 204 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 204 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 68 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 68% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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