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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CBCDB it is the complementary color #A34324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CBCDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CBCDB shade: #61BCD6, #72CEE9, #83E0FC, #94F2FF and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CBCDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CBCDB shade: #5CBCDB, #4BAAC8, #3A98B5, #2986A2 and #18748F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CBCDB shade: #5BBCDB, #5B99DB, #5B77DB, #625BDB and #845BDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CBCDB shade: #5BBCDB, #5B99DB, #5B77DB and #5B5BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CBCDB shade matches the following richer shades: #5BBCDB, #4BC4EB and #3BCCFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CBCDB shade: #5BBCDB, #6BB3CB, #7CABBB, #8CA3AA and #9C9B9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CBCDB shade: #5BDBB5, #5BDBD6, #5BBDDB, #5B9BDB and #5B79DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CBCDB shade: #2997BB, #3AAED3, #5BBCDB, #7DC9E2 and #9FD7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CBCDB shade: #5CBCDB, #935BDB and #DBC55B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CBCDB shade: #5CBCDB, #DB5BBD and #BDDB5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CBCDB shade: #5CBCDB, #935BDB, #DB795B and #A4DB5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CBCDB shade: #5CBCDB, #B95BDB, #DB795B and #7DDB5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 14 / 0 / 14

HEX #5CBCDB

RGB 92 188 219

HSL 194.65, 0.64%, 0.61%

LAB 71.8, -19.43, -24.1

 

Complementary color

CMYK 0 / 59 / 78 / 36

HEX #A34324

RGB 163 67 36

HSL 14.65, 0.64%, 0.39%

LAB 41.1, 37.94, 37.69

 

CMYK 55 / 12 / 0 / 16

HEX #61BCD6

RGB 97 188 214

HSL 193.33, 0.59%, 0.61%

LAB 71.8, -19.9, -21.35

 

CMYK 51 / 12 / 0 / 9

HEX #72CEE9

RGB 114 206 233

HSL 193.61, 0.73%, 0.68%

LAB 78.23, -20.2, -21.79

 

CMYK 48 / 11 / 0 / 1

HEX #83E0FC

RGB 131 224 252

HSL 193.88, 0.95%, 0.75%

LAB 84.57, -20.43, -22.2

 

CMYK 42 / 5 / 0 / 0

HEX #94F2FF

RGB 148 242 255

HSL 187.29, 1%, 0.79%

LAB 90.33, -24.66, -15.02

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 58 / 14 / 0 / 14

HEX #5CBCDB

RGB 92 188 219

HSL 194.65, 0.64%, 0.61%

LAB 71.8, -19.43, -24.1

 

CMYK 63 / 15 / 0 / 22

HEX #4BAAC8

RGB 75 170 200

HSL 194.4, 0.53%, 0.54%

LAB 65.29, -18.89, -23.65

 

CMYK 68 / 16 / 0 / 29

HEX #3A98B5

RGB 58 152 181

HSL 194.15, 0.51%, 0.47%

LAB 58.69, -18.16, -23.17

 

CMYK 75 / 17 / 0 / 36

HEX #2986A2

RGB 41 134 162

HSL 193.88, 0.6%, 0.4%

LAB 51.98, -17.18, -22.64

 

CMYK 83 / 19 / 0 / 44

HEX #18748F

RGB 24 116 143

HSL 193.61, 0.71%, 0.33%

LAB 45.18, -15.82, -22.02

 

CMYK 58 / 14 / 0 / 14

HEX #5BBCDB

RGB 91 188 219

HSL 194.53, 0.64%, 0.61%

LAB 71.76, -19.61, -24.15

 

CMYK 58 / 30 / 0 / 14

HEX #5B99DB

RGB 91 153 219

HSL 210.94, 0.64%, 0.61%

LAB 61.76, -0.54, -39.63

 

CMYK 58 / 46 / 0 / 14

HEX #5B77DB

RGB 91 119 219

HSL 226.88, 0.64%, 0.61%

LAB 52.43, 19.72, -54.4

 

CMYK 55 / 58 / 0 / 14

HEX #625BDB

RGB 98 91 219

HSL 243.28, 0.64%, 0.61%

LAB 45.9, 38.15, -64.91

 

CMYK 40 / 58 / 0 / 14

HEX #845BDB

RGB 132 91 219

HSL 259.22, 0.64%, 0.61%

LAB 48.89, 45.07, -59.93

 

CMYK 58 / 14 / 0 / 14

HEX #5BBCDB

RGB 91 188 219

HSL 194.53, 0.64%, 0.61%

LAB 71.76, -19.61, -24.15

 

CMYK 58 / 30 / 0 / 14

HEX #5B99DB

RGB 91 153 219

HSL 210.94, 0.64%, 0.61%

LAB 61.76, -0.54, -39.63

 

CMYK 58 / 46 / 0 / 14

HEX #5B77DB

RGB 91 119 219

HSL 226.88, 0.64%, 0.61%

LAB 52.43, 19.72, -54.4

 

CMYK 58 / 58 / 0 / 14

HEX #5B5BDB

RGB 91 91 219

HSL 240, 0.64%, 0.61%

LAB 45.39, 36.91, -65.76

 

CMYK 58 / 14 / 0 / 14

HEX #5BBCDB

RGB 91 188 219

HSL 194.53, 0.64%, 0.61%

LAB 71.76, -19.61, -24.15

 

CMYK 68 / 17 / 0 / 8

HEX #4BC4EB

RGB 75 196 235

HSL 194.63, 0.8%, 0.61%

LAB 74.17, -21.51, -29.17

 

CMYK 76 / 19 / 0 / 2

HEX #3BCCFB

RGB 59 204 251

HSL 194.69, 0.96%, 0.61%

LAB 76.73, -22.48, -33.86

 

CMYK 58 / 14 / 0 / 14

HEX #5BBCDB

RGB 91 188 219

HSL 194.53, 0.64%, 0.61%

LAB 71.76, -19.61, -24.15

 

CMYK 47 / 12 / 0 / 20

HEX #6BB3CB

RGB 107 179 203

HSL 195, 0.48%, 0.61%

LAB 69.24, -16.12, -19.18

 

CMYK 34 / 9 / 0 / 27

HEX #7CABBB

RGB 124 171 187

HSL 195.24, 0.32%, 0.61%

LAB 67.28, -11.68, -13.23

 

CMYK 18 / 4 / 0 / 33

HEX #8CA3AA

RGB 140 163 170

HSL 194, 0.15%, 0.61%

LAB 65.49, -6.47, -6.32

 

CMYK 0 / 1 / 1 / 39

HEX #9C9B9A

RGB 156 155 154

HSL 30, 0.01%, 0.61%

LAB 64.03, 0.17, 0.64

 

CMYK 58 / 0 / 17 / 14

HEX #5BDBB5

RGB 91 219 181

HSL 162.19, 0.64%, 0.61%

LAB 79.74, -44.38, 8.17

 

CMYK 58 / 0 / 2 / 14

HEX #5BDBD6

RGB 91 219 214

HSL 177.66, 0.64%, 0.61%

LAB 80.6, -36.18, -8.15

 

CMYK 58 / 14 / 0 / 14

HEX #5BBDDB

RGB 91 189 219

HSL 194.06, 0.64%, 0.61%

LAB 72.05, -20.13, -23.71

 

CMYK 58 / 29 / 0 / 14

HEX #5B9BDB

RGB 91 155 219

HSL 210, 0.64%, 0.61%

LAB 62.32, -1.68, -38.75

 

CMYK 58 / 45 / 0 / 14

HEX #5B79DB

RGB 91 121 219

HSL 225.94, 0.64%, 0.61%

LAB 52.96, 18.5, -53.56

 

CMYK 78 / 19 / 0 / 27

HEX #2997BB

RGB 41 151 187

HSL 194.79, 0.64%, 0.45%

LAB 58.22, -17.88, -27.32

 

CMYK 73 / 18 / 0 / 17

HEX #3AAED3

RGB 58 174 211

HSL 194.51, 0.63%, 0.53%

LAB 66.42, -20.07, -28.04

 

CMYK 58 / 14 / 0 / 14

HEX #5BBCDB

RGB 91 188 219

HSL 194.53, 0.64%, 0.61%

LAB 71.76, -19.61, -24.15

 

CMYK 45 / 11 / 0 / 11

HEX #7DC9E2

RGB 125 201 226

HSL 194.85, 0.64%, 0.69%

LAB 77.06, -17.05, -19.76

 

CMYK 32 / 8 / 0 / 8

HEX #9FD7EA

RGB 159 215 234

HSL 195.2, 0.64%, 0.77%

LAB 82.87, -13.45, -15.11

 

CMYK 58 / 14 / 0 / 14

HEX #5CBCDB

RGB 92 188 219

HSL 194.65, 0.64%, 0.61%

LAB 71.8, -19.43, -24.1

 

CMYK 33 / 58 / 0 / 14

HEX #935BDB

RGB 147 91 219

HSL 266.25, 0.64%, 0.61%

LAB 50.45, 48.46, -57.33

 

CMYK 0 / 10 / 58 / 14

HEX #DBC55B

RGB 219 197 91

HSL 49.69, 0.64%, 0.61%

LAB 79.47, -5.03, 54.91

 

CMYK 58 / 14 / 0 / 14

HEX #5CBCDB

RGB 92 188 219

HSL 194.65, 0.64%, 0.61%

LAB 71.8, -19.43, -24.1

 

CMYK 0 / 58 / 14 / 14

HEX #DB5BBD

RGB 219 91 189

HSL 314.06, 0.64%, 0.61%

LAB 58.24, 61.25, -27.3

 

CMYK 14 / 0 / 58 / 14

HEX #BDDB5B

RGB 189 219 91

HSL 74.06, 0.64%, 0.61%

LAB 83.04, -28.15, 58.28

 

CMYK 58 / 14 / 0 / 14

HEX #5CBCDB

RGB 92 188 219

HSL 194.65, 0.64%, 0.61%

LAB 71.8, -19.43, -24.1

 

CMYK 33 / 58 / 0 / 14

HEX #935BDB

RGB 147 91 219

HSL 266.25, 0.64%, 0.61%

LAB 50.45, 48.46, -57.33

 

CMYK 0 / 45 / 58 / 14

HEX #DB795B

RGB 219 121 91

HSL 14.06, 0.64%, 0.61%

LAB 61.21, 35.34, 33.17

 

CMYK 25 / 0 / 58 / 14

HEX #A4DB5B

RGB 164 219 91

HSL 85.78, 0.64%, 0.61%

LAB 81.46, -37.66, 56.07

 

CMYK 58 / 14 / 0 / 14

HEX #5CBCDB

RGB 92 188 219

HSL 194.65, 0.64%, 0.61%

LAB 71.8, -19.43, -24.1

 

CMYK 16 / 58 / 0 / 14

HEX #B95BDB

RGB 185 91 219

HSL 284.06, 0.64%, 0.61%

LAB 54.98, 57.6, -49.83

 

CMYK 0 / 45 / 58 / 14

HEX #DB795B

RGB 219 121 91

HSL 14.06, 0.64%, 0.61%

LAB 61.21, 35.34, 33.17

 

CMYK 43 / 0 / 58 / 14

HEX #7DDB5B

RGB 125 219 91

HSL 104.06, 0.64%, 0.61%

LAB 79.49, -50.9, 53.3

 

Description

Color code: HEX #5CBCDB | qconv.com Color code: HEX #5CBCDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 188 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 188 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 14 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 14% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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