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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CBB0A it is the complementary color #A344F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CBB0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CBB0A shade: #61BB05, #72CD18, #83DF2B, #94F13E and #A5FF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CBB0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CBB0A shade: #5CBB0A, #4BA900, #3A9700, #298500 and #187300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CBB0A shade: #5CBC09, #8DBC09, #BCBC09, #BC8C09 and #BC5B09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CBB0A shade: #5CBC09, #2CBC09, #09BC17, #09BC47 and #09BC78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CBB0A shade matches the following richer shades: #5CBC09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CBB0A shade: #5CBC09, #5EAC1A, #5F9C2A, #608C3A and #617C4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CBB0A shade: #BCBC09, #8DBC09, #5DBC09, #2DBC09 and #09BC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CBB0A shade: #366E05, #499507, #5CBC09, #70E40C and #85F325

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CBB0A shade: #5CBB0A, #09BC8D and #BC09A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CBB0A shade: #5CBB0A, #095DBC and #BC095D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CBB0A shade: #5CBB0A, #09BC8D, #6909BC and #BC0939

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CBB0A shade: #5CBB0A, #09B6BC, #6909BC and #BC0F09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 95 / 27

HEX #5CBB0A

RGB 92 187 10

HSL 92.2, 0.9%, 0.39%

LAB 67.9, -53.54, 66.82

 

Complementary color

CMYK 33 / 72 / 0 / 4

HEX #A344F5

RGB 163 68 245

HSL 272.2, 0.9%, 0.61%

LAB 50.11, 68.75, -72.44

 

CMYK 48 / 0 / 97 / 27

HEX #61BB05

RGB 97 187 5

HSL 89.67, 0.95%, 0.38%

LAB 68.09, -52.11, 67.63

 

CMYK 44 / 0 / 88 / 20

HEX #72CD18

RGB 114 205 24

HSL 90.17, 0.79%, 0.45%

LAB 74.39, -53.23, 70.46

 

CMYK 41 / 0 / 81 / 13

HEX #83DF2B

RGB 131 223 43

HSL 90.67, 0.74%, 0.52%

LAB 80.61, -54.06, 71.95

 

CMYK 39 / 0 / 74 / 5

HEX #94F13E

RGB 148 241 62

HSL 91.17, 0.86%, 0.59%

LAB 86.78, -54.65, 72.47

 

CMYK 35 / 0 / 68 / 0

HEX #A5FF51

RGB 165 255 81

HSL 91.03, 1%, 0.66%

LAB 91.74, -53.45, 71.18

 

CMYK 51 / 0 / 95 / 27

HEX #5CBB0A

RGB 92 187 10

HSL 92.2, 0.9%, 0.39%

LAB 67.9, -53.54, 66.82

 

CMYK 56 / 0 / 100 / 34

HEX #4BA900

RGB 75 169 0

HSL 93.37, 1%, 0.33%

LAB 61.54, -52.03, 62.73

 

CMYK 62 / 0 / 100 / 41

HEX #3A9700

RGB 58 151 0

HSL 96.95, 1%, 0.3%

LAB 55.11, -50.13, 57.41

 

CMYK 69 / 0 / 100 / 48

HEX #298500

RGB 41 133 0

HSL 101.5, 1%, 0.26%

LAB 48.57, -47.9, 52.02

 

CMYK 79 / 0 / 100 / 55

HEX #187300

RGB 24 115 0

HSL 107.48, 1%, 0.23%

LAB 41.93, -45.16, 46.58

 

CMYK 51 / 0 / 95 / 26

HEX #5CBC09

RGB 92 188 9

HSL 92.18, 0.91%, 0.39%

LAB 68.21, -53.93, 67.19

 

CMYK 25 / 0 / 95 / 26

HEX #8DBC09

RGB 141 188 9

HSL 75.75, 0.91%, 0.39%

LAB 70.63, -36.72, 70.13

 

CMYK 0 / 0 / 95 / 26

HEX #BCBC09

RGB 188 188 9

HSL 60, 0.91%, 0.39%

LAB 73.98, -17.04, 74.17

 

CMYK 0 / 26 / 95 / 26

HEX #BC8C09

RGB 188 140 9

HSL 43.91, 0.91%, 0.39%

LAB 61.19, 8.34, 64.69

 

CMYK 0 / 52 / 95 / 26

HEX #BC5B09

RGB 188 91 9

HSL 27.49, 0.91%, 0.39%

LAB 49.73, 35.02, 56.66

 

CMYK 51 / 0 / 95 / 26

HEX #5CBC09

RGB 92 188 9

HSL 92.18, 0.91%, 0.39%

LAB 68.21, -53.93, 67.19

 

CMYK 77 / 0 / 95 / 26

HEX #2CBC09

RGB 44 188 9

HSL 108.27, 0.91%, 0.39%

LAB 66.92, -64.68, 65.59

 

CMYK 95 / 0 / 88 / 26

HEX #09BC17

RGB 9 188 23

HSL 124.69, 0.91%, 0.39%

LAB 66.59, -67.52, 62.98

 

CMYK 95 / 0 / 62 / 26

HEX #09BC47

RGB 9 188 71

HSL 140.78, 0.91%, 0.39%

LAB 66.88, -63.72, 47.05

 

CMYK 95 / 0 / 36 / 26

HEX #09BC78

RGB 9 188 120

HSL 157.21, 0.91%, 0.39%

LAB 67.56, -55.59, 23.51

 

CMYK 51 / 0 / 95 / 26

HEX #5CBC09

RGB 92 188 9

HSL 92.18, 0.91%, 0.39%

LAB 68.21, -53.93, 67.19

 

CMYK 51 / 0 / 95 / 26

HEX #5CBC09

RGB 92 188 9

HSL 92.18, 0.91%, 0.39%

LAB 68.21, -53.93, 67.19

 

CMYK 45 / 0 / 85 / 33

HEX #5EAC1A

RGB 94 172 26

HSL 92.05, 0.74%, 0.39%

LAB 63.31, -46.68, 60.15

 

CMYK 39 / 0 / 73 / 39

HEX #5F9C2A

RGB 95 156 42

HSL 92.11, 0.58%, 0.39%

LAB 58.39, -38.81, 50.56

 

CMYK 31 / 0 / 59 / 45

HEX #608C3A

RGB 96 140 58

HSL 92.2, 0.41%, 0.39%

LAB 53.54, -29.77, 38.38

 

CMYK 22 / 0 / 40 / 51

HEX #617C4A

RGB 97 124 74

HSL 92.4, 0.25%, 0.39%

LAB 48.82, -19.35, 24.19

 

CMYK 0 / 0 / 95 / 26

HEX #BCBC09

RGB 188 188 9

HSL 60, 0.91%, 0.39%

LAB 73.98, -17.04, 74.17

 

CMYK 25 / 0 / 95 / 26

HEX #8DBC09

RGB 141 188 9

HSL 75.75, 0.91%, 0.39%

LAB 70.63, -36.72, 70.13

 

CMYK 51 / 0 / 95 / 26

HEX #5DBC09

RGB 93 188 9

HSL 91.84, 0.91%, 0.39%

LAB 68.25, -53.63, 67.23

 

CMYK 76 / 0 / 95 / 26

HEX #2DBC09

RGB 45 188 9

HSL 107.93, 0.91%, 0.39%

LAB 66.93, -64.53, 65.61

 

CMYK 95 / 0 / 89 / 26

HEX #09BC15

RGB 9 188 21

HSL 124.02, 0.91%, 0.39%

LAB 66.58, -67.59, 63.37

 

CMYK 51 / 0 / 95 / 57

HEX #366E05

RGB 54 110 5

HSL 92, 0.91%, 0.23%

LAB 41.13, -35.44, 45.09

 

CMYK 51 / 0 / 95 / 42

HEX #499507

RGB 73 149 7

HSL 92.11, 0.91%, 0.31%

LAB 55, -44.93, 56.41

 

CMYK 51 / 0 / 95 / 26

HEX #5CBC09

RGB 92 188 9

HSL 92.18, 0.91%, 0.39%

LAB 68.21, -53.93, 67.19

 

CMYK 51 / 0 / 95 / 11

HEX #70E40C

RGB 112 228 12

HSL 92.22, 0.9%, 0.47%

LAB 81.27, -62.62, 77.74

 

CMYK 45 / 0 / 85 / 5

HEX #85F325

RGB 133 243 37

HSL 92.04, 0.9%, 0.55%

LAB 86.61, -61.29, 78.7

 

CMYK 51 / 0 / 95 / 27

HEX #5CBB0A

RGB 92 187 10

HSL 92.2, 0.9%, 0.39%

LAB 67.9, -53.54, 66.82

 

CMYK 95 / 0 / 25 / 26

HEX #09BC8D

RGB 9 188 141

HSL 164.25, 0.91%, 0.39%

LAB 67.98, -50.85, 12.78

 

CMYK 0 / 95 / 12 / 26

HEX #BC09A5

RGB 188 9 165

HSL 307.71, 0.91%, 0.39%

LAB 43.66, 74.06, -36.41

 

CMYK 51 / 0 / 95 / 27

HEX #5CBB0A

RGB 92 187 10

HSL 92.2, 0.9%, 0.39%

LAB 67.9, -53.54, 66.82

 

CMYK 95 / 51 / 0 / 26

HEX #095DBC

RGB 9 93 188

HSL 211.84, 0.91%, 0.39%

LAB 40.44, 15.03, -56.07

 

CMYK 0 / 95 / 51 / 26

HEX #BC095D

RGB 188 9 93

HSL 331.84, 0.91%, 0.39%

LAB 40.7, 66.34, 3.47

 

CMYK 51 / 0 / 95 / 27

HEX #5CBB0A

RGB 92 187 10

HSL 92.2, 0.9%, 0.39%

LAB 67.9, -53.54, 66.82

 

CMYK 95 / 0 / 25 / 26

HEX #09BC8D

RGB 9 188 141

HSL 164.25, 0.91%, 0.39%

LAB 67.98, -50.85, 12.78

 

CMYK 44 / 95 / 0 / 26

HEX #6909BC

RGB 105 9 188

HSL 272.18, 0.91%, 0.39%

LAB 31.42, 65.83, -70.57

 

CMYK 0 / 95 / 70 / 26

HEX #BC0939

RGB 188 9 57

HSL 343.91, 0.91%, 0.39%

LAB 39.89, 64.12, 25.25

 

CMYK 51 / 0 / 95 / 27

HEX #5CBB0A

RGB 92 187 10

HSL 92.2, 0.9%, 0.39%

LAB 67.9, -53.54, 66.82

 

CMYK 95 / 3 / 0 / 26

HEX #09B6BC

RGB 9 182 188

HSL 182.01, 0.91%, 0.39%

LAB 67.39, -35.19, -13.93

 

CMYK 44 / 95 / 0 / 26

HEX #6909BC

RGB 105 9 188

HSL 272.18, 0.91%, 0.39%

LAB 31.42, 65.83, -70.57

 

CMYK 0 / 92 / 95 / 26

HEX #BC0F09

RGB 188 15 9

HSL 2.01, 0.91%, 0.39%

LAB 39.67, 62.12, 50.42

 

Description

Color code: HEX #5CBB0A | qconv.com Color code: HEX #5CBB0A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 187 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 187 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 95 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 95% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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