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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CB9E5 it is the complementary color #A3461A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CB9E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CB9E5 shade: #61B9E0, #72CBF3, #83DDFF, #94EFFF and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CB9E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CB9E5 shade: #5CB9E5, #4BA7D2, #3A95BF, #2983AC and #187199

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CB9E5 shade: #5CB8E4, #5C94E4, #5C6FE4, #6E5CE4 and #935CE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CB9E5 shade: #5CB8E4, #5C94E4, #5C6FE4 and #5C5CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CB9E5 shade matches the following richer shades: #5CB8E4 and #4DBEF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CB9E5 shade: #5CB8E4, #6BB3D5, #7BAEC6, #8AA8B6 and #99A3A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CB9E5 shade: #5CE4C7, #5CDDE4, #5CB9E4, #5C95E4 and #5C71E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CB9E5 shade: #2196CD, #39A9DE, #5CB8E4, #80C8EA and #A3D7F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CB9E5 shade: #5CB9E5, #A25CE4 and #E4D95C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CB9E5 shade: #5CB9E5, #E45CB9 and #B9E45C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CB9E5 shade: #5CB9E5, #A25CE4, #E4875C and #9EE45C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CB9E5 shade: #5CB9E5, #CB5CE4, #E4875C and #75E45C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 19 / 0 / 10

HEX #5CB9E5

RGB 92 185 229

HSL 199.27, 0.72%, 0.63%

LAB 71.3, -14.86, -30.3

 

Complementary color

CMYK 0 / 57 / 84 / 36

HEX #A3461A

RGB 163 70 26

HSL 19.27, 0.72%, 0.37%

LAB 41.6, 36.08, 43.08

 

CMYK 57 / 17 / 0 / 12

HEX #61B9E0

RGB 97 185 224

HSL 198.43, 0.67%, 0.63%

LAB 71.3, -15.41, -27.57

 

CMYK 53 / 16 / 0 / 5

HEX #72CBF3

RGB 114 203 243

HSL 198.6, 0.84%, 0.7%

LAB 77.73, -15.85, -27.9

 

CMYK 49 / 13 / 0 / 0

HEX #83DDFF

RGB 131 221 255

HSL 196.45, 1%, 0.76%

LAB 83.84, -18.11, -24.89

 

CMYK 42 / 6 / 0 / 0

HEX #94EFFF

RGB 148 239 255

HSL 188.97, 1%, 0.79%

LAB 89.51, -23.19, -16.25

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 60 / 19 / 0 / 10

HEX #5CB9E5

RGB 92 185 229

HSL 199.27, 0.72%, 0.63%

LAB 71.3, -14.86, -30.3

 

CMYK 64 / 20 / 0 / 18

HEX #4BA7D2

RGB 75 167 210

HSL 199.11, 0.6%, 0.56%

LAB 64.79, -14.16, -29.96

 

CMYK 70 / 22 / 0 / 25

HEX #3A95BF

RGB 58 149 191

HSL 198.95, 0.53%, 0.49%

LAB 58.18, -13.25, -29.6

 

CMYK 76 / 24 / 0 / 33

HEX #2983AC

RGB 41 131 172

HSL 198.78, 0.62%, 0.42%

LAB 51.48, -12.05, -29.2

 

CMYK 84 / 26 / 0 / 40

HEX #187199

RGB 24 113 153

HSL 198.6, 0.73%, 0.35%

LAB 44.67, -10.44, -28.74

 

CMYK 60 / 19 / 0 / 11

HEX #5CB8E4

RGB 92 184 228

HSL 199.41, 0.72%, 0.63%

LAB 70.98, -14.64, -30.25

 

CMYK 60 / 35 / 0 / 11

HEX #5C94E4

RGB 92 148 228

HSL 215.29, 0.72%, 0.63%

LAB 60.83, 5.46, -46.09

 

CMYK 60 / 51 / 0 / 11

HEX #5C6FE4

RGB 92 111 228

HSL 231.62, 0.72%, 0.63%

LAB 50.97, 27.8, -61.82

 

CMYK 52 / 60 / 0 / 11

HEX #6E5CE4

RGB 110 92 228

HSL 247.94, 0.72%, 0.63%

LAB 47.71, 42.54, -67.03

 

CMYK 36 / 60 / 0 / 11

HEX #935CE4

RGB 147 92 228

HSL 264.26, 0.72%, 0.63%

LAB 51.22, 50.17, -61.19

 

CMYK 60 / 19 / 0 / 11

HEX #5CB8E4

RGB 92 184 228

HSL 199.41, 0.72%, 0.63%

LAB 70.98, -14.64, -30.25

 

CMYK 60 / 35 / 0 / 11

HEX #5C94E4

RGB 92 148 228

HSL 215.29, 0.72%, 0.63%

LAB 60.83, 5.46, -46.09

 

CMYK 60 / 51 / 0 / 11

HEX #5C6FE4

RGB 92 111 228

HSL 231.62, 0.72%, 0.63%

LAB 50.97, 27.8, -61.82

 

CMYK 60 / 60 / 0 / 11

HEX #5C5CE4

RGB 92 92 228

HSL 240, 0.72%, 0.63%

LAB 46.35, 39.36, -69.3

 

CMYK 60 / 19 / 0 / 11

HEX #5CB8E4

RGB 92 184 228

HSL 199.41, 0.72%, 0.63%

LAB 70.98, -14.64, -30.25

 

CMYK 68 / 22 / 0 / 5

HEX #4DBEF3

RGB 77 190 243

HSL 199.16, 0.87%, 0.63%

LAB 72.81, -15.59, -35.59

 

CMYK 60 / 19 / 0 / 11

HEX #5CB8E4

RGB 92 184 228

HSL 199.41, 0.72%, 0.63%

LAB 70.98, -14.64, -30.25

 

CMYK 50 / 16 / 0 / 16

HEX #6BB3D5

RGB 107 179 213

HSL 199.25, 0.56%, 0.63%

LAB 69.59, -13.32, -24.14

 

CMYK 38 / 12 / 0 / 22

HEX #7BAEC6

RGB 123 174 198

HSL 199.2, 0.4%, 0.63%

LAB 68.43, -10.75, -17.58

 

CMYK 24 / 8 / 0 / 29

HEX #8AA8B6

RGB 138 168 182

HSL 199.09, 0.23%, 0.63%

LAB 67.12, -7.1, -10.61

 

CMYK 8 / 2 / 0 / 35

HEX #99A3A7

RGB 153 163 167

HSL 197.14, 0.07%, 0.63%

LAB 66.33, -2.72, -3.3

 

CMYK 60 / 0 / 13 / 11

HEX #5CE4C7

RGB 92 228 199

HSL 167.21, 0.72%, 0.63%

LAB 82.85, -43.85, 3.13

 

CMYK 60 / 3 / 0 / 11

HEX #5CDDE4

RGB 92 221 228

HSL 183.09, 0.72%, 0.63%

LAB 81.61, -33.16, -14.08

 

CMYK 60 / 19 / 0 / 11

HEX #5CB9E4

RGB 92 185 228

HSL 198.97, 0.72%, 0.63%

LAB 71.27, -15.17, -29.81

 

CMYK 60 / 35 / 0 / 11

HEX #5C95E4

RGB 92 149 228

HSL 214.85, 0.72%, 0.63%

LAB 61.11, 4.88, -45.65

 

CMYK 60 / 50 / 0 / 11

HEX #5C71E4

RGB 92 113 228

HSL 230.74, 0.72%, 0.63%

LAB 51.48, 26.57, -61

 

CMYK 84 / 27 / 0 / 20

HEX #2196CD

RGB 33 150 205

HSL 199.19, 0.72%, 0.47%

LAB 58.55, -11.79, -36.96

 

CMYK 74 / 24 / 0 / 13

HEX #39A9DE

RGB 57 169 222

HSL 199.27, 0.71%, 0.55%

LAB 65.37, -13.91, -35.73

 

CMYK 60 / 19 / 0 / 11

HEX #5CB8E4

RGB 92 184 228

HSL 199.41, 0.72%, 0.63%

LAB 70.98, -14.64, -30.25

 

CMYK 45 / 15 / 0 / 8

HEX #80C8EA

RGB 128 200 234

HSL 199.25, 0.72%, 0.71%

LAB 77.18, -13.67, -23.86

 

CMYK 32 / 10 / 0 / 6

HEX #A3D7F0

RGB 163 215 240

HSL 199.48, 0.72%, 0.79%

LAB 83.27, -10.91, -17.66

 

CMYK 60 / 19 / 0 / 10

HEX #5CB9E5

RGB 92 185 229

HSL 199.27, 0.72%, 0.63%

LAB 71.3, -14.86, -30.3

 

CMYK 29 / 60 / 0 / 11

HEX #A25CE4

RGB 162 92 228

HSL 270.88, 0.72%, 0.63%

LAB 52.88, 53.57, -58.43

 

CMYK 0 / 5 / 60 / 11

HEX #E4D95C

RGB 228 217 92

HSL 55.15, 0.72%, 0.63%

LAB 85.45, -11.39, 61.34

 

CMYK 60 / 19 / 0 / 10

HEX #5CB9E5

RGB 92 185 229

HSL 199.27, 0.72%, 0.63%

LAB 71.3, -14.86, -30.3

 

CMYK 0 / 60 / 19 / 11

HEX #E45CB9

RGB 228 92 185

HSL 318.97, 0.72%, 0.63%

LAB 59.57, 62.74, -22.85

 

CMYK 19 / 0 / 60 / 11

HEX #B9E45C

RGB 185 228 92

HSL 78.97, 0.72%, 0.63%

LAB 85.29, -33.82, 60.27

 

CMYK 60 / 19 / 0 / 10

HEX #5CB9E5

RGB 92 185 229

HSL 199.27, 0.72%, 0.63%

LAB 71.3, -14.86, -30.3

 

CMYK 29 / 60 / 0 / 11

HEX #A25CE4

RGB 162 92 228

HSL 270.88, 0.72%, 0.63%

LAB 52.88, 53.57, -58.43

 

CMYK 0 / 41 / 60 / 11

HEX #E4875C

RGB 228 135 92

HSL 18.97, 0.72%, 0.63%

LAB 65.43, 31.62, 38.13

 

CMYK 31 / 0 / 60 / 11

HEX #9EE45C

RGB 158 228 92

HSL 90.88, 0.72%, 0.63%

LAB 83.72, -43.7, 58.09

 

CMYK 60 / 19 / 0 / 10

HEX #5CB9E5

RGB 92 185 229

HSL 199.27, 0.72%, 0.63%

LAB 71.3, -14.86, -30.3

 

CMYK 11 / 60 / 0 / 11

HEX #CB5CE4

RGB 203 92 228

HSL 288.97, 0.72%, 0.63%

LAB 57.99, 63.29, -49.97

 

CMYK 0 / 41 / 60 / 11

HEX #E4875C

RGB 228 135 92

HSL 18.97, 0.72%, 0.63%

LAB 65.43, 31.62, 38.13

 

CMYK 49 / 0 / 60 / 11

HEX #75E45C

RGB 117 228 92

HSL 108.97, 0.72%, 0.63%

LAB 81.86, -56.69, 55.49

 

Description

Color code: HEX #5CB9E5 | qconv.com Color code: HEX #5CB9E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 185 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 185 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 19 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 19% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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