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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CB734 it is the complementary color #A348CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CB734. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CB734 shade: #61B72F, #72C942, #83DB55, #94ED68 and #A5FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CB734. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CB734 shade: #5CB734, #4BA521, #3A930E, #298100 and #186F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CB734 shade: #5BB633, #7FB633, #A2B633, #B6A733 and #B68433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CB734 shade: #5BB633, #38B633, #33B652, #33B675 and #33B699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CB734 shade matches the following richer shades: #5BB633, #54C920 and #4CDC0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CB734 shade: #5BB633, #63A446, #6A9159, #717E6C and #796B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CB734 shade: #A3B633, #80B633, #5DB633, #3AB633 and #33B650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CB734 shade: #3B7621, #4B962A, #5BB633, #70CB48 and #89D468

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CB734 shade: #5CB734, #33B6A7 and #B63391

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CB734 shade: #5CB734, #335DB6 and #B6335D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CB734 shade: #5CB734, #33B6A7, #8D33B6 and #B63342

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CB734 shade: #5CB734, #339EB6, #8D33B6 and #B64B33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 72 / 28

HEX #5CB734

RGB 92 183 52

HSL 101.68, 0.56%, 0.46%

LAB 66.82, -50.13, 55.3

 

Complementary color

CMYK 20 / 65 / 0 / 20

HEX #A348CB

RGB 163 72 203

HSL 281.68, 0.56%, 0.54%

LAB 47.92, 57.96, -52.14

 

CMYK 47 / 0 / 74 / 28

HEX #61B72F

RGB 97 183 47

HSL 97.94, 0.59%, 0.45%

LAB 66.99, -48.96, 57.34

 

CMYK 43 / 0 / 67 / 21

HEX #72C942

RGB 114 201 66

HSL 98.67, 0.56%, 0.52%

LAB 73.38, -49.39, 56.99

 

CMYK 40 / 0 / 61 / 14

HEX #83DB55

RGB 131 219 85

HSL 99.4, 0.65%, 0.6%

LAB 79.7, -49.61, 56.22

 

CMYK 38 / 0 / 56 / 7

HEX #94ED68

RGB 148 237 104

HSL 100.15, 0.79%, 0.67%

LAB 85.94, -49.7, 55.24

 

CMYK 35 / 0 / 52 / 0

HEX #A5FF7B

RGB 165 255 123

HSL 100.91, 1%, 0.74%

LAB 92.11, -49.7, 54.16

 

CMYK 50 / 0 / 72 / 28

HEX #5CB734

RGB 92 183 52

HSL 101.68, 0.56%, 0.46%

LAB 66.82, -50.13, 55.3

 

CMYK 55 / 0 / 80 / 35

HEX #4BA521

RGB 75 165 33

HSL 100.91, 0.67%, 0.39%

LAB 60.35, -49.44, 55.25

 

CMYK 61 / 0 / 90 / 42

HEX #3A930E

RGB 58 147 14

HSL 100.15, 0.83%, 0.32%

LAB 53.81, -48.3, 54.01

 

CMYK 68 / 0 / 100 / 49

HEX #298100

RGB 41 129 0

HSL 100.93, 1%, 0.25%

LAB 47.2, -46.52, 50.94

 

CMYK 78 / 0 / 100 / 56

HEX #186F00

RGB 24 111 0

HSL 107.03, 1%, 0.22%

LAB 40.51, -43.83, 45.45

 

CMYK 50 / 0 / 72 / 29

HEX #5BB633

RGB 91 182 51

HSL 101.68, 0.56%, 0.46%

LAB 66.46, -50.11, 55.29

 

CMYK 30 / 0 / 72 / 29

HEX #7FB633

RGB 127 182 51

HSL 85.19, 0.56%, 0.46%

LAB 68.17, -37.92, 57.58

 

CMYK 11 / 0 / 72 / 29

HEX #A2B633

RGB 162 182 51

HSL 69.16, 0.56%, 0.46%

LAB 70.44, -23.93, 60.58

 

CMYK 0 / 8 / 72 / 29

HEX #B6A733

RGB 182 167 51

HSL 53.13, 0.56%, 0.46%

LAB 67.89, -7.67, 58.64

 

CMYK 0 / 27 / 72 / 29

HEX #B68433

RGB 182 132 51

HSL 37.1, 0.56%, 0.46%

LAB 58.68, 11.34, 49.41

 

CMYK 50 / 0 / 72 / 29

HEX #5BB633

RGB 91 182 51

HSL 101.68, 0.56%, 0.46%

LAB 66.46, -50.11, 55.29

 

CMYK 69 / 0 / 72 / 29

HEX #38B633

RGB 56 182 51

HSL 117.71, 0.56%, 0.46%

LAB 65.39, -58.67, 53.85

 

CMYK 72 / 0 / 55 / 29

HEX #33B652

RGB 51 182 82

HSL 134.2, 0.56%, 0.46%

LAB 65.57, -56.11, 40.51

 

CMYK 72 / 0 / 36 / 29

HEX #33B675

RGB 51 182 117

HSL 150.23, 0.56%, 0.46%

LAB 66.09, -50.13, 23.21

 

CMYK 72 / 0 / 16 / 29

HEX #33B699

RGB 51 182 153

HSL 166.72, 0.56%, 0.46%

LAB 66.87, -41.86, 4.69

 

CMYK 50 / 0 / 72 / 29

HEX #5BB633

RGB 91 182 51

HSL 101.68, 0.56%, 0.46%

LAB 66.46, -50.11, 55.29

 

CMYK 58 / 0 / 84 / 21

HEX #54C920

RGB 84 201 32

HSL 101.54, 0.73%, 0.46%

LAB 72.07, -60.09, 66.35

 

CMYK 65 / 0 / 94 / 14

HEX #4CDC0D

RGB 76 220 13

HSL 101.74, 0.89%, 0.46%

LAB 77.73, -68.77, 74.31

 

CMYK 50 / 0 / 72 / 29

HEX #5BB633

RGB 91 182 51

HSL 101.68, 0.56%, 0.46%

LAB 66.46, -50.11, 55.29

 

CMYK 40 / 0 / 57 / 36

HEX #63A446

RGB 99 164 70

HSL 101.49, 0.4%, 0.46%

LAB 61.35, -38.36, 41.68

 

CMYK 27 / 0 / 39 / 43

HEX #6A9159

RGB 106 145 89

HSL 101.79, 0.24%, 0.46%

LAB 56.12, -24.43, 25.5

 

CMYK 10 / 0 / 14 / 51

HEX #717E6C

RGB 113 126 108

HSL 103.33, 0.08%, 0.46%

LAB 51.28, -8.43, 8.19

 

CMYK 5 / 16 / 0 / 50

HEX #796B7F

RGB 121 107 127

HSL 282, 0.09%, 0.46%

LAB 47.12, 9.49, -9.05

 

CMYK 10 / 0 / 72 / 29

HEX #A3B633

RGB 163 182 51

HSL 68.7, 0.56%, 0.46%

LAB 70.51, -23.51, 60.67

 

CMYK 30 / 0 / 72 / 29

HEX #80B633

RGB 128 182 51

HSL 84.73, 0.56%, 0.46%

LAB 68.23, -37.54, 57.66

 

CMYK 49 / 0 / 72 / 29

HEX #5DB633

RGB 93 182 51

HSL 100.76, 0.56%, 0.46%

LAB 66.54, -49.51, 55.4

 

CMYK 68 / 0 / 72 / 29

HEX #3AB633

RGB 58 182 51

HSL 116.79, 0.56%, 0.46%

LAB 65.43, -58.28, 53.91

 

CMYK 72 / 0 / 56 / 29

HEX #33B650

RGB 51 182 80

HSL 133.28, 0.56%, 0.46%

LAB 65.54, -56.38, 41.45

 

CMYK 50 / 0 / 72 / 54

HEX #3B7621

RGB 59 118 33

HSL 101.65, 0.56%, 0.3%

LAB 44.23, -35.51, 39.12

 

CMYK 50 / 0 / 72 / 41

HEX #4B962A

RGB 75 150 42

HSL 101.67, 0.56%, 0.38%

LAB 55.56, -42.97, 47.39

 

CMYK 50 / 0 / 72 / 29

HEX #5BB633

RGB 91 182 51

HSL 101.68, 0.56%, 0.46%

LAB 66.46, -50.11, 55.29

 

CMYK 45 / 0 / 65 / 20

HEX #70CB48

RGB 112 203 72

HSL 101.68, 0.56%, 0.54%

LAB 73.95, -50.3, 55.13

 

CMYK 35 / 0 / 51 / 17

HEX #89D468

RGB 137 212 104

HSL 101.67, 0.56%, 0.62%

LAB 78.11, -42.7, 45.82

 

CMYK 50 / 0 / 72 / 28

HEX #5CB734

RGB 92 183 52

HSL 101.68, 0.56%, 0.46%

LAB 66.82, -50.13, 55.3

 

CMYK 72 / 0 / 8 / 29

HEX #33B6A7

RGB 51 182 167

HSL 173.13, 0.56%, 0.46%

LAB 67.24, -38.14, -2.5

 

CMYK 0 / 72 / 20 / 29

HEX #B63391

RGB 182 51 145

HSL 316.95, 0.56%, 0.46%

LAB 44.74, 61.03, -22.78

 

CMYK 50 / 0 / 72 / 28

HEX #5CB734

RGB 92 183 52

HSL 101.68, 0.56%, 0.46%

LAB 66.82, -50.13, 55.3

 

CMYK 72 / 49 / 0 / 29

HEX #335DB6

RGB 51 93 182

HSL 220.76, 0.56%, 0.46%

LAB 41.07, 16.3, -51.49

 

CMYK 0 / 72 / 49 / 29

HEX #B6335D

RGB 182 51 93

HSL 340.76, 0.56%, 0.46%

LAB 42.92, 55.12, 6.49

 

CMYK 50 / 0 / 72 / 28

HEX #5CB734

RGB 92 183 52

HSL 101.68, 0.56%, 0.46%

LAB 66.82, -50.13, 55.3

 

CMYK 72 / 0 / 8 / 29

HEX #33B6A7

RGB 51 182 167

HSL 173.13, 0.56%, 0.46%

LAB 67.24, -38.14, -2.5

 

CMYK 23 / 72 / 0 / 29

HEX #8D33B6

RGB 141 51 182

HSL 281.22, 0.56%, 0.46%

LAB 40.26, 57.9, -52.39

 

CMYK 0 / 72 / 64 / 29

HEX #B63342

RGB 182 51 66

HSL 353.13, 0.56%, 0.46%

LAB 42.32, 53.09, 22.48

 

CMYK 50 / 0 / 72 / 28

HEX #5CB734

RGB 92 183 52

HSL 101.68, 0.56%, 0.46%

LAB 66.82, -50.13, 55.3

 

CMYK 72 / 13 / 0 / 29

HEX #339EB6

RGB 51 158 182

HSL 190.99, 0.56%, 0.46%

LAB 60.37, -22.02, -21.18

 

CMYK 23 / 72 / 0 / 29

HEX #8D33B6

RGB 141 51 182

HSL 281.22, 0.56%, 0.46%

LAB 40.26, 57.9, -52.39

 

CMYK 0 / 59 / 72 / 29

HEX #B64B33

RGB 182 75 51

HSL 10.99, 0.56%, 0.46%

LAB 45.93, 41.93, 35.69

 

Description

Color code: HEX #5CB734 | qconv.com Color code: HEX #5CB734 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 183 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 183 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 72 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 72% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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