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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CAE12 it is the complementary color #A351ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CAE12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CAE12 shade: #61AE0D, #72C020, #83D233, #94E446 and #A5F659

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CAE12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CAE12 shade: #5CAE12, #4B9C00, #3A8A00, #297800 and #186600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CAE12 shade: #5CAF12, #87AF12, #AFAD12, #AF8212 and #AF5812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CAE12 shade: #5CAF12, #32AF12, #12AF1C, #12AF46 and #12AF71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CAE12 shade matches the following richer shades: #5CAF12 and #5CBF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CAE12 shade: #5CAF12, #5D9F22, #5E9031, #5F8041 and #607051

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CAE12 shade: #AFAC12, #88AF12, #5EAF12, #34AF12 and #12AF1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CAE12 shade: #35640A, #498A0E, #5CAF12, #70D416 and #85E82B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CAE12 shade: #5CAE12, #12AF82 and #AF129D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CAE12 shade: #5CAE12, #125EAF and #AF125E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CAE12 shade: #5CAE12, #12AF82, #6312AF and #AF123E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CAE12 shade: #5CAE12, #12ACAF, #6312AF and #AF1512

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 90 / 32

HEX #5CAE12

RGB 92 174 18

HSL 91.54, 0.81%, 0.38%

LAB 63.83, -48.39, 62.27

 

Complementary color

CMYK 31 / 66 / 0 / 7

HEX #A351ED

RGB 163 81 237

HSL 271.54, 0.81%, 0.62%

LAB 51.59, 61.24, -65.56

 

CMYK 44 / 0 / 93 / 32

HEX #61AE0D

RGB 97 174 13

HSL 88.7, 0.86%, 0.37%

LAB 64.03, -46.89, 63.35

 

CMYK 41 / 0 / 83 / 25

HEX #72C020

RGB 114 192 32

HSL 89.25, 0.71%, 0.44%

LAB 70.44, -47.81, 65.34

 

CMYK 38 / 0 / 76 / 18

HEX #83D233

RGB 131 210 51

HSL 89.81, 0.64%, 0.51%

LAB 76.77, -48.45, 66.06

 

CMYK 35 / 0 / 69 / 11

HEX #94E446

RGB 148 228 70

HSL 90.38, 0.75%, 0.58%

LAB 83.03, -48.89, 66

 

CMYK 33 / 0 / 64 / 4

HEX #A5F659

RGB 165 246 89

HSL 90.96, 0.9%, 0.66%

LAB 89.22, -49.17, 65.48

 

CMYK 47 / 0 / 90 / 32

HEX #5CAE12

RGB 92 174 18

HSL 91.54, 0.81%, 0.38%

LAB 63.83, -48.39, 62.27

 

CMYK 52 / 0 / 100 / 39

HEX #4B9C00

RGB 75 156 0

HSL 91.15, 1%, 0.31%

LAB 57.34, -47.19, 59.42

 

CMYK 58 / 0 / 100 / 46

HEX #3A8A00

RGB 58 138 0

HSL 94.78, 1%, 0.27%

LAB 50.78, -45.4, 53.99

 

CMYK 66 / 0 / 100 / 53

HEX #297800

RGB 41 120 0

HSL 99.5, 1%, 0.24%

LAB 44.1, -43.33, 48.47

 

CMYK 76 / 0 / 100 / 60

HEX #186600

RGB 24 102 0

HSL 105.88, 1%, 0.2%

LAB 37.29, -40.78, 42.88

 

CMYK 47 / 0 / 90 / 31

HEX #5CAF12

RGB 92 175 18

HSL 91.72, 0.81%, 0.38%

LAB 64.14, -48.78, 62.53

 

CMYK 23 / 0 / 90 / 31

HEX #87AF12

RGB 135 175 18

HSL 75.29, 0.81%, 0.38%

LAB 66.41, -33.02, 65.34

 

CMYK 0 / 1 / 90 / 31

HEX #AFAD12

RGB 175 173 18

HSL 59.24, 0.81%, 0.38%

LAB 68.78, -14.98, 68.48

 

CMYK 0 / 26 / 90 / 31

HEX #AF8212

RGB 175 130 18

HSL 42.8, 0.81%, 0.38%

LAB 57.19, 8.12, 59.36

 

CMYK 0 / 50 / 90 / 31

HEX #AF5812

RGB 175 88 18

HSL 26.75, 0.81%, 0.38%

LAB 47.15, 31.39, 51.55

 

CMYK 47 / 0 / 90 / 31

HEX #5CAF12

RGB 92 175 18

HSL 91.72, 0.81%, 0.38%

LAB 64.14, -48.78, 62.53

 

CMYK 71 / 0 / 90 / 31

HEX #32AF12

RGB 50 175 18

HSL 107.77, 0.81%, 0.38%

LAB 62.83, -59.43, 60.89

 

CMYK 90 / 0 / 84 / 31

HEX #12AF1C

RGB 18 175 28

HSL 123.82, 0.81%, 0.38%

LAB 62.4, -63.07, 58.12

 

CMYK 90 / 0 / 60 / 31

HEX #12AF46

RGB 18 175 70

HSL 139.87, 0.81%, 0.38%

LAB 62.7, -59.27, 42.71

 

CMYK 90 / 0 / 35 / 31

HEX #12AF71

RGB 18 175 113

HSL 156.31, 0.81%, 0.38%

LAB 63.33, -51.85, 21.55

 

CMYK 47 / 0 / 90 / 31

HEX #5CAF12

RGB 92 175 18

HSL 91.72, 0.81%, 0.38%

LAB 64.14, -48.78, 62.53

 

CMYK 52 / 0 / 99 / 25

HEX #5CBF02

RGB 92 191 2

HSL 91.43, 0.98%, 0.38%

LAB 69.14, -55.16, 68.73

 

CMYK 47 / 0 / 90 / 31

HEX #5CAF12

RGB 92 175 18

HSL 91.72, 0.81%, 0.38%

LAB 64.14, -48.78, 62.53

 

CMYK 42 / 0 / 79 / 38

HEX #5D9F22

RGB 93 159 34

HSL 91.68, 0.65%, 0.38%

LAB 59.19, -41.3, 54.12

 

CMYK 35 / 0 / 66 / 44

HEX #5E9031

RGB 94 144 49

HSL 91.58, 0.49%, 0.38%

LAB 54.6, -33.26, 43.73

 

CMYK 26 / 0 / 49 / 50

HEX #5F8041

RGB 95 128 65

HSL 91.43, 0.33%, 0.38%

LAB 49.8, -23.44, 30.32

 

CMYK 14 / 0 / 28 / 56

HEX #607051

RGB 96 112 81

HSL 90.97, 0.16%, 0.38%

LAB 45.18, -12.15, 15.31

 

CMYK 0 / 2 / 90 / 31

HEX #AFAC12

RGB 175 172 18

HSL 58.85, 0.81%, 0.38%

LAB 68.51, -14.47, 68.26

 

CMYK 22 / 0 / 90 / 31

HEX #88AF12

RGB 136 175 18

HSL 74.9, 0.81%, 0.38%

LAB 66.47, -32.61, 65.42

 

CMYK 46 / 0 / 90 / 31

HEX #5EAF12

RGB 94 175 18

HSL 90.96, 0.81%, 0.38%

LAB 64.23, -48.14, 62.64

 

CMYK 70 / 0 / 90 / 31

HEX #34AF12

RGB 52 175 18

HSL 107.01, 0.81%, 0.38%

LAB 62.87, -59.05, 60.95

 

CMYK 90 / 0 / 85 / 31

HEX #12AF1A

RGB 18 175 26

HSL 123.06, 0.81%, 0.38%

LAB 62.39, -63.17, 58.62

 

CMYK 47 / 0 / 90 / 61

HEX #35640A

RGB 53 100 10

HSL 91.33, 0.82%, 0.22%

LAB 37.65, -31.28, 40.84

 

CMYK 47 / 0 / 90 / 46

HEX #498A0E

RGB 73 138 14

HSL 91.45, 0.82%, 0.3%

LAB 51.41, -40.32, 52.18

 

CMYK 47 / 0 / 90 / 31

HEX #5CAF12

RGB 92 175 18

HSL 91.72, 0.81%, 0.38%

LAB 64.14, -48.78, 62.53

 

CMYK 47 / 0 / 90 / 17

HEX #70D416

RGB 112 212 22

HSL 91.58, 0.81%, 0.46%

LAB 76.43, -56.58, 72.49

 

CMYK 43 / 0 / 81 / 9

HEX #85E82B

RGB 133 232 43

HSL 91.43, 0.8%, 0.54%

LAB 83.38, -56.91, 74.48

 

CMYK 47 / 0 / 90 / 32

HEX #5CAE12

RGB 92 174 18

HSL 91.54, 0.81%, 0.38%

LAB 63.83, -48.39, 62.27

 

CMYK 90 / 0 / 26 / 31

HEX #12AF82

RGB 18 175 130

HSL 162.8, 0.81%, 0.38%

LAB 63.67, -47.97, 12.75

 

CMYK 0 / 90 / 10 / 31

HEX #AF129D

RGB 175 18 157

HSL 306.88, 0.81%, 0.38%

LAB 41.19, 69.46, -35.67

 

CMYK 47 / 0 / 90 / 32

HEX #5CAE12

RGB 92 174 18

HSL 91.54, 0.81%, 0.38%

LAB 63.83, -48.39, 62.27

 

CMYK 90 / 46 / 0 / 31

HEX #125EAF

RGB 18 94 175

HSL 210.96, 0.81%, 0.38%

LAB 39.96, 9.54, -49.21

 

CMYK 0 / 90 / 46 / 31

HEX #AF125E

RGB 175 18 94

HSL 330.96, 0.81%, 0.38%

LAB 38.47, 62.19, -0.73

 

CMYK 47 / 0 / 90 / 32

HEX #5CAE12

RGB 92 174 18

HSL 91.54, 0.81%, 0.38%

LAB 63.83, -48.39, 62.27

 

CMYK 90 / 0 / 26 / 31

HEX #12AF82

RGB 18 175 130

HSL 162.8, 0.81%, 0.38%

LAB 63.67, -47.97, 12.75

 

CMYK 43 / 90 / 0 / 31

HEX #6312AF

RGB 99 18 175

HSL 270.96, 0.81%, 0.38%

LAB 29.86, 60.59, -65.42

 

CMYK 0 / 90 / 65 / 31

HEX #AF123E

RGB 175 18 62

HSL 343.18, 0.81%, 0.38%

LAB 37.65, 59.88, 18.67

 

CMYK 47 / 0 / 90 / 32

HEX #5CAE12

RGB 92 174 18

HSL 91.54, 0.81%, 0.38%

LAB 63.83, -48.39, 62.27

 

CMYK 90 / 2 / 0 / 31

HEX #12ACAF

RGB 18 172 175

HSL 181.15, 0.81%, 0.38%

LAB 63.94, -34.17, -11.89

 

CMYK 43 / 90 / 0 / 31

HEX #6312AF

RGB 99 18 175

HSL 270.96, 0.81%, 0.38%

LAB 29.86, 60.59, -65.42

 

CMYK 0 / 88 / 90 / 31

HEX #AF1512

RGB 175 21 18

HSL 1.15, 0.81%, 0.38%

LAB 37.29, 57.74, 44.02

 

Description

Color code: HEX #5CAE12 | qconv.com Color code: HEX #5CAE12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 174 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 174 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 90 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 90% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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