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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59E6AE it is the complementary color #A61951. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59E6AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59E6AE shade: #5EE6A9, #6FF8BC, #80FFCF, #91FFE2 and #A2FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59E6AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59E6AE shade: #59E6AE, #48D49B, #37C288, #26B075 and #159E62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59E6AE shade: #5AE6AF, #5AE689, #5AE663, #77E65A and #9DE65A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59E6AE shade: #5AE6AF, #5AE6D4, #5AD2E6, #5AACE6 and #5A87E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59E6AE shade matches the following richer shades: #5AE6AF and #4BF5B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59E6AE shade: #5AE6AF, #6AD7AB, #79C7A8, #88B8A5 and #97A9A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59E6AE shade: #5AE664, #5AE689, #5AE6AE, #5AE6D3 and #5AD3E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59E6AE shade: #1FCF89, #36E19D, #5AE6AF, #7EEBC0 and #A2F1D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59E6AE shade: #59E6AE, #5A76E6 and #E6765A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59E6AE shade: #59E6AE, #AE5AE6 and #E6AE5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59E6AE shade: #59E6AE, #5A76E6, #E65A92 and #E6CA5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59E6AE shade: #59E6AE, #685AE6, #E65A92 and #D8E65A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 24 / 10

HEX #59E6AE

RGB 89 230 174

HSL 156.17, 0.74%, 0.63%

LAB 82.79, -50.96, 16.18

 

Complementary color

CMYK 0 / 85 / 51 / 35

HEX #A61951

RGB 166 25 81

HSL 336.17, 0.74%, 0.37%

LAB 36.74, 57.45, 4.87

 

CMYK 59 / 0 / 27 / 10

HEX #5EE6A9

RGB 94 230 169

HSL 153.09, 0.73%, 0.64%

LAB 82.83, -51.05, 18.86

 

CMYK 55 / 0 / 24 / 3

HEX #6FF8BC

RGB 111 248 188

HSL 153.72, 0.91%, 0.7%

LAB 88.99, -51.08, 17.7

 

CMYK 50 / 0 / 19 / 0

HEX #80FFCF

RGB 128 255 207

HSL 157.32, 1%, 0.75%

LAB 91.96, -46.37, 12.18

 

CMYK 43 / 0 / 11 / 0

HEX #91FFE2

RGB 145 255 226

HSL 164.18, 1%, 0.78%

LAB 93.03, -38.27, 4

 

CMYK 36 / 0 / 4 / 0

HEX #A2FFF5

RGB 162 255 245

HSL 173.55, 1%, 0.82%

LAB 94.22, -29.8, -3.98

 

CMYK 61 / 0 / 24 / 10

HEX #59E6AE

RGB 89 230 174

HSL 156.17, 0.74%, 0.63%

LAB 82.79, -50.96, 16.18

 

CMYK 66 / 0 / 27 / 17

HEX #48D49B

RGB 72 212 155

HSL 155.57, 0.62%, 0.56%

LAB 76.58, -50.72, 17.42

 

CMYK 72 / 0 / 30 / 24

HEX #37C288

RGB 55 194 136

HSL 154.96, 0.56%, 0.49%

LAB 70.3, -50.29, 18.78

 

CMYK 78 / 0 / 34 / 31

HEX #26B075

RGB 38 176 117

HSL 154.35, 0.64%, 0.42%

LAB 63.96, -49.56, 20.28

 

CMYK 87 / 0 / 38 / 38

HEX #159E62

RGB 21 158 98

HSL 153.72, 0.77%, 0.35%

LAB 57.55, -48.41, 21.94

 

CMYK 61 / 0 / 24 / 10

HEX #5AE6AF

RGB 90 230 175

HSL 156.43, 0.74%, 0.63%

LAB 82.84, -50.56, 15.73

 

CMYK 61 / 0 / 40 / 10

HEX #5AE689

RGB 90 230 137

HSL 140.14, 0.74%, 0.63%

LAB 82.15, -57.88, 34.33

 

CMYK 61 / 0 / 57 / 10

HEX #5AE663

RGB 90 230 99

HSL 123.86, 0.74%, 0.63%

LAB 81.66, -63.36, 51.93

 

CMYK 48 / 0 / 61 / 10

HEX #77E65A

RGB 119 230 90

HSL 107.57, 0.74%, 0.63%

LAB 82.51, -57.1, 57.11

 

CMYK 32 / 0 / 61 / 10

HEX #9DE65A

RGB 157 230 90

HSL 91.29, 0.74%, 0.63%

LAB 84.23, -45.08, 59.49

 

CMYK 61 / 0 / 24 / 10

HEX #5AE6AF

RGB 90 230 175

HSL 156.43, 0.74%, 0.63%

LAB 82.84, -50.56, 15.73

 

CMYK 61 / 0 / 8 / 10

HEX #5AE6D4

RGB 90 230 212

HSL 172.29, 0.74%, 0.63%

LAB 83.72, -41.86, -2.49

 

CMYK 61 / 9 / 0 / 10

HEX #5AD2E6

RGB 90 210 230

HSL 188.57, 0.74%, 0.63%

LAB 78.45, -27.65, -19.92

 

CMYK 61 / 25 / 0 / 10

HEX #5AACE6

RGB 90 172 230

HSL 204.86, 0.74%, 0.63%

LAB 67.57, -7.9, -36.63

 

CMYK 61 / 41 / 0 / 10

HEX #5A87E6

RGB 90 135 230

HSL 220.71, 0.74%, 0.63%

LAB 57.28, 13.47, -52.83

 

CMYK 61 / 0 / 24 / 10

HEX #5AE6AF

RGB 90 230 175

HSL 156.43, 0.74%, 0.63%

LAB 82.84, -50.56, 15.73

 

CMYK 69 / 0 / 27 / 4

HEX #4BF5B2

RGB 75 245 178

HSL 156.35, 0.89%, 0.63%

LAB 87, -58.4, 19.93

 

CMYK 61 / 0 / 24 / 10

HEX #5AE6AF

RGB 90 230 175

HSL 156.43, 0.74%, 0.63%

LAB 82.84, -50.56, 15.73

 

CMYK 51 / 0 / 20 / 16

HEX #6AD7AB

RGB 106 215 171

HSL 155.78, 0.58%, 0.63%

LAB 78.81, -41.65, 12.23

 

CMYK 39 / 0 / 16 / 22

HEX #79C7A8

RGB 121 199 168

HSL 156.15, 0.41%, 0.63%

LAB 74.66, -31.11, 8

 

CMYK 26 / 0 / 10 / 28

HEX #88B8A5

RGB 136 184 165

HSL 156.25, 0.25%, 0.63%

LAB 71.03, -19.9, 4.52

 

CMYK 11 / 0 / 4 / 34

HEX #97A9A2

RGB 151 169 162

HSL 156.67, 0.09%, 0.63%

LAB 67.7, -7.68, 1.46

 

CMYK 61 / 0 / 57 / 10

HEX #5AE664

RGB 90 230 100

HSL 124.29, 0.74%, 0.63%

LAB 81.67, -63.24, 51.49

 

CMYK 61 / 0 / 40 / 10

HEX #5AE689

RGB 90 230 137

HSL 140.14, 0.74%, 0.63%

LAB 82.15, -57.88, 34.33

 

CMYK 61 / 0 / 24 / 10

HEX #5AE6AE

RGB 90 230 174

HSL 156, 0.74%, 0.63%

LAB 82.82, -50.77, 16.22

 

CMYK 61 / 0 / 8 / 10

HEX #5AE6D3

RGB 90 230 211

HSL 171.86, 0.74%, 0.63%

LAB 83.69, -42.11, -2

 

CMYK 61 / 8 / 0 / 10

HEX #5AD3E6

RGB 90 211 230

HSL 188.14, 0.74%, 0.63%

LAB 78.74, -28.14, -19.49

 

CMYK 85 / 0 / 34 / 19

HEX #1FCF89

RGB 31 207 137

HSL 156.14, 0.74%, 0.47%

LAB 74.01, -57.71, 23.28

 

CMYK 76 / 0 / 30 / 12

HEX #36E19D

RGB 54 225 157

HSL 156.14, 0.74%, 0.55%

LAB 80.22, -57.96, 21.36

 

CMYK 61 / 0 / 24 / 10

HEX #5AE6AF

RGB 90 230 175

HSL 156.43, 0.74%, 0.63%

LAB 82.84, -50.56, 15.73

 

CMYK 46 / 0 / 18 / 8

HEX #7EEBC0

RGB 126 235 192

HSL 156.33, 0.73%, 0.71%

LAB 85.84, -41.25, 11.24

 

CMYK 33 / 0 / 13 / 5

HEX #A2F1D1

RGB 162 241 209

HSL 155.7, 0.74%, 0.79%

LAB 89.48, -30.91, 7.8

 

CMYK 61 / 0 / 24 / 10

HEX #59E6AE

RGB 89 230 174

HSL 156.17, 0.74%, 0.63%

LAB 82.79, -50.96, 16.18

 

CMYK 61 / 49 / 0 / 10

HEX #5A76E6

RGB 90 118 230

HSL 228, 0.74%, 0.63%

LAB 52.78, 23.81, -60.04

 

CMYK 0 / 49 / 61 / 10

HEX #E6765A

RGB 230 118 90

HSL 12, 0.74%, 0.63%

LAB 62.1, 41.03, 35.16

 

CMYK 61 / 0 / 24 / 10

HEX #59E6AE

RGB 89 230 174

HSL 156.17, 0.74%, 0.63%

LAB 82.79, -50.96, 16.18

 

CMYK 24 / 61 / 0 / 10

HEX #AE5AE6

RGB 174 90 230

HSL 276, 0.74%, 0.63%

LAB 54.05, 57.77, -57.6

 

CMYK 0 / 24 / 61 / 10

HEX #E6AE5A

RGB 230 174 90

HSL 36, 0.74%, 0.63%

LAB 74.72, 11.55, 50.24

 

CMYK 61 / 0 / 24 / 10

HEX #59E6AE

RGB 89 230 174

HSL 156.17, 0.74%, 0.63%

LAB 82.79, -50.96, 16.18

 

CMYK 61 / 49 / 0 / 10

HEX #5A76E6

RGB 90 118 230

HSL 228, 0.74%, 0.63%

LAB 52.78, 23.81, -60.04

 

CMYK 0 / 61 / 37 / 10

HEX #E65A92

RGB 230 90 146

HSL 336, 0.74%, 0.63%

LAB 58.24, 59.27, -2.25

 

CMYK 0 / 12 / 61 / 10

HEX #E6CA5A

RGB 230 202 90

HSL 48, 0.74%, 0.63%

LAB 81.73, -3.09, 58.16

 

CMYK 61 / 0 / 24 / 10

HEX #59E6AE

RGB 89 230 174

HSL 156.17, 0.74%, 0.63%

LAB 82.79, -50.96, 16.18

 

CMYK 55 / 61 / 0 / 10

HEX #685AE6

RGB 104 90 230

HSL 246, 0.74%, 0.63%

LAB 46.93, 43.21, -69.45

 

CMYK 0 / 61 / 37 / 10

HEX #E65A92

RGB 230 90 146

HSL 336, 0.74%, 0.63%

LAB 58.24, 59.27, -2.25

 

CMYK 6 / 0 / 61 / 10

HEX #D8E65A

RGB 216 230 90

HSL 66, 0.74%, 0.63%

LAB 87.94, -22.78, 64.62

 

Description

Color code: HEX #59E6AE | qconv.com Color code: HEX #59E6AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 230 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 230 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 24 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 24% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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