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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59E4D6 it is the complementary color #A61B29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59E4D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59E4D6 shade: #5EE4D1, #6FF6E4, #80FFF7, #91FFFF and #A2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59E4D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59E4D6 shade: #59E4D6, #48D2C3, #37C0B0, #26AE9D and #159C8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59E4D6 shade: #58E3D5, #58E3B0, #58E38A, #58E364 and #71E358

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59E4D6 shade: #58E3D5, #58CCE3, #58A6E3, #5881E3 and #585BE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59E4D6 shade matches the following richer shades: #58E3D5 and #48F3E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59E4D6 shade: #58E3D5, #68D4C9, #77C4BC, #87B4B0 and #97A5A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59E4D6 shade: #58E389, #58E3AE, #58E3D3, #58CEE3 and #58A9E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59E4D6 shade: #20C8B8, #34DECD, #58E3D5, #7BE9DE and #9FEFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59E4D6 shade: #59E4D6, #6358E3 and #E39B58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59E4D6 shade: #59E4D6, #D358E3 and #E3D358

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59E4D6 shade: #59E4D6, #6358E3, #E35868 and #D8E358

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59E4D6 shade: #59E4D6, #8D58E3, #E35868 and #AEE358

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 6 / 11

HEX #59E4D6

RGB 89 228 214

HSL 173.96, 0.72%, 0.62%

LAB 83.16, -40.62, -4.36

 

Complementary color

CMYK 0 / 84 / 75 / 35

HEX #A61B29

RGB 166 27 41

HSL 353.96, 0.72%, 0.38%

LAB 36.08, 54.53, 29.56

 

CMYK 59 / 0 / 8 / 11

HEX #5EE4D1

RGB 94 228 209

HSL 171.49, 0.71%, 0.63%

LAB 83.16, -41.02, -1.7

 

CMYK 55 / 0 / 7 / 4

HEX #6FF6E4

RGB 111 246 228

HSL 172, 0.88%, 0.7%

LAB 89.34, -41.19, -2.55

 

CMYK 50 / 0 / 3 / 0

HEX #80FFF7

RGB 128 255 247

HSL 176.22, 1%, 0.75%

LAB 92.94, -37.21, -7.06

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 61 / 0 / 6 / 11

HEX #59E4D6

RGB 89 228 214

HSL 173.96, 0.72%, 0.62%

LAB 83.16, -40.62, -4.36

 

CMYK 66 / 0 / 7 / 18

HEX #48D2C3

RGB 72 210 195

HSL 173.48, 0.61%, 0.55%

LAB 76.93, -40.23, -3.46

 

CMYK 71 / 0 / 8 / 25

HEX #37C0B0

RGB 55 192 176

HSL 172.99, 0.55%, 0.48%

LAB 70.63, -39.66, -2.46

 

CMYK 78 / 0 / 10 / 32

HEX #26AE9D

RGB 38 174 157

HSL 172.5, 0.64%, 0.42%

LAB 64.26, -38.84, -1.35

 

CMYK 87 / 0 / 12 / 39

HEX #159C8A

RGB 21 156 138

HSL 172, 0.76%, 0.35%

LAB 57.82, -37.67, -0.11

 

CMYK 61 / 0 / 6 / 11

HEX #58E3D5

RGB 88 227 213

HSL 173.96, 0.71%, 0.62%

LAB 82.82, -40.6, -4.34

 

CMYK 61 / 0 / 22 / 11

HEX #58E3B0

RGB 88 227 176

HSL 157.99, 0.71%, 0.62%

LAB 81.92, -49.47, 13.9

 

CMYK 61 / 0 / 39 / 11

HEX #58E38A

RGB 88 227 138

HSL 141.58, 0.71%, 0.62%

LAB 81.21, -56.96, 32.58

 

CMYK 61 / 0 / 56 / 11

HEX #58E364

RGB 88 227 100

HSL 125.18, 0.71%, 0.62%

LAB 80.7, -62.6, 50.34

 

CMYK 50 / 0 / 61 / 11

HEX #71E358

RGB 113 227 88

HSL 109.21, 0.71%, 0.62%

LAB 81.38, -57.82, 56.62

 

CMYK 61 / 0 / 6 / 11

HEX #58E3D5

RGB 88 227 213

HSL 173.96, 0.71%, 0.62%

LAB 82.82, -40.6, -4.34

 

CMYK 61 / 10 / 0 / 11

HEX #58CCE3

RGB 88 204 227

HSL 189.93, 0.71%, 0.62%

LAB 76.56, -25.9, -21.18

 

CMYK 61 / 27 / 0 / 11

HEX #58A6E3

RGB 88 166 227

HSL 206.33, 0.71%, 0.62%

LAB 65.67, -5.9, -37.96

 

CMYK 61 / 43 / 0 / 11

HEX #5881E3

RGB 88 129 227

HSL 222.3, 0.71%, 0.62%

LAB 55.4, 15.72, -54.16

 

CMYK 61 / 60 / 0 / 11

HEX #585BE3

RGB 88 91 227

HSL 238.71, 0.71%, 0.62%

LAB 45.77, 39, -69.69

 

CMYK 61 / 0 / 6 / 11

HEX #58E3D5

RGB 88 227 213

HSL 173.96, 0.71%, 0.62%

LAB 82.82, -40.6, -4.34

 

CMYK 70 / 0 / 7 / 5

HEX #48F3E2

RGB 72 243 226

HSL 174.04, 0.88%, 0.62%

LAB 87.47, -46.58, -4.37

 

CMYK 61 / 0 / 6 / 11

HEX #58E3D5

RGB 88 227 213

HSL 173.96, 0.71%, 0.62%

LAB 82.82, -40.6, -4.34

 

CMYK 51 / 0 / 5 / 17

HEX #68D4C9

RGB 104 212 201

HSL 173.89, 0.56%, 0.62%

LAB 78.61, -33.73, -4.1

 

CMYK 39 / 0 / 4 / 23

HEX #77C4BC

RGB 119 196 188

HSL 173.77, 0.39%, 0.62%

LAB 74.21, -25.66, -3.49

 

CMYK 25 / 0 / 2 / 29

HEX #87B4B0

RGB 135 180 176

HSL 174.67, 0.23%, 0.62%

LAB 70.13, -15.78, -2.84

 

CMYK 8 / 0 / 1 / 35

HEX #97A5A3

RGB 151 165 163

HSL 171.43, 0.07%, 0.62%

LAB 66.62, -5.32, -0.66

 

CMYK 61 / 0 / 40 / 11

HEX #58E389

RGB 88 227 137

HSL 141.15, 0.71%, 0.62%

LAB 81.19, -57.14, 33.06

 

CMYK 61 / 0 / 23 / 11

HEX #58E3AE

RGB 88 227 174

HSL 157.12, 0.71%, 0.62%

LAB 81.88, -49.91, 14.89

 

CMYK 61 / 0 / 7 / 11

HEX #58E3D3

RGB 88 227 211

HSL 173.09, 0.71%, 0.62%

LAB 82.76, -41.12, -3.36

 

CMYK 61 / 9 / 0 / 11

HEX #58CEE3

RGB 88 206 227

HSL 189.06, 0.71%, 0.62%

LAB 77.14, -26.89, -20.3

 

CMYK 61 / 26 / 0 / 11

HEX #58A9E3

RGB 88 169 227

HSL 205.04, 0.71%, 0.62%

LAB 66.52, -7.56, -36.63

 

CMYK 84 / 0 / 8 / 22

HEX #20C8B8

RGB 32 200 184

HSL 174.29, 0.72%, 0.45%

LAB 72.94, -43.31, -3.45

 

CMYK 77 / 0 / 8 / 13

HEX #34DECD

RGB 52 222 205

HSL 174, 0.72%, 0.54%

LAB 80.39, -45.35, -3.75

 

CMYK 61 / 0 / 6 / 11

HEX #58E3D5

RGB 88 227 213

HSL 173.96, 0.71%, 0.62%

LAB 82.82, -40.6, -4.34

 

CMYK 47 / 0 / 5 / 9

HEX #7BE9DE

RGB 123 233 222

HSL 174, 0.71%, 0.7%

LAB 85.89, -34.22, -4.44

 

CMYK 33 / 0 / 3 / 6

HEX #9FEFE7

RGB 159 239 231

HSL 174, 0.71%, 0.78%

LAB 89.33, -26.09, -3.92

 

CMYK 61 / 0 / 6 / 11

HEX #59E4D6

RGB 89 228 214

HSL 173.96, 0.72%, 0.62%

LAB 83.16, -40.62, -4.36

 

CMYK 56 / 61 / 0 / 11

HEX #6358E3

RGB 99 88 227

HSL 244.75, 0.71%, 0.62%

LAB 45.88, 42.59, -69.49

 

CMYK 0 / 32 / 61 / 11

HEX #E39B58

RGB 227 155 88

HSL 28.92, 0.71%, 0.62%

LAB 69.81, 20.3, 45.43

 

CMYK 61 / 0 / 6 / 11

HEX #59E4D6

RGB 89 228 214

HSL 173.96, 0.72%, 0.62%

LAB 83.16, -40.62, -4.36

 

CMYK 7 / 61 / 0 / 11

HEX #D358E3

RGB 211 88 227

HSL 293.09, 0.71%, 0.62%

LAB 58.39, 66.78, -48.71

 

CMYK 0 / 7 / 61 / 11

HEX #E3D358

RGB 227 211 88

HSL 53.09, 0.71%, 0.62%

LAB 83.77, -9.05, 61.2

 

CMYK 61 / 0 / 6 / 11

HEX #59E4D6

RGB 89 228 214

HSL 173.96, 0.72%, 0.62%

LAB 83.16, -40.62, -4.36

 

CMYK 56 / 61 / 0 / 11

HEX #6358E3

RGB 99 88 227

HSL 244.75, 0.71%, 0.62%

LAB 45.88, 42.59, -69.49

 

CMYK 0 / 61 / 54 / 11

HEX #E35868

RGB 227 88 104

HSL 353.09, 0.71%, 0.62%

LAB 56.4, 55.21, 19.72

 

CMYK 5 / 0 / 61 / 11

HEX #D8E358

RGB 216 227 88

HSL 64.75, 0.71%, 0.62%

LAB 87.12, -21.47, 64.56

 

CMYK 61 / 0 / 6 / 11

HEX #59E4D6

RGB 89 228 214

HSL 173.96, 0.72%, 0.62%

LAB 83.16, -40.62, -4.36

 

CMYK 38 / 61 / 0 / 11

HEX #8D58E3

RGB 141 88 227

HSL 262.88, 0.71%, 0.62%

LAB 49.72, 50.74, -63.07

 

CMYK 0 / 61 / 54 / 11

HEX #E35868

RGB 227 88 104

HSL 353.09, 0.71%, 0.62%

LAB 56.4, 55.21, 19.72

 

CMYK 23 / 0 / 61 / 11

HEX #AEE358

RGB 174 227 88

HSL 82.88, 0.71%, 0.62%

LAB 84.3, -37.82, 60.68

 

Description

Color code: HEX #59E4D6 | qconv.com Color code: HEX #59E4D6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 228 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 228 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 6 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 6% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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