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Color name
HEX #59D69D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59D69D it is the complementary color #A62962. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59D69D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59D69D shade: #5ED698, #6FE8AB, #80FABE, #91FFD1 and #A2FFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59D69D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59D69D shade: #59D69D, #48C48A, #37B277, #26A064 and #158E51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59D69D shade: #57D59B, #57D57A, #57D558, #78D557 and #9AD557

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59D69D shade: #57D59B, #57D5BD, #57CAD5, #57A8D5 and #5787D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59D69D shade matches the following richer shades: #57D59B, #46E69D and #35F79E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59D69D shade: #57D59B, #68C49A, #79B398, #8AA297 and #9B9196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59D69D shade: #57D557, #57D579, #57D59A, #57D5BC and #57CCD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59D69D shade: #2BAE72, #36CC88, #57D59B, #78DDAF and #99E5C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59D69D shade: #59D69D, #5779D5 and #D56857

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59D69D shade: #59D69D, #9A57D5 and #D59A57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59D69D shade: #59D69D, #5779D5, #D55792 and #D5B357

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59D69D shade: #59D69D, #5B57D5, #D55792 and #D0D557

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 27 / 16

HEX #59D69D

RGB 89 214 157

HSL 152.64, 0.6%, 0.59%

LAB 77.67, -47.93, 17.95

 

Complementary color

CMYK 0 / 75 / 41 / 35

HEX #A62962

RGB 166 41 98

HSL 332.64, 0.6%, 0.41%

LAB 38.85, 54.49, -2.91

 

CMYK 56 / 0 / 29 / 16

HEX #5ED698

RGB 94 214 152

HSL 149, 0.59%, 0.6%

LAB 77.72, -47.89, 20.68

 

CMYK 52 / 0 / 26 / 9

HEX #6FE8AB

RGB 111 232 171

HSL 149.75, 0.72%, 0.67%

LAB 83.98, -47.83, 19.5

 

CMYK 49 / 0 / 24 / 2

HEX #80FABE

RGB 128 250 190

HSL 150.49, 0.92%, 0.74%

LAB 90.17, -47.71, 18.4

 

CMYK 43 / 0 / 18 / 0

HEX #91FFD1

RGB 145 255 209

HSL 154.91, 1%, 0.78%

LAB 92.64, -41.88, 12.21

 

CMYK 36 / 0 / 11 / 0

HEX #A2FFE4

RGB 162 255 228

HSL 162.58, 1%, 0.82%

LAB 93.8, -33.51, 4.18

 

CMYK 58 / 0 / 27 / 16

HEX #59D69D

RGB 89 214 157

HSL 152.64, 0.6%, 0.59%

LAB 77.67, -47.93, 17.95

 

CMYK 63 / 0 / 30 / 23

HEX #48C48A

RGB 72 196 138

HSL 151.94, 0.51%, 0.53%

LAB 71.35, -47.81, 19.22

 

CMYK 69 / 0 / 33 / 30

HEX #37B277

RGB 55 178 119

HSL 151.22, 0.53%, 0.46%

LAB 64.95, -47.49, 20.61

 

CMYK 76 / 0 / 38 / 37

HEX #26A064

RGB 38 160 100

HSL 150.49, 0.62%, 0.39%

LAB 58.48, -46.88, 22.14

 

CMYK 85 / 0 / 43 / 44

HEX #158E51

RGB 21 142 81

HSL 149.75, 0.74%, 0.32%

LAB 51.95, -45.82, 23.84

 

CMYK 59 / 0 / 27 / 16

HEX #57D59B

RGB 87 213 155

HSL 152.38, 0.6%, 0.59%

LAB 77.27, -48.34, 18.45

 

CMYK 59 / 0 / 43 / 16

HEX #57D57A

RGB 87 213 122

HSL 136.67, 0.6%, 0.59%

LAB 76.69, -54.48, 34.76

 

CMYK 59 / 0 / 59 / 16

HEX #57D558

RGB 87 213 88

HSL 120.48, 0.6%, 0.59%

LAB 76.26, -59.22, 50.56

 

CMYK 44 / 0 / 59 / 16

HEX #78D557

RGB 120 213 87

HSL 104.29, 0.6%, 0.59%

LAB 77.44, -50.42, 52.67

 

CMYK 28 / 0 / 59 / 16

HEX #9AD557

RGB 154 213 87

HSL 88.1, 0.6%, 0.59%

LAB 79.13, -38.98, 55.03

 

CMYK 59 / 0 / 27 / 16

HEX #57D59B

RGB 87 213 155

HSL 152.38, 0.6%, 0.59%

LAB 77.27, -48.34, 18.45

 

CMYK 59 / 0 / 11 / 16

HEX #57D5BD

RGB 87 213 189

HSL 168.57, 0.6%, 0.59%

LAB 78.05, -40.58, 1.45

 

CMYK 59 / 5 / 0 / 16

HEX #57CAD5

RGB 87 202 213

HSL 185.24, 0.6%, 0.59%

LAB 75.5, -29.09, -15.25

 

CMYK 59 / 21 / 0 / 16

HEX #57A8D5

RGB 87 168 213

HSL 201.43, 0.6%, 0.59%

LAB 65.62, -11.59, -30.31

 

CMYK 59 / 37 / 0 / 16

HEX #5787D5

RGB 87 135 213

HSL 217.14, 0.6%, 0.59%

LAB 56.25, 7.26, -44.97

 

CMYK 59 / 0 / 27 / 16

HEX #57D59B

RGB 87 213 155

HSL 152.38, 0.6%, 0.59%

LAB 77.27, -48.34, 18.45

 

CMYK 70 / 0 / 32 / 10

HEX #46E69D

RGB 70 230 157

HSL 152.63, 0.76%, 0.59%

LAB 82.02, -57.71, 23.87

 

CMYK 79 / 0 / 36 / 3

HEX #35F79E

RGB 53 247 158

HSL 152.47, 0.92%, 0.59%

LAB 86.87, -65.93, 29.89

 

CMYK 59 / 0 / 27 / 16

HEX #57D59B

RGB 87 213 155

HSL 152.38, 0.6%, 0.59%

LAB 77.27, -48.34, 18.45

 

CMYK 47 / 0 / 21 / 23

HEX #68C49A

RGB 104 196 154

HSL 152.61, 0.44%, 0.59%

LAB 72.73, -37.25, 12.72

 

CMYK 32 / 0 / 15 / 30

HEX #79B398

RGB 121 179 152

HSL 152.07, 0.28%, 0.59%

LAB 68.44, -24.78, 7.82

 

CMYK 15 / 0 / 7 / 36

HEX #8AA297

RGB 138 162 151

HSL 152.5, 0.11%, 0.59%

LAB 64.55, -10.62, 2.9

 

CMYK 0 / 6 / 3 / 39

HEX #9B9196

RGB 155 145 150

HSL 330, 0.05%, 0.59%

LAB 61.15, 4.63, -1.32

 

CMYK 59 / 0 / 59 / 16

HEX #57D557

RGB 87 213 87

HSL 120, 0.6%, 0.59%

LAB 76.25, -59.33, 51

 

CMYK 59 / 0 / 43 / 16

HEX #57D579

RGB 87 213 121

HSL 136.19, 0.6%, 0.59%

LAB 76.68, -54.64, 35.25

 

CMYK 59 / 0 / 28 / 16

HEX #57D59A

RGB 87 213 154

HSL 151.9, 0.6%, 0.59%

LAB 77.25, -48.55, 18.95

 

CMYK 59 / 0 / 12 / 16

HEX #57D5BC

RGB 87 213 188

HSL 168.1, 0.6%, 0.59%

LAB 78.02, -40.83, 1.94

 

CMYK 59 / 4 / 0 / 16

HEX #57CCD5

RGB 87 204 213

HSL 184.29, 0.6%, 0.59%

LAB 76.08, -30.06, -14.37

 

CMYK 75 / 0 / 34 / 32

HEX #2BAE72

RGB 43 174 114

HSL 152.52, 0.6%, 0.43%

LAB 63.34, -48.78, 21.09

 

CMYK 74 / 0 / 33 / 20

HEX #36CC88

RGB 54 204 136

HSL 152.8, 0.6%, 0.51%

LAB 73.38, -54.33, 23

 

CMYK 59 / 0 / 27 / 16

HEX #57D59B

RGB 87 213 155

HSL 152.38, 0.6%, 0.59%

LAB 77.27, -48.34, 18.45

 

CMYK 46 / 0 / 21 / 13

HEX #78DDAF

RGB 120 221 175

HSL 152.67, 0.6%, 0.67%

LAB 81.18, -40.06, 13.54

 

CMYK 33 / 0 / 15 / 10

HEX #99E5C3

RGB 153 229 195

HSL 153.16, 0.59%, 0.75%

LAB 85.38, -30.66, 9.17

 

CMYK 58 / 0 / 27 / 16

HEX #59D69D

RGB 89 214 157

HSL 152.64, 0.6%, 0.59%

LAB 77.67, -47.93, 17.95

 

CMYK 59 / 43 / 0 / 16

HEX #5779D5

RGB 87 121 213

HSL 223.81, 0.6%, 0.59%

LAB 52.4, 15.73, -51.07

 

CMYK 0 / 51 / 59 / 16

HEX #D56857

RGB 213 104 87

HSL 8.1, 0.6%, 0.59%

LAB 56.82, 41.46, 29.67

 

CMYK 58 / 0 / 27 / 16

HEX #59D69D

RGB 89 214 157

HSL 152.64, 0.6%, 0.59%

LAB 77.67, -47.93, 17.95

 

CMYK 28 / 59 / 0 / 16

HEX #9A57D5

RGB 154 87 213

HSL 271.9, 0.6%, 0.59%

LAB 50.09, 50.76, -54.47

 

CMYK 0 / 28 / 59 / 16

HEX #D59A57

RGB 213 154 87

HSL 31.9, 0.6%, 0.59%

LAB 67.98, 14.93, 43.38

 

CMYK 58 / 0 / 27 / 16

HEX #59D69D

RGB 89 214 157

HSL 152.64, 0.6%, 0.59%

LAB 77.67, -47.93, 17.95

 

CMYK 59 / 43 / 0 / 16

HEX #5779D5

RGB 87 121 213

HSL 223.81, 0.6%, 0.59%

LAB 52.4, 15.73, -51.07

 

CMYK 0 / 59 / 31 / 16

HEX #D55792

RGB 213 87 146

HSL 331.9, 0.6%, 0.59%

LAB 55.11, 55.37, -7.16

 

CMYK 0 / 16 / 59 / 16

HEX #D5B357

RGB 213 179 87

HSL 43.81, 0.6%, 0.59%

LAB 74.24, 1.55, 50.67

 

CMYK 58 / 0 / 27 / 16

HEX #59D69D

RGB 89 214 157

HSL 152.64, 0.6%, 0.59%

LAB 77.67, -47.93, 17.95

 

CMYK 57 / 59 / 0 / 16

HEX #5B57D5

RGB 91 87 213

HSL 241.9, 0.6%, 0.59%

LAB 44.01, 37.4, -64.58

 

CMYK 0 / 59 / 31 / 16

HEX #D55792

RGB 213 87 146

HSL 331.9, 0.6%, 0.59%

LAB 55.11, 55.37, -7.16

 

CMYK 2 / 0 / 59 / 16

HEX #D0D557

RGB 208 213 87

HSL 62.38, 0.6%, 0.59%

LAB 82.75, -17.94, 60.07

 

Description

Color code: HEX #59D69D | qconv.com Color code: HEX #59D69D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 214 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 214 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 27 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 27% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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