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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C03E it is the complementary color #A63FC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C03E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C03E shade: #5EC039, #6FD24C, #80E45F, #91F672 and #A2FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C03E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C03E shade: #59C03E, #48AE2B, #379C18, #268A05 and #157800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C03E shade: #59C03E, #7CC03E, #9FC03E, #C0BE3E and #C09B3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C03E shade: #59C03E, #3EC046, #3EC069, #3EC08C and #3EC0AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C03E shade matches the following richer shades: #59C03E, #4DD529, #41E915 and #35FE00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C03E shade: #59C03E, #65AB53, #719767, #7D827C and #896E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C03E shade: #A0C03E, #7DC03E, #5AC03E, #3EC044 and #3EC067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C03E shade: #3C822A, #4BA134, #59C03E, #74CA5D and #8FD47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C03E shade: #59C03E, #3EC0BE and #C03E8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C03E shade: #59C03E, #3E5AC0 and #C03E5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C03E shade: #59C03E, #3EC0BE, #A43EC0 and #C03E40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C03E shade: #59C03E, #3E9BC0, #A43EC0 and #C0633E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

Complementary color

CMYK 14 / 67 / 0 / 24

HEX #A63FC1

RGB 166 63 193

HSL 287.54, 0.51%, 0.5%

LAB 46.33, 60.55, -48.89

 

CMYK 51 / 0 / 70 / 25

HEX #5EC039

RGB 94 192 57

HSL 103.56, 0.54%, 0.49%

LAB 69.74, -52.63, 56.43

 

CMYK 47 / 0 / 64 / 18

HEX #6FD24C

RGB 111 210 76

HSL 104.33, 0.6%, 0.56%

LAB 76.07, -53.01, 55.77

 

CMYK 44 / 0 / 58 / 11

HEX #80E45F

RGB 128 228 95

HSL 105.11, 0.71%, 0.63%

LAB 82.33, -53.19, 54.82

 

CMYK 41 / 0 / 54 / 4

HEX #91F672

RGB 145 246 114

HSL 105.91, 0.88%, 0.71%

LAB 88.52, -53.25, 53.74

 

CMYK 36 / 0 / 48 / 0

HEX #A2FF85

RGB 162 255 133

HSL 105.74, 1%, 0.76%

LAB 92.08, -49.49, 49.47

 

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

CMYK 59 / 0 / 75 / 32

HEX #48AE2B

RGB 72 174 43

HSL 106.72, 0.6%, 0.43%

LAB 63.2, -52.94, 54.68

 

CMYK 65 / 0 / 85 / 39

HEX #379C18

RGB 55 156 24

HSL 105.91, 0.73%, 0.35%

LAB 56.74, -51.82, 54.25

 

CMYK 72 / 0 / 96 / 46

HEX #268A05

RGB 38 138 5

HSL 105.11, 0.93%, 0.28%

LAB 50.22, -50.04, 52.37

 

CMYK 83 / 0 / 100 / 53

HEX #157800

RGB 21 120 0

HSL 109.5, 1%, 0.24%

LAB 43.64, -47.24, 47.92

 

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

CMYK 35 / 0 / 68 / 25

HEX #7CC03E

RGB 124 192 62

HSL 91.38, 0.51%, 0.5%

LAB 71.1, -42.61, 56.32

 

CMYK 17 / 0 / 68 / 25

HEX #9FC03E

RGB 159 192 62

HSL 75.23, 0.51%, 0.5%

LAB 73.17, -29.34, 59.11

 

CMYK 0 / 1 / 68 / 25

HEX #C0BE3E

RGB 192 190 62

HSL 59.08, 0.51%, 0.5%

LAB 75.06, -14.66, 61.83

 

CMYK 0 / 19 / 68 / 25

HEX #C09B3E

RGB 192 155 62

HSL 42.92, 0.51%, 0.5%

LAB 65.75, 3.72, 52.23

 

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

CMYK 68 / 0 / 64 / 25

HEX #3EC046

RGB 62 192 70

HSL 123.69, 0.51%, 0.5%

LAB 68.87, -59.1, 49.92

 

CMYK 68 / 0 / 45 / 25

HEX #3EC069

RGB 62 192 105

HSL 139.85, 0.51%, 0.5%

LAB 69.29, -54.3, 33.73

 

CMYK 68 / 0 / 27 / 25

HEX #3EC08C

RGB 62 192 140

HSL 156, 0.51%, 0.5%

LAB 69.91, -47.51, 16.12

 

CMYK 68 / 0 / 9 / 25

HEX #3EC0AF

RGB 62 192 175

HSL 172.15, 0.51%, 0.5%

LAB 70.75, -38.95, -1.72

 

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

CMYK 64 / 0 / 81 / 16

HEX #4DD529

RGB 77 213 41

HSL 107.44, 0.68%, 0.5%

LAB 75.65, -65.34, 67.24

 

CMYK 72 / 0 / 91 / 9

HEX #41E915

RGB 65 233 21

HSL 107.55, 0.83%, 0.5%

LAB 81.54, -74.59, 76.38

 

CMYK 79 / 0 / 100 / 0

HEX #35FE00

RGB 53 254 0

HSL 107.48, 1%, 0.5%

LAB 87.8, -82.61, 83.38

 

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

CMYK 41 / 0 / 51 / 33

HEX #65AB53

RGB 101 171 83

HSL 107.73, 0.35%, 0.5%

LAB 63.77, -39.22, 38.23

 

CMYK 25 / 0 / 32 / 41

HEX #719767

RGB 113 151 103

HSL 107.5, 0.19%, 0.5%

LAB 58.62, -22.66, 21.18

 

CMYK 4 / 0 / 5 / 49

HEX #7D827C

RGB 125 130 124

HSL 110, 0.02%, 0.5%

LAB 53.79, -3.05, 2.59

 

CMYK 5 / 24 / 0 / 44

HEX #896E90

RGB 137 110 144

HSL 287.65, 0.13%, 0.5%

LAB 50.08, 17.1, -14.53

 

CMYK 17 / 0 / 68 / 25

HEX #A0C03E

RGB 160 192 62

HSL 74.77, 0.51%, 0.5%

LAB 73.23, -28.94, 59.2

 

CMYK 35 / 0 / 68 / 25

HEX #7DC03E

RGB 125 192 62

HSL 90.92, 0.51%, 0.5%

LAB 71.15, -42.26, 56.39

 

CMYK 53 / 0 / 68 / 25

HEX #5AC03E

RGB 90 192 62

HSL 107.08, 0.51%, 0.5%

LAB 69.63, -53.33, 54.32

 

CMYK 68 / 0 / 65 / 25

HEX #3EC044

RGB 62 192 68

HSL 122.77, 0.51%, 0.5%

LAB 68.85, -59.31, 50.76

 

CMYK 68 / 0 / 46 / 25

HEX #3EC067

RGB 62 192 103

HSL 138.92, 0.51%, 0.5%

LAB 69.26, -54.63, 34.71

 

CMYK 54 / 0 / 68 / 49

HEX #3C822A

RGB 60 130 42

HSL 107.73, 0.51%, 0.34%

LAB 48.38, -39.39, 39.62

 

CMYK 53 / 0 / 68 / 37

HEX #4BA134

RGB 75 161 52

HSL 107.34, 0.51%, 0.42%

LAB 59.19, -46.49, 47.12

 

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

CMYK 43 / 0 / 54 / 21

HEX #74CA5D

RGB 116 202 93

HSL 107.34, 0.51%, 0.58%

LAB 74.03, -46.48, 45.9

 

CMYK 33 / 0 / 42 / 17

HEX #8FD47C

RGB 143 212 124

HSL 107.05, 0.51%, 0.66%

LAB 78.68, -38.14, 36.77

 

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

CMYK 68 / 0 / 1 / 25

HEX #3EC0BE

RGB 62 192 190

HSL 179.08, 0.51%, 0.5%

LAB 71.17, -34.82, -9.29

 

CMYK 0 / 68 / 26 / 25

HEX #C03E8E

RGB 192 62 142

HSL 323.08, 0.51%, 0.5%

LAB 47.76, 59.23, -16.19

 

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

CMYK 68 / 53 / 0 / 25

HEX #3E5AC0

RGB 62 90 192

HSL 227.08, 0.51%, 0.5%

LAB 41.44, 23.55, -56.7

 

CMYK 0 / 68 / 53 / 25

HEX #C03E5A

RGB 192 62 90

HSL 347.08, 0.51%, 0.5%

LAB 46.16, 53.72, 13.16

 

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

CMYK 68 / 0 / 1 / 25

HEX #3EC0BE

RGB 62 192 190

HSL 179.08, 0.51%, 0.5%

LAB 71.17, -34.82, -9.29

 

CMYK 15 / 68 / 0 / 25

HEX #A43EC0

RGB 164 62 192

HSL 287.08, 0.51%, 0.5%

LAB 45.83, 60.33, -49.12

 

CMYK 0 / 68 / 67 / 25

HEX #C03E40

RGB 192 62 64

HSL 359.08, 0.51%, 0.5%

LAB 45.66, 51.92, 28.29

 

CMYK 54 / 0 / 68 / 25

HEX #59C03E

RGB 89 192 62

HSL 107.54, 0.51%, 0.5%

LAB 69.59, -53.61, 54.27

 

CMYK 68 / 19 / 0 / 25

HEX #3E9BC0

RGB 62 155 192

HSL 197.08, 0.51%, 0.5%

LAB 60.13, -15.59, -27.14

 

CMYK 15 / 68 / 0 / 25

HEX #A43EC0

RGB 164 62 192

HSL 287.08, 0.51%, 0.5%

LAB 45.83, 60.33, -49.12

 

CMYK 0 / 48 / 68 / 25

HEX #C0633E

RGB 192 99 62

HSL 17.08, 0.51%, 0.5%

LAB 52.37, 34.25, 37.45

 

Description

Color code: HEX #59C03E | qconv.com Color code: HEX #59C03E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 192 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 192 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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