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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C943 it is the complementary color #A636BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C943. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C943 shade: #5EC93E, #6FDB51, #80ED64, #91FF77 and #A2FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C943. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C943 shade: #59C943, #48B730, #37A51D, #26930A and #158100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C943 shade: #5AC945, #7EC945, #A1C945, #C5C945 and #C9A945

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C943 shade: #5AC945, #45C953, #45C976, #45C99A and #45C9BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C943 shade matches the following richer shades: #5AC945, #4DDC31 and #40EF1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C943 shade: #5AC945, #67B558, #74A26C, #818E7F and #8E7B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C943 shade: #A1C945, #7EC945, #5BC945, #45C952 and #45C975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C943 shade: #3B912A, #48B133, #5AC945, #77D265 and #93DB85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C943 shade: #59C943, #45C4C9 and #C9458F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C943 shade: #59C943, #455BC9 and #C9455B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C943 shade: #59C943, #45C4C9, #B345C9 and #C94945

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C943 shade: #59C943, #459DC9, #B345C9 and #C97145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 67 / 21

HEX #59C943

RGB 89 201 67

HSL 110.15, 0.55%, 0.53%

LAB 72.43, -56.51, 55.29

 

Complementary color

CMYK 12 / 71 / 0 / 26

HEX #A636BC

RGB 166 54 188

HSL 290.15, 0.55%, 0.47%

LAB 44.77, 63.15, -48.47

 

CMYK 53 / 0 / 69 / 21

HEX #5EC93E

RGB 94 201 62

HSL 106.19, 0.56%, 0.52%

LAB 72.56, -55.62, 57.46

 

CMYK 49 / 0 / 63 / 14

HEX #6FDB51

RGB 111 219 81

HSL 106.96, 0.66%, 0.59%

LAB 78.83, -56.02, 56.72

 

CMYK 46 / 0 / 58 / 7

HEX #80ED64

RGB 128 237 100

HSL 107.74, 0.79%, 0.66%

LAB 85.04, -56.22, 55.74

 

CMYK 43 / 0 / 53 / 0

HEX #91FF77

RGB 145 255 119

HSL 108.53, 1%, 0.73%

LAB 91.18, -56.29, 54.64

 

CMYK 36 / 0 / 46 / 0

HEX #A2FF8A

RGB 162 255 138

HSL 107.69, 1%, 0.77%

LAB 92.15, -48.87, 47.18

 

CMYK 56 / 0 / 67 / 21

HEX #59C943

RGB 89 201 67

HSL 110.15, 0.55%, 0.53%

LAB 72.43, -56.51, 55.29

 

CMYK 61 / 0 / 74 / 28

HEX #48B730

RGB 72 183 48

HSL 109.33, 0.58%, 0.45%

LAB 66.1, -55.81, 55.82

 

CMYK 67 / 0 / 82 / 35

HEX #37A51D

RGB 55 165 29

HSL 108.53, 0.7%, 0.38%

LAB 59.72, -54.66, 55.61

 

CMYK 74 / 0 / 93 / 42

HEX #26930A

RGB 38 147 10

HSL 107.74, 0.87%, 0.31%

LAB 53.28, -52.84, 54.06

 

CMYK 84 / 0 / 100 / 49

HEX #158100

RGB 21 129 0

HSL 110.23, 1%, 0.25%

LAB 46.79, -50.08, 50.44

 

CMYK 55 / 0 / 66 / 21

HEX #5AC945

RGB 90 201 69

HSL 110.45, 0.55%, 0.53%

LAB 72.48, -56.07, 54.54

 

CMYK 37 / 0 / 66 / 21

HEX #7EC945

RGB 126 201 69

HSL 94.09, 0.55%, 0.53%

LAB 73.96, -45.19, 56.56

 

CMYK 20 / 0 / 66 / 21

HEX #A1C945

RGB 161 201 69

HSL 78.18, 0.55%, 0.53%

LAB 75.93, -32.31, 59.26

 

CMYK 2 / 0 / 66 / 21

HEX #C5C945

RGB 197 201 69

HSL 61.82, 0.55%, 0.53%

LAB 78.5, -17.69, 62.73

 

CMYK 0 / 16 / 66 / 21

HEX #C9A945

RGB 201 169 69

HSL 45.45, 0.55%, 0.53%

LAB 70.33, 0.53, 54.27

 

CMYK 55 / 0 / 66 / 21

HEX #5AC945

RGB 90 201 69

HSL 110.45, 0.55%, 0.53%

LAB 72.48, -56.07, 54.54

 

CMYK 66 / 0 / 59 / 21

HEX #45C953

RGB 69 201 83

HSL 126.36, 0.55%, 0.53%

LAB 72, -59.38, 47.75

 

CMYK 66 / 0 / 41 / 21

HEX #45C976

RGB 69 201 118

HSL 142.27, 0.55%, 0.53%

LAB 72.46, -54.19, 31.21

 

CMYK 66 / 0 / 23 / 21

HEX #45C99A

RGB 69 201 154

HSL 158.64, 0.55%, 0.53%

LAB 73.14, -46.93, 13.13

 

CMYK 66 / 0 / 6 / 21

HEX #45C9BD

RGB 69 201 189

HSL 174.55, 0.55%, 0.53%

LAB 74.01, -38.22, -4.53

 

CMYK 55 / 0 / 66 / 21

HEX #5AC945

RGB 90 201 69

HSL 110.45, 0.55%, 0.53%

LAB 72.48, -56.07, 54.54

 

CMYK 65 / 0 / 78 / 14

HEX #4DDC31

RGB 77 220 49

HSL 110.18, 0.71%, 0.53%

LAB 77.87, -67.19, 67.04

 

CMYK 73 / 0 / 87 / 6

HEX #40EF1E

RGB 64 239 30

HSL 110.24, 0.87%, 0.53%

LAB 83.4, -76.26, 76.51

 

CMYK 55 / 0 / 66 / 21

HEX #5AC945

RGB 90 201 69

HSL 110.45, 0.55%, 0.53%

LAB 72.48, -56.07, 54.54

 

CMYK 43 / 0 / 51 / 29

HEX #67B558

RGB 103 181 88

HSL 110.32, 0.39%, 0.53%

LAB 67, -42.27, 39.71

 

CMYK 28 / 0 / 33 / 36

HEX #74A26C

RGB 116 162 108

HSL 111.11, 0.23%, 0.53%

LAB 62.2, -26.26, 23.27

 

CMYK 9 / 0 / 11 / 44

HEX #818E7F

RGB 129 142 127

HSL 112, 0.06%, 0.53%

LAB 57.6, -7.69, 6.39

 

CMYK 3 / 16 / 0 / 43

HEX #8E7B92

RGB 142 123 146

HSL 289.57, 0.1%, 0.53%

LAB 54.02, 11.69, -9.72

 

CMYK 20 / 0 / 66 / 21

HEX #A1C945

RGB 161 201 69

HSL 78.18, 0.55%, 0.53%

LAB 75.93, -32.31, 59.26

 

CMYK 37 / 0 / 66 / 21

HEX #7EC945

RGB 126 201 69

HSL 94.09, 0.55%, 0.53%

LAB 73.96, -45.19, 56.56

 

CMYK 55 / 0 / 66 / 21

HEX #5BC945

RGB 91 201 69

HSL 110, 0.55%, 0.53%

LAB 72.51, -55.81, 54.58

 

CMYK 66 / 0 / 59 / 21

HEX #45C952

RGB 69 201 82

HSL 125.91, 0.55%, 0.53%

LAB 71.99, -59.5, 48.2

 

CMYK 66 / 0 / 42 / 21

HEX #45C975

RGB 69 201 117

HSL 141.82, 0.55%, 0.53%

LAB 72.44, -54.37, 31.7

 

CMYK 59 / 0 / 71 / 43

HEX #3B912A

RGB 59 145 42

HSL 110.1, 0.55%, 0.37%

LAB 53.33, -45.6, 44.89

 

CMYK 59 / 0 / 71 / 31

HEX #48B133

RGB 72 177 51

HSL 110, 0.55%, 0.45%

LAB 64.21, -53.42, 52.78

 

CMYK 55 / 0 / 66 / 21

HEX #5AC945

RGB 90 201 69

HSL 110.45, 0.55%, 0.53%

LAB 72.48, -56.07, 54.54

 

CMYK 43 / 0 / 52 / 18

HEX #77D265

RGB 119 210 101

HSL 110.09, 0.55%, 0.61%

LAB 76.65, -47.93, 45.29

 

CMYK 33 / 0 / 39 / 14

HEX #93DB85

RGB 147 219 133

HSL 110.23, 0.54%, 0.69%

LAB 81.05, -38.7, 35.33

 

CMYK 56 / 0 / 67 / 21

HEX #59C943

RGB 89 201 67

HSL 110.15, 0.55%, 0.53%

LAB 72.43, -56.51, 55.29

 

CMYK 66 / 2 / 0 / 21

HEX #45C4C9

RGB 69 196 201

HSL 182.27, 0.55%, 0.53%

LAB 72.87, -32.56, -12.74

 

CMYK 0 / 66 / 29 / 21

HEX #C9458F

RGB 201 69 143

HSL 326.36, 0.55%, 0.53%

LAB 50.28, 59.11, -12.82

 

CMYK 56 / 0 / 67 / 21

HEX #59C943

RGB 89 201 67

HSL 110.15, 0.55%, 0.53%

LAB 72.43, -56.51, 55.29

 

CMYK 66 / 55 / 0 / 21

HEX #455BC9

RGB 69 91 201

HSL 230, 0.55%, 0.53%

LAB 42.71, 27.2, -59.85

 

CMYK 0 / 66 / 55 / 21

HEX #C9455B

RGB 201 69 91

HSL 350, 0.55%, 0.53%

LAB 48.8, 53.81, 16.42

 

CMYK 56 / 0 / 67 / 21

HEX #59C943

RGB 89 201 67

HSL 110.15, 0.55%, 0.53%

LAB 72.43, -56.51, 55.29

 

CMYK 66 / 2 / 0 / 21

HEX #45C4C9

RGB 69 196 201

HSL 182.27, 0.55%, 0.53%

LAB 72.87, -32.56, -12.74

 

CMYK 11 / 66 / 0 / 21

HEX #B345C9

RGB 179 69 201

HSL 290, 0.55%, 0.53%

LAB 49.57, 62.53, -48.24

 

CMYK 0 / 64 / 66 / 21

HEX #C94945

RGB 201 73 69

HSL 1.82, 0.55%, 0.53%

LAB 49.02, 50.61, 29.84

 

CMYK 56 / 0 / 67 / 21

HEX #59C943

RGB 89 201 67

HSL 110.15, 0.55%, 0.53%

LAB 72.43, -56.51, 55.29

 

CMYK 66 / 22 / 0 / 21

HEX #459DC9

RGB 69 157 201

HSL 200, 0.55%, 0.53%

LAB 61.3, -12.62, -30.37

 

CMYK 11 / 66 / 0 / 21

HEX #B345C9

RGB 179 69 201

HSL 290, 0.55%, 0.53%

LAB 49.57, 62.53, -48.24

 

CMYK 0 / 44 / 66 / 21

HEX #C97145

RGB 201 113 69

HSL 20, 0.55%, 0.53%

LAB 56.74, 30.89, 39.1

 

Description

Color code: HEX #59C943 | qconv.com Color code: HEX #59C943 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 201 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 201 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 67 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 67% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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