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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C8DE it is the complementary color #A63721. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C8DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C8DE shade: #5EC8D9, #6FDAEC, #80ECFF, #91FEFF and #A2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C8DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C8DE shade: #59C8DE, #48B6CB, #37A4B8, #2692A5 and #158092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C8DE shade: #58C8DE, #58A4DE, #5880DE, #585CDE and #7958DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C8DE shade: #58C8DE, #58A4DE, #5880DE, #585CDE and #5858DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C8DE shade matches the following richer shades: #58C8DE, #48D2EE and #38DDFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C8DE shade: #58C8DE, #69BDCE, #79B2BD, #89A7AD and #999D9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C8DE shade: #58DEAB, #58DECE, #58CADE, #58A6DE and #5883DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C8DE shade: #25A5BE, #36BCD7, #58C8DE, #7BD3E4 and #9DDEEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C8DE shade: #59C8DE, #8758DE and #DEBC58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C8DE shade: #59C8DE, #DE58CA and #CADE58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C8DE shade: #59C8DE, #8758DE, #DE6C58 and #AFDE58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C8DE shade: #59C8DE, #AF58DE, #DE6C58 and #87DE58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 10 / 0 / 13

HEX #59C8DE

RGB 89 200 222

HSL 189.92, 0.67%, 0.61%

LAB 75.27, -25.19, -20.45

 

Complementary color

CMYK 0 / 67 / 80 / 35

HEX #A63721

RGB 166 55 33

HSL 9.92, 0.67%, 0.39%

LAB 39.49, 44.52, 37.82

 

CMYK 57 / 8 / 0 / 15

HEX #5EC8D9

RGB 94 200 217

HSL 188.29, 0.62%, 0.61%

LAB 75.26, -25.7, -17.74

 

CMYK 53 / 8 / 0 / 7

HEX #6FDAEC

RGB 111 218 236

HSL 188.64, 0.77%, 0.68%

LAB 81.61, -25.99, -18.28

 

CMYK 50 / 7 / 0 / 0

HEX #80ECFF

RGB 128 236 255

HSL 188.98, 1%, 0.75%

LAB 87.87, -26.21, -18.79

 

CMYK 43 / 0 / 0 / 0

HEX #91FEFF

RGB 145 254 255

HSL 180.55, 1%, 0.78%

LAB 93.5, -31.1, -10.29

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 60 / 10 / 0 / 13

HEX #59C8DE

RGB 89 200 222

HSL 189.92, 0.67%, 0.61%

LAB 75.27, -25.19, -20.45

 

CMYK 65 / 10 / 0 / 20

HEX #48B6CB

RGB 72 182 203

HSL 189.62, 0.56%, 0.54%

LAB 68.86, -24.65, -19.88

 

CMYK 70 / 11 / 0 / 28

HEX #37A4B8

RGB 55 164 184

HSL 189.3, 0.54%, 0.47%

LAB 62.36, -23.92, -19.26

 

CMYK 77 / 12 / 0 / 35

HEX #2692A5

RGB 38 146 165

HSL 188.98, 0.63%, 0.4%

LAB 55.77, -22.93, -18.57

 

CMYK 86 / 12 / 0 / 43

HEX #158092

RGB 21 128 146

HSL 188.64, 0.75%, 0.33%

LAB 49.1, -21.55, -17.77

 

CMYK 60 / 10 / 0 / 13

HEX #58C8DE

RGB 88 200 222

HSL 189.85, 0.67%, 0.61%

LAB 75.24, -25.36, -20.5

 

CMYK 60 / 26 / 0 / 13

HEX #58A4DE

RGB 88 164 222

HSL 205.97, 0.67%, 0.61%

LAB 64.88, -6.38, -36.42

 

CMYK 60 / 42 / 0 / 13

HEX #5880DE

RGB 88 128 222

HSL 222.09, 0.67%, 0.61%

LAB 54.85, 14.66, -52.24

 

CMYK 60 / 59 / 0 / 13

HEX #585CDE

RGB 88 92 222

HSL 238.21, 0.67%, 0.61%

LAB 45.64, 36.76, -67.07

 

CMYK 45 / 60 / 0 / 13

HEX #7958DE

RGB 121 88 222

HSL 254.78, 0.67%, 0.61%

LAB 47.39, 45.24, -64.11

 

CMYK 60 / 10 / 0 / 13

HEX #58C8DE

RGB 88 200 222

HSL 189.85, 0.67%, 0.61%

LAB 75.24, -25.36, -20.5

 

CMYK 60 / 26 / 0 / 13

HEX #58A4DE

RGB 88 164 222

HSL 205.97, 0.67%, 0.61%

LAB 64.88, -6.38, -36.42

 

CMYK 60 / 42 / 0 / 13

HEX #5880DE

RGB 88 128 222

HSL 222.09, 0.67%, 0.61%

LAB 54.85, 14.66, -52.24

 

CMYK 60 / 59 / 0 / 13

HEX #585CDE

RGB 88 92 222

HSL 238.21, 0.67%, 0.61%

LAB 45.64, 36.76, -67.07

 

CMYK 60 / 60 / 0 / 13

HEX #5858DE

RGB 88 88 222

HSL 240, 0.67%, 0.61%

LAB 44.7, 39.18, -68.6

 

CMYK 60 / 10 / 0 / 13

HEX #58C8DE

RGB 88 200 222

HSL 189.85, 0.67%, 0.61%

LAB 75.24, -25.36, -20.5

 

CMYK 70 / 12 / 0 / 7

HEX #48D2EE

RGB 72 210 238

HSL 190.12, 0.83%, 0.61%

LAB 78.25, -28.01, -24.55

 

CMYK 78 / 13 / 0 / 0

HEX #38DDFE

RGB 56 221 254

HSL 190, 0.99%, 0.61%

LAB 81.68, -30.25, -27.85

 

CMYK 60 / 10 / 0 / 13

HEX #58C8DE

RGB 88 200 222

HSL 189.85, 0.67%, 0.61%

LAB 75.24, -25.36, -20.5

 

CMYK 49 / 8 / 0 / 19

HEX #69BDCE

RGB 105 189 206

HSL 190.1, 0.51%, 0.61%

LAB 72.13, -20.94, -16.46

 

CMYK 36 / 6 / 0 / 26

HEX #79B2BD

RGB 121 178 189

HSL 189.71, 0.34%, 0.61%

LAB 69.17, -15.72, -11.51

 

CMYK 21 / 3 / 0 / 32

HEX #89A7AD

RGB 137 167 173

HSL 190, 0.18%, 0.61%

LAB 66.5, -8.94, -6.52

 

CMYK 3 / 0 / 0 / 38

HEX #999D9D

RGB 153 157 157

HSL 180, 0.02%, 0.61%

LAB 64.42, -1.43, -0.51

 

CMYK 60 / 0 / 23 / 13

HEX #58DEAB

RGB 88 222 171

HSL 157.16, 0.67%, 0.61%

LAB 80.32, -48.48, 14.28

 

CMYK 60 / 0 / 7 / 13

HEX #58DECE

RGB 88 222 206

HSL 172.84, 0.67%, 0.61%

LAB 81.17, -40.15, -3.06

 

CMYK 60 / 9 / 0 / 13

HEX #58CADE

RGB 88 202 222

HSL 188.96, 0.67%, 0.61%

LAB 75.82, -26.36, -19.62

 

CMYK 60 / 25 / 0 / 13

HEX #58A6DE

RGB 88 166 222

HSL 205.07, 0.67%, 0.61%

LAB 65.45, -7.49, -35.54

 

CMYK 60 / 41 / 0 / 13

HEX #5883DE

RGB 88 131 222

HSL 220.75, 0.67%, 0.61%

LAB 55.67, 12.84, -50.94

 

CMYK 81 / 13 / 0 / 25

HEX #25A5BE

RGB 37 165 190

HSL 189.8, 0.67%, 0.45%

LAB 62.53, -24.6, -22.4

 

CMYK 75 / 13 / 0 / 16

HEX #36BCD7

RGB 54 188 215

HSL 190.06, 0.67%, 0.53%

LAB 70.63, -26.42, -23.78

 

CMYK 60 / 10 / 0 / 13

HEX #58C8DE

RGB 88 200 222

HSL 189.85, 0.67%, 0.61%

LAB 75.24, -25.36, -20.5

 

CMYK 46 / 7 / 0 / 11

HEX #7BD3E4

RGB 123 211 228

HSL 189.71, 0.66%, 0.69%

LAB 79.84, -22.07, -16.64

 

CMYK 33 / 6 / 0 / 8

HEX #9DDEEB

RGB 157 222 235

HSL 190, 0.66%, 0.77%

LAB 84.69, -17.32, -12.91

 

CMYK 60 / 10 / 0 / 13

HEX #59C8DE

RGB 89 200 222

HSL 189.92, 0.67%, 0.61%

LAB 75.27, -25.19, -20.45

 

CMYK 39 / 60 / 0 / 13

HEX #8758DE

RGB 135 88 222

HSL 261.04, 0.67%, 0.61%

LAB 48.77, 48.16, -61.82

 

CMYK 0 / 15 / 60 / 13

HEX #DEBC58

RGB 222 188 88

HSL 44.78, 0.67%, 0.61%

LAB 77.4, 0.69, 54.02

 

CMYK 60 / 10 / 0 / 13

HEX #59C8DE

RGB 89 200 222

HSL 189.92, 0.67%, 0.61%

LAB 75.27, -25.19, -20.45

 

CMYK 0 / 60 / 9 / 13

HEX #DE58CA

RGB 222 88 202

HSL 308.96, 0.67%, 0.61%

LAB 58.76, 65.33, -33.88

 

CMYK 9 / 0 / 60 / 13

HEX #CADE58

RGB 202 222 88

HSL 68.96, 0.67%, 0.61%

LAB 84.74, -24.67, 61.69

 

CMYK 60 / 10 / 0 / 13

HEX #59C8DE

RGB 89 200 222

HSL 189.92, 0.67%, 0.61%

LAB 75.27, -25.19, -20.45

 

CMYK 39 / 60 / 0 / 13

HEX #8758DE

RGB 135 88 222

HSL 261.04, 0.67%, 0.61%

LAB 48.77, 48.16, -61.82

 

CMYK 0 / 51 / 60 / 13

HEX #DE6C58

RGB 222 108 88

HSL 8.96, 0.67%, 0.61%

LAB 58.94, 42.89, 32.07

 

CMYK 21 / 0 / 60 / 13

HEX #AFDE58

RGB 175 222 88

HSL 81.04, 0.67%, 0.61%

LAB 82.95, -35.18, 59.21

 

CMYK 60 / 10 / 0 / 13

HEX #59C8DE

RGB 89 200 222

HSL 189.92, 0.67%, 0.61%

LAB 75.27, -25.19, -20.45

 

CMYK 21 / 60 / 0 / 13

HEX #AF58DE

RGB 175 88 222

HSL 278.96, 0.67%, 0.61%

LAB 53.35, 57.24, -54.21

 

CMYK 0 / 51 / 60 / 13

HEX #DE6C58

RGB 222 108 88

HSL 8.96, 0.67%, 0.61%

LAB 58.94, 42.89, 32.07

 

CMYK 39 / 0 / 60 / 13

HEX #87DE58

RGB 135 222 88

HSL 98.96, 0.67%, 0.61%

LAB 80.79, -49.28, 56.21

 

Description

Color code: HEX #59C8DE | qconv.com Color code: HEX #59C8DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 200 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 200 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 10 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 10% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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