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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C56D it is the complementary color #A63A92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C56D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C56D shade: #5EC568, #6FD77B, #80E98E, #91FBA1 and #A2FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C56D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C56D shade: #59C56D, #48B35A, #37A147, #268F34 and #157D21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C56D shade: #58C46C, #62C458, #7FC458, #9CC458 and #B9C458

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C56D shade: #58C46C, #58C489, #58C4A6, #58C4C4 and #58A8C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C56D shade matches the following richer shades: #58C46C, #46D661, #34E856 and #22FB4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C56D shade: #58C46C, #6BB278, #7DA083, #8F8E8F and #A17C9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C56D shade: #7EC458, #61C458, #58C46C, #58C489 and #58C4A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C56D shade: #349646, #3FB455, #58C46C, #77CF87 and #96DAA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C56D shade: #59C56D, #589BC4 and #C45870

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C56D shade: #59C56D, #6C58C4 and #C46C58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C56D shade: #59C56D, #589BC4, #C458B0 and #C48258

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C56D shade: #59C56D, #587BC4, #C458B0 and #C4A258

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 45 / 23

HEX #59C56D

RGB 89 197 109

HSL 131.11, 0.48%, 0.56%

LAB 71.66, -49.8, 34.89

 

Complementary color

CMYK 0 / 65 / 12 / 35

HEX #A63A92

RGB 166 58 146

HSL 311.11, 0.48%, 0.44%

LAB 43.08, 54.33, -26.17

 

CMYK 52 / 0 / 47 / 23

HEX #5EC568

RGB 94 197 104

HSL 125.83, 0.47%, 0.57%

LAB 71.77, -49.29, 37.58

 

CMYK 48 / 0 / 43 / 16

HEX #6FD77B

RGB 111 215 123

HSL 126.92, 0.57%, 0.64%

LAB 78.12, -49.25, 36.26

 

CMYK 45 / 0 / 39 / 9

HEX #80E98E

RGB 128 233 142

HSL 128, 0.7%, 0.71%

LAB 84.39, -49.11, 35

 

CMYK 42 / 0 / 36 / 2

HEX #91FBA1

RGB 145 251 161

HSL 129.06, 0.93%, 0.78%

LAB 90.59, -48.92, 33.79

 

CMYK 36 / 0 / 29 / 0

HEX #A2FFB4

RGB 162 255 180

HSL 131.61, 1%, 0.82%

LAB 92.79, -42.66, 27.34

 

CMYK 55 / 0 / 45 / 23

HEX #59C56D

RGB 89 197 109

HSL 131.11, 0.48%, 0.56%

LAB 71.66, -49.8, 34.89

 

CMYK 60 / 0 / 50 / 30

HEX #48B35A

RGB 72 179 90

HSL 130.09, 0.43%, 0.49%

LAB 65.24, -49.67, 36.29

 

CMYK 66 / 0 / 56 / 37

HEX #37A147

RGB 55 161 71

HSL 129.06, 0.49%, 0.42%

LAB 58.75, -49.27, 37.72

 

CMYK 73 / 0 / 64 / 44

HEX #268F34

RGB 38 143 52

HSL 128, 0.58%, 0.35%

LAB 52.18, -48.45, 39.09

 

CMYK 83 / 0 / 74 / 51

HEX #157D21

RGB 21 125 33

HSL 126.92, 0.71%, 0.29%

LAB 45.55, -46.92, 40.16

 

CMYK 55 / 0 / 45 / 23

HEX #58C46C

RGB 88 196 108

HSL 131.11, 0.48%, 0.56%

LAB 71.31, -49.8, 34.94

 

CMYK 50 / 0 / 55 / 23

HEX #62C458

RGB 98 196 88

HSL 114.44, 0.48%, 0.56%

LAB 71.41, -49.95, 44.96

 

CMYK 35 / 0 / 55 / 23

HEX #7FC458

RGB 127 196 88

HSL 98.33, 0.48%, 0.56%

LAB 72.69, -40.9, 46.8

 

CMYK 20 / 0 / 55 / 23

HEX #9CC458

RGB 156 196 88

HSL 82.22, 0.48%, 0.56%

LAB 74.35, -30.34, 49.16

 

CMYK 6 / 0 / 55 / 23

HEX #B9C458

RGB 185 196 88

HSL 66.11, 0.48%, 0.56%

LAB 76.37, -18.82, 52.01

 

CMYK 55 / 0 / 45 / 23

HEX #58C46C

RGB 88 196 108

HSL 131.11, 0.48%, 0.56%

LAB 71.31, -49.8, 34.94

 

CMYK 55 / 0 / 30 / 23

HEX #58C489

RGB 88 196 137

HSL 147.22, 0.48%, 0.56%

LAB 71.8, -44.65, 20.45

 

CMYK 55 / 0 / 15 / 23

HEX #58C4A6

RGB 88 196 166

HSL 163.33, 0.48%, 0.56%

LAB 72.43, -38.32, 5.72

 

CMYK 55 / 0 / 0 / 23

HEX #58C4C4

RGB 88 196 196

HSL 180, 0.48%, 0.56%

LAB 73.25, -30.69, -9.4

 

CMYK 55 / 14 / 0 / 23

HEX #58A8C4

RGB 88 168 196

HSL 195.56, 0.48%, 0.56%

LAB 65.01, -16.54, -21.81

 

CMYK 55 / 0 / 45 / 23

HEX #58C46C

RGB 88 196 108

HSL 131.11, 0.48%, 0.56%

LAB 71.31, -49.8, 34.94

 

CMYK 67 / 0 / 55 / 16

HEX #46D661

RGB 70 214 97

HSL 131.25, 0.64%, 0.56%

LAB 76.23, -61.97, 46.29

 

CMYK 78 / 0 / 63 / 9

HEX #34E856

RGB 52 232 86

HSL 131.33, 0.8%, 0.56%

LAB 81.35, -71.97, 57.02

 

CMYK 86 / 0 / 71 / 2

HEX #22FB4A

RGB 34 251 74

HSL 131.06, 0.96%, 0.56%

LAB 86.91, -80.52, 67.59

 

CMYK 55 / 0 / 45 / 23

HEX #58C46C

RGB 88 196 108

HSL 131.11, 0.48%, 0.56%

LAB 71.31, -49.8, 34.94

 

CMYK 40 / 0 / 33 / 30

HEX #6BB278

RGB 107 178 120

HSL 130.99, 0.32%, 0.56%

LAB 66.77, -34.8, 22.83

 

CMYK 22 / 0 / 18 / 37

HEX #7DA083

RGB 125 160 131

HSL 130.29, 0.16%, 0.56%

LAB 62.63, -18.01, 11.23

 

CMYK 0 / 1 / 0 / 44

HEX #8F8E8F

RGB 143 142 143

HSL 300, 0%, 0.56%

LAB 59.13, 0.57, -0.41

 

CMYK 0 / 23 / 4 / 37

HEX #A17C9A

RGB 161 124 154

HSL 311.35, 0.16%, 0.56%

LAB 56.41, 19.53, -10.58

 

CMYK 36 / 0 / 55 / 23

HEX #7EC458

RGB 126 196 88

HSL 98.89, 0.48%, 0.56%

LAB 72.64, -41.24, 46.72

 

CMYK 51 / 0 / 55 / 23

HEX #61C458

RGB 97 196 88

HSL 115, 0.48%, 0.56%

LAB 71.37, -50.23, 44.91

 

CMYK 55 / 0 / 45 / 23

HEX #58C46C

RGB 88 196 108

HSL 131.11, 0.48%, 0.56%

LAB 71.31, -49.8, 34.94

 

CMYK 55 / 0 / 30 / 23

HEX #58C489

RGB 88 196 137

HSL 147.22, 0.48%, 0.56%

LAB 71.8, -44.65, 20.45

 

CMYK 55 / 0 / 15 / 23

HEX #58C4A6

RGB 88 196 166

HSL 163.33, 0.48%, 0.56%

LAB 72.43, -38.32, 5.72

 

CMYK 65 / 0 / 53 / 41

HEX #349646

RGB 52 150 70

HSL 131.02, 0.49%, 0.4%

LAB 55.06, -45.87, 33.73

 

CMYK 65 / 0 / 53 / 29

HEX #3FB455

RGB 63 180 85

HSL 131.28, 0.48%, 0.48%

LAB 65.24, -52.74, 38.72

 

CMYK 55 / 0 / 45 / 23

HEX #58C46C

RGB 88 196 108

HSL 131.11, 0.48%, 0.56%

LAB 71.31, -49.8, 34.94

 

CMYK 43 / 0 / 35 / 19

HEX #77CF87

RGB 119 207 135

HSL 130.91, 0.48%, 0.64%

LAB 76.25, -41.68, 27.73

 

CMYK 31 / 0 / 26 / 15

HEX #96DAA2

RGB 150 218 162

HSL 130.59, 0.48%, 0.72%

LAB 81.42, -32.63, 20.91

 

CMYK 55 / 0 / 45 / 23

HEX #59C56D

RGB 89 197 109

HSL 131.11, 0.48%, 0.56%

LAB 71.66, -49.8, 34.89

 

CMYK 55 / 21 / 0 / 23

HEX #589BC4

RGB 88 155 196

HSL 202.78, 0.48%, 0.56%

LAB 61.22, -9.5, -27.63

 

CMYK 0 / 55 / 43 / 23

HEX #C45870

RGB 196 88 112

HSL 346.67, 0.48%, 0.56%

LAB 51.71, 45.46, 7.73

 

CMYK 55 / 0 / 45 / 23

HEX #59C56D

RGB 89 197 109

HSL 131.11, 0.48%, 0.56%

LAB 71.66, -49.8, 34.89

 

CMYK 45 / 55 / 0 / 23

HEX #6C58C4

RGB 108 88 196

HSL 251.11, 0.48%, 0.56%

LAB 44.45, 35.02, -54.01

 

CMYK 0 / 45 / 55 / 23

HEX #C46C58

RGB 196 108 88

HSL 11.11, 0.48%, 0.56%

LAB 55.24, 32.93, 26.6

 

CMYK 55 / 0 / 45 / 23

HEX #59C56D

RGB 89 197 109

HSL 131.11, 0.48%, 0.56%

LAB 71.66, -49.8, 34.89

 

CMYK 55 / 21 / 0 / 23

HEX #589BC4

RGB 88 155 196

HSL 202.78, 0.48%, 0.56%

LAB 61.22, -9.5, -27.63

 

CMYK 0 / 55 / 10 / 23

HEX #C458B0

RGB 196 88 176

HSL 311.11, 0.48%, 0.56%

LAB 53.87, 54.1, -26.83

 

CMYK 0 / 34 / 55 / 23

HEX #C48258

RGB 196 130 88

HSL 23.33, 0.48%, 0.56%

LAB 60.25, 20.99, 32.98

 

CMYK 55 / 0 / 45 / 23

HEX #59C56D

RGB 89 197 109

HSL 131.11, 0.48%, 0.56%

LAB 71.66, -49.8, 34.89

 

CMYK 55 / 37 / 0 / 23

HEX #587BC4

RGB 88 123 196

HSL 220.56, 0.48%, 0.56%

LAB 52.09, 9.11, -41.9

 

CMYK 0 / 55 / 10 / 23

HEX #C458B0

RGB 196 88 176

HSL 311.11, 0.48%, 0.56%

LAB 53.87, 54.1, -26.83

 

CMYK 0 / 17 / 55 / 23

HEX #C4A258

RGB 196 162 88

HSL 41.11, 0.48%, 0.56%

LAB 68.23, 3.5, 42.74

 

Description

Color code: HEX #59C56D | qconv.com Color code: HEX #59C56D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 197 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 197 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 45 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 45% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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