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Color name
HEX #59B203

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59B203 it is the complementary color #A64DFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59B203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59B203 shade: #5EB200, #6FC411, #80D624, #91E837 and #A2FA4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59B203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59B203 shade: #59B203, #48A000, #378E00, #267C00 and #156A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59B203 shade: #57AF02, #86AF02, #AFAA02, #AF7B02 and #AF4D02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59B203 shade: #57AF02, #29AF02, #02AF0A, #02AF39 and #02AF68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59B203 shade matches the following richer shades: #57AF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59B203 shade: #57AF02, #58A111, #58921F, #58842D and #58763C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59B203 shade: #AFAA02, #87AF02, #59AF02, #2BAF02 and #02AF08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59B203 shade: #2F5E01, #438702, #57AF02, #6CD803 and #80FB09

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59B203 shade: #59B203, #02AF7B and #AF029E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59B203 shade: #59B203, #0259AF and #AF0259

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59B203 shade: #59B203, #02AF7B, #5902AF and #AF0236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59B203 shade: #59B203, #02AFAF, #5902AF and #AF0202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 98 / 30

HEX #59B203

RGB 89 178 3

HSL 90.51, 0.97%, 0.35%

LAB 64.94, -51.2, 65.24

 

Complementary color

CMYK 34 / 69 / 0 / 1

HEX #A64DFC

RGB 166 77 252

HSL 270.51, 0.97%, 0.65%

LAB 52.33, 67.05, -72.72

 

CMYK 47 / 0 / 100 / 30

HEX #5EB200

RGB 94 178 0

HSL 88.31, 1%, 0.35%

LAB 65.14, -49.7, 65.86

 

CMYK 43 / 0 / 91 / 23

HEX #6FC411

RGB 111 196 17

HSL 88.49, 0.84%, 0.42%

LAB 71.49, -50.88, 69.15

 

CMYK 40 / 0 / 83 / 16

HEX #80D624

RGB 128 214 36

HSL 88.99, 0.71%, 0.49%

LAB 77.76, -51.78, 71.1

 

CMYK 38 / 0 / 76 / 9

HEX #91E837

RGB 145 232 55

HSL 89.49, 0.79%, 0.56%

LAB 83.97, -52.43, 71.91

 

CMYK 35 / 0 / 70 / 2

HEX #A2FA4A

RGB 162 250 74

HSL 90, 0.95%, 0.64%

LAB 90.11, -52.89, 71.98

 

CMYK 50 / 0 / 98 / 30

HEX #59B203

RGB 89 178 3

HSL 90.51, 0.97%, 0.35%

LAB 64.94, -51.2, 65.24

 

CMYK 55 / 0 / 100 / 37

HEX #48A000

RGB 72 160 0

HSL 93, 1%, 0.31%

LAB 58.53, -49.58, 60.31

 

CMYK 61 / 0 / 100 / 44

HEX #378E00

RGB 55 142 0

HSL 96.76, 1%, 0.28%

LAB 52.02, -47.69, 54.92

 

CMYK 69 / 0 / 100 / 51

HEX #267C00

RGB 38 124 0

HSL 101.61, 1%, 0.24%

LAB 45.4, -45.46, 49.47

 

CMYK 80 / 0 / 100 / 58

HEX #156A00

RGB 21 106 0

HSL 108.11, 1%, 0.21%

LAB 38.67, -42.68, 43.95

 

CMYK 50 / 0 / 99 / 31

HEX #57AF02

RGB 87 175 2

HSL 90.52, 0.98%, 0.35%

LAB 63.91, -50.7, 64.51

 

CMYK 23 / 0 / 99 / 31

HEX #86AF02

RGB 134 175 2

HSL 74.22, 0.98%, 0.35%

LAB 66.32, -33.71, 67.42

 

CMYK 0 / 3 / 99 / 31

HEX #AFAA02

RGB 175 170 2

HSL 58.27, 0.98%, 0.35%

LAB 67.92, -13.67, 69.98

 

CMYK 0 / 30 / 99 / 31

HEX #AF7B02

RGB 175 123 2

HSL 41.97, 0.98%, 0.35%

LAB 55.36, 11.78, 61.03

 

CMYK 0 / 56 / 99 / 31

HEX #AF4D02

RGB 175 77 2

HSL 26.01, 0.98%, 0.35%

LAB 44.84, 36.86, 54.23

 

CMYK 50 / 0 / 99 / 31

HEX #57AF02

RGB 87 175 2

HSL 90.52, 0.98%, 0.35%

LAB 63.91, -50.7, 64.51

 

CMYK 77 / 0 / 99 / 31

HEX #29AF02

RGB 41 175 2

HSL 106.47, 0.98%, 0.35%

LAB 62.62, -61.35, 62.94

 

CMYK 99 / 0 / 94 / 31

HEX #02AF0A

RGB 2 175 10

HSL 122.77, 0.98%, 0.35%

LAB 62.25, -64.64, 61.43

 

CMYK 99 / 0 / 67 / 31

HEX #02AF39

RGB 2 175 57

HSL 139.08, 0.98%, 0.35%

LAB 62.48, -61.67, 48.19

 

CMYK 99 / 0 / 41 / 31

HEX #02AF68

RGB 2 175 104

HSL 155.38, 0.98%, 0.35%

LAB 63.07, -54.47, 26.02

 

CMYK 50 / 0 / 99 / 31

HEX #57AF02

RGB 87 175 2

HSL 90.52, 0.98%, 0.35%

LAB 63.91, -50.7, 64.51

 

CMYK 50 / 0 / 99 / 31

HEX #57AF02

RGB 87 175 2

HSL 90.52, 0.98%, 0.35%

LAB 63.91, -50.7, 64.51

 

CMYK 45 / 0 / 89 / 37

HEX #58A111

RGB 88 161 17

HSL 90.42, 0.81%, 0.35%

LAB 59.53, -44.56, 58.75

 

CMYK 40 / 0 / 79 / 43

HEX #58921F

RGB 88 146 31

HSL 90.26, 0.65%, 0.35%

LAB 54.79, -37.67, 50.84

 

CMYK 33 / 0 / 66 / 48

HEX #58842D

RGB 88 132 45

HSL 90.34, 0.49%, 0.35%

LAB 50.41, -30.31, 40.88

 

CMYK 25 / 0 / 49 / 54

HEX #58763C

RGB 88 118 60

HSL 91.03, 0.33%, 0.35%

LAB 46.12, -21.77, 28.37

 

CMYK 0 / 3 / 99 / 31

HEX #AFAA02

RGB 175 170 2

HSL 58.27, 0.98%, 0.35%

LAB 67.92, -13.67, 69.98

 

CMYK 23 / 0 / 99 / 31

HEX #87AF02

RGB 135 175 2

HSL 73.87, 0.98%, 0.35%

LAB 66.38, -33.31, 67.5

 

CMYK 49 / 0 / 99 / 31

HEX #59AF02

RGB 89 175 2

HSL 89.83, 0.98%, 0.35%

LAB 63.99, -50.08, 64.61

 

CMYK 75 / 0 / 99 / 31

HEX #2BAF02

RGB 43 175 2

HSL 105.78, 0.98%, 0.35%

LAB 62.66, -61.04, 62.99

 

CMYK 99 / 0 / 95 / 31

HEX #02AF08

RGB 2 175 8

HSL 122.08, 0.98%, 0.35%

LAB 62.25, -64.69, 61.69

 

CMYK 50 / 0 / 99 / 63

HEX #2F5E01

RGB 47 94 1

HSL 90.32, 0.98%, 0.19%

LAB 35.23, -31.23, 41.27

 

CMYK 50 / 0 / 99 / 47

HEX #438702

RGB 67 135 2

HSL 90.68, 0.97%, 0.27%

LAB 50.13, -41.45, 53.25

 

CMYK 50 / 0 / 99 / 31

HEX #57AF02

RGB 87 175 2

HSL 90.52, 0.98%, 0.35%

LAB 63.91, -50.7, 64.51

 

CMYK 50 / 0 / 99 / 15

HEX #6CD803

RGB 108 216 3

HSL 90.42, 0.97%, 0.43%

LAB 77.46, -59.59, 75.46

 

CMYK 49 / 0 / 96 / 2

HEX #80FB09

RGB 128 251 9

HSL 90.5, 0.97%, 0.51%

LAB 88.73, -66.28, 84.22

 

CMYK 50 / 0 / 98 / 30

HEX #59B203

RGB 89 178 3

HSL 90.51, 0.97%, 0.35%

LAB 64.94, -51.2, 65.24

 

CMYK 99 / 0 / 30 / 31

HEX #02AF7B

RGB 2 175 123

HSL 161.97, 0.98%, 0.35%

LAB 63.43, -50.37, 16.24

 

CMYK 0 / 99 / 10 / 31

HEX #AF029E

RGB 175 2 158

HSL 305.9, 0.98%, 0.35%

LAB 40.62, 71.44, -37.18

 

CMYK 50 / 0 / 98 / 30

HEX #59B203

RGB 89 178 3

HSL 90.51, 0.97%, 0.35%

LAB 64.94, -51.2, 65.24

 

CMYK 99 / 49 / 0 / 31

HEX #0259AF

RGB 2 89 175

HSL 209.83, 0.98%, 0.35%

LAB 38.29, 12.09, -51.91

 

CMYK 0 / 99 / 49 / 31

HEX #AF0259

RGB 175 2 89

HSL 329.83, 0.98%, 0.35%

LAB 37.62, 63.78, 1.24

 

CMYK 50 / 0 / 98 / 30

HEX #59B203

RGB 89 178 3

HSL 90.51, 0.97%, 0.35%

LAB 64.94, -51.2, 65.24

 

CMYK 99 / 0 / 30 / 31

HEX #02AF7B

RGB 2 175 123

HSL 161.97, 0.98%, 0.35%

LAB 63.43, -50.37, 16.24

 

CMYK 49 / 99 / 0 / 31

HEX #5902AF

RGB 89 2 175

HSL 270.17, 0.98%, 0.35%

LAB 27.47, 62.62, -69.41

 

CMYK 0 / 99 / 69 / 31

HEX #AF0236

RGB 175 2 54

HSL 341.97, 0.98%, 0.35%

LAB 36.79, 61.54, 22.69

 

CMYK 50 / 0 / 98 / 30

HEX #59B203

RGB 89 178 3

HSL 90.51, 0.97%, 0.35%

LAB 64.94, -51.2, 65.24

 

CMYK 99 / 0 / 0 / 31

HEX #02AFAF

RGB 2 175 175

HSL 180, 0.98%, 0.35%

LAB 64.78, -36.18, -10.64

 

CMYK 49 / 99 / 0 / 31

HEX #5902AF

RGB 89 2 175

HSL 270.17, 0.98%, 0.35%

LAB 27.47, 62.62, -69.41

 

CMYK 0 / 99 / 99 / 31

HEX #AF0202

RGB 175 2 2

HSL 0, 0.98%, 0.35%

LAB 36.29, 60.19, 49.81

 

Description

Color code: HEX #59B203 | qconv.com Color code: HEX #59B203 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 178 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 178 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 98 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 98% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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