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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59AD95 it is the complementary color #A6526A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59AD95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59AD95 shade: #5EAD90, #6FBFA3, #80D1B6, #91E3C9 and #A2F5DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59AD95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59AD95 shade: #59AD95, #489B82, #37896F, #26775C and #156549

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59AD95 shade: #57AC94, #57AC7D, #57AC66, #5FAC57 and #76AC57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59AD95 shade: #57AC94, #57ACAB, #5796AC, #5780AC and #5769AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59AD95 shade matches the following richer shades: #57AC94, #43C09C, #2FD4A5, #1AE9AE and #06FDB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59AD95 shade: #57AC94, #6B988B, #808482, #946F7A and #A85B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59AD95 shade: #57AC65, #57AC7C, #57AC93, #57ACA9 and #5798AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59AD95 shade: #3A7665, #48927D, #57AC94, #73BAA5 and #8EC7B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59AD95 shade: #59AD95, #5760AC and #AC7157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59AD95 shade: #59AD95, #9357AC and #AC9357

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59AD95 shade: #59AD95, #5760AC, #AC5771 and #ACA457

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59AD95 shade: #59AD95, #6857AC, #AC5771 and #9BAC57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 14 / 32

HEX #59AD95

RGB 89 173 149

HSL 162.86, 0.34%, 0.51%

LAB 65.11, -31.44, 4.5

 

Complementary color

CMYK 0 / 51 / 36 / 35

HEX #A6526A

RGB 166 82 106

HSL 342.86, 0.34%, 0.49%

LAB 45.88, 37.18, 2.4

 

CMYK 46 / 0 / 17 / 32

HEX #5EAD90

RGB 94 173 144

HSL 157.97, 0.33%, 0.52%

LAB 65.18, -31.32, 7.41

 

CMYK 42 / 0 / 15 / 25

HEX #6FBFA3

RGB 111 191 163

HSL 159, 0.38%, 0.59%

LAB 71.75, -31.13, 6.48

 

CMYK 39 / 0 / 13 / 18

HEX #80D1B6

RGB 128 209 182

HSL 160, 0.47%, 0.66%

LAB 78.21, -30.92, 5.62

 

CMYK 36 / 0 / 11 / 11

HEX #91E3C9

RGB 145 227 201

HSL 160.98, 0.59%, 0.73%

LAB 84.57, -30.72, 4.81

 

CMYK 34 / 0 / 10 / 4

HEX #A2F5DC

RGB 162 245 220

HSL 161.93, 0.81%, 0.8%

LAB 90.85, -30.52, 4.05

 

CMYK 49 / 0 / 14 / 32

HEX #59AD95

RGB 89 173 149

HSL 162.86, 0.34%, 0.51%

LAB 65.11, -31.44, 4.5

 

CMYK 54 / 0 / 16 / 39

HEX #489B82

RGB 72 155 130

HSL 161.93, 0.37%, 0.45%

LAB 58.44, -31.52, 5.48

 

CMYK 60 / 0 / 19 / 46

HEX #37896F

RGB 55 137 111

HSL 160.98, 0.43%, 0.38%

LAB 51.67, -31.51, 6.57

 

CMYK 68 / 0 / 23 / 53

HEX #26775C

RGB 38 119 92

HSL 160, 0.52%, 0.31%

LAB 44.77, -31.31, 7.81

 

CMYK 79 / 0 / 28 / 60

HEX #156549

RGB 21 101 73

HSL 159, 0.66%, 0.24%

LAB 37.75, -30.77, 9.26

 

CMYK 49 / 0 / 14 / 33

HEX #57AC94

RGB 87 172 148

HSL 163.06, 0.34%, 0.51%

LAB 64.7, -31.69, 4.46

 

CMYK 49 / 0 / 27 / 33

HEX #57AC7D

RGB 87 172 125

HSL 146.82, 0.34%, 0.51%

LAB 64.17, -36.79, 16.42

 

CMYK 49 / 0 / 41 / 33

HEX #57AC66

RGB 87 172 102

HSL 130.59, 0.34%, 0.51%

LAB 63.75, -41.07, 28.28

 

CMYK 45 / 0 / 49 / 33

HEX #5FAC57

RGB 95 172 87

HSL 114.35, 0.34%, 0.51%

LAB 63.86, -41.02, 36.27

 

CMYK 31 / 0 / 49 / 33

HEX #76AC57

RGB 118 172 87

HSL 98.12, 0.34%, 0.51%

LAB 65, -33.35, 37.93

 

CMYK 49 / 0 / 14 / 33

HEX #57AC94

RGB 87 172 148

HSL 163.06, 0.34%, 0.51%

LAB 64.7, -31.69, 4.46

 

CMYK 49 / 0 / 1 / 33

HEX #57ACAB

RGB 87 172 171

HSL 179.29, 0.34%, 0.51%

LAB 65.34, -25.87, -7.42

 

CMYK 49 / 13 / 0 / 33

HEX #5796AC

RGB 87 150 172

HSL 195.53, 0.34%, 0.51%

LAB 58.81, -14.13, -17.8

 

CMYK 49 / 26 / 0 / 33

HEX #5780AC

RGB 87 128 172

HSL 211.06, 0.34%, 0.51%

LAB 52.33, -1.7, -27.73

 

CMYK 49 / 39 / 0 / 33

HEX #5769AC

RGB 87 105 172

HSL 227.29, 0.34%, 0.51%

LAB 45.78, 12.22, -38

 

CMYK 49 / 0 / 14 / 33

HEX #57AC94

RGB 87 172 148

HSL 163.06, 0.34%, 0.51%

LAB 64.7, -31.69, 4.46

 

CMYK 65 / 0 / 19 / 25

HEX #43C09C

RGB 67 192 156

HSL 162.72, 0.5%, 0.51%

LAB 70.38, -42.98, 8.13

 

CMYK 78 / 0 / 22 / 17

HEX #2FD4A5

RGB 47 212 165

HSL 162.91, 0.66%, 0.51%

LAB 76.32, -51.89, 11.68

 

CMYK 89 / 0 / 25 / 9

HEX #1AE9AE

RGB 26 233 174

HSL 162.9, 0.82%, 0.51%

LAB 82.68, -59.57, 15.87

 

CMYK 98 / 0 / 28 / 1

HEX #06FDB6

RGB 6 253 182

HSL 162.75, 0.98%, 0.51%

LAB 88.76, -65.83, 20.22

 

CMYK 49 / 0 / 14 / 33

HEX #57AC94

RGB 87 172 148

HSL 163.06, 0.34%, 0.51%

LAB 64.7, -31.69, 4.46

 

CMYK 30 / 0 / 9 / 40

HEX #6B988B

RGB 107 152 139

HSL 162.67, 0.18%, 0.51%

LAB 59.39, -18.17, 1.94

 

CMYK 3 / 0 / 2 / 48

HEX #808482

RGB 128 132 130

HSL 150, 0.02%, 0.51%

LAB 54.77, -1.88, 0.55

 

CMYK 0 / 25 / 18 / 42

HEX #946F7A

RGB 148 111 122

HSL 342.16, 0.15%, 0.51%

LAB 50.77, 16.43, -0.37

 

CMYK 0 / 46 / 33 / 34

HEX #A85B71

RGB 168 91 113

HSL 342.86, 0.31%, 0.51%

LAB 48.26, 34.01, 1.64

 

CMYK 49 / 0 / 41 / 33

HEX #57AC65

RGB 87 172 101

HSL 129.88, 0.34%, 0.51%

LAB 63.73, -41.24, 28.79

 

CMYK 49 / 0 / 28 / 33

HEX #57AC7C

RGB 87 172 124

HSL 146.12, 0.34%, 0.51%

LAB 64.15, -36.99, 16.94

 

CMYK 49 / 0 / 15 / 33

HEX #57AC93

RGB 87 172 147

HSL 162.35, 0.34%, 0.51%

LAB 64.67, -31.93, 4.98

 

CMYK 49 / 0 / 2 / 33

HEX #57ACA9

RGB 87 172 169

HSL 177.88, 0.34%, 0.51%

LAB 65.28, -26.4, -6.39

 

CMYK 49 / 12 / 0 / 33

HEX #5798AC

RGB 87 152 172

HSL 194.12, 0.34%, 0.51%

LAB 59.4, -15.21, -16.89

 

CMYK 51 / 0 / 14 / 54

HEX #3A7665

RGB 58 118 101

HSL 163, 0.34%, 0.35%

LAB 45.35, -23.99, 3.39

 

CMYK 51 / 0 / 14 / 43

HEX #48927D

RGB 72 146 125

HSL 162.97, 0.34%, 0.43%

LAB 55.5, -28.4, 4.09

 

CMYK 49 / 0 / 14 / 33

HEX #57AC94

RGB 87 172 148

HSL 163.06, 0.34%, 0.51%

LAB 64.7, -31.69, 4.46

 

CMYK 38 / 0 / 11 / 27

HEX #73BAA5

RGB 115 186 165

HSL 162.25, 0.34%, 0.59%

LAB 70.51, -27.17, 3.63

 

CMYK 29 / 0 / 8 / 22

HEX #8EC7B7

RGB 142 199 183

HSL 163.16, 0.34%, 0.67%

LAB 76.08, -21.81, 2.09

 

CMYK 49 / 0 / 14 / 32

HEX #59AD95

RGB 89 173 149

HSL 162.86, 0.34%, 0.51%

LAB 65.11, -31.44, 4.5

 

CMYK 49 / 44 / 0 / 33

HEX #5760AC

RGB 87 96 172

HSL 233.65, 0.34%, 0.51%

LAB 43.32, 17.85, -41.91

 

CMYK 0 / 34 / 49 / 33

HEX #AC7157

RGB 172 113 87

HSL 18.35, 0.34%, 0.51%

LAB 53.24, 20.35, 23.97

 

CMYK 49 / 0 / 14 / 32

HEX #59AD95

RGB 89 173 149

HSL 162.86, 0.34%, 0.51%

LAB 65.11, -31.44, 4.5

 

CMYK 15 / 49 / 0 / 33

HEX #9357AC

RGB 147 87 172

HSL 282.35, 0.34%, 0.51%

LAB 46.97, 39.64, -35.75

 

CMYK 0 / 15 / 49 / 33

HEX #AC9357

RGB 172 147 87

HSL 42.35, 0.34%, 0.51%

LAB 61.93, 1.33, 35.05

 

CMYK 49 / 0 / 14 / 32

HEX #59AD95

RGB 89 173 149

HSL 162.86, 0.34%, 0.51%

LAB 65.11, -31.44, 4.5

 

CMYK 49 / 44 / 0 / 33

HEX #5760AC

RGB 87 96 172

HSL 233.65, 0.34%, 0.51%

LAB 43.32, 17.85, -41.91

 

CMYK 0 / 49 / 34 / 33

HEX #AC5771

RGB 172 87 113

HSL 341.65, 0.34%, 0.51%

LAB 47.98, 37.6, 1.31

 

CMYK 0 / 5 / 49 / 33

HEX #ACA457

RGB 172 164 87

HSL 54.35, 0.34%, 0.51%

LAB 66.53, -7.85, 40.67

 

CMYK 49 / 0 / 14 / 32

HEX #59AD95

RGB 89 173 149

HSL 162.86, 0.34%, 0.51%

LAB 65.11, -31.44, 4.5

 

CMYK 40 / 49 / 0 / 33

HEX #6857AC

RGB 104 87 172

HSL 252, 0.34%, 0.51%

LAB 42.37, 27.7, -43.34

 

CMYK 0 / 49 / 34 / 33

HEX #AC5771

RGB 172 87 113

HSL 341.65, 0.34%, 0.51%

LAB 47.98, 37.6, 1.31

 

CMYK 10 / 0 / 49 / 33

HEX #9BAC57

RGB 155 172 87

HSL 72, 0.34%, 0.51%

LAB 67.4, -19.08, 41.4

 

Description

Color code: HEX #59AD95 | qconv.com Color code: HEX #59AD95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 173 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 173 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 14 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 14% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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