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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59AB11 it is the complementary color #A654EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59AB11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59AB11 shade: #5EAB0C, #6FBD1F, #80CF32, #91E145 and #A2F358

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59AB11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59AB11 shade: #59AB11, #489900, #378700, #267500 and #156300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59AB11 shade: #59AB10, #83AB10, #ABAA10, #AB8010 and #AB5710

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59AB11 shade: #59AB10, #2FAB10, #10AB1C, #10AB45 and #10AB6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59AB11 shade matches the following richer shades: #59AB10 and #58BA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59AB11 shade: #59AB10, #5A9C20, #5B8D2F, #5C7D3E and #5D6E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59AB11 shade: #ABA910, #85AB10, #5BAB10, #32AB10 and #10AB18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59AB11 shade: #326009, #45860D, #59AB10, #6CD114 and #81E925

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59AB11 shade: #59AB11, #10AB7F and #AB1099

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59AB11 shade: #59AB11, #105BAB and #AB105B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59AB11 shade: #59AB11, #10AB7F, #6010AB and #AB103C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59AB11 shade: #59AB11, #10A9AB, #6010AB and #AB1310

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 90 / 33

HEX #59AB11

RGB 89 171 17

HSL 91.95, 0.82%, 0.37%

LAB 62.75, -48.21, 61.49

 

Complementary color

CMYK 30 / 65 / 0 / 7

HEX #A654EE

RGB 166 84 238

HSL 271.95, 0.82%, 0.63%

LAB 52.53, 60.68, -64.58

 

CMYK 45 / 0 / 93 / 33

HEX #5EAB0C

RGB 94 171 12

HSL 89.06, 0.87%, 0.36%

LAB 62.95, -46.71, 62.56

 

CMYK 41 / 0 / 84 / 26

HEX #6FBD1F

RGB 111 189 31

HSL 89.62, 0.72%, 0.43%

LAB 69.38, -47.65, 64.59

 

CMYK 38 / 0 / 76 / 19

HEX #80CF32

RGB 128 207 50

HSL 90.19, 0.62%, 0.5%

LAB 75.73, -48.3, 65.33

 

CMYK 36 / 0 / 69 / 12

HEX #91E145

RGB 145 225 69

HSL 90.77, 0.72%, 0.58%

LAB 82, -48.74, 65.27

 

CMYK 33 / 0 / 64 / 5

HEX #A2F358

RGB 162 243 88

HSL 91.35, 0.87%, 0.65%

LAB 88.2, -49.02, 64.74

 

CMYK 48 / 0 / 90 / 33

HEX #59AB11

RGB 89 171 17

HSL 91.95, 0.82%, 0.37%

LAB 62.75, -48.21, 61.49

 

CMYK 53 / 0 / 100 / 40

HEX #489900

RGB 72 153 0

HSL 91.76, 1%, 0.3%

LAB 56.25, -46.95, 58.51

 

CMYK 59 / 0 / 100 / 47

HEX #378700

RGB 55 135 0

HSL 95.56, 1%, 0.26%

LAB 49.67, -45.13, 53.07

 

CMYK 68 / 0 / 100 / 54

HEX #267500

RGB 38 117 0

HSL 100.51, 1%, 0.23%

LAB 42.97, -42.99, 47.54

 

CMYK 79 / 0 / 100 / 61

HEX #156300

RGB 21 99 0

HSL 107.27, 1%, 0.19%

LAB 36.14, -40.31, 41.94

 

CMYK 48 / 0 / 91 / 33

HEX #59AB10

RGB 89 171 16

HSL 91.74, 0.83%, 0.37%

LAB 62.75, -48.23, 61.67

 

CMYK 23 / 0 / 91 / 33

HEX #83AB10

RGB 131 171 16

HSL 75.48, 0.83%, 0.37%

LAB 64.95, -32.84, 64.39

 

CMYK 0 / 1 / 91 / 33

HEX #ABAA10

RGB 171 170 16

HSL 59.61, 0.83%, 0.37%

LAB 67.61, -15.24, 67.75

 

CMYK 0 / 25 / 91 / 33

HEX #AB8010

RGB 171 128 16

HSL 43.35, 0.83%, 0.37%

LAB 56.22, 7.37, 58.87

 

CMYK 0 / 49 / 91 / 33

HEX #AB5710

RGB 171 87 16

HSL 27.48, 0.83%, 0.37%

LAB 46.33, 30.2, 51.27

 

CMYK 48 / 0 / 91 / 33

HEX #59AB10

RGB 89 171 16

HSL 91.74, 0.83%, 0.37%

LAB 62.75, -48.23, 61.67

 

CMYK 73 / 0 / 91 / 33

HEX #2FAB10

RGB 47 171 16

HSL 108, 0.83%, 0.37%

LAB 61.45, -58.76, 60.05

 

CMYK 91 / 0 / 84 / 33

HEX #10AB1C

RGB 16 171 28

HSL 124.65, 0.83%, 0.37%

LAB 61.06, -62.05, 56.89

 

CMYK 91 / 0 / 60 / 33

HEX #10AB45

RGB 16 171 69

HSL 140.52, 0.83%, 0.37%

LAB 61.36, -58.25, 41.61

 

CMYK 91 / 0 / 35 / 33

HEX #10AB6F

RGB 16 171 111

HSL 156.77, 0.83%, 0.37%

LAB 61.98, -50.9, 20.82

 

CMYK 48 / 0 / 91 / 33

HEX #59AB10

RGB 89 171 16

HSL 91.74, 0.83%, 0.37%

LAB 62.75, -48.23, 61.67

 

CMYK 53 / 0 / 99 / 27

HEX #58BA01

RGB 88 186 1

HSL 91.78, 0.99%, 0.37%

LAB 67.42, -54.51, 67.43

 

CMYK 48 / 0 / 91 / 33

HEX #59AB10

RGB 89 171 16

HSL 91.74, 0.83%, 0.37%

LAB 62.75, -48.23, 61.67

 

CMYK 42 / 0 / 79 / 39

HEX #5A9C20

RGB 90 156 32

HSL 91.94, 0.66%, 0.37%

LAB 58.09, -41.19, 53.66

 

CMYK 35 / 0 / 67 / 45

HEX #5B8D2F

RGB 91 141 47

HSL 91.91, 0.5%, 0.37%

LAB 53.47, -33.18, 43.34

 

CMYK 26 / 0 / 50 / 51

HEX #5C7D3E

RGB 92 125 62

HSL 91.43, 0.34%, 0.37%

LAB 48.62, -23.49, 30.43

 

CMYK 15 / 0 / 29 / 57

HEX #5D6E4E

RGB 93 110 78

HSL 91.88, 0.17%, 0.37%

LAB 44.27, -12.75, 15.81

 

CMYK 0 / 1 / 91 / 33

HEX #ABA910

RGB 171 169 16

HSL 59.23, 0.83%, 0.37%

LAB 67.33, -14.73, 67.53

 

CMYK 22 / 0 / 91 / 33

HEX #85AB10

RGB 133 171 16

HSL 74.71, 0.83%, 0.37%

LAB 65.08, -32.02, 64.55

 

CMYK 47 / 0 / 91 / 33

HEX #5BAB10

RGB 91 171 16

HSL 90.97, 0.83%, 0.37%

LAB 62.83, -47.59, 61.77

 

CMYK 71 / 0 / 91 / 33

HEX #32AB10

RGB 50 171 16

HSL 106.84, 0.83%, 0.37%

LAB 61.52, -58.21, 60.13

 

CMYK 91 / 0 / 86 / 33

HEX #10AB18

RGB 16 171 24

HSL 123.1, 0.83%, 0.37%

LAB 61.05, -62.25, 57.88

 

CMYK 48 / 0 / 91 / 62

HEX #326009

RGB 50 96 9

HSL 91.72, 0.83%, 0.21%

LAB 36.11, -30.65, 39.7

 

CMYK 49 / 0 / 90 / 47

HEX #45860D

RGB 69 134 13

HSL 92.23, 0.82%, 0.29%

LAB 49.91, -40.05, 51.04

 

CMYK 48 / 0 / 91 / 33

HEX #59AB10

RGB 89 171 16

HSL 91.74, 0.83%, 0.37%

LAB 62.75, -48.23, 61.67

 

CMYK 48 / 0 / 90 / 18

HEX #6CD114

RGB 108 209 20

HSL 92.06, 0.83%, 0.45%

LAB 75.35, -56.72, 71.84

 

CMYK 45 / 0 / 84 / 9

HEX #81E925

RGB 129 233 37

HSL 91.84, 0.82%, 0.53%

LAB 83.48, -58.77, 75.91

 

CMYK 48 / 0 / 90 / 33

HEX #59AB11

RGB 89 171 17

HSL 91.95, 0.82%, 0.37%

LAB 62.75, -48.21, 61.49

 

CMYK 91 / 0 / 26 / 33

HEX #10AB7F

RGB 16 171 127

HSL 162.97, 0.83%, 0.37%

LAB 62.31, -47.22, 12.49

 

CMYK 0 / 91 / 11 / 33

HEX #AB1099

RGB 171 16 153

HSL 306.97, 0.83%, 0.37%

LAB 40.13, 68.42, -34.98

 

CMYK 48 / 0 / 90 / 33

HEX #59AB11

RGB 89 171 17

HSL 91.95, 0.82%, 0.37%

LAB 62.75, -48.21, 61.49

 

CMYK 91 / 47 / 0 / 33

HEX #105BAB

RGB 16 91 171

HSL 210.97, 0.83%, 0.37%

LAB 38.78, 9.77, -48.75

 

CMYK 0 / 91 / 47 / 33

HEX #AB105B

RGB 171 16 91

HSL 330.97, 0.83%, 0.37%

LAB 37.45, 61.28, -0.4

 

CMYK 48 / 0 / 90 / 33

HEX #59AB11

RGB 89 171 17

HSL 91.95, 0.82%, 0.37%

LAB 62.75, -48.21, 61.49

 

CMYK 91 / 0 / 26 / 33

HEX #10AB7F

RGB 16 171 127

HSL 162.97, 0.83%, 0.37%

LAB 62.31, -47.22, 12.49

 

CMYK 44 / 91 / 0 / 33

HEX #6010AB

RGB 96 16 171

HSL 270.97, 0.83%, 0.37%

LAB 28.9, 59.8, -64.62

 

CMYK 0 / 91 / 65 / 33

HEX #AB103C

RGB 171 16 60

HSL 342.97, 0.83%, 0.37%

LAB 36.66, 59.06, 18.5

 

CMYK 48 / 0 / 90 / 33

HEX #59AB11

RGB 89 171 17

HSL 91.95, 0.82%, 0.37%

LAB 62.75, -48.21, 61.49

 

CMYK 91 / 1 / 0 / 33

HEX #10A9AB

RGB 16 169 171

HSL 180.77, 0.83%, 0.37%

LAB 62.87, -34.1, -11.27

 

CMYK 44 / 91 / 0 / 33

HEX #6010AB

RGB 96 16 171

HSL 270.97, 0.83%, 0.37%

LAB 28.9, 59.8, -64.62

 

CMYK 0 / 89 / 91 / 33

HEX #AB1310

RGB 171 19 16

HSL 1.16, 0.83%, 0.37%

LAB 36.29, 56.98, 43.8

 

Description

Color code: HEX #59AB11 | qconv.com Color code: HEX #59AB11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 171 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 171 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 90 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 90% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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