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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59A5D1 it is the complementary color #A65A2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59A5D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59A5D1 shade: #5EA5CC, #6FB7DF, #80C9F2, #91DBFF and #A2EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59A5D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59A5D1 shade: #59A5D1, #4893BE, #3781AB, #266F98 and #155D85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59A5D1 shade: #56A4D0, #5683D0, #5662D0, #6C56D0 and #8D56D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59A5D1 shade: #56A4D0, #5683D0, #5662D0 and #5656D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59A5D1 shade matches the following richer shades: #56A4D0, #45A8E2 and #34ADF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59A5D1 shade: #56A4D0, #689FBF, #799AAE, #8A969C and #9C918B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59A5D1 shade: #56D0BC, #56C4D0, #56A4D0, #5683D0 and #5663D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59A5D1 shade: #2D7AA7, #3692C7, #56A4D0, #77B5D9 and #97C7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59A5D1 shade: #59A5D1, #9C56D0 and #D0CC56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59A5D1 shade: #59A5D1, #D056A4 and #A4D056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59A5D1 shade: #59A5D1, #9C56D0, #D08356 and #8BD056

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59A5D1 shade: #59A5D1, #C056D0, #D08356 and #67D056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 21 / 0 / 18

HEX #59A5D1

RGB 89 165 209

HSL 202, 0.57%, 0.58%

LAB 64.67, -10.8, -29.55

 

Complementary color

CMYK 0 / 46 / 72 / 35

HEX #A65A2E

RGB 166 90 46

HSL 22, 0.57%, 0.42%

LAB 46.47, 27.52, 38.29

 

CMYK 54 / 19 / 0 / 20

HEX #5EA5CC

RGB 94 165 204

HSL 201.27, 0.52%, 0.58%

LAB 64.68, -11.28, -26.75

 

CMYK 50 / 18 / 0 / 13

HEX #6FB7DF

RGB 111 183 223

HSL 201.43, 0.64%, 0.65%

LAB 71.27, -11.69, -27.02

 

CMYK 47 / 17 / 0 / 5

HEX #80C9F2

RGB 128 201 242

HSL 201.58, 0.81%, 0.73%

LAB 77.74, -12.02, -27.3

 

CMYK 43 / 14 / 0 / 0

HEX #91DBFF

RGB 145 219 255

HSL 199.64, 1%, 0.78%

LAB 83.92, -13.86, -24.72

 

CMYK 36 / 7 / 0 / 0

HEX #A2EDFF

RGB 162 237 255

HSL 191.61, 1%, 0.82%

LAB 89.61, -18.74, -16.03

 

CMYK 57 / 21 / 0 / 18

HEX #59A5D1

RGB 89 165 209

HSL 202, 0.57%, 0.58%

LAB 64.67, -10.8, -29.55

 

CMYK 62 / 23 / 0 / 25

HEX #4893BE

RGB 72 147 190

HSL 201.86, 0.48%, 0.51%

LAB 58, -10.13, -29.29

 

CMYK 68 / 25 / 0 / 33

HEX #3781AB

RGB 55 129 171

HSL 201.72, 0.51%, 0.44%

LAB 51.21, -9.24, -29.01

 

CMYK 75 / 27 / 0 / 40

HEX #266F98

RGB 38 111 152

HSL 201.58, 0.6%, 0.37%

LAB 44.3, -8.04, -28.69

 

CMYK 84 / 30 / 0 / 48

HEX #155D85

RGB 21 93 133

HSL 201.43, 0.73%, 0.3%

LAB 37.26, -6.37, -28.32

 

CMYK 59 / 21 / 0 / 18

HEX #56A4D0

RGB 86 164 208

HSL 201.64, 0.56%, 0.58%

LAB 64.23, -11.16, -29.69

 

CMYK 59 / 37 / 0 / 18

HEX #5683D0

RGB 86 131 208

HSL 217.87, 0.56%, 0.58%

LAB 54.83, 7.8, -44.39

 

CMYK 59 / 53 / 0 / 18

HEX #5662D0

RGB 86 98 208

HSL 234.1, 0.56%, 0.58%

LAB 46, 28.12, -58.51

 

CMYK 48 / 59 / 0 / 18

HEX #6C56D0

RGB 108 86 208

HSL 250.82, 0.56%, 0.58%

LAB 44.8, 39.72, -60.37

 

CMYK 32 / 59 / 0 / 18

HEX #8D56D0

RGB 141 86 208

HSL 267.05, 0.56%, 0.58%

LAB 48.1, 47.02, -54.88

 

CMYK 59 / 21 / 0 / 18

HEX #56A4D0

RGB 86 164 208

HSL 201.64, 0.56%, 0.58%

LAB 64.23, -11.16, -29.69

 

CMYK 59 / 37 / 0 / 18

HEX #5683D0

RGB 86 131 208

HSL 217.87, 0.56%, 0.58%

LAB 54.83, 7.8, -44.39

 

CMYK 59 / 53 / 0 / 18

HEX #5662D0

RGB 86 98 208

HSL 234.1, 0.56%, 0.58%

LAB 46, 28.12, -58.51

 

CMYK 59 / 59 / 0 / 18

HEX #5656D0

RGB 86 86 208

HSL 240, 0.56%, 0.58%

LAB 43.05, 35.53, -63.29

 

CMYK 59 / 21 / 0 / 18

HEX #56A4D0

RGB 86 164 208

HSL 201.64, 0.56%, 0.58%

LAB 64.23, -11.16, -29.69

 

CMYK 69 / 26 / 0 / 11

HEX #45A8E2

RGB 69 168 226

HSL 202.17, 0.73%, 0.58%

LAB 65.56, -10.43, -37.62

 

CMYK 79 / 29 / 0 / 5

HEX #34ADF3

RGB 52 173 243

HSL 201.99, 0.89%, 0.58%

LAB 67.34, -9.47, -44.17

 

CMYK 59 / 21 / 0 / 18

HEX #56A4D0

RGB 86 164 208

HSL 201.64, 0.56%, 0.58%

LAB 64.23, -11.16, -29.69

 

CMYK 46 / 17 / 0 / 25

HEX #689FBF

RGB 104 159 191

HSL 202.07, 0.4%, 0.58%

LAB 62.93, -9.46, -22.15

 

CMYK 30 / 11 / 0 / 32

HEX #799AAE

RGB 121 154 174

HSL 202.64, 0.25%, 0.58%

LAB 61.85, -6.57, -14.14

 

CMYK 12 / 4 / 0 / 39

HEX #8A969C

RGB 138 150 156

HSL 200, 0.08%, 0.58%

LAB 61.32, -3.03, -4.63

 

CMYK 0 / 7 / 11 / 39

HEX #9C918B

RGB 156 145 139

HSL 21.18, 0.08%, 0.58%

LAB 60.94, 3, 4.64

 

CMYK 59 / 0 / 10 / 18

HEX #56D0BC

RGB 86 208 188

HSL 170.16, 0.56%, 0.58%

LAB 76.51, -38.77, -0.26

 

CMYK 59 / 6 / 0 / 18

HEX #56C4D0

RGB 86 196 208

HSL 185.9, 0.56%, 0.58%

LAB 73.55, -27.75, -15.47

 

CMYK 59 / 21 / 0 / 18

HEX #56A4D0

RGB 86 164 208

HSL 201.64, 0.56%, 0.58%

LAB 64.23, -11.16, -29.69

 

CMYK 59 / 37 / 0 / 18

HEX #5683D0

RGB 86 131 208

HSL 217.87, 0.56%, 0.58%

LAB 54.83, 7.8, -44.39

 

CMYK 59 / 52 / 0 / 18

HEX #5663D0

RGB 86 99 208

HSL 233.61, 0.56%, 0.58%

LAB 46.25, 27.49, -58.1

 

CMYK 73 / 27 / 0 / 35

HEX #2D7AA7

RGB 45 122 167

HSL 202.13, 0.58%, 0.42%

LAB 48.59, -8.12, -30.79

 

CMYK 73 / 27 / 0 / 22

HEX #3692C7

RGB 54 146 199

HSL 201.93, 0.57%, 0.5%

LAB 57.53, -9.42, -35.15

 

CMYK 59 / 21 / 0 / 18

HEX #56A4D0

RGB 86 164 208

HSL 201.64, 0.56%, 0.58%

LAB 64.23, -11.16, -29.69

 

CMYK 45 / 17 / 0 / 15

HEX #77B5D9

RGB 119 181 217

HSL 202.04, 0.56%, 0.66%

LAB 70.86, -10.43, -24.34

 

CMYK 33 / 12 / 0 / 11

HEX #97C7E2

RGB 151 199 226

HSL 201.6, 0.56%, 0.74%

LAB 77.83, -9.28, -18.47

 

CMYK 57 / 21 / 0 / 18

HEX #59A5D1

RGB 89 165 209

HSL 202, 0.57%, 0.58%

LAB 64.67, -10.8, -29.55

 

CMYK 25 / 59 / 0 / 18

HEX #9C56D0

RGB 156 86 208

HSL 274.43, 0.56%, 0.58%

LAB 49.83, 50.61, -52

 

CMYK 0 / 2 / 59 / 18

HEX #D0CC56

RGB 208 204 86

HSL 58.03, 0.56%, 0.58%

LAB 80.33, -13.52, 57.84

 

CMYK 57 / 21 / 0 / 18

HEX #59A5D1

RGB 89 165 209

HSL 202, 0.57%, 0.58%

LAB 64.67, -10.8, -29.55

 

CMYK 0 / 59 / 21 / 18

HEX #D056A4

RGB 208 86 164

HSL 321.64, 0.56%, 0.58%

LAB 54.81, 56.69, -18.25

 

CMYK 21 / 0 / 59 / 18

HEX #A4D056

RGB 164 208 86

HSL 81.64, 0.56%, 0.58%

LAB 78.27, -33.08, 54.68

 

CMYK 57 / 21 / 0 / 18

HEX #59A5D1

RGB 89 165 209

HSL 202, 0.57%, 0.58%

LAB 64.67, -10.8, -29.55

 

CMYK 25 / 59 / 0 / 18

HEX #9C56D0

RGB 156 86 208

HSL 274.43, 0.56%, 0.58%

LAB 49.83, 50.61, -52

 

CMYK 0 / 37 / 59 / 18

HEX #D08356

RGB 208 131 86

HSL 22.13, 0.56%, 0.58%

LAB 61.92, 25.24, 36.46

 

CMYK 33 / 0 / 59 / 18

HEX #8BD056

RGB 139 208 86

HSL 93.93, 0.56%, 0.58%

LAB 76.84, -42.21, 52.67

 

CMYK 57 / 21 / 0 / 18

HEX #59A5D1

RGB 89 165 209

HSL 202, 0.57%, 0.58%

LAB 64.67, -10.8, -29.55

 

CMYK 8 / 59 / 0 / 18

HEX #C056D0

RGB 192 86 208

HSL 292.13, 0.56%, 0.58%

LAB 54.47, 59.54, -44.35

 

CMYK 0 / 37 / 59 / 18

HEX #D08356

RGB 208 131 86

HSL 22.13, 0.56%, 0.58%

LAB 61.92, 25.24, 36.46

 

CMYK 50 / 0 / 59 / 18

HEX #67D056

RGB 103 208 86

HSL 111.64, 0.56%, 0.58%

LAB 75.24, -53.51, 50.42

 

Description

Color code: HEX #59A5D1 | qconv.com Color code: HEX #59A5D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 165 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 165 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 21 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 21% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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