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Color name
HEX #596FB9

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #596FB9 it is the complementary color #A69046. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #596FB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #596FB9 shade: #5E6FB4, #6F81C7, #8093DA, #91A5ED and #A2B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #596FB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #596FB9 shade: #596FB9, #485DA6, #374B93, #263980 and #15276D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #596FB9 shade: #596FB9, #5D59B9, #7759B9, #9159B9 and #AB59B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #596FB9 shade: #596FB9 and #5959B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #596FB9 shade matches the following richer shades: #596FB9, #4665CC, #335BDF and #2050F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #596FB9 shade: #596FB9, #6C79A6, #7F8493, #928E80 and #A5986D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #596FB9 shade: #59A3B9, #5989B9, #5970B9, #5C59B9 and #7659B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #596FB9 shade: #384B87, #455BA5, #596FB9, #7688C5 and #93A2D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #596FB9 shade: #596FB9, #B659B9 and #96B959

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #596FB9 shade: #596FB9, #B95970 and #70B959

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #596FB9 shade: #596FB9, #B659B9, #B9A359 and #5CB959

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #596FB9 shade: #596FB9, #B959A0, #B9A359 and #59B973

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

Complementary color

CMYK 0 / 13 / 58 / 35

HEX #A69046

RGB 166 144 70

HSL 46.25, 0.41%, 0.46%

LAB 60.33, -1.14, 41.73

 

CMYK 48 / 38 / 0 / 29

HEX #5E6FB4

RGB 94 111 180

HSL 228.14, 0.36%, 0.54%

LAB 48.32, 12.75, -38.63

 

CMYK 44 / 35 / 0 / 22

HEX #6F81C7

RGB 111 129 199

HSL 227.73, 0.44%, 0.61%

LAB 55.28, 11.89, -38.49

 

CMYK 41 / 33 / 0 / 15

HEX #8093DA

RGB 128 147 218

HSL 227.33, 0.55%, 0.68%

LAB 62.1, 11.17, -38.4

 

CMYK 39 / 30 / 0 / 7

HEX #91A5ED

RGB 145 165 237

HSL 226.96, 0.72%, 0.75%

LAB 68.78, 10.55, -38.36

 

CMYK 36 / 28 / 0 / 0

HEX #A2B7FF

RGB 162 183 255

HSL 226.45, 1%, 0.82%

LAB 75.31, 9.75, -37.88

 

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

CMYK 57 / 44 / 0 / 35

HEX #485DA6

RGB 72 93 166

HSL 226.6, 0.39%, 0.47%

LAB 41.15, 14.34, -41.87

 

CMYK 63 / 49 / 0 / 42

HEX #374B93

RGB 55 75 147

HSL 226.96, 0.46%, 0.4%

LAB 33.88, 15.88, -42.15

 

CMYK 70 / 55 / 0 / 50

HEX #263980

RGB 38 57 128

HSL 227.33, 0.54%, 0.33%

LAB 26.44, 17.9, -42.46

 

CMYK 81 / 64 / 0 / 57

HEX #15276D

RGB 21 39 109

HSL 227.73, 0.68%, 0.25%

LAB 18.86, 20.63, -42.71

 

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

CMYK 50 / 52 / 0 / 27

HEX #5D59B9

RGB 93 89 185

HSL 242.5, 0.41%, 0.54%

LAB 42.73, 27.72, -50.45

 

CMYK 36 / 52 / 0 / 27

HEX #7759B9

RGB 119 89 185

HSL 258.75, 0.41%, 0.54%

LAB 45.04, 33.98, -46.62

 

CMYK 22 / 52 / 0 / 27

HEX #9159B9

RGB 145 89 185

HSL 275, 0.41%, 0.54%

LAB 47.84, 40.89, -41.99

 

CMYK 8 / 52 / 0 / 27

HEX #AB59B9

RGB 171 89 185

HSL 291.25, 0.41%, 0.54%

LAB 51.04, 48.11, -36.72

 

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

CMYK 52 / 52 / 0 / 27

HEX #5959B9

RGB 89 89 185

HSL 240, 0.41%, 0.54%

LAB 42.42, 26.84, -50.96

 

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

CMYK 66 / 50 / 0 / 20

HEX #4665CC

RGB 70 101 204

HSL 226.12, 0.57%, 0.54%

LAB 45.59, 22.07, -56.92

 

CMYK 77 / 59 / 0 / 13

HEX #335BDF

RGB 51 91 223

HSL 226.05, 0.73%, 0.54%

LAB 43.53, 32.79, -71.16

 

CMYK 87 / 67 / 0 / 5

HEX #2050F2

RGB 32 80 242

HSL 226.29, 0.89%, 0.54%

LAB 41.93, 45.15, -84.55

 

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

CMYK 35 / 27 / 0 / 35

HEX #6C79A6

RGB 108 121 166

HSL 226.55, 0.25%, 0.54%

LAB 51.4, 6.4, -25.6

 

CMYK 14 / 10 / 0 / 42

HEX #7F8493

RGB 127 132 147

HSL 225, 0.08%, 0.54%

LAB 55.2, 1.36, -8.67

 

CMYK 0 / 3 / 12 / 43

HEX #928E80

RGB 146 142 128

HSL 46.67, 0.08%, 0.54%

LAB 58.99, -1.07, 7.98

 

CMYK 0 / 8 / 34 / 35

HEX #A5986D

RGB 165 152 109

HSL 46.07, 0.24%, 0.54%

LAB 62.98, -1.87, 24.4

 

CMYK 52 / 12 / 0 / 27

HEX #59A3B9

RGB 89 163 185

HSL 193.75, 0.41%, 0.54%

LAB 63.19, -16.89, -18.45

 

CMYK 52 / 26 / 0 / 27

HEX #5989B9

RGB 89 137 185

HSL 210, 0.41%, 0.54%

LAB 55.6, -2.46, -30.11

 

CMYK 52 / 39 / 0 / 27

HEX #5970B9

RGB 89 112 185

HSL 225.63, 0.41%, 0.54%

LAB 48.53, 12.51, -41.21

 

CMYK 50 / 52 / 0 / 27

HEX #5C59B9

RGB 92 89 185

HSL 241.88, 0.41%, 0.54%

LAB 42.65, 27.5, -50.58

 

CMYK 36 / 52 / 0 / 27

HEX #7659B9

RGB 118 89 185

HSL 258.13, 0.41%, 0.54%

LAB 44.94, 33.73, -46.78

 

CMYK 59 / 44 / 0 / 47

HEX #384B87

RGB 56 75 135

HSL 225.57, 0.41%, 0.37%

LAB 33.18, 11.78, -35.92

 

CMYK 58 / 45 / 0 / 35

HEX #455BA5

RGB 69 91 165

HSL 226.25, 0.41%, 0.46%

LAB 40.35, 14.64, -42.57

 

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

CMYK 40 / 31 / 0 / 23

HEX #7688C5

RGB 118 136 197

HSL 226.33, 0.41%, 0.62%

LAB 57.55, 9.01, -33.77

 

CMYK 30 / 23 / 0 / 18

HEX #93A2D2

RGB 147 162 210

HSL 225.71, 0.41%, 0.7%

LAB 67.05, 5.75, -26.18

 

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

CMYK 2 / 52 / 0 / 27

HEX #B659B9

RGB 182 89 185

HSL 298.13, 0.41%, 0.54%

LAB 52.5, 51.19, -34.33

 

CMYK 19 / 0 / 52 / 27

HEX #96B959

RGB 150 185 89

HSL 81.88, 0.41%, 0.54%

LAB 70.8, -27.3, 44.42

 

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

CMYK 0 / 52 / 39 / 27

HEX #B95970

RGB 185 89 112

HSL 345.63, 0.41%, 0.54%

LAB 50.25, 41.1, 5.43

 

CMYK 39 / 0 / 52 / 27

HEX #70B959

RGB 112 185 89

HSL 105.63, 0.41%, 0.54%

LAB 68.65, -41, 41.32

 

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

CMYK 2 / 52 / 0 / 27

HEX #B659B9

RGB 182 89 185

HSL 298.13, 0.41%, 0.54%

LAB 52.5, 51.19, -34.33

 

CMYK 0 / 12 / 52 / 27

HEX #B9A359

RGB 185 163 89

HSL 46.25, 0.41%, 0.54%

LAB 67.45, -1.63, 41.05

 

CMYK 50 / 0 / 52 / 27

HEX #5CB959

RGB 92 185 89

HSL 118.13, 0.41%, 0.54%

LAB 67.79, -47.07, 40.08

 

CMYK 52 / 40 / 0 / 27

HEX #596FB9

RGB 89 111 185

HSL 226.25, 0.41%, 0.54%

LAB 48.25, 13.13, -41.64

 

CMYK 0 / 52 / 14 / 27

HEX #B959A0

RGB 185 89 160

HSL 315.63, 0.41%, 0.54%

LAB 51.83, 47.76, -20.75

 

CMYK 0 / 12 / 52 / 27

HEX #B9A359

RGB 185 163 89

HSL 46.25, 0.41%, 0.54%

LAB 67.45, -1.63, 41.05

 

CMYK 52 / 0 / 38 / 27

HEX #59B973

RGB 89 185 115

HSL 136.25, 0.41%, 0.54%

LAB 68.06, -43.86, 27.1

 

Description

Color code: HEX #596FB9 | qconv.com Color code: HEX #596FB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 111 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 111 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 40 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 40% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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