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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5962AE it is the complementary color #A69D51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5962AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5962AE shade: #5E62A9, #6F74BC, #8086CF, #9198E2 and #A2AAF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5962AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5962AE shade: #5962AE, #48509B, #373E88, #262C75 and #151A62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5962AE shade: #5A63AE, #685AAE, #7F5AAE, #955AAE and #AB5AAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5962AE shade: #5A63AE and #5A5AAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5962AE shade matches the following richer shades: #5A63AE, #4754C2, #3344D5, #1F34E9 and #0B25FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5962AE shade: #5A63AE, #6E739A, #828386, #969272 and #AAA25E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5962AE shade: #5A91AE, #5A7AAE, #5A64AE, #675AAE and #7D5AAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5962AE shade: #3C427A, #495196, #5A63AE, #767DBB and #9298C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5962AE shade: #5962AE, #AE5AA7 and #85AE5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5962AE shade: #5962AE, #AE5A64 and #64AE5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5962AE shade: #5962AE, #AE5AA7, #AEA45A and #5AAE61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5962AE shade: #5962AE, #AE5A8E, #AEA45A and #5AAE7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 44 / 0 / 32

HEX #5962AE

RGB 89 98 174

HSL 233.65, 0.34%, 0.52%

LAB 44.11, 17.71, -41.81

 

Complementary color

CMYK 0 / 5 / 51 / 35

HEX #A69D51

RGB 166 157 81

HSL 53.65, 0.34%, 0.48%

LAB 64.01, -7.23, 40.55

 

CMYK 44 / 42 / 0 / 34

HEX #5E62A9

RGB 94 98 169

HSL 236.8, 0.3%, 0.52%

LAB 44.2, 17.41, -38.7

 

CMYK 41 / 38 / 0 / 26

HEX #6F74BC

RGB 111 116 188

HSL 236.1, 0.36%, 0.59%

LAB 51.27, 16.48, -38.51

 

CMYK 38 / 35 / 0 / 19

HEX #8086CF

RGB 128 134 207

HSL 235.44, 0.45%, 0.66%

LAB 58.17, 15.69, -38.39

 

CMYK 36 / 33 / 0 / 11

HEX #9198E2

RGB 145 152 226

HSL 234.81, 0.58%, 0.73%

LAB 64.94, 15.01, -38.31

 

CMYK 34 / 31 / 0 / 4

HEX #A2AAF5

RGB 162 170 245

HSL 234.22, 0.81%, 0.8%

LAB 71.57, 14.41, -38.28

 

CMYK 49 / 44 / 0 / 32

HEX #5962AE

RGB 89 98 174

HSL 233.65, 0.34%, 0.52%

LAB 44.11, 17.71, -41.81

 

CMYK 54 / 48 / 0 / 39

HEX #48509B

RGB 72 80 155

HSL 234.22, 0.37%, 0.45%

LAB 36.9, 19, -42.1

 

CMYK 60 / 54 / 0 / 47

HEX #373E88

RGB 55 62 136

HSL 234.81, 0.42%, 0.37%

LAB 29.5, 20.62, -42.45

 

CMYK 68 / 62 / 0 / 54

HEX #262C75

RGB 38 44 117

HSL 235.44, 0.51%, 0.3%

LAB 21.94, 22.71, -42.8

 

CMYK 79 / 73 / 0 / 62

HEX #151A62

RGB 21 26 98

HSL 236.1, 0.65%, 0.23%

LAB 14.29, 25.39, -42.99

 

CMYK 48 / 43 / 0 / 32

HEX #5A63AE

RGB 90 99 174

HSL 233.57, 0.34%, 0.52%

LAB 44.45, 17.33, -41.26

 

CMYK 40 / 48 / 0 / 32

HEX #685AAE

RGB 104 90 174

HSL 250, 0.34%, 0.52%

LAB 43.23, 26.44, -43.14

 

CMYK 27 / 48 / 0 / 32

HEX #7F5AAE

RGB 127 90 174

HSL 266.43, 0.34%, 0.52%

LAB 45.47, 32.68, -39.44

 

CMYK 14 / 48 / 0 / 32

HEX #955AAE

RGB 149 90 174

HSL 282.14, 0.34%, 0.52%

LAB 47.95, 39, -35.36

 

CMYK 2 / 48 / 0 / 32

HEX #AB5AAE

RGB 171 90 174

HSL 297.86, 0.34%, 0.52%

LAB 50.72, 45.47, -30.83

 

CMYK 48 / 43 / 0 / 32

HEX #5A63AE

RGB 90 99 174

HSL 233.57, 0.34%, 0.52%

LAB 44.45, 17.33, -41.26

 

CMYK 48 / 48 / 0 / 32

HEX #5A5AAE

RGB 90 90 174

HSL 240, 0.34%, 0.52%

LAB 42.06, 22.97, -45.07

 

CMYK 48 / 43 / 0 / 32

HEX #5A63AE

RGB 90 99 174

HSL 233.57, 0.34%, 0.52%

LAB 44.45, 17.33, -41.26

 

CMYK 63 / 57 / 0 / 24

HEX #4754C2

RGB 71 84 194

HSL 233.66, 0.5%, 0.52%

LAB 40.53, 29.53, -59.32

 

CMYK 76 / 68 / 0 / 16

HEX #3344D5

RGB 51 68 213

HSL 233.7, 0.66%, 0.52%

LAB 37.19, 43.56, -75.82

 

CMYK 87 / 78 / 0 / 9

HEX #1F34E9

RGB 31 52 233

HSL 233.76, 0.82%, 0.52%

LAB 35.26, 57.97, -90.48

 

CMYK 96 / 85 / 0 / 1

HEX #0B25FD

RGB 11 37 253

HSL 233.55, 0.98%, 0.52%

LAB 34.98, 70.2, -102.27

 

CMYK 48 / 43 / 0 / 32

HEX #5A63AE

RGB 90 99 174

HSL 233.57, 0.34%, 0.52%

LAB 44.45, 17.33, -41.26

 

CMYK 29 / 25 / 0 / 40

HEX #6E739A

RGB 110 115 154

HSL 233.18, 0.18%, 0.52%

LAB 49.39, 7.37, -21.69

 

CMYK 3 / 2 / 0 / 47

HEX #828386

RGB 130 131 134

HSL 225, 0.02%, 0.52%

LAB 54.76, 0.24, -1.75

 

CMYK 0 / 3 / 24 / 41

HEX #969272

RGB 150 146 114

HSL 53.33, 0.15%, 0.52%

LAB 60.12, -3.97, 17.53

 

CMYK 0 / 5 / 45 / 33

HEX #AAA25E

RGB 170 162 94

HSL 53.68, 0.31%, 0.52%

LAB 65.9, -6.94, 36.28

 

CMYK 48 / 17 / 0 / 32

HEX #5A91AE

RGB 90 145 174

HSL 200.71, 0.34%, 0.52%

LAB 57.54, -10.07, -20.85

 

CMYK 48 / 30 / 0 / 32

HEX #5A7AAE

RGB 90 122 174

HSL 217.14, 0.34%, 0.52%

LAB 50.86, 3.21, -31.17

 

CMYK 48 / 43 / 0 / 32

HEX #5A64AE

RGB 90 100 174

HSL 232.86, 0.34%, 0.52%

LAB 44.72, 16.7, -40.83

 

CMYK 41 / 48 / 0 / 32

HEX #675AAE

RGB 103 90 174

HSL 249.29, 0.34%, 0.52%

LAB 43.14, 26.19, -43.29

 

CMYK 28 / 48 / 0 / 32

HEX #7D5AAE

RGB 125 90 174

HSL 265, 0.34%, 0.52%

LAB 45.26, 32.12, -39.79

 

CMYK 51 / 46 / 0 / 52

HEX #3C427A

RGB 60 66 122

HSL 234.19, 0.34%, 0.36%

LAB 30.06, 14.22, -32.8

 

CMYK 51 / 46 / 0 / 41

HEX #495196

RGB 73 81 150

HSL 233.77, 0.35%, 0.44%

LAB 36.94, 16.92, -39.02

 

CMYK 48 / 43 / 0 / 32

HEX #5A63AE

RGB 90 99 174

HSL 233.57, 0.34%, 0.52%

LAB 44.45, 17.33, -41.26

 

CMYK 37 / 33 / 0 / 27

HEX #767DBB

RGB 118 125 187

HSL 233.91, 0.34%, 0.6%

LAB 54.14, 12.71, -33.4

 

CMYK 27 / 24 / 0 / 21

HEX #9298C9

RGB 146 152 201

HSL 233.45, 0.34%, 0.68%

LAB 63.99, 8.86, -25.89

 

CMYK 49 / 44 / 0 / 32

HEX #5962AE

RGB 89 98 174

HSL 233.65, 0.34%, 0.52%

LAB 44.11, 17.71, -41.81

 

CMYK 0 / 48 / 4 / 32

HEX #AE5AA7

RGB 174 90 167

HSL 305, 0.34%, 0.52%

LAB 50.81, 45.08, -26.57

 

CMYK 24 / 0 / 48 / 32

HEX #85AE5A

RGB 133 174 90

HSL 89.29, 0.34%, 0.52%

LAB 66.52, -28.4, 38.48

 

CMYK 49 / 44 / 0 / 32

HEX #5962AE

RGB 89 98 174

HSL 233.65, 0.34%, 0.52%

LAB 44.11, 17.71, -41.81

 

CMYK 0 / 48 / 43 / 32

HEX #AE5A64

RGB 174 90 100

HSL 352.86, 0.34%, 0.52%

LAB 48.55, 35.19, 9.99

 

CMYK 43 / 0 / 48 / 32

HEX #64AE5A

RGB 100 174 90

HSL 112.86, 0.34%, 0.52%

LAB 64.74, -39.92, 35.89

 

CMYK 49 / 44 / 0 / 32

HEX #5962AE

RGB 89 98 174

HSL 233.65, 0.34%, 0.52%

LAB 44.11, 17.71, -41.81

 

CMYK 0 / 48 / 4 / 32

HEX #AE5AA7

RGB 174 90 167

HSL 305, 0.34%, 0.52%

LAB 50.81, 45.08, -26.57

 

CMYK 0 / 6 / 48 / 32

HEX #AEA45A

RGB 174 164 90

HSL 52.86, 0.34%, 0.52%

LAB 66.74, -6.72, 39.45

 

CMYK 48 / 0 / 44 / 32

HEX #5AAE61

RGB 90 174 97

HSL 125, 0.34%, 0.52%

LAB 64.41, -41.9, 31.78

 

CMYK 49 / 44 / 0 / 32

HEX #5962AE

RGB 89 98 174

HSL 233.65, 0.34%, 0.52%

LAB 44.11, 17.71, -41.81

 

CMYK 0 / 48 / 18 / 32

HEX #AE5A8E

RGB 174 90 142

HSL 322.86, 0.34%, 0.52%

LAB 49.81, 40.87, -13.32

 

CMYK 0 / 6 / 48 / 32

HEX #AEA45A

RGB 174 164 90

HSL 52.86, 0.34%, 0.52%

LAB 66.74, -6.72, 39.45

 

CMYK 48 / 0 / 30 / 32

HEX #5AAE7A

RGB 90 174 122

HSL 142.86, 0.34%, 0.52%

LAB 64.84, -37.5, 19.01

 

Description

Color code: HEX #5962AE | qconv.com Color code: HEX #5962AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 98 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 98 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 44 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 44% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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