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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595CCE it is the complementary color #A6A331. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595CCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595CCE shade: #5E5CC9, #6F6EDC, #8080EF, #9192FF and #A2A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595CCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595CCE shade: #595CCE, #484ABB, #3738A8, #262695 and #151482

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595CCE shade: #5A5DCD, #765ACD, #955ACD, #B45ACD and #CD5AC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595CCE shade: #5A5DCD and #5A5ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595CCE shade matches the following richer shades: #5A5DCD, #484CDF and #373CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595CCE shade: #5A5DCD, #6B6DBC, #7C7DAB, #8E8E99 and #9F9E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595CCE shade: #5A9BCD, #5A7CCD, #5A5DCD, #755ACD and #935ACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595CCE shade: #3134A4, #3A3EC3, #5A5DCD, #797CD7 and #999BE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595CCE shade: #595CCE, #CD5ABA and #8CCD5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595CCE shade: #595CCE, #CD5A5D and #5DCD5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595CCE shade: #595CCE, #CD5ABA, #CDC95A and #5ACD6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595CCE shade: #595CCE, #CD5A97, #CDC95A and #5ACD90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 55 / 0 / 19

HEX #595CCE

RGB 89 92 206

HSL 238.46, 0.54%, 0.58%

LAB 44.57, 31.74, -59.66

 

Complementary color

CMYK 0 / 2 / 70 / 35

HEX #A6A331

RGB 166 163 49

HSL 58.46, 0.54%, 0.42%

LAB 65.38, -12.7, 56.46

 

CMYK 53 / 54 / 0 / 21

HEX #5E5CC9

RGB 94 92 201

HSL 241.1, 0.5%, 0.57%

LAB 44.59, 31.11, -56.73

 

CMYK 50 / 50 / 0 / 14

HEX #6F6EDC

RGB 111 110 220

HSL 240.55, 0.61%, 0.65%

LAB 51.49, 29.65, -56.4

 

CMYK 46 / 46 / 0 / 6

HEX #8080EF

RGB 128 128 239

HSL 240, 0.78%, 0.72%

LAB 58.28, 28.38, -56.1

 

CMYK 43 / 43 / 0 / 0

HEX #9192FF

RGB 145 146 255

HSL 239.45, 1%, 0.78%

LAB 64.8, 26.43, -54.46

 

CMYK 36 / 36 / 0 / 0

HEX #A2A4FF

RGB 162 164 255

HSL 238.71, 1%, 0.82%

LAB 70.49, 20.4, -45.39

 

CMYK 57 / 55 / 0 / 19

HEX #595CCE

RGB 89 92 206

HSL 238.46, 0.54%, 0.58%

LAB 44.57, 31.74, -59.66

 

CMYK 61 / 60 / 0 / 27

HEX #484ABB

RGB 72 74 187

HSL 238.96, 0.46%, 0.51%

LAB 37.6, 33.61, -59.99

 

CMYK 67 / 67 / 0 / 34

HEX #3738A8

RGB 55 56 168

HSL 239.47, 0.51%, 0.44%

LAB 30.56, 35.79, -60.24

 

CMYK 74 / 74 / 0 / 42

HEX #262695

RGB 38 38 149

HSL 240, 0.59%, 0.37%

LAB 23.57, 38.21, -60.22

 

CMYK 84 / 85 / 0 / 49

HEX #151482

RGB 21 20 130

HSL 240.55, 0.73%, 0.29%

LAB 16.85, 40.46, -59.49

 

CMYK 56 / 55 / 0 / 20

HEX #5A5DCD

RGB 90 93 205

HSL 238.43, 0.53%, 0.58%

LAB 44.82, 30.99, -58.68

 

CMYK 42 / 56 / 0 / 20

HEX #765ACD

RGB 118 90 205

HSL 254.61, 0.53%, 0.58%

LAB 46.41, 38.68, -56

 

CMYK 27 / 56 / 0 / 20

HEX #955ACD

RGB 149 90 205

HSL 270.78, 0.53%, 0.58%

LAB 49.63, 46.08, -50.66

 

CMYK 12 / 56 / 0 / 20

HEX #B45ACD

RGB 180 90 205

HSL 286.96, 0.53%, 0.58%

LAB 53.41, 54, -44.41

 

CMYK 0 / 56 / 3 / 20

HEX #CD5AC7

RGB 205 90 199

HSL 303.13, 0.53%, 0.58%

LAB 56.5, 59.49, -35.89

 

CMYK 56 / 55 / 0 / 20

HEX #5A5DCD

RGB 90 93 205

HSL 238.43, 0.53%, 0.58%

LAB 44.82, 30.99, -58.68

 

CMYK 56 / 56 / 0 / 20

HEX #5A5ACD

RGB 90 90 205

HSL 240, 0.53%, 0.58%

LAB 44.08, 32.83, -59.87

 

CMYK 56 / 55 / 0 / 20

HEX #5A5DCD

RGB 90 93 205

HSL 238.43, 0.53%, 0.58%

LAB 44.82, 30.99, -58.68

 

CMYK 68 / 66 / 0 / 13

HEX #484CDF

RGB 72 76 223

HSL 238.41, 0.7%, 0.58%

LAB 41.02, 44.41, -75.23

 

CMYK 77 / 75 / 0 / 6

HEX #373CF0

RGB 55 60 240

HSL 238.38, 0.86%, 0.58%

LAB 38.44, 57.3, -89.16

 

CMYK 56 / 55 / 0 / 20

HEX #5A5DCD

RGB 90 93 205

HSL 238.43, 0.53%, 0.58%

LAB 44.82, 30.99, -58.68

 

CMYK 43 / 42 / 0 / 26

HEX #6B6DBC

RGB 107 109 188

HSL 238.52, 0.38%, 0.58%

LAB 49.12, 19.68, -41.92

 

CMYK 27 / 27 / 0 / 33

HEX #7C7DAB

RGB 124 125 171

HSL 238.72, 0.22%, 0.58%

LAB 53.91, 10.21, -24.52

 

CMYK 7 / 7 / 0 / 40

HEX #8E8E99

RGB 142 142 153

HSL 240, 0.05%, 0.58%

LAB 59.34, 2.22, -5.82

 

CMYK 0 / 1 / 14 / 38

HEX #9F9E88

RGB 159 158 136

HSL 57.39, 0.11%, 0.58%

LAB 64.65, -3.55, 11.64

 

CMYK 56 / 24 / 0 / 20

HEX #5A9BCD

RGB 90 155 205

HSL 206.09, 0.53%, 0.58%

LAB 61.68, -6.3, -31.97

 

CMYK 56 / 40 / 0 / 20

HEX #5A7CCD

RGB 90 124 205

HSL 222.26, 0.53%, 0.58%

LAB 52.95, 11.86, -45.67

 

CMYK 56 / 55 / 0 / 20

HEX #5A5DCD

RGB 90 93 205

HSL 238.43, 0.53%, 0.58%

LAB 44.82, 30.99, -58.68

 

CMYK 43 / 56 / 0 / 20

HEX #755ACD

RGB 117 90 205

HSL 254.09, 0.53%, 0.58%

LAB 46.31, 38.45, -56.16

 

CMYK 28 / 56 / 0 / 20

HEX #935ACD

RGB 147 90 205

HSL 269.74, 0.53%, 0.58%

LAB 49.4, 45.59, -51.03

 

CMYK 70 / 68 / 0 / 36

HEX #3134A4

RGB 49 52 164

HSL 238.43, 0.54%, 0.42%

LAB 28.87, 36.11, -60.61

 

CMYK 70 / 68 / 0 / 24

HEX #3A3EC3

RGB 58 62 195

HSL 238.25, 0.54%, 0.5%

LAB 34.57, 41.73, -69.67

 

CMYK 56 / 55 / 0 / 20

HEX #5A5DCD

RGB 90 93 205

HSL 238.43, 0.53%, 0.58%

LAB 44.82, 30.99, -58.68

 

CMYK 44 / 42 / 0 / 16

HEX #797CD7

RGB 121 124 215

HSL 238.09, 0.54%, 0.66%

LAB 55.47, 22.08, -47.2

 

CMYK 32 / 31 / 0 / 12

HEX #999BE0

RGB 153 155 224

HSL 238.31, 0.53%, 0.74%

LAB 66.21, 14.99, -35.18

 

CMYK 57 / 55 / 0 / 19

HEX #595CCE

RGB 89 92 206

HSL 238.46, 0.54%, 0.58%

LAB 44.57, 31.74, -59.66

 

CMYK 0 / 56 / 9 / 20

HEX #CD5ABA

RGB 205 90 186

HSL 309.91, 0.53%, 0.58%

LAB 55.92, 57.34, -29.33

 

CMYK 32 / 0 / 56 / 20

HEX #8CCD5A

RGB 140 205 90

HSL 93.91, 0.53%, 0.58%

LAB 76.05, -40.15, 49.97

 

CMYK 57 / 55 / 0 / 19

HEX #595CCE

RGB 89 92 206

HSL 238.46, 0.54%, 0.58%

LAB 44.57, 31.74, -59.66

 

CMYK 0 / 56 / 55 / 20

HEX #CD5A5D

RGB 205 90 93

HSL 358.43, 0.53%, 0.58%

LAB 53.04, 45.88, 21.05

 

CMYK 55 / 0 / 56 / 20

HEX #5DCD5A

RGB 93 205 90

HSL 118.43, 0.53%, 0.58%

LAB 74.02, -54.55, 47.07

 

CMYK 57 / 55 / 0 / 19

HEX #595CCE

RGB 89 92 206

HSL 238.46, 0.54%, 0.58%

LAB 44.57, 31.74, -59.66

 

CMYK 0 / 56 / 9 / 20

HEX #CD5ABA

RGB 205 90 186

HSL 309.91, 0.53%, 0.58%

LAB 55.92, 57.34, -29.33

 

CMYK 0 / 2 / 56 / 20

HEX #CDC95A

RGB 205 201 90

HSL 57.91, 0.53%, 0.58%

LAB 79.32, -12.95, 54.87

 

CMYK 56 / 0 / 47 / 20

HEX #5ACD6D

RGB 90 205 109

HSL 129.91, 0.53%, 0.58%

LAB 74.15, -52.72, 38.06

 

CMYK 57 / 55 / 0 / 19

HEX #595CCE

RGB 89 92 206

HSL 238.46, 0.54%, 0.58%

LAB 44.57, 31.74, -59.66

 

CMYK 0 / 56 / 26 / 20

HEX #CD5A97

RGB 205 90 151

HSL 328.17, 0.53%, 0.58%

LAB 54.58, 52.16, -11.02

 

CMYK 0 / 2 / 56 / 20

HEX #CDC95A

RGB 205 201 90

HSL 57.91, 0.53%, 0.58%

LAB 79.32, -12.95, 54.87

 

CMYK 56 / 0 / 30 / 20

HEX #5ACD90

RGB 90 205 144

HSL 148.17, 0.53%, 0.58%

LAB 74.73, -46.6, 20.77

 

Description

Color code: HEX #595CCE | qconv.com Color code: HEX #595CCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 92 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 92 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 55 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 55% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

99% - サポート | ソフトバンク
Link: http://www.softbank.jp

40% - お客さまサポート | モバイル | ソフ...
Link: http://www.softbank.jp

Verification of their color palette as a manufacturer!

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