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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #594F74 it is the complementary color #A6B08B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #594F74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #594F74 shade: #5E4F6F, #6F6182, #807395, #9185A8 and #A297BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #594F74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #594F74 shade: #594F74, #483D61, #372B4E, #26193B and #150728

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #594F74 shade: #584E73, #624E73, #6C4E73, #734E70 and #734E66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #594F74 shade: #584E73, #4E4E73 and #4E4E73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #594F74 shade matches the following richer shades: #584E73, #513E82, #4A2F92, #421FA2 and #3B0FB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #594F74 shade: #584E73, #5F5E63, #666D53, #6E7D44 and #758D34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #594F74 shade: #4E5873, #4E4E73, #584E73, #624E73 and #6B4E73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #594F74 shade: #322D42, #453D5A, #584E73, #6B5F8B and #7F73A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #594F74 shade: #594F74, #734E62 and #53734E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #594F74 shade: #594F74, #73584E and #4E7358

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #594F74 shade: #594F74, #734E62, #69734E and #4E735F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #594F74 shade: #594F74, #734E57, #69734E and #4E736A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 32 / 0 / 55

HEX #594F74

RGB 89 79 116

HSL 256.22, 0.19%, 0.38%

LAB 35.94, 12.7, -19.65

 

Complementary color

CMYK 6 / 0 / 21 / 31

HEX #A6B08B

RGB 166 176 139

HSL 76.22, 0.19%, 0.62%

LAB 70.19, -10.05, 17.81

 

CMYK 15 / 29 / 0 / 56

HEX #5E4F6F

RGB 94 79 111

HSL 268.13, 0.17%, 0.37%

LAB 36.21, 13.18, -16.08

 

CMYK 15 / 25 / 0 / 49

HEX #6F6182

RGB 111 97 130

HSL 265.45, 0.15%, 0.45%

LAB 43.57, 12.6, -16.32

 

CMYK 14 / 23 / 0 / 42

HEX #807395

RGB 128 115 149

HSL 262.94, 0.14%, 0.52%

LAB 50.71, 12.1, -16.59

 

CMYK 14 / 21 / 0 / 34

HEX #9185A8

RGB 145 133 168

HSL 260.57, 0.17%, 0.59%

LAB 57.68, 11.65, -16.88

 

CMYK 13 / 19 / 0 / 27

HEX #A297BB

RGB 162 151 187

HSL 258.33, 0.21%, 0.66%

LAB 64.49, 11.25, -17.18

 

CMYK 23 / 32 / 0 / 55

HEX #594F74

RGB 89 79 116

HSL 256.22, 0.19%, 0.38%

LAB 35.94, 12.7, -19.65

 

CMYK 26 / 37 / 0 / 62

HEX #483D61

RGB 72 61 97

HSL 258.33, 0.23%, 0.31%

LAB 28.32, 13.41, -19.59

 

CMYK 29 / 45 / 0 / 69

HEX #372B4E

RGB 55 43 78

HSL 260.57, 0.29%, 0.24%

LAB 20.4, 14.29, -19.6

 

CMYK 36 / 58 / 0 / 77

HEX #26193B

RGB 38 25 59

HSL 262.94, 0.4%, 0.16%

LAB 12.11, 15.39, -19.7

 

CMYK 48 / 83 / 0 / 84

HEX #150728

RGB 21 7 40

HSL 265.45, 0.7%, 0.09%

LAB 4.2, 13.38, -18.44

 

CMYK 23 / 32 / 0 / 55

HEX #584E73

RGB 88 78 115

HSL 256.22, 0.19%, 0.38%

LAB 35.52, 12.73, -19.69

 

CMYK 15 / 32 / 0 / 55

HEX #624E73

RGB 98 78 115

HSL 272.43, 0.19%, 0.38%

LAB 36.52, 16.2, -18.06

 

CMYK 6 / 32 / 0 / 55

HEX #6C4E73

RGB 108 78 115

HSL 288.65, 0.19%, 0.38%

LAB 37.62, 19.75, -16.28

 

CMYK 0 / 32 / 3 / 55

HEX #734E70

RGB 115 78 112

HSL 304.86, 0.19%, 0.38%

LAB 38.31, 21.65, -13.29

 

CMYK 0 / 32 / 11 / 55

HEX #734E66

RGB 115 78 102

HSL 321.08, 0.19%, 0.38%

LAB 37.94, 19.68, -7.63

 

CMYK 23 / 32 / 0 / 55

HEX #584E73

RGB 88 78 115

HSL 256.22, 0.19%, 0.38%

LAB 35.52, 12.73, -19.69

 

CMYK 32 / 32 / 0 / 55

HEX #4E4E73

RGB 78 78 115

HSL 240, 0.19%, 0.38%

LAB 34.61, 9.41, -21.17

 

CMYK 32 / 32 / 0 / 55

HEX #4E4E73

RGB 78 78 115

HSL 240, 0.19%, 0.38%

LAB 34.61, 9.41, -21.17

 

CMYK 23 / 32 / 0 / 55

HEX #584E73

RGB 88 78 115

HSL 256.22, 0.19%, 0.38%

LAB 35.52, 12.73, -19.69

 

CMYK 38 / 52 / 0 / 49

HEX #513E82

RGB 81 62 130

HSL 256.76, 0.35%, 0.38%

LAB 31.36, 24.97, -35.61

 

CMYK 49 / 68 / 0 / 43

HEX #4A2F92

RGB 74 47 146

HSL 256.36, 0.51%, 0.38%

LAB 28.29, 37.26, -50.51

 

CMYK 59 / 81 / 0 / 36

HEX #421FA2

RGB 66 31 162

HSL 256.03, 0.68%, 0.38%

LAB 26, 49.02, -64.08

 

CMYK 67 / 92 / 0 / 30

HEX #3B0FB2

RGB 59 15 178

HSL 256.2, 0.84%, 0.38%

LAB 25.22, 58.47, -75.05

 

CMYK 23 / 32 / 0 / 55

HEX #584E73

RGB 88 78 115

HSL 256.22, 0.19%, 0.38%

LAB 35.52, 12.73, -19.69

 

CMYK 4 / 5 / 0 / 61

HEX #5F5E63

RGB 95 94 99

HSL 252, 0.03%, 0.38%

LAB 40.15, 1.46, -2.72

 

CMYK 6 / 0 / 24 / 57

HEX #666D53

RGB 102 109 83

HSL 76.15, 0.14%, 0.38%

LAB 44.78, -7.66, 13.66

 

CMYK 12 / 0 / 46 / 51

HEX #6E7D44

RGB 110 125 68

HSL 75.79, 0.3%, 0.38%

LAB 49.98, -15.34, 29.16

 

CMYK 17 / 0 / 63 / 45

HEX #758D34

RGB 117 141 52

HSL 76.18, 0.46%, 0.38%

LAB 55.15, -22.35, 43.4

 

CMYK 32 / 23 / 0 / 55

HEX #4E5873

RGB 78 88 115

HSL 223.78, 0.19%, 0.38%

LAB 37.55, 3.06, -16.63

 

CMYK 32 / 32 / 0 / 55

HEX #4E4E73

RGB 78 78 115

HSL 240, 0.19%, 0.38%

LAB 34.61, 9.41, -21.17

 

CMYK 23 / 32 / 0 / 55

HEX #584E73

RGB 88 78 115

HSL 256.22, 0.19%, 0.38%

LAB 35.52, 12.73, -19.69

 

CMYK 15 / 32 / 0 / 55

HEX #624E73

RGB 98 78 115

HSL 272.43, 0.19%, 0.38%

LAB 36.52, 16.2, -18.06

 

CMYK 7 / 32 / 0 / 55

HEX #6B4E73

RGB 107 78 115

HSL 287.03, 0.19%, 0.38%

LAB 37.5, 19.39, -16.47

 

CMYK 24 / 32 / 0 / 74

HEX #322D42

RGB 50 45 66

HSL 254.29, 0.19%, 0.22%

LAB 19.84, 7.61, -12.38

 

CMYK 23 / 32 / 0 / 65

HEX #453D5A

RGB 69 61 90

HSL 256.55, 0.19%, 0.3%

LAB 27.68, 10.44, -16.07

 

CMYK 23 / 32 / 0 / 55

HEX #584E73

RGB 88 78 115

HSL 256.22, 0.19%, 0.38%

LAB 35.52, 12.73, -19.69

 

CMYK 23 / 32 / 0 / 45

HEX #6B5F8B

RGB 107 95 139

HSL 256.36, 0.19%, 0.46%

LAB 43.02, 14.67, -22.61

 

CMYK 21 / 28 / 0 / 37

HEX #7F73A0

RGB 127 115 160

HSL 256, 0.19%, 0.54%

LAB 51.05, 14.36, -22.52

 

CMYK 23 / 32 / 0 / 55

HEX #594F74

RGB 89 79 116

HSL 256.22, 0.19%, 0.38%

LAB 35.94, 12.7, -19.65

 

CMYK 0 / 32 / 15 / 55

HEX #734E62

RGB 115 78 98

HSL 327.57, 0.19%, 0.38%

LAB 37.8, 18.94, -5.34

 

CMYK 28 / 0 / 32 / 55

HEX #53734E

RGB 83 115 78

HSL 111.89, 0.19%, 0.38%

LAB 45.15, -19.38, 16.88

 

CMYK 23 / 32 / 0 / 55

HEX #594F74

RGB 89 79 116

HSL 256.22, 0.19%, 0.38%

LAB 35.94, 12.7, -19.65

 

CMYK 0 / 23 / 32 / 55

HEX #73584E

RGB 115 88 78

HSL 16.22, 0.19%, 0.38%

LAB 39.87, 9.55, 10.07

 

CMYK 32 / 0 / 23 / 55

HEX #4E7358

RGB 78 115 88

HSL 136.22, 0.19%, 0.38%

LAB 45.06, -19.28, 10.83

 

CMYK 23 / 32 / 0 / 55

HEX #594F74

RGB 89 79 116

HSL 256.22, 0.19%, 0.38%

LAB 35.94, 12.7, -19.65

 

CMYK 0 / 32 / 15 / 55

HEX #734E62

RGB 115 78 98

HSL 327.57, 0.19%, 0.38%

LAB 37.8, 18.94, -5.34

 

CMYK 9 / 0 / 32 / 55

HEX #69734E

RGB 105 115 78

HSL 76.22, 0.19%, 0.38%

LAB 46.73, -10.6, 19.27

 

CMYK 32 / 0 / 17 / 55

HEX #4E735F

RGB 78 115 95

HSL 147.57, 0.19%, 0.38%

LAB 45.23, -17.79, 6.92

 

CMYK 23 / 32 / 0 / 55

HEX #594F74

RGB 89 79 116

HSL 256.22, 0.19%, 0.38%

LAB 35.94, 12.7, -19.65

 

CMYK 0 / 32 / 24 / 55

HEX #734E57

RGB 115 78 87

HSL 345.41, 0.19%, 0.38%

LAB 37.45, 17.03, 1.03

 

CMYK 9 / 0 / 32 / 55

HEX #69734E

RGB 105 115 78

HSL 76.22, 0.19%, 0.38%

LAB 46.73, -10.6, 19.27

 

CMYK 32 / 0 / 8 / 55

HEX #4E736A

RGB 78 115 106

HSL 165.41, 0.19%, 0.38%

LAB 45.53, -15.25, 0.78

 

Description

Color code: HEX #594F74 | qconv.com Color code: HEX #594F74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 79 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 79 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 32 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 32% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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