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Color name
HEX #59494C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59494C it is the complementary color #A6B6B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59494C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59494C shade: #5E4947, #6F5B5A, #806D6D, #917F80 and #A29193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59494C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59494C shade: #59494C, #483739, #372526, #261313 and #150100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59494C shade: #59494C and #594949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59494C shade: #59494C, #594950, #594955, #594959 and #554959

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59494C shade matches the following richer shades: #59494C, #663C44, #742F3B, #812133 and #8E142B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59494C shade: #59494C, #4C5654, #3F635D, #327165 and #247E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59494C shade: #594955, #594951, #59494C, #594A49 and #594E49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59494C shade: #2C2425, #433639, #59494C, #705C5F and #876E73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59494C shade: #59494C, #595949 and #495359

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59494C shade: #59494C, #4C5949 and #494C59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59494C shade: #59494C, #595949, #495956 and #494959

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59494C shade: #59494C, #545949, #495956 and #4E4959

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

Complementary color

CMYK 9 / 0 / 2 / 29

HEX #A6B6B3

RGB 166 182 179

HSL 168.75, 0.1%, 0.68%

LAB 72.77, -6.11, -0.38

 

CMYK 0 / 22 / 24 / 63

HEX #5E4947

RGB 94 73 71

HSL 5.22, 0.14%, 0.32%

LAB 33.13, 8.57, 4.6

 

CMYK 0 / 18 / 19 / 56

HEX #6F5B5A

RGB 111 91 90

HSL 2.86, 0.1%, 0.39%

LAB 40.57, 7.97, 3.63

 

CMYK 0 / 15 / 15 / 50

HEX #806D6D

RGB 128 109 109

HSL 0, 0.08%, 0.46%

LAB 47.79, 7.47, 2.77

 

CMYK 0 / 12 / 12 / 43

HEX #917F80

RGB 145 127 128

HSL 356.67, 0.08%, 0.53%

LAB 54.82, 7.05, 1.98

 

CMYK 0 / 10 / 9 / 36

HEX #A29193

RGB 162 145 147

HSL 352.94, 0.08%, 0.6%

LAB 61.69, 6.67, 1.24

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 0 / 24 / 21 / 72

HEX #483739

RGB 72 55 57

HSL 352.94, 0.13%, 0.25%

LAB 24.97, 7.93, 1.65

 

CMYK 0 / 33 / 31 / 78

HEX #372526

RGB 55 37 38

HSL 356.67, 0.2%, 0.18%

LAB 16.87, 8.72, 2.73

 

CMYK 0 / 50 / 50 / 85

HEX #261313

RGB 38 19 19

HSL 0, 0.33%, 0.11%

LAB 8.35, 9.83, 3.9

 

CMYK 0 / 95 / 100 / 92

HEX #150100

RGB 21 1 0

HSL 2.86, 1%, 0.04%

LAB 1.64, 6.06, 2.56

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 0 / 18 / 18 / 65

HEX #594949

RGB 89 73 73

HSL 0, 0.1%, 0.32%

LAB 32.63, 6.76, 2.53

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 0 / 18 / 10 / 65

HEX #594950

RGB 89 73 80

HSL 333.75, 0.1%, 0.32%

LAB 32.85, 8.11, -1.63

 

CMYK 0 / 18 / 4 / 65

HEX #594955

RGB 89 73 85

HSL 315, 0.1%, 0.32%

LAB 33.02, 9.13, -4.57

 

CMYK 0 / 18 / 0 / 65

HEX #594959

RGB 89 73 89

HSL 300, 0.1%, 0.32%

LAB 33.16, 9.99, -6.91

 

CMYK 4 / 18 / 0 / 65

HEX #554959

RGB 85 73 89

HSL 285, 0.1%, 0.32%

LAB 32.74, 8.42, -7.58

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 0 / 41 / 33 / 60

HEX #663C44

RGB 102 60 68

HSL 348.57, 0.26%, 0.32%

LAB 30.58, 19.62, 2.99

 

CMYK 0 / 59 / 49 / 55

HEX #742F3B

RGB 116 47 59

HSL 349.57, 0.42%, 0.32%

LAB 29.57, 31.55, 7.75

 

CMYK 0 / 74 / 60 / 49

HEX #812133

RGB 129 33 51

HSL 348.75, 0.59%, 0.32%

LAB 29.4, 41.89, 13.19

 

CMYK 0 / 86 / 70 / 44

HEX #8E142B

RGB 142 20 43

HSL 348.69, 0.75%, 0.32%

LAB 30.46, 49.46, 20.37

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 12 / 0 / 2 / 66

HEX #4C5654

RGB 76 86 84

HSL 168, 0.06%, 0.32%

LAB 35.66, -4.38, -0.18

 

CMYK 36 / 0 / 6 / 61

HEX #3F635D

RGB 63 99 93

HSL 170, 0.22%, 0.32%

LAB 39.19, -14.41, -0.7

 

CMYK 56 / 0 / 11 / 56

HEX #327165

RGB 50 113 101

HSL 168.57, 0.39%, 0.32%

LAB 43.4, -23.43, 0.52

 

CMYK 71 / 0 / 13 / 51

HEX #247E6D

RGB 36 126 109

HSL 168.67, 0.56%, 0.32%

LAB 47.5, -30.41, 1.66

 

CMYK 0 / 18 / 4 / 65

HEX #594955

RGB 89 73 85

HSL 315, 0.1%, 0.32%

LAB 33.02, 9.13, -4.57

 

CMYK 0 / 18 / 9 / 65

HEX #594951

RGB 89 73 81

HSL 330, 0.1%, 0.32%

LAB 32.88, 8.31, -2.22

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 0 / 17 / 18 / 65

HEX #594A49

RGB 89 74 73

HSL 3.75, 0.1%, 0.32%

LAB 32.92, 6.13, 2.95

 

CMYK 0 / 12 / 18 / 65

HEX #594E49

RGB 89 78 73

HSL 18.75, 0.1%, 0.32%

LAB 34.09, 3.63, 4.63

 

CMYK 0 / 18 / 16 / 83

HEX #2C2425

RGB 44 36 37

HSL 352.5, 0.1%, 0.16%

LAB 15.12, 3.98, 0.73

 

CMYK 0 / 19 / 15 / 74

HEX #433639

RGB 67 54 57

HSL 346.15, 0.11%, 0.24%

LAB 24.09, 6.37, 0.29

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 0 / 18 / 15 / 56

HEX #705C5F

RGB 112 92 95

HSL 351, 0.1%, 0.4%

LAB 41.1, 8.67, 1.33

 

CMYK 0 / 19 / 15 / 47

HEX #876E73

RGB 135 110 115

HSL 348, 0.1%, 0.48%

LAB 48.93, 10.72, 0.94

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 0 / 0 / 18 / 65

HEX #595949

RGB 89 89 73

HSL 60, 0.1%, 0.32%

LAB 37.39, -3.12, 9.29

 

CMYK 18 / 7 / 0 / 65

HEX #495359

RGB 73 83 89

HSL 202.5, 0.1%, 0.32%

LAB 34.65, -2.49, -4.84

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 15 / 0 / 18 / 65

HEX #4C5949

RGB 76 89 73

HSL 108.75, 0.1%, 0.32%

LAB 36.29, -8.54, 7.59

 

CMYK 18 / 15 / 0 / 65

HEX #494C59

RGB 73 76 89

HSL 228.75, 0.1%, 0.32%

LAB 32.49, 1.89, -8.06

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 0 / 0 / 18 / 65

HEX #595949

RGB 89 89 73

HSL 60, 0.1%, 0.32%

LAB 37.39, -3.12, 9.29

 

CMYK 18 / 0 / 3 / 65

HEX #495956

RGB 73 89 86

HSL 168.75, 0.1%, 0.32%

LAB 36.43, -6.87, -0.33

 

CMYK 18 / 18 / 0 / 65

HEX #494959

RGB 73 73 89

HSL 240, 0.1%, 0.32%

LAB 31.58, 3.81, -9.43

 

CMYK 0 / 18 / 15 / 65

HEX #59494C

RGB 89 73 76

HSL 348.75, 0.1%, 0.32%

LAB 32.72, 7.33, 0.74

 

CMYK 6 / 0 / 18 / 65

HEX #545949

RGB 84 89 73

HSL 78.75, 0.1%, 0.32%

LAB 36.95, -5.24, 8.6

 

CMYK 18 / 0 / 3 / 65

HEX #495956

RGB 73 89 86

HSL 168.75, 0.1%, 0.32%

LAB 36.43, -6.87, -0.33

 

CMYK 12 / 18 / 0 / 65

HEX #4E4959

RGB 78 73 89

HSL 258.75, 0.1%, 0.32%

LAB 32.05, 5.7, -8.69

 

Description

Color code: HEX #59494C | qconv.com Color code: HEX #59494C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 73 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 73 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 15 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 15% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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