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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59471A it is the complementary color #A6B8E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59471A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59471A shade: #5E4715, #6F5928, #806B3B, #917D4E and #A28F61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59471A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59471A shade: #59471A, #483507, #372300, #261100 and #150000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59471A shade: #5A481A, #5A371A, #5A251A and #5A1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59471A shade: #5A481A, #5A591A, #4A5A1A, #395A1A and #275A1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59471A shade matches the following richer shades: #5A481A, #644C10 and #6D5007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59471A shade: #5A481A, #514423, #47402D, #3E3C36 and #343840

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59471A shade: #5A251A, #5A361A, #5A471A, #5A581A and #4B5A1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59471A shade: #1A1507, #3A2E11, #5A481A, #7A6123 and #9A7B2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59471A shade: #59471A, #205A1A and #2D1A5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59471A shade: #59471A, #1A5A47 and #471A5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59471A shade: #59471A, #205A1A, #1A2D5A and #541A5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59471A shade: #59471A, #1A5A27, #1A2D5A and #5A1A4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 71 / 65

HEX #59471A

RGB 89 71 26

HSL 42.86, 0.55%, 0.23%

LAB 31.13, 1.96, 29.14

 

Complementary color

CMYK 28 / 20 / 0 / 10

HEX #A6B8E5

RGB 166 184 229

HSL 222.86, 0.55%, 0.77%

LAB 74.85, 3.8, -24.52

 

CMYK 0 / 24 / 78 / 63

HEX #5E4715

RGB 94 71 21

HSL 41.1, 0.63%, 0.23%

LAB 31.67, 4.15, 32.4

 

CMYK 0 / 20 / 64 / 56

HEX #6F5928

RGB 111 89 40

HSL 41.41, 0.47%, 0.3%

LAB 39.03, 2.79, 31.2

 

CMYK 0 / 16 / 54 / 50

HEX #806B3B

RGB 128 107 59

HSL 41.74, 0.37%, 0.37%

LAB 46.2, 1.77, 29.79

 

CMYK 0 / 14 / 46 / 43

HEX #917D4E

RGB 145 125 78

HSL 42.09, 0.3%, 0.44%

LAB 53.21, 0.99, 28.39

 

CMYK 0 / 12 / 40 / 36

HEX #A28F61

RGB 162 143 97

HSL 42.46, 0.26%, 0.51%

LAB 60.06, 0.36, 27.08

 

CMYK 0 / 20 / 71 / 65

HEX #59471A

RGB 89 71 26

HSL 42.86, 0.55%, 0.23%

LAB 31.13, 1.96, 29.14

 

CMYK 0 / 26 / 90 / 72

HEX #483507

RGB 72 53 7

HSL 42.46, 0.82%, 0.15%

LAB 23.47, 3.56, 29.72

 

CMYK 0 / 36 / 100 / 78

HEX #372300

RGB 55 35 0

HSL 38.18, 1%, 0.11%

LAB 15.56, 5.94, 22.91

 

CMYK 0 / 55 / 100 / 85

HEX #261100

RGB 38 17 0

HSL 26.84, 1%, 0.07%

LAB 7.34, 8.93, 11.17

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 20 / 71 / 65

HEX #5A481A

RGB 90 72 26

HSL 43.13, 0.55%, 0.23%

LAB 31.54, 1.84, 29.62

 

CMYK 0 / 39 / 71 / 65

HEX #5A371A

RGB 90 55 26

HSL 27.19, 0.55%, 0.23%

LAB 26.68, 12.54, 24.25

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 0 / 71 / 71 / 65

HEX #5A1A1A

RGB 90 26 26

HSL 0, 0.55%, 0.23%

LAB 19.99, 29.32, 16.32

 

CMYK 0 / 20 / 71 / 65

HEX #5A481A

RGB 90 72 26

HSL 43.13, 0.55%, 0.23%

LAB 31.54, 1.84, 29.62

 

CMYK 0 / 1 / 71 / 65

HEX #5A591A

RGB 90 89 26

HSL 59.06, 0.55%, 0.23%

LAB 36.73, -8.39, 35.07

 

CMYK 18 / 0 / 71 / 65

HEX #4A5A1A

RGB 74 90 26

HSL 75, 0.55%, 0.23%

LAB 35.68, -16.56, 33.56

 

CMYK 37 / 0 / 71 / 65

HEX #395A1A

RGB 57 90 26

HSL 90.94, 0.55%, 0.23%

LAB 34.51, -23.98, 31.97

 

CMYK 57 / 0 / 71 / 65

HEX #275A1A

RGB 39 90 26

HSL 107.81, 0.55%, 0.23%

LAB 33.6, -30.55, 30.72

 

CMYK 0 / 20 / 71 / 65

HEX #5A481A

RGB 90 72 26

HSL 43.13, 0.55%, 0.23%

LAB 31.54, 1.84, 29.62

 

CMYK 0 / 24 / 84 / 61

HEX #644C10

RGB 100 76 16

HSL 42.86, 0.72%, 0.23%

LAB 33.81, 3.83, 36.89

 

CMYK 0 / 27 / 94 / 57

HEX #6D5007

RGB 109 80 7

HSL 42.94, 0.88%, 0.23%

LAB 35.99, 5.58, 42.2

 

CMYK 0 / 20 / 71 / 65

HEX #5A481A

RGB 90 72 26

HSL 43.13, 0.55%, 0.23%

LAB 31.54, 1.84, 29.62

 

CMYK 0 / 16 / 57 / 68

HEX #514423

RGB 81 68 35

HSL 43.04, 0.4%, 0.23%

LAB 29.42, 0.64, 21.89

 

CMYK 0 / 10 / 37 / 72

HEX #47402D

RGB 71 64 45

HSL 43.85, 0.22%, 0.23%

LAB 27.29, -0.42, 12.74

 

CMYK 0 / 3 / 13 / 76

HEX #3E3C36

RGB 62 60 54

HSL 45, 0.07%, 0.23%

LAB 25.33, -0.41, 4.01

 

CMYK 19 / 13 / 0 / 75

HEX #343840

RGB 52 56 64

HSL 220, 0.1%, 0.23%

LAB 23.43, 0.33, -5.54

 

CMYK 0 / 59 / 71 / 65

HEX #5A251A

RGB 90 37 26

HSL 10.31, 0.55%, 0.23%

LAB 22.2, 23.49, 19.01

 

CMYK 0 / 40 / 71 / 65

HEX #5A361A

RGB 90 54 26

HSL 26.25, 0.55%, 0.23%

LAB 26.41, 13.17, 23.94

 

CMYK 0 / 21 / 71 / 65

HEX #5A471A

RGB 90 71 26

HSL 42.19, 0.55%, 0.23%

LAB 31.24, 2.46, 29.3

 

CMYK 0 / 2 / 71 / 65

HEX #5A581A

RGB 90 88 26

HSL 58.13, 0.55%, 0.23%

LAB 36.42, -7.81, 34.75

 

CMYK 17 / 0 / 71 / 65

HEX #4B5A1A

RGB 75 90 26

HSL 74.06, 0.55%, 0.23%

LAB 35.76, -16.09, 33.66

 

CMYK 0 / 19 / 73 / 90

HEX #1A1507

RGB 26 21 7

HSL 44.21, 0.58%, 0.06%

LAB 6.97, -0.02, 7.56

 

CMYK 0 / 21 / 71 / 77

HEX #3A2E11

RGB 58 46 17

HSL 42.44, 0.55%, 0.15%

LAB 19.61, 1.34, 20.37

 

CMYK 0 / 20 / 71 / 65

HEX #5A481A

RGB 90 72 26

HSL 43.13, 0.55%, 0.23%

LAB 31.54, 1.84, 29.62

 

CMYK 0 / 20 / 71 / 52

HEX #7A6123

RGB 122 97 35

HSL 42.76, 0.55%, 0.31%

LAB 42.47, 2.93, 37.85

 

CMYK 0 / 20 / 71 / 40

HEX #9A7B2C

RGB 154 123 44

HSL 43.09, 0.56%, 0.39%

LAB 53.19, 3.4, 45.9

 

CMYK 0 / 20 / 71 / 65

HEX #59471A

RGB 89 71 26

HSL 42.86, 0.55%, 0.23%

LAB 31.13, 1.96, 29.14

 

CMYK 64 / 0 / 71 / 65

HEX #205A1A

RGB 32 90 26

HSL 114.38, 0.55%, 0.23%

LAB 33.34, -32.61, 30.36

 

CMYK 50 / 71 / 0 / 65

HEX #2D1A5A

RGB 45 26 90

HSL 257.81, 0.55%, 0.23%

LAB 15.67, 26.56, -35.31

 

CMYK 0 / 20 / 71 / 65

HEX #59471A

RGB 89 71 26

HSL 42.86, 0.55%, 0.23%

LAB 31.13, 1.96, 29.14

 

CMYK 71 / 0 / 21 / 65

HEX #1A5A47

RGB 26 90 71

HSL 162.19, 0.55%, 0.23%

LAB 33.96, -25.28, 5.15

 

CMYK 21 / 71 / 0 / 65

HEX #471A5A

RGB 71 26 90

HSL 282.19, 0.55%, 0.23%

LAB 19.29, 32.86, -29.27

 

CMYK 0 / 20 / 71 / 65

HEX #59471A

RGB 89 71 26

HSL 42.86, 0.55%, 0.23%

LAB 31.13, 1.96, 29.14

 

CMYK 64 / 0 / 71 / 65

HEX #205A1A

RGB 32 90 26

HSL 114.38, 0.55%, 0.23%

LAB 33.34, -32.61, 30.36

 

CMYK 71 / 50 / 0 / 65

HEX #1A2D5A

RGB 26 45 90

HSL 222.19, 0.55%, 0.23%

LAB 19.37, 9.16, -29.41

 

CMYK 7 / 71 / 0 / 65

HEX #541A5A

RGB 84 26 90

HSL 294.38, 0.55%, 0.23%

LAB 21.44, 36.28, -25.72

 

CMYK 0 / 20 / 71 / 65

HEX #59471A

RGB 89 71 26

HSL 42.86, 0.55%, 0.23%

LAB 31.13, 1.96, 29.14

 

CMYK 71 / 0 / 57 / 65

HEX #1A5A27

RGB 26 90 39

HSL 132.19, 0.55%, 0.23%

LAB 33.3, -32.33, 23.5

 

CMYK 71 / 50 / 0 / 65

HEX #1A2D5A

RGB 26 45 90

HSL 222.19, 0.55%, 0.23%

LAB 19.37, 9.16, -29.41

 

CMYK 0 / 71 / 13 / 65

HEX #5A1A4E

RGB 90 26 78

HSL 311.25, 0.55%, 0.23%

LAB 21.81, 35.69, -17.02

 

Description

Color code: HEX #59471A | qconv.com Color code: HEX #59471A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 71 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 71 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 71 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 71% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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