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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59462F it is the complementary color #A6B9D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59462F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59462F shade: #5E462A, #6F583D, #806A50, #917C63 and #A28E76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59462F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59462F shade: #59462F, #48341C, #372209, #261000 and #150000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59462F shade: #5A462F, #5A3B2F, #5A2F2F and #5A2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59462F shade: #5A462F, #5A522F, #565A2F, #4A5A2F and #3F5A2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59462F shade matches the following richer shades: #5A462F, #654724, #704919, #7B4A0E and #864B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59462F shade: #5A462F, #4F453A, #434445, #384350 and #2D425C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59462F shade: #5A2F2F, #5A3A2F, #5A462F, #5A512F and #575A2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59462F shade: #241C13, #3F3121, #5A462F, #755C3D and #90714B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59462F shade: #59462F, #3A5A2F and #352F5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59462F shade: #59462F, #2F5A46 and #462F5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59462F shade: #59462F, #3A5A2F, #2F435A and #4E2F5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59462F shade: #59462F, #2F5A30, #2F435A and #5A2F58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 47 / 65

HEX #59462F

RGB 89 70 47

HSL 32.86, 0.31%, 0.27%

LAB 31.14, 4.63, 16.93

 

Complementary color

CMYK 20 / 11 / 0 / 18

HEX #A6B9D0

RGB 166 185 208

HSL 212.86, 0.31%, 0.73%

LAB 74.42, -1.6, -13.77

 

CMYK 0 / 26 / 55 / 63

HEX #5E462A

RGB 94 70 42

HSL 32.31, 0.38%, 0.27%

LAB 31.64, 6.45, 20.76

 

CMYK 0 / 21 / 45 / 56

HEX #6F583D

RGB 111 88 61

HSL 32.4, 0.29%, 0.34%

LAB 39.06, 5.49, 19.23

 

CMYK 0 / 17 / 38 / 50

HEX #806A50

RGB 128 106 80

HSL 32.5, 0.23%, 0.41%

LAB 46.28, 4.75, 17.87

 

CMYK 0 / 14 / 32 / 43

HEX #917C63

RGB 145 124 99

HSL 32.61, 0.19%, 0.48%

LAB 53.32, 4.15, 16.66

 

CMYK 0 / 12 / 27 / 36

HEX #A28E76

RGB 162 142 118

HSL 32.73, 0.19%, 0.55%

LAB 60.19, 3.66, 15.55

 

CMYK 0 / 21 / 47 / 65

HEX #59462F

RGB 89 70 47

HSL 32.86, 0.31%, 0.27%

LAB 31.14, 4.63, 16.93

 

CMYK 0 / 28 / 61 / 72

HEX #48341C

RGB 72 52 28

HSL 32.73, 0.44%, 0.2%

LAB 23.4, 5.68, 18.55

 

CMYK 0 / 38 / 84 / 78

HEX #372209

RGB 55 34 9

HSL 32.61, 0.72%, 0.13%

LAB 15.36, 7.25, 18.99

 

CMYK 0 / 58 / 100 / 85

HEX #261000

RGB 38 16 0

HSL 25.26, 1%, 0.07%

LAB 7.07, 9.56, 10.77

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 22 / 48 / 65

HEX #5A462F

RGB 90 70 47

HSL 32.09, 0.31%, 0.27%

LAB 31.25, 5.1, 17.1

 

CMYK 0 / 34 / 48 / 65

HEX #5A3B2F

RGB 90 59 47

HSL 16.74, 0.31%, 0.27%

LAB 28.13, 12.05, 12.98

 

CMYK 0 / 48 / 48 / 65

HEX #5A2F2F

RGB 90 47 47

HSL 0, 0.31%, 0.27%

LAB 24.99, 19.56, 8.71

 

CMYK 0 / 48 / 48 / 65

HEX #5A2F2F

RGB 90 47 47

HSL 0, 0.31%, 0.27%

LAB 24.99, 19.56, 8.71

 

CMYK 0 / 22 / 48 / 65

HEX #5A462F

RGB 90 70 47

HSL 32.09, 0.31%, 0.27%

LAB 31.25, 5.1, 17.1

 

CMYK 0 / 9 / 48 / 65

HEX #5A522F

RGB 90 82 47

HSL 48.84, 0.31%, 0.27%

LAB 34.83, -2.31, 21.68

 

CMYK 4 / 0 / 48 / 65

HEX #565A2F

RGB 86 90 47

HSL 65.58, 0.31%, 0.27%

LAB 36.92, -8.93, 24.21

 

CMYK 18 / 0 / 48 / 65

HEX #4A5A2F

RGB 74 90 47

HSL 82.33, 0.31%, 0.27%

LAB 35.93, -14.33, 22.76

 

CMYK 30 / 0 / 48 / 65

HEX #3F5A2F

RGB 63 90 47

HSL 97.67, 0.31%, 0.27%

LAB 35.15, -19, 21.61

 

CMYK 0 / 22 / 48 / 65

HEX #5A462F

RGB 90 70 47

HSL 32.09, 0.31%, 0.27%

LAB 31.25, 5.1, 17.1

 

CMYK 0 / 30 / 64 / 60

HEX #654724

RGB 101 71 36

HSL 32.31, 0.47%, 0.27%

LAB 32.7, 8.64, 25.8

 

CMYK 0 / 35 / 78 / 56

HEX #704919

RGB 112 73 25

HSL 33.1, 0.64%, 0.27%

LAB 34.56, 11.98, 34.13

 

CMYK 0 / 40 / 89 / 52

HEX #7B4A0E

RGB 123 74 14

HSL 33.03, 0.8%, 0.27%

LAB 36.25, 16.17, 40.94

 

CMYK 0 / 44 / 99 / 47

HEX #864B02

RGB 134 75 2

HSL 33.18, 0.97%, 0.27%

LAB 38.03, 20.42, 46.79

 

CMYK 0 / 22 / 48 / 65

HEX #5A462F

RGB 90 70 47

HSL 32.09, 0.31%, 0.27%

LAB 31.25, 5.1, 17.1

 

CMYK 0 / 13 / 27 / 69

HEX #4F453A

RGB 79 69 58

HSL 31.43, 0.15%, 0.27%

LAB 29.97, 2.21, 8.21

 

CMYK 3 / 1 / 0 / 73

HEX #434445

RGB 67 68 69

HSL 210, 0.01%, 0.27%

LAB 28.79, -0.19, -0.75

 

CMYK 30 / 16 / 0 / 69

HEX #384350

RGB 56 67 80

HSL 212.5, 0.18%, 0.27%

LAB 27.94, -0.97, -9.29

 

CMYK 51 / 28 / 0 / 64

HEX #2D425C

RGB 45 66 92

HSL 213.19, 0.34%, 0.27%

LAB 27.37, -0.07, -18.01

 

CMYK 0 / 48 / 48 / 65

HEX #5A2F2F

RGB 90 47 47

HSL 0, 0.31%, 0.27%

LAB 24.99, 19.56, 8.71

 

CMYK 0 / 36 / 48 / 65

HEX #5A3A2F

RGB 90 58 47

HSL 15.35, 0.31%, 0.27%

LAB 27.86, 12.69, 12.62

 

CMYK 0 / 22 / 48 / 65

HEX #5A462F

RGB 90 70 47

HSL 32.09, 0.31%, 0.27%

LAB 31.25, 5.1, 17.1

 

CMYK 0 / 10 / 48 / 65

HEX #5A512F

RGB 90 81 47

HSL 47.44, 0.31%, 0.27%

LAB 34.53, -1.7, 21.3

 

CMYK 3 / 0 / 48 / 65

HEX #575A2F

RGB 87 90 47

HSL 64.19, 0.31%, 0.27%

LAB 37.01, -8.47, 24.34

 

CMYK 0 / 22 / 47 / 86

HEX #241C13

RGB 36 28 19

HSL 31.76, 0.31%, 0.11%

LAB 10.94, 2.23, 7.54

 

CMYK 0 / 22 / 48 / 75

HEX #3F3121

RGB 63 49 33

HSL 32, 0.31%, 0.19%

LAB 21.44, 3.72, 12.61

 

CMYK 0 / 22 / 48 / 65

HEX #5A462F

RGB 90 70 47

HSL 32.09, 0.31%, 0.27%

LAB 31.25, 5.1, 17.1

 

CMYK 0 / 21 / 48 / 54

HEX #755C3D

RGB 117 92 61

HSL 33.21, 0.31%, 0.35%

LAB 40.85, 5.81, 21.69

 

CMYK 0 / 22 / 48 / 44

HEX #90714B

RGB 144 113 75

HSL 33.04, 0.32%, 0.43%

LAB 49.79, 7.09, 25.7

 

CMYK 0 / 21 / 47 / 65

HEX #59462F

RGB 89 70 47

HSL 32.86, 0.31%, 0.27%

LAB 31.14, 4.63, 16.93

 

CMYK 36 / 0 / 48 / 65

HEX #3A5A2F

RGB 58 90 47

HSL 104.65, 0.31%, 0.27%

LAB 34.84, -20.99, 21.15

 

CMYK 41 / 48 / 0 / 65

HEX #352F5A

RGB 53 47 90

HSL 248.37, 0.31%, 0.27%

LAB 22.05, 14.59, -25.02

 

CMYK 0 / 21 / 47 / 65

HEX #59462F

RGB 89 70 47

HSL 32.86, 0.31%, 0.27%

LAB 31.14, 4.63, 16.93

 

CMYK 48 / 0 / 22 / 65

HEX #2F5A46

RGB 47 90 70

HSL 152.09, 0.31%, 0.27%

LAB 34.72, -20.27, 6.97

 

CMYK 22 / 48 / 0 / 65

HEX #462F5A

RGB 70 47 90

HSL 272.09, 0.31%, 0.27%

LAB 23.91, 20.03, -21.94

 

CMYK 0 / 21 / 47 / 65

HEX #59462F

RGB 89 70 47

HSL 32.86, 0.31%, 0.27%

LAB 31.14, 4.63, 16.93

 

CMYK 36 / 0 / 48 / 65

HEX #3A5A2F

RGB 58 90 47

HSL 104.65, 0.31%, 0.27%

LAB 34.84, -20.99, 21.15

 

CMYK 48 / 26 / 0 / 65

HEX #2F435A

RGB 47 67 90

HSL 212.09, 0.31%, 0.27%

LAB 27.73, -0.83, -16.15

 

CMYK 13 / 48 / 0 / 65

HEX #4E2F5A

RGB 78 47 90

HSL 283.26, 0.31%, 0.27%

LAB 24.92, 22.73, -20.29

 

CMYK 0 / 21 / 47 / 65

HEX #59462F

RGB 89 70 47

HSL 32.86, 0.31%, 0.27%

LAB 31.14, 4.63, 16.93

 

CMYK 48 / 0 / 47 / 65

HEX #2F5A30

RGB 47 90 48

HSL 121.4, 0.31%, 0.27%

LAB 34.25, -24.84, 19.7

 

CMYK 48 / 26 / 0 / 65

HEX #2F435A

RGB 47 67 90

HSL 212.09, 0.31%, 0.27%

LAB 27.73, -0.83, -16.15

 

CMYK 0 / 48 / 2 / 65

HEX #5A2F58

RGB 90 47 88

HSL 302.79, 0.31%, 0.27%

LAB 26.48, 26.42, -16.42

 

Description

Color code: HEX #59462F | qconv.com Color code: HEX #59462F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 70 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 70 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 47 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 47% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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