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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #592E8B it is the complementary color #A6D174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #592E8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #592E8B shade: #5E2E86, #6F4099, #8052AC, #9164BF and #A276D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #592E8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #592E8B shade: #592E8B, #481C78, #370A65, #260052 and #15003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #592E8B shade: #582D89, #712D89, #892D89, #892D70 and #892D58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #592E8B shade: #582D89, #3F2D89 and #2D2D89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #592E8B shade matches the following richer shades: #582D89, #571F98, #5610A7 and #5401B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #592E8B shade: #582D89, #593C7A, #5A4B6B, #5B5A5D and #5C694E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #592E8B shade: #2D3589, #3E2D89, #572D89, #6F2D89 and #882D89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #592E8B shade: #30194B, #44236A, #582D89, #6C38A8 and #8048C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #592E8B shade: #592E8B, #892D4E and #2D8932

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #592E8B shade: #592E8B, #89572D and #2D8957

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #592E8B shade: #592E8B, #892D4E, #60892D and #2D8969

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #592E8B shade: #592E8B, #892D32, #60892D and #2D8985

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 67 / 0 / 45

HEX #592E8B

RGB 89 46 139

HSL 267.74, 0.5%, 0.36%

LAB 29.27, 39.01, -44.52

 

Complementary color

CMYK 21 / 0 / 44 / 18

HEX #A6D174

RGB 166 209 116

HSL 87.74, 0.5%, 0.64%

LAB 79.02, -29.72, 41.47

 

CMYK 30 / 66 / 0 / 47

HEX #5E2E86

RGB 94 46 134

HSL 272.73, 0.49%, 0.35%

LAB 29.55, 38.88, -40.92

 

CMYK 27 / 58 / 0 / 40

HEX #6F4099

RGB 111 64 153

HSL 271.69, 0.41%, 0.43%

LAB 36.64, 38.02, -41.09

 

CMYK 26 / 52 / 0 / 33

HEX #8052AC

RGB 128 82 172

HSL 270.67, 0.35%, 0.5%

LAB 43.66, 37.07, -41.14

 

CMYK 24 / 48 / 0 / 25

HEX #9164BF

RGB 145 100 191

HSL 269.67, 0.42%, 0.57%

LAB 50.56, 36.14, -41.15

 

CMYK 23 / 44 / 0 / 18

HEX #A276D2

RGB 162 118 210

HSL 268.7, 0.51%, 0.64%

LAB 57.36, 35.26, -41.15

 

CMYK 36 / 67 / 0 / 45

HEX #592E8B

RGB 89 46 139

HSL 267.74, 0.5%, 0.36%

LAB 29.27, 39.01, -44.52

 

CMYK 40 / 77 / 0 / 53

HEX #481C78

RGB 72 28 120

HSL 268.7, 0.62%, 0.29%

LAB 22.18, 39.69, -44.18

 

CMYK 46 / 90 / 0 / 60

HEX #370A65

RGB 55 10 101

HSL 269.67, 0.82%, 0.22%

LAB 15.32, 39.38, -43.14

 

CMYK 54 / 100 / 0 / 68

HEX #260052

RGB 38 0 82

HSL 267.8, 1%, 0.16%

LAB 9.17, 36.61, -40.57

 

CMYK 67 / 100 / 0 / 75

HEX #15003F

RGB 21 0 63

HSL 260, 1%, 0.12%

LAB 4.68, 27.49, -34.69

 

CMYK 36 / 67 / 0 / 46

HEX #582D89

RGB 88 45 137

HSL 268.04, 0.51%, 0.36%

LAB 28.79, 38.79, -44.05

 

CMYK 18 / 67 / 0 / 46

HEX #712D89

RGB 113 45 137

HSL 284.35, 0.51%, 0.36%

LAB 32.24, 44.71, -38.32

 

CMYK 0 / 67 / 0 / 46

HEX #892D89

RGB 137 45 137

HSL 300, 0.51%, 0.36%

LAB 35.99, 50.67, -32.13

 

CMYK 0 / 67 / 18 / 46

HEX #892D70

RGB 137 45 112

HSL 316.3, 0.51%, 0.36%

LAB 34.73, 46.51, -18.5

 

CMYK 0 / 67 / 36 / 46

HEX #892D58

RGB 137 45 88

HSL 331.96, 0.51%, 0.36%

LAB 33.77, 43.18, -4.63

 

CMYK 36 / 67 / 0 / 46

HEX #582D89

RGB 88 45 137

HSL 268.04, 0.51%, 0.36%

LAB 28.79, 38.79, -44.05

 

CMYK 54 / 67 / 0 / 46

HEX #3F2D89

RGB 63 45 137

HSL 251.74, 0.51%, 0.36%

LAB 25.98, 33.55, -48.75

 

CMYK 67 / 67 / 0 / 46

HEX #2D2D89

RGB 45 45 137

HSL 240, 0.51%, 0.36%

LAB 24.45, 30.48, -51.3

 

CMYK 36 / 67 / 0 / 46

HEX #582D89

RGB 88 45 137

HSL 268.04, 0.51%, 0.36%

LAB 28.79, 38.79, -44.05

 

CMYK 43 / 80 / 0 / 40

HEX #571F98

RGB 87 31 152

HSL 267.77, 0.66%, 0.36%

LAB 27.5, 49.24, -55.42

 

CMYK 49 / 90 / 0 / 35

HEX #5610A7

RGB 86 16 167

HSL 267.81, 0.83%, 0.36%

LAB 27.13, 57.75, -65.17

 

CMYK 54 / 99 / 0 / 29

HEX #5401B6

RGB 84 1 182

HSL 267.51, 0.99%, 0.36%

LAB 27.53, 63.98, -73.52

 

CMYK 36 / 67 / 0 / 46

HEX #582D89

RGB 88 45 137

HSL 268.04, 0.51%, 0.36%

LAB 28.79, 38.79, -44.05

 

CMYK 27 / 51 / 0 / 52

HEX #593C7A

RGB 89 60 122

HSL 268.06, 0.34%, 0.36%

LAB 31.26, 26.29, -30.74

 

CMYK 16 / 30 / 0 / 58

HEX #5A4B6B

RGB 90 75 107

HSL 268.13, 0.18%, 0.36%

LAB 34.53, 13.3, -16.19

 

CMYK 2 / 3 / 0 / 64

HEX #5B5A5D

RGB 91 90 93

HSL 260, 0.02%, 0.36%

LAB 38.42, 1.04, -1.59

 

CMYK 12 / 0 / 26 / 59

HEX #5C694E

RGB 92 105 78

HSL 88.89, 0.15%, 0.36%

LAB 42.66, -10.35, 13.59

 

CMYK 67 / 61 / 0 / 46

HEX #2D3589

RGB 45 53 137

HSL 234.78, 0.51%, 0.36%

LAB 26.48, 25.19, -48

 

CMYK 55 / 67 / 0 / 46

HEX #3E2D89

RGB 62 45 137

HSL 251.09, 0.51%, 0.36%

LAB 25.88, 33.36, -48.91

 

CMYK 36 / 67 / 0 / 46

HEX #572D89

RGB 87 45 137

HSL 267.39, 0.51%, 0.36%

LAB 28.67, 38.57, -44.26

 

CMYK 19 / 67 / 0 / 46

HEX #6F2D89

RGB 111 45 137

HSL 283.04, 0.51%, 0.36%

LAB 31.95, 44.22, -38.81

 

CMYK 1 / 67 / 0 / 46

HEX #882D89

RGB 136 45 137

HSL 299.35, 0.51%, 0.36%

LAB 35.82, 50.42, -32.4

 

CMYK 36 / 67 / 0 / 71

HEX #30194B

RGB 48 25 75

HSL 267.6, 0.5%, 0.2%

LAB 14.58, 23.29, -26.86

 

CMYK 36 / 67 / 0 / 58

HEX #44236A

RGB 68 35 106

HSL 267.89, 0.5%, 0.28%

LAB 21.84, 31.29, -35.73

 

CMYK 36 / 67 / 0 / 46

HEX #582D89

RGB 88 45 137

HSL 268.04, 0.51%, 0.36%

LAB 28.79, 38.79, -44.05

 

CMYK 36 / 67 / 0 / 34

HEX #6C38A8

RGB 108 56 168

HSL 267.86, 0.5%, 0.44%

LAB 35.68, 45.42, -51.68

 

CMYK 34 / 63 / 0 / 24

HEX #8048C2

RGB 128 72 194

HSL 267.54, 0.5%, 0.52%

LAB 42.94, 48.01, -55.17

 

CMYK 36 / 67 / 0 / 45

HEX #592E8B

RGB 89 46 139

HSL 267.74, 0.5%, 0.36%

LAB 29.27, 39.01, -44.52

 

CMYK 0 / 67 / 43 / 46

HEX #892D4E

RGB 137 45 78

HSL 338.48, 0.51%, 0.36%

LAB 33.45, 42.02, 1.36

 

CMYK 67 / 0 / 64 / 46

HEX #2D8932

RGB 45 137 50

HSL 123.26, 0.51%, 0.36%

LAB 50.31, -45.12, 37.95

 

CMYK 36 / 67 / 0 / 45

HEX #592E8B

RGB 89 46 139

HSL 267.74, 0.5%, 0.36%

LAB 29.27, 39.01, -44.52

 

CMYK 0 / 36 / 67 / 46

HEX #89572D

RGB 137 87 45

HSL 27.39, 0.51%, 0.36%

LAB 41.73, 16.48, 32.42

 

CMYK 67 / 0 / 36 / 46

HEX #2D8957

RGB 45 137 87

HSL 147.39, 0.51%, 0.36%

LAB 50.85, -39.07, 19.12

 

CMYK 36 / 67 / 0 / 45

HEX #592E8B

RGB 89 46 139

HSL 267.74, 0.5%, 0.36%

LAB 29.27, 39.01, -44.52

 

CMYK 0 / 67 / 43 / 46

HEX #892D4E

RGB 137 45 78

HSL 338.48, 0.51%, 0.36%

LAB 33.45, 42.02, 1.36

 

CMYK 30 / 0 / 67 / 46

HEX #60892D

RGB 96 137 45

HSL 86.74, 0.51%, 0.36%

LAB 52.47, -29.56, 43.23

 

CMYK 67 / 0 / 23 / 46

HEX #2D8969

RGB 45 137 105

HSL 159.13, 0.51%, 0.36%

LAB 51.23, -35, 9.38

 

CMYK 36 / 67 / 0 / 45

HEX #592E8B

RGB 89 46 139

HSL 267.74, 0.5%, 0.36%

LAB 29.27, 39.01, -44.52

 

CMYK 0 / 67 / 64 / 46

HEX #892D32

RGB 137 45 50

HSL 356.74, 0.51%, 0.36%

LAB 32.76, 39.49, 18.55

 

CMYK 30 / 0 / 67 / 46

HEX #60892D

RGB 96 137 45

HSL 86.74, 0.51%, 0.36%

LAB 52.47, -29.56, 43.23

 

CMYK 67 / 0 / 3 / 46

HEX #2D8985

RGB 45 137 133

HSL 177.39, 0.51%, 0.36%

LAB 52, -27.4, -5.76

 

Description

Color code: HEX #592E8B | qconv.com Color code: HEX #592E8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 46 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 46 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 67 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 67% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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