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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #592A35 it is the complementary color #A6D5CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #592A35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #592A35 shade: #5E2A30, #6F3C43, #804E56, #916069 and #A2727C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #592A35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #592A35 shade: #592A35, #481822, #37060F, #260000 and #150000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #592A35 shade: #5A2A35 and #5A2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #592A35 shade: #5A2A35, #5A2A42, #5A2A4F, #582A5A and #4B2A5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #592A35 shade matches the following richer shades: #5A2A35, #641F2F, #6F142A and #7A0A24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #592A35 shade: #5A2A35, #4F353B, #443F41, #394A46 and #2F554C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #592A35 shade: #5A2A4F, #5A2A43, #5A2A36, #5A2B2A and #5A372A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #592A35 shade: #221014, #3E1D24, #5A2A35, #763746 and #924456

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #592A35 shade: #592A35, #5A572A and #2A495A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #592A35 shade: #592A35, #365A2A and #2A365A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #592A35 shade: #592A35, #5A572A, #2A5A4E and #2A2C5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #592A35 shade: #592A35, #4E5A2A, #2A5A4E and #362A5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 40 / 65

HEX #592A35

RGB 89 42 53

HSL 345.96, 0.36%, 0.26%

LAB 23.79, 22.93, 2.95

 

Complementary color

CMYK 22 / 0 / 5 / 16

HEX #A6D5CA

RGB 166 213 202

HSL 165.96, 0.36%, 0.74%

LAB 81.82, -17.51, 0.41

 

CMYK 0 / 55 / 49 / 63

HEX #5E2A30

RGB 94 42 48

HSL 353.08, 0.38%, 0.27%

LAB 24.48, 24.36, 7.42

 

CMYK 0 / 46 / 40 / 56

HEX #6F3C43

RGB 111 60 67

HSL 351.76, 0.3%, 0.34%

LAB 31.84, 23.22, 5.63

 

CMYK 0 / 39 / 33 / 50

HEX #804E56

RGB 128 78 86

HSL 350.4, 0.24%, 0.4%

LAB 39.09, 22.18, 4.23

 

CMYK 0 / 34 / 28 / 43

HEX #916069

RGB 145 96 105

HSL 348.98, 0.2%, 0.47%

LAB 46.18, 21.26, 3.08

 

CMYK 0 / 30 / 23 / 36

HEX #A2727C

RGB 162 114 124

HSL 347.5, 0.21%, 0.54%

LAB 53.14, 20.45, 2.09

 

CMYK 0 / 53 / 40 / 65

HEX #592A35

RGB 89 42 53

HSL 345.96, 0.36%, 0.26%

LAB 23.79, 22.93, 2.95

 

CMYK 0 / 67 / 53 / 72

HEX #481822

RGB 72 24 34

HSL 347.5, 0.5%, 0.19%

LAB 16.24, 23.96, 5.07

 

CMYK 0 / 89 / 73 / 78

HEX #37060F

RGB 55 6 15

HSL 348.98, 0.8%, 0.12%

LAB 8.8, 24.56, 7.31

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 53 / 41 / 65

HEX #5A2A35

RGB 90 42 53

HSL 346.25, 0.36%, 0.26%

LAB 23.96, 23.34, 3.2

 

CMYK 0 / 53 / 53 / 65

HEX #5A2A2A

RGB 90 42 42

HSL 0, 0.36%, 0.26%

LAB 23.66, 22, 10.25

 

CMYK 0 / 53 / 41 / 65

HEX #5A2A35

RGB 90 42 53

HSL 346.25, 0.36%, 0.26%

LAB 23.96, 23.34, 3.2

 

CMYK 0 / 53 / 27 / 65

HEX #5A2A42

RGB 90 42 66

HSL 330, 0.36%, 0.26%

LAB 24.4, 25.28, -4.96

 

CMYK 0 / 53 / 12 / 65

HEX #5A2A4F

RGB 90 42 79

HSL 313.75, 0.36%, 0.26%

LAB 24.93, 27.57, -12.86

 

CMYK 2 / 53 / 0 / 65

HEX #582A5A

RGB 88 42 90

HSL 297.5, 0.36%, 0.26%

LAB 25.16, 29.09, -19.81

 

CMYK 17 / 53 / 0 / 65

HEX #4B2A5A

RGB 75 42 90

HSL 281.25, 0.36%, 0.26%

LAB 23.3, 24.86, -22.86

 

CMYK 0 / 53 / 41 / 65

HEX #5A2A35

RGB 90 42 53

HSL 346.25, 0.36%, 0.26%

LAB 23.96, 23.34, 3.2

 

CMYK 0 / 69 / 53 / 61

HEX #641F2F

RGB 100 31 47

HSL 346.09, 0.53%, 0.26%

LAB 23.32, 32.42, 6.65

 

CMYK 0 / 82 / 62 / 56

HEX #6F142A

RGB 111 20 42

HSL 345.49, 0.69%, 0.26%

LAB 23.83, 40.13, 11.14

 

CMYK 0 / 92 / 70 / 52

HEX #7A0A24

RGB 122 10 36

HSL 346.07, 0.85%, 0.26%

LAB 25.2, 45.58, 17.5

 

CMYK 0 / 53 / 41 / 65

HEX #5A2A35

RGB 90 42 53

HSL 346.25, 0.36%, 0.26%

LAB 23.96, 23.34, 3.2

 

CMYK 0 / 33 / 25 / 69

HEX #4F353B

RGB 79 53 59

HSL 346.15, 0.2%, 0.26%

LAB 25.33, 12.7, 0.95

 

CMYK 0 / 7 / 4 / 73

HEX #443F41

RGB 68 63 65

HSL 336, 0.04%, 0.26%

LAB 27.2, 2.57, -0.46

 

CMYK 23 / 0 / 5 / 71

HEX #394A46

RGB 57 74 70

HSL 165.88, 0.13%, 0.26%

LAB 29.94, -7.68, 0.17

 

CMYK 45 / 0 / 11 / 67

HEX #2F554C

RGB 47 85 76

HSL 165.79, 0.29%, 0.26%

LAB 33.19, -16.01, 1.01

 

CMYK 0 / 53 / 12 / 65

HEX #5A2A4F

RGB 90 42 79

HSL 313.75, 0.36%, 0.26%

LAB 24.93, 27.57, -12.86

 

CMYK 0 / 53 / 26 / 65

HEX #5A2A43

RGB 90 42 67

HSL 328.75, 0.36%, 0.26%

LAB 24.43, 25.44, -5.58

 

CMYK 0 / 53 / 40 / 65

HEX #5A2A36

RGB 90 42 54

HSL 345, 0.36%, 0.26%

LAB 23.99, 23.47, 2.57

 

CMYK 0 / 52 / 53 / 65

HEX #5A2B2A

RGB 90 43 42

HSL 1.25, 0.36%, 0.26%

LAB 23.9, 21.4, 10.57

 

CMYK 0 / 39 / 53 / 65

HEX #5A372A

RGB 90 55 42

HSL 16.25, 0.36%, 0.26%

LAB 26.94, 14, 14.63

 

CMYK 0 / 53 / 41 / 87

HEX #221014

RGB 34 16 20

HSL 346.67, 0.36%, 0.1%

LAB 6.88, 9.9, 1.02

 

CMYK 0 / 53 / 42 / 76

HEX #3E1D24

RGB 62 29 36

HSL 347.27, 0.36%, 0.18%

LAB 15.65, 16.99, 2.54

 

CMYK 0 / 53 / 41 / 65

HEX #5A2A35

RGB 90 42 53

HSL 346.25, 0.36%, 0.26%

LAB 23.96, 23.34, 3.2

 

CMYK 0 / 53 / 41 / 54

HEX #763746

RGB 118 55 70

HSL 345.71, 0.36%, 0.34%

LAB 31.87, 29.27, 3.86

 

CMYK 0 / 53 / 41 / 43

HEX #924456

RGB 146 68 86

HSL 346.15, 0.36%, 0.42%

LAB 39.44, 34.79, 5.08

 

CMYK 0 / 53 / 40 / 65

HEX #592A35

RGB 89 42 53

HSL 345.96, 0.36%, 0.26%

LAB 23.79, 22.93, 2.95

 

CMYK 0 / 3 / 53 / 65

HEX #5A572A

RGB 90 87 42

HSL 56.25, 0.36%, 0.26%

LAB 36.29, -5.86, 26.35

 

CMYK 53 / 19 / 0 / 65

HEX #2A495A

RGB 42 73 90

HSL 201.25, 0.36%, 0.26%

LAB 29.4, -6.09, -13.6

 

CMYK 0 / 53 / 40 / 65

HEX #592A35

RGB 89 42 53

HSL 345.96, 0.36%, 0.26%

LAB 23.79, 22.93, 2.95

 

CMYK 40 / 0 / 53 / 65

HEX #365A2A

RGB 54 90 42

HSL 105, 0.36%, 0.26%

LAB 34.53, -23.28, 23.58

 

CMYK 53 / 40 / 0 / 65

HEX #2A365A

RGB 42 54 90

HSL 225, 0.36%, 0.26%

LAB 23.23, 6.53, -23.2

 

CMYK 0 / 53 / 40 / 65

HEX #592A35

RGB 89 42 53

HSL 345.96, 0.36%, 0.26%

LAB 23.79, 22.93, 2.95

 

CMYK 0 / 3 / 53 / 65

HEX #5A572A

RGB 90 87 42

HSL 56.25, 0.36%, 0.26%

LAB 36.29, -5.86, 26.35

 

CMYK 53 / 0 / 13 / 65

HEX #2A5A4E

RGB 42 90 78

HSL 165, 0.36%, 0.26%

LAB 34.71, -19.65, 1.94

 

CMYK 53 / 51 / 0 / 65

HEX #2A2C5A

RGB 42 44 90

HSL 237.5, 0.36%, 0.26%

LAB 20.17, 13.56, -28.06

 

CMYK 0 / 53 / 40 / 65

HEX #592A35

RGB 89 42 53

HSL 345.96, 0.36%, 0.26%

LAB 23.79, 22.93, 2.95

 

CMYK 13 / 0 / 53 / 65

HEX #4E5A2A

RGB 78 90 42

HSL 75, 0.36%, 0.26%

LAB 36.17, -13.17, 25.96

 

CMYK 53 / 0 / 13 / 65

HEX #2A5A4E

RGB 42 90 78

HSL 165, 0.36%, 0.26%

LAB 34.71, -19.65, 1.94

 

CMYK 40 / 53 / 0 / 65

HEX #362A5A

RGB 54 42 90

HSL 255, 0.36%, 0.26%

LAB 20.74, 18.31, -27.08

 

Description

Color code: HEX #592A35 | qconv.com Color code: HEX #592A35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 42 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 42 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 40 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 40% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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