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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #592143 it is the complementary color #A6DEBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #592143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #592143 shade: #5E213E, #6F3351, #804564, #915777 and #A2698A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #592143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #592143 shade: #592143, #480F30, #37001D, #26000A and #150000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #592143 shade: #592143, #592134, #592124 and #592121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #592143 shade: #592143, #592152, #512159, #412159 and #322159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #592143 shade matches the following richer shades: #592143, #631745, #6D0D47 and #770349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #592143 shade: #592143, #4F2A41, #45343E, #3B3E3C and #31483A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #592143 shade: #502159, #592152, #592143, #592134 and #592125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #592143 shade: #1D0A15, #3B152C, #592143, #772C59 and #953770

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #592143 shade: #592143, #594121 and #215958

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #592143 shade: #592143, #435921 and #214359

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #592143 shade: #592143, #594121, #215936 and #213859

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #592143 shade: #592143, #595221, #215936 and #212759

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

Complementary color

CMYK 25 / 0 / 15 / 13

HEX #A6DEBC

RGB 166 222 188

HSL 143.57, 0.46%, 0.76%

LAB 83.96, -24.74, 10.92

 

CMYK 0 / 65 / 34 / 63

HEX #5E213E

RGB 94 33 62

HSL 331.48, 0.48%, 0.25%

LAB 23.05, 31.09, -4.18

 

CMYK 0 / 54 / 27 / 56

HEX #6F3351

RGB 111 51 81

HSL 330, 0.37%, 0.32%

LAB 30.26, 30.39, -5.8

 

CMYK 0 / 46 / 22 / 50

HEX #804564

RGB 128 69 100

HSL 328.47, 0.3%, 0.39%

LAB 37.42, 29.53, -6.98

 

CMYK 0 / 40 / 18 / 43

HEX #915777

RGB 145 87 119

HSL 326.9, 0.25%, 0.45%

LAB 44.47, 28.66, -7.92

 

CMYK 0 / 35 / 15 / 36

HEX #A2698A

RGB 162 105 138

HSL 325.26, 0.23%, 0.52%

LAB 51.4, 27.84, -8.72

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 0 / 79 / 33 / 72

HEX #480F30

RGB 72 15 48

HSL 325.26, 0.66%, 0.17%

LAB 15.13, 30.19, -6.68

 

CMYK 0 / 100 / 47 / 78

HEX #37001D

RGB 55 0 29

HSL 328.36, 1%, 0.11%

LAB 8.14, 29.17, -3.4

 

CMYK 0 / 100 / 74 / 85

HEX #26000A

RGB 38 0 10

HSL 344.21, 1%, 0.07%

LAB 3.92, 18.09, 2.1

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 0 / 63 / 42 / 65

HEX #592134

RGB 89 33 52

HSL 339.64, 0.46%, 0.24%

LAB 21.8, 27.9, 0.75

 

CMYK 0 / 63 / 60 / 65

HEX #592124

RGB 89 33 36

HSL 356.79, 0.46%, 0.24%

LAB 21.35, 26.12, 11.19

 

CMYK 0 / 63 / 63 / 65

HEX #592121

RGB 89 33 33

HSL 0, 0.46%, 0.24%

LAB 21.29, 25.85, 13.16

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 0 / 63 / 8 / 65

HEX #592152

RGB 89 33 82

HSL 307.5, 0.46%, 0.24%

LAB 23.07, 32.73, -17.76

 

CMYK 9 / 63 / 0 / 65

HEX #512159

RGB 81 33 89

HSL 291.43, 0.46%, 0.24%

LAB 22.15, 31.72, -23.96

 

CMYK 27 / 63 / 0 / 65

HEX #412159

RGB 65 33 89

HSL 274.29, 0.46%, 0.24%

LAB 19.77, 27.05, -27.89

 

CMYK 44 / 63 / 0 / 65

HEX #322159

RGB 50 33 89

HSL 258.21, 0.46%, 0.24%

LAB 17.86, 22.93, -31.06

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 0 / 77 / 30 / 61

HEX #631745

RGB 99 23 69

HSL 323.68, 0.62%, 0.24%

LAB 22.64, 38.21, -9.49

 

CMYK 0 / 88 / 35 / 57

HEX #6D0D47

RGB 109 13 71

HSL 323.75, 0.79%, 0.24%

LAB 23.65, 44.38, -9.12

 

CMYK 0 / 97 / 39 / 53

HEX #770349

RGB 119 3 73

HSL 323.79, 0.95%, 0.24%

LAB 25.16, 49.14, -7.99

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 0 / 47 / 18 / 69

HEX #4F2A41

RGB 79 42 65

HSL 322.7, 0.31%, 0.24%

LAB 22.65, 20.82, -7.07

 

CMYK 0 / 25 / 10 / 73

HEX #45343E

RGB 69 52 62

HSL 324.71, 0.14%, 0.24%

LAB 23.9, 9.6, -3.32

 

CMYK 5 / 0 / 3 / 76

HEX #3B3E3C

RGB 59 62 60

HSL 140, 0.02%, 0.24%

LAB 25.87, -1.72, 0.79

 

CMYK 32 / 0 / 19 / 72

HEX #31483A

RGB 49 72 58

HSL 143.48, 0.19%, 0.24%

LAB 28.36, -12.4, 5.57

 

CMYK 10 / 63 / 0 / 65

HEX #502159

RGB 80 33 89

HSL 290.36, 0.46%, 0.24%

LAB 22, 31.42, -24.21

 

CMYK 0 / 63 / 8 / 65

HEX #592152

RGB 89 33 82

HSL 307.5, 0.46%, 0.24%

LAB 23.07, 32.73, -17.76

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 0 / 63 / 42 / 65

HEX #592134

RGB 89 33 52

HSL 339.64, 0.46%, 0.24%

LAB 21.8, 27.9, 0.75

 

CMYK 0 / 63 / 58 / 65

HEX #592125

RGB 89 33 37

HSL 355.71, 0.46%, 0.24%

LAB 21.38, 26.21, 10.53

 

CMYK 0 / 66 / 28 / 89

HEX #1D0A15

RGB 29 10 21

HSL 325.26, 0.49%, 0.08%

LAB 4.81, 10.02, -2.76

 

CMYK 0 / 64 / 25 / 77

HEX #3B152C

RGB 59 21 44

HSL 323.68, 0.48%, 0.16%

LAB 13.52, 21.98, -6.46

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 0 / 63 / 25 / 53

HEX #772C59

RGB 119 44 89

HSL 324, 0.46%, 0.32%

LAB 30.51, 38.01, -10.5

 

CMYK 0 / 63 / 25 / 42

HEX #953770

RGB 149 55 112

HSL 323.62, 0.46%, 0.4%

LAB 38.36, 45.65, -12.76

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 0 / 27 / 63 / 65

HEX #594121

RGB 89 65 33

HSL 34.29, 0.46%, 0.24%

LAB 29.45, 6.29, 23.33

 

CMYK 63 / 0 / 1 / 65

HEX #215958

RGB 33 89 88

HSL 178.93, 0.46%, 0.24%

LAB 34.34, -18.33, -4.91

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 25 / 0 / 63 / 65

HEX #435921

RGB 67 89 33

HSL 83.57, 0.46%, 0.24%

LAB 34.9, -18.53, 29.11

 

CMYK 63 / 25 / 0 / 65

HEX #214359

RGB 33 67 89

HSL 203.57, 0.46%, 0.24%

LAB 26.9, -4.88, -16.85

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 0 / 27 / 63 / 65

HEX #594121

RGB 89 65 33

HSL 34.29, 0.46%, 0.24%

LAB 29.45, 6.29, 23.33

 

CMYK 63 / 0 / 39 / 65

HEX #215936

RGB 33 89 54

HSL 142.5, 0.46%, 0.24%

LAB 33.42, -27.38, 14.92

 

CMYK 63 / 37 / 0 / 65

HEX #213859

RGB 33 56 89

HSL 215.36, 0.46%, 0.24%

LAB 23.25, 2.47, -22.56

 

CMYK 0 / 63 / 25 / 65

HEX #592143

RGB 89 33 67

HSL 323.57, 0.46%, 0.24%

LAB 22.36, 30.09, -8.72

 

CMYK 0 / 8 / 63 / 65

HEX #595221

RGB 89 82 33

HSL 52.5, 0.46%, 0.24%

LAB 34.54, -4.21, 29.21

 

CMYK 63 / 0 / 39 / 65

HEX #215936

RGB 33 89 54

HSL 142.5, 0.46%, 0.24%

LAB 33.42, -27.38, 14.92

 

CMYK 63 / 56 / 0 / 65

HEX #212759

RGB 33 39 89

HSL 233.57, 0.46%, 0.24%

LAB 17.9, 14.59, -31.08

 

Description

Color code: HEX #592143 | qconv.com Color code: HEX #592143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 33 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 33 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 25 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 25% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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