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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59279E it is the complementary color #A6D861. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59279E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59279E shade: #5E2799, #6F39AC, #804BBF, #915DD2 and #A26FE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59279E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59279E shade: #59279E, #48158B, #370378, #260065 and #150052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59279E shade: #59279F, #7A279F, #9A279F, #9F2783 and #9F2763

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59279E shade: #59279F, #39279F and #27279F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59279E shade matches the following richer shades: #59279F, #5717AF and #5407BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59279E shade: #59279F, #5C378F, #5F477E, #61586E and #64685E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59279E shade: #27359F, #39279F, #59279F, #79279F and #99279F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59279E shade: #34175D, #471F7E, #59279F, #6C30C0 and #8148D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59279E shade: #59279E, #9F2755 and #279F29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59279E shade: #59279E, #9F5927 and #279F59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59279E shade: #59279E, #9F2755, #6D9F27 and #279F71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59279E shade: #59279E, #9F2731, #6D9F27 and #279F95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 75 / 0 / 38

HEX #59279E

RGB 89 39 158

HSL 265.21, 0.6%, 0.39%

LAB 29.52, 47.57, -55.77

 

Complementary color

CMYK 23 / 0 / 55 / 15

HEX #A6D861

RGB 166 216 97

HSL 85.21, 0.6%, 0.61%

LAB 80.78, -35.01, 52.65

 

CMYK 39 / 75 / 0 / 40

HEX #5E2799

RGB 94 39 153

HSL 268.95, 0.59%, 0.38%

LAB 29.74, 47.18, -52.34

 

CMYK 35 / 67 / 0 / 33

HEX #6F39AC

RGB 111 57 172

HSL 268.17, 0.5%, 0.45%

LAB 36.53, 46.56, -52.69

 

CMYK 33 / 61 / 0 / 25

HEX #804BBF

RGB 128 75 191

HSL 267.41, 0.48%, 0.52%

LAB 43.33, 45.66, -52.79

 

CMYK 31 / 56 / 0 / 18

HEX #915DD2

RGB 145 93 210

HSL 266.67, 0.57%, 0.59%

LAB 50.1, 44.68, -52.79

 

CMYK 29 / 52 / 0 / 10

HEX #A26FE5

RGB 162 111 229

HSL 265.93, 0.69%, 0.67%

LAB 56.79, 43.7, -52.74

 

CMYK 44 / 75 / 0 / 38

HEX #59279E

RGB 89 39 158

HSL 265.21, 0.6%, 0.39%

LAB 29.52, 47.57, -55.77

 

CMYK 48 / 85 / 0 / 45

HEX #48158B

RGB 72 21 139

HSL 265.93, 0.74%, 0.31%

LAB 22.92, 47.64, -54.96

 

CMYK 54 / 98 / 0 / 53

HEX #370378

RGB 55 3 120

HSL 266.67, 0.95%, 0.24%

LAB 16.67, 46.52, -53.31

 

CMYK 62 / 100 / 0 / 60

HEX #260065

RGB 38 0 101

HSL 262.57, 1%, 0.2%

LAB 11.63, 41.47, -49.32

 

CMYK 74 / 100 / 0 / 68

HEX #150052

RGB 21 0 82

HSL 255.37, 1%, 0.16%

LAB 6.94, 35.17, -44.33

 

CMYK 44 / 75 / 0 / 38

HEX #59279F

RGB 89 39 159

HSL 265, 0.61%, 0.39%

LAB 29.61, 47.83, -56.23

 

CMYK 23 / 75 / 0 / 38

HEX #7A279F

RGB 122 39 159

HSL 281.5, 0.61%, 0.39%

LAB 34.17, 53.99, -48.61

 

CMYK 3 / 75 / 0 / 38

HEX #9A279F

RGB 154 39 159

HSL 297.5, 0.61%, 0.39%

LAB 39.28, 60.64, -40.13

 

CMYK 0 / 75 / 18 / 38

HEX #9F2783

RGB 159 39 131

HSL 314, 0.61%, 0.39%

LAB 38.66, 57.38, -23.98

 

CMYK 0 / 75 / 38 / 38

HEX #9F2763

RGB 159 39 99

HSL 330, 0.61%, 0.39%

LAB 37.34, 53.31, -5.93

 

CMYK 44 / 75 / 0 / 38

HEX #59279F

RGB 89 39 159

HSL 265, 0.61%, 0.39%

LAB 29.61, 47.83, -56.23

 

CMYK 64 / 75 / 0 / 38

HEX #39279F

RGB 57 39 159

HSL 249, 0.61%, 0.39%

LAB 26.23, 43.07, -61.91

 

CMYK 75 / 75 / 0 / 38

HEX #27279F

RGB 39 39 159

HSL 240, 0.61%, 0.39%

LAB 24.91, 41.14, -64.13

 

CMYK 44 / 75 / 0 / 38

HEX #59279F

RGB 89 39 159

HSL 265, 0.61%, 0.39%

LAB 29.61, 47.83, -56.23

 

CMYK 50 / 87 / 0 / 31

HEX #5717AF

RGB 87 23 175

HSL 265.26, 0.77%, 0.39%

LAB 28.73, 57.85, -67.34

 

CMYK 56 / 96 / 0 / 25

HEX #5407BF

RGB 84 7 191

HSL 265.11, 0.93%, 0.39%

LAB 28.9, 64.99, -76.6

 

CMYK 44 / 75 / 0 / 38

HEX #59279F

RGB 89 39 159

HSL 265, 0.61%, 0.39%

LAB 29.61, 47.83, -56.23

 

CMYK 36 / 62 / 0 / 44

HEX #5C378F

RGB 92 55 143

HSL 265.23, 0.44%, 0.39%

LAB 31.79, 35.74, -42.9

 

CMYK 25 / 44 / 0 / 51

HEX #5F477E

RGB 95 71 126

HSL 266.18, 0.28%, 0.39%

LAB 34.89, 22.34, -27.44

 

CMYK 12 / 20 / 0 / 57

HEX #61586E

RGB 97 88 110

HSL 264.55, 0.11%, 0.39%

LAB 38.98, 8.4, -11.22

 

CMYK 4 / 0 / 10 / 59

HEX #64685E

RGB 100 104 94

HSL 84, 0.05%, 0.39%

LAB 43.39, -3.58, 5.1

 

CMYK 75 / 67 / 0 / 38

HEX #27359F

RGB 39 53 159

HSL 233, 0.61%, 0.39%

LAB 28.06, 32.51, -58.94

 

CMYK 64 / 75 / 0 / 38

HEX #39279F

RGB 57 39 159

HSL 249, 0.61%, 0.39%

LAB 26.23, 43.07, -61.91

 

CMYK 44 / 75 / 0 / 38

HEX #59279F

RGB 89 39 159

HSL 265, 0.61%, 0.39%

LAB 29.61, 47.83, -56.23

 

CMYK 24 / 75 / 0 / 38

HEX #79279F

RGB 121 39 159

HSL 281, 0.61%, 0.39%

LAB 34.02, 53.8, -48.86

 

CMYK 4 / 75 / 0 / 38

HEX #99279F

RGB 153 39 159

HSL 297, 0.61%, 0.39%

LAB 39.12, 60.42, -40.41

 

CMYK 44 / 75 / 0 / 64

HEX #34175D

RGB 52 23 93

HSL 264.86, 0.6%, 0.23%

LAB 16.17, 30.76, -36.46

 

CMYK 44 / 75 / 0 / 51

HEX #471F7E

RGB 71 31 126

HSL 265.26, 0.61%, 0.31%

LAB 23.09, 39.64, -46.52

 

CMYK 44 / 75 / 0 / 38

HEX #59279F

RGB 89 39 159

HSL 265, 0.61%, 0.39%

LAB 29.61, 47.83, -56.23

 

CMYK 44 / 75 / 0 / 25

HEX #6C30C0

RGB 108 48 192

HSL 265, 0.6%, 0.47%

LAB 36.19, 55.4, -65.08

 

CMYK 38 / 66 / 0 / 18

HEX #8148D1

RGB 129 72 209

HSL 264.96, 0.6%, 0.55%

LAB 44.1, 51.99, -61.98

 

CMYK 44 / 75 / 0 / 38

HEX #59279E

RGB 89 39 158

HSL 265.21, 0.6%, 0.39%

LAB 29.52, 47.57, -55.77

 

CMYK 0 / 75 / 47 / 38

HEX #9F2755

RGB 159 39 85

HSL 337, 0.61%, 0.39%

LAB 36.89, 51.87, 2.34

 

CMYK 75 / 0 / 74 / 38

HEX #279F29

RGB 39 159 41

HSL 121, 0.61%, 0.39%

LAB 57.45, -54.86, 49.37

 

CMYK 44 / 75 / 0 / 38

HEX #59279E

RGB 89 39 158

HSL 265.21, 0.6%, 0.39%

LAB 29.52, 47.57, -55.77

 

CMYK 0 / 44 / 75 / 38

HEX #9F5927

RGB 159 89 39

HSL 25, 0.61%, 0.39%

LAB 45.17, 24.73, 40.17

 

CMYK 75 / 0 / 44 / 38

HEX #279F59

RGB 39 159 89

HSL 145, 0.61%, 0.39%

LAB 57.99, -48.49, 27.43

 

CMYK 44 / 75 / 0 / 38

HEX #59279E

RGB 89 39 158

HSL 265.21, 0.6%, 0.39%

LAB 29.52, 47.57, -55.77

 

CMYK 0 / 75 / 47 / 38

HEX #9F2755

RGB 159 39 85

HSL 337, 0.61%, 0.39%

LAB 36.89, 51.87, 2.34

 

CMYK 31 / 0 / 75 / 38

HEX #6D9F27

RGB 109 159 39

HSL 85, 0.61%, 0.39%

LAB 60.06, -35.14, 53.56

 

CMYK 75 / 0 / 29 / 38

HEX #279F71

RGB 39 159 113

HSL 157, 0.61%, 0.39%

LAB 58.43, -43.52, 14.9

 

CMYK 44 / 75 / 0 / 38

HEX #59279E

RGB 89 39 158

HSL 265.21, 0.6%, 0.39%

LAB 29.52, 47.57, -55.77

 

CMYK 0 / 75 / 69 / 38

HEX #9F2731

RGB 159 39 49

HSL 355, 0.61%, 0.39%

LAB 36.07, 49.2, 24.24

 

CMYK 31 / 0 / 75 / 38

HEX #6D9F27

RGB 109 159 39

HSL 85, 0.61%, 0.39%

LAB 60.06, -35.14, 53.56

 

CMYK 75 / 0 / 6 / 38

HEX #279F95

RGB 39 159 149

HSL 175, 0.61%, 0.39%

LAB 59.34, -34.15, -4.09

 

Description

Color code: HEX #59279E | qconv.com Color code: HEX #59279E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 39 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 39 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 75 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 75% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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