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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #591E7D it is the complementary color #A6E182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #591E7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #591E7D shade: #5E1E78, #6F308B, #80429E, #9154B1 and #A266C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #591E7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #591E7D shade: #591E7D, #480C6A, #370057, #260044 and #150031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #591E7D shade: #571D7B, #701D7B, #7B1D6C, #7B1D53 and #7B1D39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #591E7D shade: #571D7B, #3E1D7B, #251D7B and #1D1D7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #591E7D shade matches the following richer shades: #571D7B, #5A1187 and #5D0593

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #591E7D shade: #571D7B, #542A6E, #513662, #4E4256 and #4B4F49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #591E7D shade: #251D7B, #3E1D7B, #571D7B, #701D7B and #7B1D6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #591E7D shade: #280D38, #401559, #571D7B, #6F259C and #872DBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #591E7D shade: #591E7D, #7B1D2E and #1D7B32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #591E7D shade: #591E7D, #7B571D and #1D7B57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #591E7D shade: #591E7D, #7B1D2E, #417B1D and #1D7B6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #591E7D shade: #591E7D, #7B281D, #417B1D and #1D707B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 76 / 0 / 51

HEX #591E7D

RGB 89 30 125

HSL 277.26, 0.61%, 0.3%

LAB 25.36, 43.42, -42.07

 

Complementary color

CMYK 26 / 0 / 42 / 12

HEX #A6E182

RGB 166 225 130

HSL 97.26, 0.61%, 0.7%

LAB 83.74, -35.43, 40.5

 

CMYK 22 / 75 / 0 / 53

HEX #5E1E78

RGB 94 30 120

HSL 282.67, 0.6%, 0.29%

LAB 25.76, 43.35, -38.22

 

CMYK 20 / 65 / 0 / 45

HEX #6F308B

RGB 111 48 139

HSL 281.54, 0.49%, 0.37%

LAB 32.61, 43.2, -38.99

 

CMYK 19 / 58 / 0 / 38

HEX #80429E

RGB 128 66 158

HSL 280.43, 0.41%, 0.44%

LAB 39.5, 42.6, -39.41

 

CMYK 18 / 53 / 0 / 31

HEX #9154B1

RGB 145 84 177

HSL 279.35, 0.37%, 0.51%

LAB 46.36, 41.81, -39.67

 

CMYK 17 / 48 / 0 / 23

HEX #A266C4

RGB 162 102 196

HSL 278.3, 0.44%, 0.58%

LAB 53.13, 40.98, -39.84

 

CMYK 29 / 76 / 0 / 51

HEX #591E7D

RGB 89 30 125

HSL 277.26, 0.61%, 0.3%

LAB 25.36, 43.42, -42.07

 

CMYK 32 / 89 / 0 / 58

HEX #480C6A

RGB 72 12 106

HSL 278.3, 0.8%, 0.23%

LAB 18.72, 42.63, -40.77

 

CMYK 37 / 100 / 0 / 66

HEX #370057

RGB 55 0 87

HSL 277.93, 1%, 0.17%

LAB 12.61, 39.73, -38.22

 

CMYK 44 / 100 / 0 / 73

HEX #260044

RGB 38 0 68

HSL 273.53, 1%, 0.13%

LAB 7.49, 33.06, -33.57

 

CMYK 57 / 100 / 0 / 81

HEX #150031

RGB 21 0 49

HSL 265.71, 1%, 0.1%

LAB 3.44, 20.53, -26.44

 

CMYK 29 / 76 / 0 / 52

HEX #571D7B

RGB 87 29 123

HSL 277.02, 0.62%, 0.3%

LAB 24.75, 42.98, -41.81

 

CMYK 9 / 76 / 0 / 52

HEX #701D7B

RGB 112 29 123

HSL 292.98, 0.62%, 0.3%

LAB 28.78, 48.38, -35.11

 

CMYK 0 / 76 / 12 / 52

HEX #7B1D6C

RGB 123 29 108

HSL 309.57, 0.62%, 0.3%

LAB 29.84, 48.36, -23.75

 

CMYK 0 / 76 / 33 / 52

HEX #7B1D53

RGB 123 29 83

HSL 325.53, 0.62%, 0.3%

LAB 28.68, 44.78, -9.27

 

CMYK 0 / 76 / 54 / 52

HEX #7B1D39

RGB 123 29 57

HSL 342.13, 0.62%, 0.3%

LAB 27.8, 41.97, 6.8

 

CMYK 29 / 76 / 0 / 52

HEX #571D7B

RGB 87 29 123

HSL 277.02, 0.62%, 0.3%

LAB 24.75, 42.98, -41.81

 

CMYK 50 / 76 / 0 / 52

HEX #3E1D7B

RGB 62 29 123

HSL 261.06, 0.62%, 0.3%

LAB 21.33, 38.19, -47.53

 

CMYK 70 / 76 / 0 / 52

HEX #251D7B

RGB 37 29 123

HSL 245.11, 0.62%, 0.3%

LAB 18.81, 34.49, -51.76

 

CMYK 76 / 76 / 0 / 52

HEX #1D1D7B

RGB 29 29 123

HSL 240, 0.62%, 0.3%

LAB 18.23, 33.61, -52.73

 

CMYK 29 / 76 / 0 / 52

HEX #571D7B

RGB 87 29 123

HSL 277.02, 0.62%, 0.3%

LAB 24.75, 42.98, -41.81

 

CMYK 33 / 87 / 0 / 47

HEX #5A1187

RGB 90 17 135

HSL 277.12, 0.78%, 0.3%

LAB 24.71, 50.62, -49.42

 

CMYK 37 / 97 / 0 / 42

HEX #5D0593

RGB 93 5 147

HSL 277.18, 0.93%, 0.3%

LAB 25.39, 56.34, -55.77

 

CMYK 29 / 76 / 0 / 52

HEX #571D7B

RGB 87 29 123

HSL 277.02, 0.62%, 0.3%

LAB 24.75, 42.98, -41.81

 

CMYK 24 / 62 / 0 / 57

HEX #542A6E

RGB 84 42 110

HSL 277.06, 0.45%, 0.3%

LAB 25.76, 32.51, -31.9

 

CMYK 17 / 45 / 0 / 62

HEX #513662

RGB 81 54 98

HSL 276.82, 0.29%, 0.3%

LAB 27.49, 21.3, -21.46

 

CMYK 9 / 23 / 0 / 66

HEX #4E4256

RGB 78 66 86

HSL 276, 0.13%, 0.3%

LAB 29.88, 9.49, -10.04

 

CMYK 5 / 0 / 8 / 69

HEX #4B4F49

RGB 75 79 73

HSL 100, 0.04%, 0.3%

LAB 33.07, -2.92, 2.98

 

CMYK 70 / 76 / 0 / 52

HEX #251D7B

RGB 37 29 123

HSL 245.11, 0.62%, 0.3%

LAB 18.81, 34.49, -51.76

 

CMYK 50 / 76 / 0 / 52

HEX #3E1D7B

RGB 62 29 123

HSL 261.06, 0.62%, 0.3%

LAB 21.33, 38.19, -47.53

 

CMYK 29 / 76 / 0 / 52

HEX #571D7B

RGB 87 29 123

HSL 277.02, 0.62%, 0.3%

LAB 24.75, 42.98, -41.81

 

CMYK 9 / 76 / 0 / 52

HEX #701D7B

RGB 112 29 123

HSL 292.98, 0.62%, 0.3%

LAB 28.78, 48.38, -35.11

 

CMYK 0 / 76 / 11 / 52

HEX #7B1D6D

RGB 123 29 109

HSL 308.94, 0.62%, 0.3%

LAB 29.9, 48.52, -24.31

 

CMYK 29 / 77 / 0 / 78

HEX #280D38

RGB 40 13 56

HSL 277.67, 0.62%, 0.14%

LAB 9.19, 23, -22.19

 

CMYK 28 / 76 / 0 / 65

HEX #401559

RGB 64 21 89

HSL 277.94, 0.62%, 0.22%

LAB 17.21, 33.4, -32.01

 

CMYK 29 / 76 / 0 / 52

HEX #571D7B

RGB 87 29 123

HSL 277.02, 0.62%, 0.3%

LAB 24.75, 42.98, -41.81

 

CMYK 29 / 76 / 0 / 39

HEX #6F259C

RGB 111 37 156

HSL 277.31, 0.62%, 0.38%

LAB 32.04, 51.98, -50.32

 

CMYK 29 / 76 / 0 / 26

HEX #872DBD

RGB 135 45 189

HSL 277.5, 0.62%, 0.46%

LAB 39.07, 60.58, -58.47

 

CMYK 29 / 76 / 0 / 51

HEX #591E7D

RGB 89 30 125

HSL 277.26, 0.61%, 0.3%

LAB 25.36, 43.42, -42.07

 

CMYK 0 / 76 / 63 / 52

HEX #7B1D2E

RGB 123 29 46

HSL 349.15, 0.62%, 0.3%

LAB 27.54, 41.09, 13.83

 

CMYK 76 / 0 / 59 / 52

HEX #1D7B32

RGB 29 123 50

HSL 133.4, 0.62%, 0.3%

LAB 45.16, -43, 31.9

 

CMYK 29 / 76 / 0 / 51

HEX #591E7D

RGB 89 30 125

HSL 277.26, 0.61%, 0.3%

LAB 25.36, 43.42, -42.07

 

CMYK 0 / 29 / 76 / 52

HEX #7B571D

RGB 123 87 29

HSL 37.02, 0.62%, 0.3%

LAB 39.78, 9.01, 37.94

 

CMYK 76 / 0 / 29 / 52

HEX #1D7B57

RGB 29 123 87

HSL 157.02, 0.62%, 0.3%

LAB 45.79, -35.86, 12.15

 

CMYK 29 / 76 / 0 / 51

HEX #591E7D

RGB 89 30 125

HSL 277.26, 0.61%, 0.3%

LAB 25.36, 43.42, -42.07

 

CMYK 0 / 76 / 63 / 52

HEX #7B1D2E

RGB 123 29 46

HSL 349.15, 0.62%, 0.3%

LAB 27.54, 41.09, 13.83

 

CMYK 47 / 0 / 76 / 52

HEX #417B1D

RGB 65 123 29

HSL 97.02, 0.62%, 0.3%

LAB 46.15, -35.96, 42.78

 

CMYK 76 / 0 / 14 / 52

HEX #1D7B6A

RGB 29 123 106

HSL 169.15, 0.62%, 0.3%

LAB 46.27, -30.86, 1.63

 

CMYK 29 / 76 / 0 / 51

HEX #591E7D

RGB 89 30 125

HSL 277.26, 0.61%, 0.3%

LAB 25.36, 43.42, -42.07

 

CMYK 0 / 67 / 76 / 52

HEX #7B281D

RGB 123 40 29

HSL 7.02, 0.62%, 0.3%

LAB 28.95, 35.41, 26.52

 

CMYK 47 / 0 / 76 / 52

HEX #417B1D

RGB 65 123 29

HSL 97.02, 0.62%, 0.3%

LAB 46.15, -35.96, 42.78

 

CMYK 76 / 9 / 0 / 52

HEX #1D707B

RGB 29 112 123

HSL 187.02, 0.62%, 0.3%

LAB 43.18, -20.03, -13.11

 

Description

Color code: HEX #591E7D | qconv.com Color code: HEX #591E7D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 30 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 30 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 76 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 76% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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