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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #590395 it is the complementary color #A6FC6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #590395. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #590395 shade: #5E0390, #6F15A3, #8027B6, #9139C9 and #A24BDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #590395. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #590395 shade: #590395, #480082, #37006F, #26005C and #150049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #590395 shade: #590395, #810395, #950383, #95035B and #950333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #590395 shade: #590395, #310395, #0A0395 and #030395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #590395 shade matches the following richer shades: #590395

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #590395 shade: #590395, #570F89, #551B7D, #522870 and #503464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #590395 shade: #0A0395, #310395, #580395, #7F0395 and #950384

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #590395 shade: #290145, #41026D, #590395, #7103BE and #8904E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #590395 shade: #590395, #950322 and #03951D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #590395 shade: #590395, #955803 and #039558

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #590395 shade: #590395, #950322, #409503 and #039576

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #590395 shade: #590395, #950F03, #409503 and #038995

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

Complementary color

CMYK 34 / 0 / 58 / 1

HEX #A6FC6A

RGB 166 252 106

HSL 95.34, 0.96%, 0.7%

LAB 91.13, -49.86, 60.56

 

CMYK 35 / 98 / 0 / 44

HEX #5E0390

RGB 94 3 144

HSL 278.72, 0.96%, 0.29%

LAB 25.13, 56.22, -54.32

 

CMYK 32 / 87 / 0 / 36

HEX #6F15A3

RGB 111 21 163

HSL 278.03, 0.77%, 0.36%

LAB 30.78, 58.8, -56.61

 

CMYK 30 / 79 / 0 / 29

HEX #8027B6

RGB 128 39 182

HSL 277.34, 0.65%, 0.43%

LAB 36.78, 60.03, -58.12

 

CMYK 28 / 72 / 0 / 21

HEX #9139C9

RGB 145 57 201

HSL 276.67, 0.57%, 0.51%

LAB 43.01, 60.29, -59.03

 

CMYK 26 / 66 / 0 / 14

HEX #A24BDC

RGB 162 75 220

HSL 276, 0.67%, 0.58%

LAB 49.35, 60.01, -59.58

 

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

CMYK 45 / 100 / 0 / 49

HEX #480082

RGB 72 0 130

HSL 273.23, 1%, 0.25%

LAB 20, 51.38, -54.11

 

CMYK 50 / 100 / 0 / 56

HEX #37006F

RGB 55 0 111

HSL 269.73, 1%, 0.22%

LAB 15.28, 45.33, -49.79

 

CMYK 59 / 100 / 0 / 64

HEX #26005C

RGB 38 0 92

HSL 264.78, 1%, 0.18%

LAB 10.44, 39.16, -45.27

 

CMYK 71 / 100 / 0 / 71

HEX #150049

RGB 21 0 73

HSL 257.26, 1%, 0.14%

LAB 5.79, 31.84, -39.99

 

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

CMYK 13 / 98 / 0 / 42

HEX #810395

RGB 129 3 149

HSL 291.78, 0.96%, 0.3%

LAB 31.58, 62.13, -46.64

 

CMYK 0 / 98 / 12 / 42

HEX #950383

RGB 149 3 131

HSL 307.4, 0.96%, 0.3%

LAB 34.18, 62.78, -31.14

 

CMYK 0 / 98 / 39 / 42

HEX #95035B

RGB 149 3 91

HSL 323.84, 0.96%, 0.3%

LAB 32.28, 57.92, -8.57

 

CMYK 0 / 98 / 66 / 42

HEX #950333

RGB 149 3 51

HSL 340.27, 0.96%, 0.3%

LAB 31.1, 54.76, 16.21

 

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

CMYK 67 / 98 / 0 / 42

HEX #310395

RGB 49 3 149

HSL 258.9, 0.96%, 0.3%

LAB 19.59, 53.39, -66.78

 

CMYK 93 / 98 / 0 / 42

HEX #0A0395

RGB 10 3 149

HSL 242.88, 0.96%, 0.3%

LAB 16.99, 52.17, -71.19

 

CMYK 98 / 98 / 0 / 42

HEX #030395

RGB 3 3 149

HSL 240, 0.96%, 0.3%

LAB 16.77, 52.09, -71.56

 

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

CMYK 36 / 89 / 0 / 46

HEX #570F89

RGB 87 15 137

HSL 275.41, 0.8%, 0.3%

LAB 24.24, 51.17, -51.47

 

CMYK 32 / 78 / 0 / 51

HEX #551B7D

RGB 85 27 125

HSL 275.51, 0.64%, 0.3%

LAB 24.31, 43.91, -43.81

 

CMYK 27 / 64 / 0 / 56

HEX #522870

RGB 82 40 112

HSL 275, 0.47%, 0.3%

LAB 25.2, 33.6, -34.1

 

CMYK 20 / 48 / 0 / 61

HEX #503464

RGB 80 52 100

HSL 275, 0.32%, 0.3%

LAB 26.97, 22.74, -23.58

 

CMYK 93 / 98 / 0 / 42

HEX #0A0395

RGB 10 3 149

HSL 242.88, 0.96%, 0.3%

LAB 16.99, 52.17, -71.19

 

CMYK 67 / 98 / 0 / 42

HEX #310395

RGB 49 3 149

HSL 258.9, 0.96%, 0.3%

LAB 19.59, 53.39, -66.78

 

CMYK 41 / 98 / 0 / 42

HEX #580395

RGB 88 3 149

HSL 274.93, 0.96%, 0.3%

LAB 24.67, 56.59, -58.21

 

CMYK 15 / 98 / 0 / 42

HEX #7F0395

RGB 127 3 149

HSL 290.96, 0.96%, 0.3%

LAB 31.22, 61.82, -47.24

 

CMYK 0 / 98 / 11 / 42

HEX #950384

RGB 149 3 132

HSL 306.99, 0.96%, 0.3%

LAB 34.23, 62.92, -31.67

 

CMYK 41 / 99 / 0 / 73

HEX #290145

RGB 41 1 69

HSL 275.29, 0.97%, 0.14%

LAB 8.33, 33.15, -32.88

 

CMYK 40 / 98 / 0 / 57

HEX #41026D

RGB 65 2 109

HSL 275.33, 0.96%, 0.22%

LAB 16.85, 45.27, -45.83

 

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

CMYK 41 / 98 / 0 / 25

HEX #7103BE

RGB 113 3 190

HSL 275.29, 0.97%, 0.38%

LAB 32.47, 67.96, -69.99

 

CMYK 40 / 98 / 0 / 10

HEX #8904E6

RGB 137 4 230

HSL 275.31, 0.97%, 0.46%

LAB 39.78, 78.4, -81.01

 

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

CMYK 0 / 98 / 77 / 42

HEX #950322

RGB 149 3 34

HSL 347.26, 0.96%, 0.3%

LAB 30.81, 53.97, 26.97

 

CMYK 98 / 0 / 81 / 42

HEX #03951D

RGB 3 149 29

HSL 130.68, 0.96%, 0.3%

LAB 53.6, -56.3, 49.59

 

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

CMYK 0 / 41 / 98 / 42

HEX #955803

RGB 149 88 3

HSL 34.93, 0.96%, 0.3%

LAB 43.32, 19.8, 51.05

 

CMYK 98 / 0 / 41 / 42

HEX #039558

RGB 3 149 88

HSL 154.93, 0.96%, 0.3%

LAB 54.26, -48.25, 23.01

 

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

CMYK 0 / 98 / 77 / 42

HEX #950322

RGB 149 3 34

HSL 347.26, 0.96%, 0.3%

LAB 30.81, 53.97, 26.97

 

CMYK 57 / 0 / 98 / 42

HEX #409503

RGB 64 149 3

HSL 94.93, 0.96%, 0.3%

LAB 54.65, -47.71, 56.63

 

CMYK 98 / 0 / 21 / 42

HEX #039576

RGB 3 149 118

HSL 167.26, 0.96%, 0.3%

LAB 54.89, -41.15, 7.03

 

CMYK 40 / 98 / 0 / 42

HEX #590395

RGB 89 3 149

HSL 275.34, 0.96%, 0.3%

LAB 24.82, 56.7, -57.95

 

CMYK 0 / 90 / 98 / 42

HEX #950F03

RGB 149 15 3

HSL 4.93, 0.96%, 0.3%

LAB 31.2, 51.36, 43.45

 

CMYK 57 / 0 / 98 / 42

HEX #409503

RGB 64 149 3

HSL 94.93, 0.96%, 0.3%

LAB 54.65, -47.71, 56.63

 

CMYK 98 / 8 / 0 / 42

HEX #038995

RGB 3 137 149

HSL 184.93, 0.96%, 0.3%

LAB 51.93, -26.19, -15.23

 

Description

Color code: HEX #590395 | qconv.com Color code: HEX #590395 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 3 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 3 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 98 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 98% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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