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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58FD9F it is the complementary color #A70260. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58FD9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58FD9F shade: #5DFD9A, #6EFFAD, #7FFFC0, #90FFD3 and #A1FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58FD9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58FD9F shade: #58FD9F, #47EB8C, #36D979, #25C766 and #14B553

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58FD9F shade: #58FD9F, #58FD72, #6AFD58, #96FD58 and #C3FD58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58FD9F shade: #58FD9F, #58FDCB, #58FDF8, #58D5FD and #58A9FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58FD9F shade matches the following richer shades: #58FD9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58FD9F shade: #58FD9F, #65EFA1, #73E2A3, #81D4A5 and #8EC6A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58FD9F shade: #6BFD58, #58FD71, #58FD9D, #58FDC9 and #58FDF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58FD9F shade: #06FC70, #2FFC87, #58FD9F, #81FDB6 and #AAFECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58FD9F shade: #58FD9F, #5897FD and #FD5B58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58FD9F shade: #58FD9F, #9D58FD and #FD9D58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58FD9F shade: #58FD9F, #5897FD, #FD58B8 and #FDBE58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58FD9F shade: #58FD9F, #5866FD, #FD58B8 and #FDEF58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

Complementary color

CMYK 0 / 99 / 43 / 35

HEX #A70260

RGB 167 2 96

HSL 325.82, 0.98%, 0.33%

LAB 36.18, 62.57, -5.57

 

CMYK 63 / 0 / 39 / 1

HEX #5DFD9A

RGB 93 253 154

HSL 142.88, 0.98%, 0.68%

LAB 89.35, -63.04, 35.32

 

CMYK 57 / 0 / 32 / 0

HEX #6EFFAD

RGB 110 255 173

HSL 146.07, 1%, 0.72%

LAB 90.71, -57.06, 27.72

 

CMYK 50 / 0 / 25 / 0

HEX #7FFFC0

RGB 127 255 192

HSL 150.47, 1%, 0.75%

LAB 91.61, -49.66, 19.38

 

CMYK 44 / 0 / 17 / 0

HEX #90FFD3

RGB 144 255 211

HSL 156.22, 1%, 0.78%

LAB 92.64, -41.72, 11.18

 

CMYK 37 / 0 / 10 / 0

HEX #A1FFE6

RGB 161 255 230

HSL 164.04, 1%, 0.82%

LAB 93.8, -33.35, 3.14

 

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

CMYK 70 / 0 / 40 / 8

HEX #47EB8C

RGB 71 235 140

HSL 145.24, 0.8%, 0.6%

LAB 83.26, -62.62, 34.19

 

CMYK 75 / 0 / 44 / 15

HEX #36D979

RGB 54 217 121

HSL 144.66, 0.68%, 0.53%

LAB 77.16, -61.91, 35.72

 

CMYK 81 / 0 / 49 / 22

HEX #25C766

RGB 37 199 102

HSL 144.07, 0.69%, 0.46%

LAB 71.01, -60.84, 37.33

 

CMYK 89 / 0 / 54 / 29

HEX #14B553

RGB 20 181 83

HSL 143.48, 0.8%, 0.39%

LAB 64.82, -59.26, 39.02

 

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

CMYK 65 / 0 / 55 / 1

HEX #58FD72

RGB 88 253 114

HSL 129.45, 0.98%, 0.67%

LAB 88.7, -69.91, 53.51

 

CMYK 58 / 0 / 65 / 1

HEX #6AFD58

RGB 106 253 88

HSL 113.45, 0.98%, 0.67%

LAB 88.93, -68.96, 64.88

 

CMYK 41 / 0 / 65 / 1

HEX #96FD58

RGB 150 253 88

HSL 97.45, 0.98%, 0.67%

LAB 90.52, -56.97, 67.07

 

CMYK 23 / 0 / 65 / 1

HEX #C3FD58

RGB 195 253 88

HSL 81.09, 0.98%, 0.67%

LAB 92.82, -41.59, 70.2

 

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

CMYK 65 / 0 / 20 / 1

HEX #58FDCB

RGB 88 253 203

HSL 161.82, 0.98%, 0.67%

LAB 90.15, -54.12, 11.52

 

CMYK 65 / 0 / 2 / 1

HEX #58FDF8

RGB 88 253 248

HSL 178.18, 0.98%, 0.67%

LAB 91.28, -43.02, -10.16

 

CMYK 65 / 16 / 0 / 1

HEX #58D5FD

RGB 88 213 253

HSL 194.55, 0.98%, 0.67%

LAB 80.04, -22.7, -29.77

 

CMYK 65 / 33 / 0 / 1

HEX #58A9FD

RGB 88 169 253

HSL 210.55, 0.98%, 0.67%

LAB 67.68, 0.87, -49.01

 

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

CMYK 58 / 0 / 33 / 6

HEX #65EFA1

RGB 101 239 161

HSL 146.09, 0.81%, 0.67%

LAB 85.54, -54.83, 26.74

 

CMYK 49 / 0 / 28 / 11

HEX #73E2A3

RGB 115 226 163

HSL 145.95, 0.66%, 0.67%

LAB 82.21, -45.89, 21.23

 

CMYK 39 / 0 / 22 / 17

HEX #81D4A5

RGB 129 212 165

HSL 146.02, 0.49%, 0.67%

LAB 78.74, -35.57, 15.43

 

CMYK 28 / 0 / 16 / 22

HEX #8EC6A6

RGB 142 198 166

HSL 145.71, 0.33%, 0.67%

LAB 75.38, -24.81, 10.26

 

CMYK 58 / 0 / 65 / 1

HEX #6BFD58

RGB 107 253 88

HSL 113.09, 0.98%, 0.67%

LAB 88.96, -68.73, 64.92

 

CMYK 65 / 0 / 55 / 1

HEX #58FD71

RGB 88 253 113

HSL 129.09, 0.98%, 0.67%

LAB 88.69, -70.04, 53.94

 

CMYK 65 / 0 / 38 / 1

HEX #58FD9D

RGB 88 253 157

HSL 145.09, 0.98%, 0.67%

LAB 89.28, -63.42, 33.72

 

CMYK 65 / 0 / 21 / 1

HEX #58FDC9

RGB 88 253 201

HSL 161.09, 0.98%, 0.67%

LAB 90.11, -54.58, 12.49

 

CMYK 65 / 0 / 3 / 1

HEX #58FDF5

RGB 88 253 245

HSL 177.09, 0.98%, 0.67%

LAB 91.2, -43.81, -8.73

 

CMYK 98 / 0 / 56 / 1

HEX #06FC70

RGB 6 252 112

HSL 145.85, 0.98%, 0.51%

LAB 87.4, -77.97, 52.62

 

CMYK 81 / 0 / 46 / 1

HEX #2FFC87

RGB 47 252 135

HSL 145.76, 0.97%, 0.59%

LAB 87.96, -72.29, 42.64

 

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

CMYK 49 / 0 / 28 / 1

HEX #81FDB6

RGB 129 253 182

HSL 145.65, 0.97%, 0.75%

LAB 90.91, -50.27, 23.53

 

CMYK 33 / 0 / 19 / 0

HEX #AAFECE

RGB 170 254 206

HSL 145.71, 0.98%, 0.83%

LAB 93.4, -35.24, 14.98

 

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

CMYK 65 / 40 / 0 / 1

HEX #5897FD

RGB 88 151 253

HSL 217.09, 0.98%, 0.67%

LAB 62.76, 11.3, -56.81

 

CMYK 0 / 64 / 65 / 1

HEX #FD5B58

RGB 253 91 88

HSL 1.09, 0.98%, 0.67%

LAB 60.84, 61.37, 35.5

 

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

CMYK 38 / 65 / 0 / 1

HEX #9D58FD

RGB 157 88 253

HSL 265.09, 0.98%, 0.67%

LAB 53.21, 60.48, -71.9

 

CMYK 0 / 38 / 65 / 1

HEX #FD9D58

RGB 253 157 88

HSL 25.09, 0.98%, 0.67%

LAB 73.35, 29.81, 50.32

 

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

CMYK 65 / 40 / 0 / 1

HEX #5897FD

RGB 88 151 253

HSL 217.09, 0.98%, 0.67%

LAB 62.76, 11.3, -56.81

 

CMYK 0 / 65 / 27 / 1

HEX #FD58B8

RGB 253 88 184

HSL 325.09, 0.98%, 0.67%

LAB 62.78, 71.07, -17.04

 

CMYK 0 / 25 / 65 / 1

HEX #FDBE58

RGB 253 190 88

HSL 37.09, 0.98%, 0.67%

LAB 80.97, 12.57, 58.84

 

CMYK 65 / 0 / 37 / 1

HEX #58FD9F

RGB 88 253 159

HSL 145.82, 0.98%, 0.67%

LAB 89.31, -63.06, 32.76

 

CMYK 65 / 60 / 0 / 1

HEX #5866FD

RGB 88 102 253

HSL 234.91, 0.98%, 0.67%

LAB 50.3, 40.9, -76.89

 

CMYK 0 / 65 / 27 / 1

HEX #FD58B8

RGB 253 88 184

HSL 325.09, 0.98%, 0.67%

LAB 62.78, 71.07, -17.04

 

CMYK 0 / 6 / 65 / 1

HEX #FDEF58

RGB 253 239 88

HSL 54.91, 0.98%, 0.67%

LAB 93.15, -12.32, 71.81

 

Description

Color code: HEX #58FD9F | qconv.com Color code: HEX #58FD9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 253 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 253 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 37 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 37% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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