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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58F26F it is the complementary color #A70D90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58F26F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58F26F shade: #5DF26A, #6EFF7D, #7FFF90, #90FFA3 and #A1FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58F26F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58F26F shade: #58F26F, #47E05C, #36CE49, #25BC36 and #14AA23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58F26F shade: #58F26F, #6BF258, #94F258, #BEF258 and #E7F258

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58F26F shade: #58F26F, #58F299, #58F2C2, #58F2EC and #58CFF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58F26F shade matches the following richer shades: #58F26F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58F26F shade: #58F26F, #67E47A, #75D584, #84C78E and #92B898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58F26F shade: #96F258, #6DF258, #58F26D, #58F296 and #58F2BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58F26F shade: #11E731, #32EF4E, #58F26F, #7FF590 and #A5F8B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58F26F shade: #58F26F, #58BFF2 and #F25881

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58F26F shade: #58F26F, #6D58F2 and #F26D58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58F26F shade: #58F26F, #58BFF2, #F258DE and #F28C58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58F26F shade: #58F26F, #5891F2, #F258DE and #F2BA58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

Complementary color

CMYK 0 / 92 / 14 / 35

HEX #A70D90

RGB 167 13 144

HSL 308.96, 0.86%, 0.35%

LAB 38.75, 66.81, -31.71

 

CMYK 62 / 0 / 56 / 5

HEX #5DF26A

RGB 93 242 106

HSL 125.23, 0.85%, 0.66%

LAB 85.44, -66.11, 53.26

 

CMYK 57 / 0 / 51 / 0

HEX #6EFF7D

RGB 110 255 125

HSL 126.21, 1%, 0.72%

LAB 90.01, -64.66, 50.19

 

CMYK 50 / 0 / 44 / 0

HEX #7FFF90

RGB 127 255 144

HSL 127.97, 1%, 0.75%

LAB 90.8, -57.94, 42.3

 

CMYK 44 / 0 / 36 / 0

HEX #90FFA3

RGB 144 255 163

HSL 130.27, 1%, 0.78%

LAB 91.73, -50.55, 34.3

 

CMYK 37 / 0 / 29 / 0

HEX #A1FFB6

RGB 161 255 182

HSL 133.4, 1%, 0.82%

LAB 92.78, -42.61, 26.3

 

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

CMYK 68 / 0 / 59 / 12

HEX #47E05C

RGB 71 224 92

HSL 128.24, 0.71%, 0.58%

LAB 79.28, -65.85, 52.17

 

CMYK 74 / 0 / 65 / 19

HEX #36CE49

RGB 54 206 73

HSL 127.5, 0.61%, 0.51%

LAB 73.16, -64.83, 53.36

 

CMYK 80 / 0 / 71 / 26

HEX #25BC36

RGB 37 188 54

HSL 126.75, 0.67%, 0.44%

LAB 67, -63.29, 54.28

 

CMYK 88 / 0 / 79 / 33

HEX #14AA23

RGB 20 170 35

HSL 126, 0.79%, 0.37%

LAB 60.8, -61.03, 54.64

 

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

CMYK 56 / 0 / 64 / 5

HEX #6BF258

RGB 107 242 88

HSL 112.6, 0.86%, 0.65%

LAB 85.67, -64.88, 61.34

 

CMYK 39 / 0 / 64 / 5

HEX #94F258

RGB 148 242 88

HSL 96.62, 0.86%, 0.65%

LAB 87.24, -53.23, 63.51

 

CMYK 21 / 0 / 64 / 5

HEX #BEF258

RGB 190 242 88

HSL 80.26, 0.86%, 0.65%

LAB 89.47, -38.57, 66.55

 

CMYK 5 / 0 / 64 / 5

HEX #E7F258

RGB 231 242 88

HSL 64.29, 0.86%, 0.65%

LAB 92.22, -22.66, 70.3

 

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

CMYK 64 / 0 / 37 / 5

HEX #58F299

RGB 88 242 153

HSL 145.32, 0.86%, 0.65%

LAB 85.95, -60.02, 31.29

 

CMYK 64 / 0 / 20 / 5

HEX #58F2C2

RGB 88 242 194

HSL 161.3, 0.86%, 0.65%

LAB 86.74, -51.66, 11.32

 

CMYK 64 / 0 / 2 / 5

HEX #58F2EC

RGB 88 242 236

HSL 177.66, 0.86%, 0.65%

LAB 87.79, -41.3, -9.09

 

CMYK 64 / 14 / 0 / 5

HEX #58CFF2

RGB 88 207 242

HSL 193.64, 0.86%, 0.65%

LAB 77.94, -22.98, -27.13

 

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

CMYK 55 / 0 / 46 / 11

HEX #67E47A

RGB 103 228 122

HSL 129.12, 0.7%, 0.65%

LAB 81.72, -56.6, 41.28

 

CMYK 45 / 0 / 38 / 16

HEX #75D584

RGB 117 213 132

HSL 129.38, 0.53%, 0.65%

LAB 77.9, -45.34, 31.45

 

CMYK 34 / 0 / 29 / 22

HEX #84C78E

RGB 132 199 142

HSL 128.96, 0.37%, 0.65%

LAB 74.64, -32.91, 21.98

 

CMYK 21 / 0 / 17 / 28

HEX #92B898

RGB 146 184 152

HSL 129.47, 0.21%, 0.65%

LAB 71.32, -19.17, 12.12

 

CMYK 38 / 0 / 64 / 5

HEX #96F258

RGB 150 242 88

HSL 95.84, 0.86%, 0.65%

LAB 87.34, -52.59, 63.63

 

CMYK 55 / 0 / 64 / 5

HEX #6DF258

RGB 109 242 88

HSL 111.82, 0.86%, 0.65%

LAB 85.74, -64.38, 61.42

 

CMYK 64 / 0 / 55 / 5

HEX #58F26D

RGB 88 242 109

HSL 128.18, 0.86%, 0.65%

LAB 85.34, -66.76, 51.76

 

CMYK 64 / 0 / 38 / 5

HEX #58F296

RGB 88 242 150

HSL 144.16, 0.86%, 0.65%

LAB 85.9, -60.56, 32.73

 

CMYK 64 / 0 / 21 / 5

HEX #58F2BF

RGB 88 242 191

HSL 160.13, 0.86%, 0.65%

LAB 86.67, -52.33, 12.79

 

CMYK 93 / 0 / 79 / 9

HEX #11E731

RGB 17 231 49

HSL 128.97, 0.86%, 0.49%

LAB 80.46, -77.76, 69.22

 

CMYK 79 / 0 / 67 / 6

HEX #32EF4E

RGB 50 239 78

HSL 128.89, 0.86%, 0.57%

LAB 83.42, -75.15, 62.49

 

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

CMYK 48 / 0 / 41 / 4

HEX #7FF590

RGB 127 245 144

HSL 128.64, 0.86%, 0.73%

LAB 87.89, -53.98, 38.55

 

CMYK 33 / 0 / 28 / 3

HEX #A5F8B2

RGB 165 248 178

HSL 129.4, 0.86%, 0.81%

LAB 90.94, -39, 25.84

 

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

CMYK 64 / 21 / 0 / 5

HEX #58BFF2

RGB 88 191 242

HSL 199.87, 0.86%, 0.65%

LAB 73.38, -14.73, -34.14

 

CMYK 0 / 64 / 47 / 5

HEX #F25881

RGB 242 88 129

HSL 344.03, 0.86%, 0.65%

LAB 59.38, 62.08, 9.59

 

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

CMYK 55 / 64 / 0 / 5

HEX #6D58F2

RGB 109 88 242

HSL 248.18, 0.86%, 0.65%

LAB 47.81, 48.82, -74.76

 

CMYK 0 / 55 / 64 / 5

HEX #F26D58

RGB 242 109 88

HSL 8.18, 0.86%, 0.65%

LAB 62.1, 49.71, 36.65

 

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

CMYK 64 / 21 / 0 / 5

HEX #58BFF2

RGB 88 191 242

HSL 199.87, 0.86%, 0.65%

LAB 73.38, -14.73, -34.14

 

CMYK 0 / 64 / 8 / 5

HEX #F258DE

RGB 242 88 222

HSL 307.79, 0.86%, 0.65%

LAB 62.62, 73.43, -38.94

 

CMYK 0 / 42 / 64 / 5

HEX #F28C58

RGB 242 140 88

HSL 20.26, 0.86%, 0.65%

LAB 68.27, 34.27, 44.07

 

CMYK 64 / 0 / 54 / 5

HEX #58F26F

RGB 88 242 111

HSL 128.96, 0.86%, 0.65%

LAB 85.37, -66.5, 50.88

 

CMYK 64 / 40 / 0 / 5

HEX #5891F2

RGB 88 145 242

HSL 217.79, 0.86%, 0.65%

LAB 60.55, 11.15, -54.29

 

CMYK 0 / 64 / 8 / 5

HEX #F258DE

RGB 242 88 222

HSL 307.79, 0.86%, 0.65%

LAB 62.62, 73.43, -38.94

 

CMYK 0 / 23 / 64 / 5

HEX #F2BA58

RGB 242 186 88

HSL 38.18, 0.86%, 0.65%

LAB 78.87, 10.1, 56.21

 

Description

Color code: HEX #58F26F | qconv.com Color code: HEX #58F26F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 242 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 242 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 54 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 54% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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