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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58E371 it is the complementary color #A71C8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58E371. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58E371 shade: #5DE36C, #6EF57F, #7FFF92, #90FFA5 and #A1FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58E371. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58E371 shade: #58E371, #47D15E, #36BF4B, #25AD38 and #149B25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58E371 shade: #59E272, #65E259, #8AE259, #AFE259 and #D4E259

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58E371 shade: #59E272, #59E297, #59E2BC, #59E2E1 and #59BFE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58E371 shade matches the following richer shades: #59E272 and #49F268

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58E371 shade: #59E272, #68D37C, #78C386, #88B390 and #98A49A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58E371 shade: #8BE259, #67E259, #59E270, #59E294 and #59E2B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58E371 shade: #21C73F, #36DC54, #59E272, #7CE890 and #9FEEAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58E371 shade: #58E371, #59B0E2 and #E25979

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58E371 shade: #58E371, #7059E2 and #E27059

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58E371 shade: #58E371, #59B0E2, #E259CB and #E28B59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58E371 shade: #58E371, #5987E2, #E259CB and #E2B559

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 50 / 11

HEX #58E371

RGB 88 227 113

HSL 130.79, 0.71%, 0.62%

LAB 80.85, -60.89, 44.45

 

Complementary color

CMYK 0 / 83 / 15 / 35

HEX #A71C8E

RGB 167 28 142

HSL 310.79, 0.71%, 0.38%

LAB 39.58, 63.83, -29.19

 

CMYK 59 / 0 / 52 / 11

HEX #5DE36C

RGB 93 227 108

HSL 126.72, 0.71%, 0.63%

LAB 80.93, -60.49, 46.95

 

CMYK 55 / 0 / 48 / 4

HEX #6EF57F

RGB 110 245 127

HSL 127.56, 0.87%, 0.7%

LAB 87.07, -60.69, 45.63

 

CMYK 50 / 0 / 43 / 0

HEX #7FFF92

RGB 127 255 146

HSL 128.91, 1%, 0.75%

LAB 90.83, -57.65, 41.37

 

CMYK 44 / 0 / 35 / 0

HEX #90FFA5

RGB 144 255 165

HSL 131.35, 1%, 0.78%

LAB 91.76, -50.23, 33.34

 

CMYK 37 / 0 / 28 / 0

HEX #A1FFB8

RGB 161 255 184

HSL 134.68, 1%, 0.82%

LAB 92.82, -42.27, 25.34

 

CMYK 61 / 0 / 50 / 11

HEX #58E371

RGB 88 227 113

HSL 130.79, 0.71%, 0.62%

LAB 80.85, -60.89, 44.45

 

CMYK 66 / 0 / 55 / 18

HEX #47D15E

RGB 71 209 94

HSL 130, 0.6%, 0.55%

LAB 74.67, -60.43, 45.83

 

CMYK 72 / 0 / 61 / 25

HEX #36BF4B

RGB 54 191 75

HSL 129.2, 0.56%, 0.48%

LAB 68.43, -59.63, 47.16

 

CMYK 79 / 0 / 68 / 32

HEX #25AD38

RGB 37 173 56

HSL 128.38, 0.65%, 0.41%

LAB 62.14, -58.33, 48.33

 

CMYK 87 / 0 / 76 / 39

HEX #149B25

RGB 20 155 37

HSL 127.56, 0.77%, 0.34%

LAB 55.81, -56.33, 49.09

 

CMYK 61 / 0 / 50 / 11

HEX #59E272

RGB 89 226 114

HSL 130.95, 0.7%, 0.62%

LAB 80.59, -60.17, 43.65

 

CMYK 55 / 0 / 61 / 11

HEX #65E259

RGB 101 226 89

HSL 114.74, 0.7%, 0.62%

LAB 80.67, -60.49, 55.28

 

CMYK 39 / 0 / 61 / 11

HEX #8AE259

RGB 138 226 89

HSL 98.54, 0.7%, 0.62%

LAB 82.12, -49.86, 57.31

 

CMYK 23 / 0 / 61 / 11

HEX #AFE259

RGB 175 226 89

HSL 82.34, 0.7%, 0.62%

LAB 84.08, -36.91, 60.04

 

CMYK 6 / 0 / 61 / 11

HEX #D4E259

RGB 212 226 89

HSL 66.13, 0.7%, 0.62%

LAB 86.56, -22.52, 63.46

 

CMYK 61 / 0 / 50 / 11

HEX #59E272

RGB 89 226 114

HSL 130.95, 0.7%, 0.62%

LAB 80.59, -60.17, 43.65

 

CMYK 61 / 0 / 33 / 11

HEX #59E297

RGB 89 226 151

HSL 147.15, 0.7%, 0.62%

LAB 81.15, -54.01, 25.87

 

CMYK 61 / 0 / 17 / 11

HEX #59E2BC

RGB 89 226 188

HSL 163.36, 0.7%, 0.62%

LAB 81.92, -46.14, 7.58

 

CMYK 61 / 0 / 0 / 11

HEX #59E2E1

RGB 89 226 225

HSL 179.56, 0.7%, 0.62%

LAB 82.89, -36.81, -10.59

 

CMYK 61 / 15 / 0 / 11

HEX #59BFE2

RGB 89 191 226

HSL 195.33, 0.7%, 0.62%

LAB 72.81, -19.45, -26.36

 

CMYK 61 / 0 / 50 / 11

HEX #59E272

RGB 89 226 114

HSL 130.95, 0.7%, 0.62%

LAB 80.59, -60.17, 43.65

 

CMYK 70 / 0 / 57 / 5

HEX #49F268

RGB 73 242 104

HSL 131.01, 0.87%, 0.62%

LAB 84.96, -70.08, 53.47

 

CMYK 61 / 0 / 50 / 11

HEX #59E272

RGB 89 226 114

HSL 130.95, 0.7%, 0.62%

LAB 80.59, -60.17, 43.65

 

CMYK 51 / 0 / 41 / 17

HEX #68D37C

RGB 104 211 124

HSL 131.21, 0.55%, 0.62%

LAB 76.67, -49.3, 33.83

 

CMYK 38 / 0 / 31 / 24

HEX #78C386

RGB 120 195 134

HSL 131.2, 0.38%, 0.62%

LAB 72.72, -36.18, 23.52

 

CMYK 24 / 0 / 20 / 30

HEX #88B390

RGB 136 179 144

HSL 131.16, 0.22%, 0.62%

LAB 69.1, -21.52, 13.26

 

CMYK 7 / 0 / 6 / 36

HEX #98A49A

RGB 152 164 154

HSL 130, 0.06%, 0.62%

LAB 66.18, -6.19, 3.72

 

CMYK 38 / 0 / 61 / 11

HEX #8BE259

RGB 139 226 89

HSL 98.1, 0.7%, 0.62%

LAB 82.16, -49.54, 57.37

 

CMYK 54 / 0 / 61 / 11

HEX #67E259

RGB 103 226 89

HSL 113.87, 0.7%, 0.62%

LAB 80.74, -59.98, 55.38

 

CMYK 61 / 0 / 50 / 11

HEX #59E270

RGB 89 226 112

HSL 130.07, 0.7%, 0.62%

LAB 80.56, -60.45, 44.58

 

CMYK 61 / 0 / 35 / 11

HEX #59E294

RGB 89 226 148

HSL 145.84, 0.7%, 0.62%

LAB 81.1, -54.57, 27.34

 

CMYK 61 / 0 / 18 / 11

HEX #59E2B9

RGB 89 226 185

HSL 162.04, 0.7%, 0.62%

LAB 81.85, -46.84, 9.07

 

CMYK 83 / 0 / 68 / 22

HEX #21C73F

RGB 33 199 63

HSL 130.84, 0.72%, 0.45%

LAB 70.55, -66.29, 54.51

 

CMYK 75 / 0 / 62 / 14

HEX #36DC54

RGB 54 220 84

HSL 130.84, 0.7%, 0.54%

LAB 77.64, -68.14, 53.7

 

CMYK 61 / 0 / 50 / 11

HEX #59E272

RGB 89 226 114

HSL 130.95, 0.7%, 0.62%

LAB 80.59, -60.17, 43.65

 

CMYK 47 / 0 / 38 / 9

HEX #7CE890

RGB 124 232 144

HSL 131.11, 0.7%, 0.7%

LAB 83.97, -49.46, 33.41

 

CMYK 33 / 0 / 27 / 7

HEX #9FEEAE

RGB 159 238 174

HSL 131.39, 0.7%, 0.78%

LAB 87.76, -36.98, 23.49

 

CMYK 61 / 0 / 50 / 11

HEX #58E371

RGB 88 227 113

HSL 130.79, 0.71%, 0.62%

LAB 80.85, -60.89, 44.45

 

CMYK 61 / 22 / 0 / 11

HEX #59B0E2

RGB 89 176 226

HSL 201.9, 0.7%, 0.62%

LAB 68.51, -11.52, -32.99

 

CMYK 0 / 61 / 46 / 11

HEX #E25979

RGB 226 89 121

HSL 345.99, 0.7%, 0.62%

LAB 56.78, 55.9, 10.23

 

CMYK 61 / 0 / 50 / 11

HEX #58E371

RGB 88 227 113

HSL 130.79, 0.71%, 0.62%

LAB 80.85, -60.89, 44.45

 

CMYK 50 / 61 / 0 / 11

HEX #7059E2

RGB 112 89 226

HSL 250.07, 0.7%, 0.62%

LAB 47.08, 44.05, -66.92

 

CMYK 0 / 50 / 61 / 11

HEX #E27059

RGB 226 112 89

HSL 10.07, 0.7%, 0.62%

LAB 60.32, 42.46, 33.37

 

CMYK 61 / 0 / 50 / 11

HEX #58E371

RGB 88 227 113

HSL 130.79, 0.71%, 0.62%

LAB 80.85, -60.89, 44.45

 

CMYK 61 / 22 / 0 / 11

HEX #59B0E2

RGB 89 176 226

HSL 201.9, 0.7%, 0.62%

LAB 68.51, -11.52, -32.99

 

CMYK 0 / 61 / 10 / 11

HEX #E259CB

RGB 226 89 203

HSL 310.07, 0.7%, 0.62%

LAB 59.55, 66.11, -33.18

 

CMYK 0 / 38 / 61 / 11

HEX #E28B59

RGB 226 139 89

HSL 21.9, 0.7%, 0.62%

LAB 66.02, 28.49, 40.38

 

CMYK 61 / 0 / 50 / 11

HEX #58E371

RGB 88 227 113

HSL 130.79, 0.71%, 0.62%

LAB 80.85, -60.89, 44.45

 

CMYK 61 / 40 / 0 / 11

HEX #5987E2

RGB 89 135 226

HSL 219.85, 0.7%, 0.62%

LAB 57.02, 11.95, -51.02

 

CMYK 0 / 61 / 10 / 11

HEX #E259CB

RGB 226 89 203

HSL 310.07, 0.7%, 0.62%

LAB 59.55, 66.11, -33.18

 

CMYK 0 / 20 / 61 / 11

HEX #E2B559

RGB 226 181 89

HSL 40.29, 0.7%, 0.62%

LAB 76.03, 6.11, 52.11

 

Description

Color code: HEX #58E371 | qconv.com Color code: HEX #58E371 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 227 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 227 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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