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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58E92E it is the complementary color #A716D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58E92E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58E92E shade: #5DE929, #6EFB3C, #7FFF4F, #90FF62 and #A1FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58E92E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58E92E shade: #58E92E, #47D71B, #36C508, #25B300 and #14A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58E92E shade: #59E92F, #8BE92F, #BDE92F, #E9E22F and #E9B02F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58E92E shade: #59E92F, #2FE937, #2FE969, #2FE99B and #2FE9CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58E92E shade matches the following richer shades: #59E92F and #4EFB1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58E92E shade: #59E92F, #63D641, #6DC454, #77B167 and #819E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58E92E shade: #BDE92F, #8CE92F, #5AE92F, #2FE935 and #2FE967

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58E92E shade: #36B312, #42D816, #59E92F, #76ED54 and #94F179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58E92E shade: #58E92E, #2FE9E3 and #E92FA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58E92E shade: #58E92E, #2F5AE9 and #E92F5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58E92E shade: #58E92E, #2FE9E3, #BD2FE9 and #E92F35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58E92E shade: #58E92E, #2FB7E9, #BD2FE9 and #E9602F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 80 / 9

HEX #58E92E

RGB 88 233 46

HSL 106.52, 0.81%, 0.55%

LAB 82.14, -69.26, 72

 

Complementary color

CMYK 20 / 89 / 0 / 18

HEX #A716D1

RGB 167 22 209

HSL 286.52, 0.81%, 0.45%

LAB 43.35, 75.81, -62.95

 

CMYK 60 / 0 / 82 / 9

HEX #5DE929

RGB 93 233 41

HSL 103.75, 0.81%, 0.54%

LAB 82.25, -68.38, 73.43

 

CMYK 56 / 0 / 76 / 2

HEX #6EFB3C

RGB 110 251 60

HSL 104.29, 0.96%, 0.61%

LAB 88.27, -69.4, 74.03

 

CMYK 50 / 0 / 69 / 0

HEX #7FFF4F

RGB 127 255 79

HSL 103.64, 1%, 0.65%

LAB 90.14, -65.13, 69.76

 

CMYK 44 / 0 / 62 / 0

HEX #90FF62

RGB 144 255 98

HSL 102.42, 1%, 0.69%

LAB 90.93, -58.72, 63.44

 

CMYK 37 / 0 / 54 / 0

HEX #A1FF75

RGB 161 255 117

HSL 100.87, 1%, 0.73%

LAB 91.86, -51.63, 56.52

 

CMYK 62 / 0 / 80 / 9

HEX #58E92E

RGB 88 233 46

HSL 106.52, 0.81%, 0.55%

LAB 82.14, -69.26, 72

 

CMYK 67 / 0 / 87 / 16

HEX #47D71B

RGB 71 215 27

HSL 105.96, 0.78%, 0.47%

LAB 76.08, -67.83, 70.8

 

CMYK 73 / 0 / 96 / 23

HEX #36C508

RGB 54 197 8

HSL 105.4, 0.92%, 0.4%

LAB 69.99, -65.84, 68.3

 

CMYK 79 / 0 / 100 / 30

HEX #25B300

RGB 37 179 0

HSL 107.6, 1%, 0.35%

LAB 63.86, -63.17, 64.17

 

CMYK 88 / 0 / 100 / 37

HEX #14A100

RGB 20 161 0

HSL 112.55, 1%, 0.32%

LAB 57.69, -59.8, 59.15

 

CMYK 62 / 0 / 80 / 9

HEX #59E92F

RGB 89 233 47

HSL 106.45, 0.81%, 0.55%

LAB 82.17, -68.99, 71.77

 

CMYK 40 / 0 / 80 / 9

HEX #8BE92F

RGB 139 233 47

HSL 90.32, 0.81%, 0.55%

LAB 83.95, -55.2, 74.07

 

CMYK 19 / 0 / 80 / 9

HEX #BDE92F

RGB 189 233 47

HSL 74.19, 0.81%, 0.55%

LAB 86.65, -37.13, 77.51

 

CMYK 0 / 3 / 80 / 9

HEX #E9E22F

RGB 233 226 47

HSL 57.74, 0.81%, 0.55%

LAB 87.93, -15.95, 79.86

 

CMYK 0 / 24 / 80 / 9

HEX #E9B02F

RGB 233 176 47

HSL 41.61, 0.81%, 0.55%

LAB 75.19, 9.61, 68.67

 

CMYK 62 / 0 / 80 / 9

HEX #59E92F

RGB 89 233 47

HSL 106.45, 0.81%, 0.55%

LAB 82.17, -68.99, 71.77

 

CMYK 80 / 0 / 76 / 9

HEX #2FE937

RGB 47 233 55

HSL 122.58, 0.81%, 0.55%

LAB 81.38, -75.56, 68.41

 

CMYK 80 / 0 / 55 / 9

HEX #2FE969

RGB 47 233 105

HSL 138.71, 0.81%, 0.55%

LAB 81.78, -70.56, 49.15

 

CMYK 80 / 0 / 33 / 9

HEX #2FE99B

RGB 47 233 155

HSL 154.84, 0.81%, 0.55%

LAB 82.51, -62.1, 25.52

 

CMYK 80 / 0 / 12 / 9

HEX #2FE9CE

RGB 47 233 206

HSL 171.29, 0.81%, 0.55%

LAB 83.62, -50.22, 0.44

 

CMYK 62 / 0 / 80 / 9

HEX #59E92F

RGB 89 233 47

HSL 106.45, 0.81%, 0.55%

LAB 82.17, -68.99, 71.77

 

CMYK 69 / 0 / 89 / 2

HEX #4EFB1C

RGB 78 251 28

HSL 106.55, 0.97%, 0.55%

LAB 87.34, -77.57, 80.32

 

CMYK 62 / 0 / 80 / 9

HEX #59E92F

RGB 89 233 47

HSL 106.45, 0.81%, 0.55%

LAB 82.17, -68.99, 71.77

 

CMYK 54 / 0 / 70 / 16

HEX #63D641

RGB 99 214 65

HSL 106.31, 0.65%, 0.55%

LAB 76.76, -58.83, 60.74

 

CMYK 44 / 0 / 57 / 23

HEX #6DC454

RGB 109 196 84

HSL 106.61, 0.49%, 0.55%

LAB 71.81, -47.19, 47.41

 

CMYK 33 / 0 / 42 / 31

HEX #77B167

RGB 119 177 103

HSL 107.03, 0.32%, 0.55%

LAB 66.78, -33.17, 31.98

 

CMYK 18 / 0 / 23 / 38

HEX #819E79

RGB 129 158 121

HSL 107.03, 0.16%, 0.55%

LAB 62.08, -17.36, 16.08

 

CMYK 19 / 0 / 80 / 9

HEX #BDE92F

RGB 189 233 47

HSL 74.19, 0.81%, 0.55%

LAB 86.65, -37.13, 77.51

 

CMYK 40 / 0 / 80 / 9

HEX #8CE92F

RGB 140 233 47

HSL 90, 0.81%, 0.55%

LAB 84, -54.87, 74.12

 

CMYK 61 / 0 / 80 / 9

HEX #5AE92F

RGB 90 233 47

HSL 106.13, 0.81%, 0.55%

LAB 82.19, -68.77, 71.81

 

CMYK 80 / 0 / 77 / 9

HEX #2FE935

RGB 47 233 53

HSL 121.94, 0.81%, 0.55%

LAB 81.37, -75.69, 69.01

 

CMYK 80 / 0 / 56 / 9

HEX #2FE967

RGB 47 233 103

HSL 138.06, 0.81%, 0.55%

LAB 81.76, -70.83, 50.04

 

CMYK 70 / 0 / 90 / 30

HEX #36B312

RGB 54 179 18

HSL 106.58, 0.82%, 0.39%

LAB 64.22, -59.96, 62.11

 

CMYK 69 / 0 / 90 / 15

HEX #42D816

RGB 66 216 22

HSL 106.39, 0.82%, 0.47%

LAB 76.27, -69.25, 71.79

 

CMYK 62 / 0 / 80 / 9

HEX #59E92F

RGB 89 233 47

HSL 106.45, 0.81%, 0.55%

LAB 82.17, -68.99, 71.77

 

CMYK 50 / 0 / 65 / 7

HEX #76ED54

RGB 118 237 84

HSL 106.67, 0.81%, 0.63%

LAB 84.51, -60.58, 61.79

 

CMYK 39 / 0 / 50 / 5

HEX #94F179

RGB 148 241 121

HSL 106.5, 0.81%, 0.71%

LAB 87.28, -49.47, 49.06

 

CMYK 62 / 0 / 80 / 9

HEX #58E92E

RGB 88 233 46

HSL 106.52, 0.81%, 0.55%

LAB 82.14, -69.26, 72

 

CMYK 80 / 0 / 3 / 9

HEX #2FE9E3

RGB 47 233 227

HSL 178.06, 0.81%, 0.55%

LAB 84.19, -44.54, -9.8

 

CMYK 0 / 80 / 29 / 9

HEX #E92FA5

RGB 233 47 165

HSL 321.94, 0.81%, 0.55%

LAB 54.1, 76.88, -19.54

 

CMYK 62 / 0 / 80 / 9

HEX #58E92E

RGB 88 233 46

HSL 106.52, 0.81%, 0.55%

LAB 82.14, -69.26, 72

 

CMYK 80 / 61 / 0 / 9

HEX #2F5AE9

RGB 47 90 233

HSL 226.13, 0.81%, 0.55%

LAB 43.94, 36.7, -76.15

 

CMYK 0 / 80 / 61 / 9

HEX #E92F5A

RGB 233 47 90

HSL 346.13, 0.81%, 0.55%

LAB 51.94, 70.46, 22.25

 

CMYK 62 / 0 / 80 / 9

HEX #58E92E

RGB 88 233 46

HSL 106.52, 0.81%, 0.55%

LAB 82.14, -69.26, 72

 

CMYK 80 / 0 / 3 / 9

HEX #2FE9E3

RGB 47 233 227

HSL 178.06, 0.81%, 0.55%

LAB 84.19, -44.54, -9.8

 

CMYK 19 / 80 / 0 / 9

HEX #BD2FE9

RGB 189 47 233

HSL 285.81, 0.81%, 0.55%

LAB 50.38, 78.03, -65.1

 

CMYK 0 / 80 / 77 / 9

HEX #E92F35

RGB 233 47 53

HSL 358.06, 0.81%, 0.55%

LAB 51.4, 68.77, 43.2

 

CMYK 62 / 0 / 80 / 9

HEX #58E92E

RGB 88 233 46

HSL 106.52, 0.81%, 0.55%

LAB 82.14, -69.26, 72

 

CMYK 80 / 21 / 0 / 9

HEX #2FB7E9

RGB 47 183 233

HSL 196.13, 0.81%, 0.55%

LAB 69.72, -18.73, -35.01

 

CMYK 19 / 80 / 0 / 9

HEX #BD2FE9

RGB 189 47 233

HSL 285.81, 0.81%, 0.55%

LAB 50.38, 78.03, -65.1

 

CMYK 0 / 59 / 80 / 9

HEX #E9602F

RGB 233 96 47

HSL 15.81, 0.81%, 0.55%

LAB 57.94, 50.62, 52.8

 

Description

Color code: HEX #58E92E | qconv.com Color code: HEX #58E92E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 233 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 233 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 80 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 80% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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