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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58D85E it is the complementary color #A727A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58D85E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58D85E shade: #5DD859, #6EEA6C, #7FFC7F, #90FF92 and #A1FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58D85E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58D85E shade: #58D85E, #47C64B, #36B438, #25A225 and #149012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58D85E shade: #59D85F, #75D859, #98D859, #BAD859 and #D8D459

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58D85E shade: #59D85F, #59D881, #59D8A3, #59D8C6 and #59C8D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58D85E shade matches the following richer shades: #59D85F, #49E850 and #38F941

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58D85E shade: #59D85F, #6AC76E, #7AB77D, #8BA68C and #9B969B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58D85E shade: #99D859, #77D859, #59D85D, #59D87F and #59D8A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58D85E shade: #2AB530, #38D03F, #59D85F, #7BE07F and #9CE7A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58D85E shade: #58D85E, #59BAD8 and #D85988

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58D85E shade: #58D85E, #5D59D8 and #D85D59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58D85E shade: #58D85E, #59BAD8, #D859D4 and #D87759

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58D85E shade: #58D85E, #5994D8, #D859D4 and #D89D59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 56 / 15

HEX #58D85E

RGB 88 216 94

HSL 122.81, 0.62%, 0.6%

LAB 77.28, -59.37, 49.04

 

Complementary color

CMYK 0 / 77 / 4 / 35

HEX #A727A1

RGB 167 39 161

HSL 302.81, 0.62%, 0.4%

LAB 41.59, 63.75, -37.52

 

CMYK 57 / 0 / 59 / 15

HEX #5DD859

RGB 93 216 89

HSL 118.11, 0.62%, 0.6%

LAB 77.38, -58.78, 51.45

 

CMYK 53 / 0 / 54 / 8

HEX #6EEA6C

RGB 110 234 108

HSL 119.05, 0.75%, 0.67%

LAB 83.57, -59.04, 50.26

 

CMYK 50 / 0 / 50 / 1

HEX #7FFC7F

RGB 127 252 127

HSL 120, 0.95%, 0.74%

LAB 89.7, -59.13, 49.02

 

CMYK 44 / 0 / 43 / 0

HEX #90FF92

RGB 144 255 146

HSL 121.08, 1%, 0.78%

LAB 91.47, -53.12, 42.32

 

CMYK 37 / 0 / 35 / 0

HEX #A1FFA5

RGB 161 255 165

HSL 122.55, 1%, 0.82%

LAB 92.49, -45.38, 34.45

 

CMYK 59 / 0 / 56 / 15

HEX #58D85E

RGB 88 216 94

HSL 122.81, 0.62%, 0.6%

LAB 77.28, -59.37, 49.04

 

CMYK 64 / 0 / 62 / 22

HEX #47C64B

RGB 71 198 75

HSL 121.89, 0.53%, 0.53%

LAB 71.03, -58.84, 50.23

 

CMYK 70 / 0 / 69 / 29

HEX #36B438

RGB 54 180 56

HSL 120.95, 0.54%, 0.46%

LAB 64.73, -57.93, 51.21

 

CMYK 77 / 0 / 77 / 36

HEX #25A225

RGB 37 162 37

HSL 120, 0.63%, 0.39%

LAB 58.38, -56.46, 51.72

 

CMYK 86 / 0 / 88 / 44

HEX #149012

RGB 20 144 18

HSL 119.05, 0.78%, 0.32%

LAB 51.99, -54.15, 51.23

 

CMYK 59 / 0 / 56 / 15

HEX #59D85F

RGB 89 216 95

HSL 122.83, 0.62%, 0.6%

LAB 77.32, -59.02, 48.63

 

CMYK 46 / 0 / 59 / 15

HEX #75D859

RGB 117 216 89

HSL 106.77, 0.62%, 0.6%

LAB 78.24, -52.32, 52.66

 

CMYK 30 / 0 / 59 / 15

HEX #98D859

RGB 152 216 89

HSL 90.24, 0.62%, 0.6%

LAB 79.9, -40.85, 55

 

CMYK 14 / 0 / 59 / 15

HEX #BAD859

RGB 186 216 89

HSL 74.17, 0.62%, 0.6%

LAB 81.99, -28.07, 57.91

 

CMYK 0 / 2 / 59 / 15

HEX #D8D459

RGB 216 212 89

HSL 58.11, 0.62%, 0.6%

LAB 83.13, -14.02, 59.8

 

CMYK 59 / 0 / 56 / 15

HEX #59D85F

RGB 89 216 95

HSL 122.83, 0.62%, 0.6%

LAB 77.32, -59.02, 48.63

 

CMYK 59 / 0 / 40 / 15

HEX #59D881

RGB 89 216 129

HSL 138.9, 0.62%, 0.6%

LAB 77.77, -54.04, 32.63

 

CMYK 59 / 0 / 25 / 15

HEX #59D8A3

RGB 89 216 163

HSL 154.96, 0.62%, 0.6%

LAB 78.39, -47.5, 15.79

 

CMYK 59 / 0 / 8 / 15

HEX #59D8C6

RGB 89 216 198

HSL 171.5, 0.62%, 0.6%

LAB 79.22, -39.31, -1.64

 

CMYK 59 / 7 / 0 / 15

HEX #59C8D8

RGB 89 200 216

HSL 187.56, 0.62%, 0.6%

LAB 75.07, -26.91, -17.5

 

CMYK 59 / 0 / 56 / 15

HEX #59D85F

RGB 89 216 95

HSL 122.83, 0.62%, 0.6%

LAB 77.32, -59.02, 48.63

 

CMYK 69 / 0 / 66 / 9

HEX #49E850

RGB 73 232 80

HSL 122.64, 0.78%, 0.6%

LAB 81.68, -69.43, 59.94

 

CMYK 78 / 0 / 74 / 2

HEX #38F941

RGB 56 249 65

HSL 122.8, 0.94%, 0.6%

LAB 86.49, -78.47, 70.31

 

CMYK 59 / 0 / 56 / 15

HEX #59D85F

RGB 89 216 95

HSL 122.83, 0.62%, 0.6%

LAB 77.32, -59.02, 48.63

 

CMYK 47 / 0 / 45 / 22

HEX #6AC76E

RGB 106 199 110

HSL 122.58, 0.45%, 0.6%

LAB 72.92, -45.95, 36.11

 

CMYK 33 / 0 / 32 / 28

HEX #7AB77D

RGB 122 183 125

HSL 122.95, 0.3%, 0.6%

LAB 69.1, -31.52, 23.43

 

CMYK 16 / 0 / 16 / 35

HEX #8BA68C

RGB 139 166 140

HSL 122.22, 0.13%, 0.6%

LAB 65.48, -14.53, 10.38

 

CMYK 0 / 3 / 0 / 39

HEX #9B969B

RGB 155 150 155

HSL 300, 0.02%, 0.6%

LAB 62.63, 2.78, -1.98

 

CMYK 29 / 0 / 59 / 15

HEX #99D859

RGB 153 216 89

HSL 89.76, 0.62%, 0.6%

LAB 79.96, -40.49, 55.08

 

CMYK 45 / 0 / 59 / 15

HEX #77D859

RGB 119 216 89

HSL 105.83, 0.62%, 0.6%

LAB 78.32, -51.73, 52.78

 

CMYK 59 / 0 / 57 / 15

HEX #59D85D

RGB 89 216 93

HSL 121.89, 0.62%, 0.6%

LAB 77.3, -59.26, 49.52

 

CMYK 59 / 0 / 41 / 15

HEX #59D87F

RGB 89 216 127

HSL 137.95, 0.62%, 0.6%

LAB 77.74, -54.38, 33.61

 

CMYK 59 / 0 / 25 / 15

HEX #59D8A1

RGB 89 216 161

HSL 154.02, 0.62%, 0.6%

LAB 78.35, -47.93, 16.79

 

CMYK 77 / 0 / 73 / 29

HEX #2AB530

RGB 42 181 48

HSL 122.59, 0.62%, 0.44%

LAB 64.77, -60.93, 54.24

 

CMYK 73 / 0 / 70 / 18

HEX #38D03F

RGB 56 208 63

HSL 122.76, 0.62%, 0.52%

LAB 73.75, -66.12, 58

 

CMYK 59 / 0 / 56 / 15

HEX #59D85F

RGB 89 216 95

HSL 122.83, 0.62%, 0.6%

LAB 77.32, -59.02, 48.63

 

CMYK 45 / 0 / 43 / 12

HEX #7BE07F

RGB 123 224 127

HSL 122.38, 0.62%, 0.68%

LAB 81.32, -49.04, 38.47

 

CMYK 32 / 0 / 31 / 9

HEX #9CE7A0

RGB 156 231 160

HSL 123.2, 0.61%, 0.76%

LAB 85.38, -37.08, 27.4

 

CMYK 59 / 0 / 56 / 15

HEX #58D85E

RGB 88 216 94

HSL 122.81, 0.62%, 0.6%

LAB 77.28, -59.37, 49.04

 

CMYK 59 / 14 / 0 / 15

HEX #59BAD8

RGB 89 186 216

HSL 194.17, 0.62%, 0.6%

LAB 71.01, -19.84, -23.67

 

CMYK 0 / 59 / 37 / 15

HEX #D85988

RGB 216 89 136

HSL 337.8, 0.62%, 0.6%

LAB 55.61, 54.24, -0.49

 

CMYK 59 / 0 / 56 / 15

HEX #58D85E

RGB 88 216 94

HSL 122.81, 0.62%, 0.6%

LAB 77.28, -59.37, 49.04

 

CMYK 57 / 59 / 0 / 15

HEX #5D59D8

RGB 93 89 216

HSL 241.89, 0.62%, 0.6%

LAB 44.84, 37.51, -64.93

 

CMYK 0 / 57 / 59 / 15

HEX #D85D59

RGB 216 93 89

HSL 1.89, 0.62%, 0.6%

LAB 55.23, 48.06, 26.58

 

CMYK 59 / 0 / 56 / 15

HEX #58D85E

RGB 88 216 94

HSL 122.81, 0.62%, 0.6%

LAB 77.28, -59.37, 49.04

 

CMYK 59 / 14 / 0 / 15

HEX #59BAD8

RGB 89 186 216

HSL 194.17, 0.62%, 0.6%

LAB 71.01, -19.84, -23.67

 

CMYK 0 / 59 / 2 / 15

HEX #D859D4

RGB 216 89 212

HSL 301.89, 0.62%, 0.6%

LAB 58.51, 64.98, -40.03

 

CMYK 0 / 45 / 59 / 15

HEX #D87759

RGB 216 119 89

HSL 14.17, 0.62%, 0.6%

LAB 60.35, 35.06, 33.11

 

CMYK 59 / 0 / 56 / 15

HEX #58D85E

RGB 88 216 94

HSL 122.81, 0.62%, 0.6%

LAB 77.28, -59.37, 49.04

 

CMYK 59 / 31 / 0 / 15

HEX #5994D8

RGB 89 148 216

HSL 212.13, 0.62%, 0.6%

LAB 60.12, 0.99, -40.53

 

CMYK 0 / 59 / 2 / 15

HEX #D859D4

RGB 216 89 212

HSL 301.89, 0.62%, 0.6%

LAB 58.51, 64.98, -40.03

 

CMYK 0 / 27 / 59 / 15

HEX #D89D59

RGB 216 157 89

HSL 32.13, 0.62%, 0.6%

LAB 69.06, 14.72, 43.74

 

Description

Color code: HEX #58D85E | qconv.com Color code: HEX #58D85E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 216 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 216 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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