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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58D539 it is the complementary color #A72AC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58D539. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58D539 shade: #5DD534, #6EE747, #7FF95A, #90FF6D and #A1FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58D539. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58D539 shade: #58D539, #47C326, #36B113, #259F00 and #148D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58D539 shade: #58D539, #82D539, #ACD539, #D5D339 and #D5A939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58D539 shade: #58D539, #39D544, #39D56E, #39D598 and #39D5C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58D539 shade matches the following richer shades: #58D539, #4CE825 and #40FB12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58D539 shade: #58D539, #63C14C, #6FAE60, #7B9A73 and #868786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58D539 shade: #ABD539, #81D539, #58D539, #39D543 and #39D56D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58D539 shade: #399A20, #45BC28, #58D539, #74DC5B and #91E37D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58D539 shade: #58D539, #39D5D5 and #D53996

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58D539 shade: #58D539, #3958D5 and #D53958

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58D539 shade: #58D539, #39D5D5, #B539D5 and #D53939

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58D539 shade: #58D539, #39A6D5, #B539D5 and #D56739

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

Complementary color

CMYK 16 / 79 / 0 / 22

HEX #A72AC6

RGB 167 42 198

HSL 288.08, 0.65%, 0.47%

LAB 44.16, 69.2, -55.27

 

CMYK 56 / 0 / 76 / 16

HEX #5DD534

RGB 93 213 52

HSL 104.72, 0.66%, 0.52%

LAB 76.17, -60.95, 64.63

 

CMYK 52 / 0 / 69 / 9

HEX #6EE747

RGB 110 231 71

HSL 105.38, 0.77%, 0.59%

LAB 82.34, -61.62, 64.41

 

CMYK 49 / 0 / 64 / 2

HEX #7FF95A

RGB 127 249 90

HSL 106.04, 0.93%, 0.66%

LAB 88.45, -62.04, 63.77

 

CMYK 44 / 0 / 57 / 0

HEX #90FF6D

RGB 144 255 109

HSL 105.62, 1%, 0.71%

LAB 91.03, -57.66, 58.9

 

CMYK 37 / 0 / 50 / 0

HEX #A1FF80

RGB 161 255 128

HSL 104.41, 1%, 0.75%

LAB 91.98, -50.4, 51.66

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 64 / 0 / 81 / 24

HEX #47C326

RGB 71 195 38

HSL 107.39, 0.67%, 0.46%

LAB 69.83, -60.83, 62.61

 

CMYK 69 / 0 / 89 / 31

HEX #36B113

RGB 54 177 19

HSL 106.71, 0.81%, 0.38%

LAB 63.57, -59.28, 61.38

 

CMYK 77 / 0 / 100 / 38

HEX #259F00

RGB 37 159 0

HSL 106.04, 1%, 0.31%

LAB 57.26, -57.1, 58.9

 

CMYK 86 / 0 / 100 / 45

HEX #148D00

RGB 20 141 0

HSL 111.49, 1%, 0.28%

LAB 50.92, -53.88, 53.73

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 39 / 0 / 73 / 16

HEX #82D539

RGB 130 213 57

HSL 91.92, 0.65%, 0.53%

LAB 77.66, -49.66, 64.92

 

CMYK 19 / 0 / 73 / 16

HEX #ACD539

RGB 172 213 57

HSL 75.77, 0.65%, 0.53%

LAB 79.98, -34.27, 67.99

 

CMYK 0 / 1 / 73 / 16

HEX #D5D339

RGB 213 211 57

HSL 59.23, 0.65%, 0.53%

LAB 82.39, -16.56, 71.32

 

CMYK 0 / 21 / 73 / 16

HEX #D5A939

RGB 213 169 57

HSL 43.08, 0.65%, 0.53%

LAB 71.43, 5.09, 60.8

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 73 / 0 / 68 / 16

HEX #39D544

RGB 57 213 68

HSL 124.23, 0.65%, 0.53%

LAB 75.37, -67.11, 57.8

 

CMYK 73 / 0 / 48 / 16

HEX #39D56E

RGB 57 213 110

HSL 140.38, 0.65%, 0.53%

LAB 75.81, -61.89, 39.48

 

CMYK 73 / 0 / 29 / 16

HEX #39D598

RGB 57 213 152

HSL 156.54, 0.65%, 0.53%

LAB 76.51, -54.04, 18.87

 

CMYK 73 / 0 / 9 / 16

HEX #39D5C2

RGB 57 213 194

HSL 172.69, 0.65%, 0.53%

LAB 77.49, -43.85, -2.12

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 67 / 0 / 84 / 9

HEX #4CE825

RGB 76 232 37

HSL 108, 0.81%, 0.53%

LAB 81.5, -71.81, 73.52

 

CMYK 75 / 0 / 93 / 2

HEX #40FB12

RGB 64 251 18

HSL 108.15, 0.97%, 0.53%

LAB 87.06, -80.06, 81.34

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 49 / 0 / 61 / 24

HEX #63C14C

RGB 99 193 76

HSL 108.21, 0.49%, 0.53%

LAB 70.4, -49.83, 49.31

 

CMYK 36 / 0 / 45 / 32

HEX #6FAE60

RGB 111 174 96

HSL 108.46, 0.33%, 0.53%

LAB 65.35, -35.5, 33.7

 

CMYK 20 / 0 / 25 / 40

HEX #7B9A73

RGB 123 154 115

HSL 107.69, 0.16%, 0.53%

LAB 60.39, -18.52, 17.02

 

CMYK 1 / 0 / 1 / 47

HEX #868786

RGB 134 135 134

HSL 120, 0%, 0.53%

LAB 56.21, -0.56, 0.4

 

CMYK 20 / 0 / 73 / 16

HEX #ABD539

RGB 171 213 57

HSL 76.15, 0.65%, 0.53%

LAB 79.92, -34.66, 67.9

 

CMYK 39 / 0 / 73 / 16

HEX #81D539

RGB 129 213 57

HSL 92.31, 0.65%, 0.53%

LAB 77.61, -50, 64.86

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 73 / 0 / 69 / 16

HEX #39D543

RGB 57 213 67

HSL 123.85, 0.65%, 0.53%

LAB 75.37, -67.2, 58.18

 

CMYK 73 / 0 / 49 / 16

HEX #39D56D

RGB 57 213 109

HSL 140, 0.65%, 0.53%

LAB 75.8, -62.04, 39.95

 

CMYK 63 / 0 / 79 / 40

HEX #399A20

RGB 57 154 32

HSL 107.7, 0.66%, 0.36%

LAB 56.17, -50.19, 51.39

 

CMYK 63 / 0 / 79 / 26

HEX #45BC28

RGB 69 188 40

HSL 108.24, 0.65%, 0.45%

LAB 67.56, -58.79, 59.87

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 47 / 0 / 59 / 14

HEX #74DC5B

RGB 116 220 91

HSL 108.37, 0.65%, 0.61%

LAB 79.42, -53.98, 53.12

 

CMYK 36 / 0 / 45 / 11

HEX #91E37D

RGB 145 227 125

HSL 108.24, 0.65%, 0.69%

LAB 83.15, -43.97, 41.97

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 73 / 0 / 0 / 16

HEX #39D5D5

RGB 57 213 213

HSL 180, 0.65%, 0.53%

LAB 78.03, -38.61, -11.52

 

CMYK 0 / 73 / 30 / 16

HEX #D53996

RGB 213 57 150

HSL 324.23, 0.65%, 0.53%

LAB 51.01, 67.53, -15.7

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 73 / 59 / 0 / 16

HEX #3958D5

RGB 57 88 213

HSL 228.08, 0.65%, 0.53%

LAB 42.24, 31.73, -67.55

 

CMYK 0 / 73 / 59 / 16

HEX #D53958

RGB 213 57 88

HSL 348.08, 0.65%, 0.53%

LAB 49.22, 61.79, 19.17

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 73 / 0 / 0 / 16

HEX #39D5D5

RGB 57 213 213

HSL 180, 0.65%, 0.53%

LAB 78.03, -38.61, -11.52

 

CMYK 15 / 73 / 0 / 16

HEX #B539D5

RGB 181 57 213

HSL 287.69, 0.65%, 0.53%

LAB 48.95, 69.78, -56.09

 

CMYK 0 / 73 / 73 / 16

HEX #D53939

RGB 213 57 57

HSL 0, 0.65%, 0.53%

LAB 48.72, 60.11, 36.94

 

CMYK 59 / 0 / 73 / 16

HEX #58D539

RGB 88 213 57

HSL 108.08, 0.65%, 0.53%

LAB 76.04, -61.86, 62.78

 

CMYK 73 / 22 / 0 / 16

HEX #39A6D5

RGB 57 166 213

HSL 198.08, 0.65%, 0.53%

LAB 64.12, -15.3, -32.71

 

CMYK 15 / 73 / 0 / 16

HEX #B539D5

RGB 181 57 213

HSL 287.69, 0.65%, 0.53%

LAB 48.95, 69.78, -56.09

 

CMYK 0 / 52 / 73 / 16

HEX #D56739

RGB 213 103 57

HSL 17.69, 0.65%, 0.53%

LAB 56.23, 40.19, 45.22

 

Description

Color code: HEX #58D539 | qconv.com Color code: HEX #58D539 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 213 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 213 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 73 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 73% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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