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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58C6EB it is the complementary color #A73914. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58C6EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58C6EB shade: #5DC6E6, #6ED8F9, #7FEAFF, #90FCFF and #A1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58C6EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58C6EB shade: #58C6EB, #47B4D8, #36A2C5, #2590B2 and #147E9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58C6EB shade: #56C5EB, #569DEB, #5675EB, #5F56EB and #8756EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58C6EB shade: #56C5EB, #569DEB, #5675EB and #5656EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58C6EB shade matches the following richer shades: #56C5EB and #46CDFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58C6EB shade: #56C5EB, #65BEDB, #74B6CC, #83AEBD and #93A7AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58C6EB shade: #56EBC0, #56EBE8, #56C5EB, #569EEB and #5676EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58C6EB shade: #19A6D5, #31B9E6, #56C5EB, #7BD2EF and #9FDEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58C6EB shade: #58C6EB, #9956EB and #EBD456

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58C6EB shade: #58C6EB, #EB56C5 and #C5EB56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58C6EB shade: #58C6EB, #9956EB, #EB7B56 and #A8EB56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58C6EB shade: #58C6EB, #C556EB, #EB7B56 and #7BEB56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 16 / 0 / 8

HEX #58C6EB

RGB 88 198 235

HSL 195.1, 0.79%, 0.63%

LAB 75.11, -20.51, -27.7

 

Complementary color

CMYK 0 / 66 / 88 / 35

HEX #A73914

RGB 167 57 20

HSL 15.1, 0.79%, 0.37%

LAB 39.9, 43.63, 44.52

 

CMYK 60 / 14 / 0 / 10

HEX #5DC6E6

RGB 93 198 230

HSL 194.01, 0.73%, 0.63%

LAB 75.09, -21.13, -25.02

 

CMYK 56 / 13 / 0 / 2

HEX #6ED8F9

RGB 110 216 249

HSL 194.24, 0.92%, 0.7%

LAB 81.44, -21.58, -25.45

 

CMYK 50 / 8 / 0 / 0

HEX #7FEAFF

RGB 127 234 255

HSL 189.84, 1%, 0.75%

LAB 87.28, -25.44, -19.69

 

CMYK 44 / 1 / 0 / 0

HEX #90FCFF

RGB 144 252 255

HSL 181.62, 1%, 0.78%

LAB 92.91, -30.39, -11.18

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 63 / 16 / 0 / 8

HEX #58C6EB

RGB 88 198 235

HSL 195.1, 0.79%, 0.63%

LAB 75.11, -20.51, -27.7

 

CMYK 67 / 17 / 0 / 15

HEX #47B4D8

RGB 71 180 216

HSL 194.9, 0.65%, 0.56%

LAB 68.71, -19.79, -27.25

 

CMYK 73 / 18 / 0 / 23

HEX #36A2C5

RGB 54 162 197

HSL 194.69, 0.57%, 0.49%

LAB 62.22, -18.84, -26.75

 

CMYK 79 / 19 / 0 / 30

HEX #2590B2

RGB 37 144 178

HSL 194.47, 0.66%, 0.42%

LAB 55.64, -17.61, -26.2

 

CMYK 87 / 21 / 0 / 38

HEX #147E9F

RGB 20 126 159

HSL 194.24, 0.78%, 0.35%

LAB 48.97, -15.96, -25.57

 

CMYK 63 / 16 / 0 / 8

HEX #56C5EB

RGB 86 197 235

HSL 195.3, 0.79%, 0.63%

LAB 74.77, -20.33, -28.23

 

CMYK 63 / 33 / 0 / 8

HEX #569DEB

RGB 86 157 235

HSL 211.41, 0.79%, 0.63%

LAB 63.42, 1.45, -45.89

 

CMYK 63 / 50 / 0 / 8

HEX #5675EB

RGB 86 117 235

HSL 227.52, 0.79%, 0.63%

LAB 52.62, 25.42, -63.11

 

CMYK 60 / 63 / 0 / 8

HEX #5F56EB

RGB 95 86 235

HSL 243.62, 0.79%, 0.63%

LAB 45.75, 45.59, -74.22

 

CMYK 43 / 63 / 0 / 8

HEX #8756EB

RGB 135 86 235

HSL 259.73, 0.79%, 0.63%

LAB 49.26, 52.65, -68.36

 

CMYK 63 / 16 / 0 / 8

HEX #56C5EB

RGB 86 197 235

HSL 195.3, 0.79%, 0.63%

LAB 74.77, -20.33, -28.23

 

CMYK 63 / 33 / 0 / 8

HEX #569DEB

RGB 86 157 235

HSL 211.41, 0.79%, 0.63%

LAB 63.42, 1.45, -45.89

 

CMYK 63 / 50 / 0 / 8

HEX #5675EB

RGB 86 117 235

HSL 227.52, 0.79%, 0.63%

LAB 52.62, 25.42, -63.11

 

CMYK 63 / 63 / 0 / 8

HEX #5656EB

RGB 86 86 235

HSL 240, 0.79%, 0.63%

LAB 45.13, 44.27, -75.27

 

CMYK 63 / 16 / 0 / 8

HEX #56C5EB

RGB 86 197 235

HSL 195.3, 0.79%, 0.63%

LAB 74.77, -20.33, -28.23

 

CMYK 72 / 18 / 0 / 2

HEX #46CDFA

RGB 70 205 250

HSL 195, 0.95%, 0.63%

LAB 77.2, -22.07, -32.58

 

CMYK 63 / 16 / 0 / 8

HEX #56C5EB

RGB 86 197 235

HSL 195.3, 0.79%, 0.63%

LAB 74.77, -20.33, -28.23

 

CMYK 54 / 13 / 0 / 14

HEX #65BEDB

RGB 101 190 219

HSL 194.75, 0.62%, 0.63%

LAB 72.7, -18.67, -22.69

 

CMYK 43 / 11 / 0 / 20

HEX #74B6CC

RGB 116 182 204

HSL 195, 0.46%, 0.63%

LAB 70.54, -15.24, -17.71

 

CMYK 31 / 8 / 0 / 26

HEX #83AEBD

RGB 131 174 189

HSL 195.52, 0.31%, 0.63%

LAB 68.59, -10.77, -12.33

 

CMYK 16 / 4 / 0 / 32

HEX #93A7AE

RGB 147 167 174

HSL 195.56, 0.14%, 0.63%

LAB 67.2, -5.46, -5.97

 

CMYK 63 / 0 / 18 / 8

HEX #56EBC0

RGB 86 235 192

HSL 162.68, 0.79%, 0.63%

LAB 84.59, -49.55, 9.29

 

CMYK 63 / 0 / 1 / 8

HEX #56EBE8

RGB 86 235 232

HSL 178.79, 0.79%, 0.63%

LAB 85.62, -39.52, -10.23

 

CMYK 63 / 16 / 0 / 8

HEX #56C5EB

RGB 86 197 235

HSL 195.3, 0.79%, 0.63%

LAB 74.77, -20.33, -28.23

 

CMYK 63 / 33 / 0 / 8

HEX #569EEB

RGB 86 158 235

HSL 211.01, 0.79%, 0.63%

LAB 63.7, 0.87, -45.45

 

CMYK 63 / 50 / 0 / 8

HEX #5676EB

RGB 86 118 235

HSL 227.11, 0.79%, 0.63%

LAB 52.88, 24.8, -62.69

 

CMYK 88 / 22 / 0 / 16

HEX #19A6D5

RGB 25 166 213

HSL 195, 0.79%, 0.47%

LAB 63.58, -18.23, -33.59

 

CMYK 79 / 20 / 0 / 10

HEX #31B9E6

RGB 49 185 230

HSL 194.92, 0.78%, 0.55%

LAB 70.22, -20.58, -32.6

 

CMYK 63 / 16 / 0 / 8

HEX #56C5EB

RGB 86 197 235

HSL 195.3, 0.79%, 0.63%

LAB 74.77, -20.33, -28.23

 

CMYK 49 / 12 / 0 / 6

HEX #7BD2EF

RGB 123 210 239

HSL 195, 0.78%, 0.71%

LAB 79.92, -18.63, -22.4

 

CMYK 35 / 9 / 0 / 5

HEX #9FDEF3

RGB 159 222 243

HSL 195, 0.78%, 0.79%

LAB 85.04, -14.86, -16.61

 

CMYK 63 / 16 / 0 / 8

HEX #58C6EB

RGB 88 198 235

HSL 195.1, 0.79%, 0.63%

LAB 75.11, -20.51, -27.7

 

CMYK 35 / 63 / 0 / 8

HEX #9956EB

RGB 153 86 235

HSL 266.98, 0.79%, 0.63%

LAB 51.18, 56.29, -65.16

 

CMYK 0 / 10 / 63 / 8

HEX #EBD456

RGB 235 212 86

HSL 50.74, 0.79%, 0.63%

LAB 84.7, -6.37, 63.26

 

CMYK 63 / 16 / 0 / 8

HEX #58C6EB

RGB 88 198 235

HSL 195.1, 0.79%, 0.63%

LAB 75.11, -20.51, -27.7

 

CMYK 0 / 63 / 16 / 8

HEX #EB56C5

RGB 235 86 197

HSL 315.3, 0.79%, 0.63%

LAB 60.2, 68.79, -28.65

 

CMYK 16 / 0 / 63 / 8

HEX #C5EB56

RGB 197 235 86

HSL 75.3, 0.79%, 0.63%

LAB 87.95, -32.88, 65.86

 

CMYK 63 / 16 / 0 / 8

HEX #58C6EB

RGB 88 198 235

HSL 195.1, 0.79%, 0.63%

LAB 75.11, -20.51, -27.7

 

CMYK 35 / 63 / 0 / 8

HEX #9956EB

RGB 153 86 235

HSL 266.98, 0.79%, 0.63%

LAB 51.18, 56.29, -65.16

 

CMYK 0 / 48 / 63 / 8

HEX #EB7B56

RGB 235 123 86

HSL 14.9, 0.79%, 0.63%

LAB 63.75, 40.14, 39.51

 

CMYK 29 / 0 / 63 / 8

HEX #A8EB56

RGB 168 235 86

HSL 86.98, 0.79%, 0.63%

LAB 86.21, -43.69, 63.49

 

CMYK 63 / 16 / 0 / 8

HEX #58C6EB

RGB 88 198 235

HSL 195.1, 0.79%, 0.63%

LAB 75.11, -20.51, -27.7

 

CMYK 16 / 63 / 0 / 8

HEX #C556EB

RGB 197 86 235

HSL 284.7, 0.79%, 0.63%

LAB 56.61, 65.89, -56.15

 

CMYK 0 / 48 / 63 / 8

HEX #EB7B56

RGB 235 123 86

HSL 14.9, 0.79%, 0.63%

LAB 63.75, 40.14, 39.51

 

CMYK 48 / 0 / 63 / 8

HEX #7BEB56

RGB 123 235 86

HSL 105.1, 0.79%, 0.63%

LAB 84.12, -58.25, 60.61

 

Description

Color code: HEX #58C6EB | qconv.com Color code: HEX #58C6EB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 198 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 198 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 16 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 16% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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