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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58B338 it is the complementary color #A74CC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58B338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58B338 shade: #5DB333, #6EC546, #7FD759, #90E96C and #A1FB7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58B338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58B338 shade: #58B338, #47A125, #368F12, #257D00 and #146B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58B338 shade: #58B238, #78B238, #99B238, #B2A938 and #B28838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58B338 shade: #58B238, #38B239, #38B25A, #38B27B and #38B29C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58B338 shade matches the following richer shades: #58B238, #4EC525 and #45D812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58B338 shade: #58B238, #619F4B, #6A8C5E, #737971 and #7C6684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58B338 shade: #99B238, #79B238, #58B238, #38B238 and #38B258

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58B338 shade: #397324, #48922E, #58B238, #6CC64D and #86D06C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58B338 shade: #58B338, #38B2AA and #B23889

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58B338 shade: #58B338, #3858B2 and #B23858

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58B338 shade: #58B338, #38B2AA, #9138B2 and #B23840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58B338 shade: #58B338, #3895B2, #9138B2 and #B25438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 69 / 30

HEX #58B338

RGB 88 179 56

HSL 104.39, 0.52%, 0.46%

LAB 65.44, -49.43, 52.26

 

Complementary color

CMYK 16 / 62 / 0 / 22

HEX #A74CC7

RGB 167 76 199

HSL 284.39, 0.52%, 0.54%

LAB 48.89, 56.23, -48.25

 

CMYK 48 / 0 / 72 / 30

HEX #5DB333

RGB 93 179 51

HSL 100.31, 0.56%, 0.45%

LAB 65.6, -48.33, 54.44

 

CMYK 44 / 0 / 64 / 23

HEX #6EC546

RGB 110 197 70

HSL 101.1, 0.52%, 0.52%

LAB 72.02, -48.69, 53.84

 

CMYK 41 / 0 / 59 / 16

HEX #7FD759

RGB 127 215 89

HSL 101.9, 0.61%, 0.6%

LAB 78.36, -48.86, 52.92

 

CMYK 38 / 0 / 54 / 9

HEX #90E96C

RGB 144 233 108

HSL 102.72, 0.74%, 0.67%

LAB 84.63, -48.89, 51.85

 

CMYK 36 / 0 / 49 / 2

HEX #A1FB7F

RGB 161 251 127

HSL 103.55, 0.94%, 0.74%

LAB 90.83, -48.85, 50.72

 

CMYK 51 / 0 / 69 / 30

HEX #58B338

RGB 88 179 56

HSL 104.39, 0.52%, 0.46%

LAB 65.44, -49.43, 52.26

 

CMYK 56 / 0 / 77 / 37

HEX #47A125

RGB 71 161 37

HSL 103.55, 0.63%, 0.39%

LAB 58.94, -48.81, 52.56

 

CMYK 62 / 0 / 87 / 44

HEX #368F12

RGB 54 143 18

HSL 102.72, 0.78%, 0.32%

LAB 52.37, -47.73, 51.83

 

CMYK 70 / 0 / 100 / 51

HEX #257D00

RGB 37 125 0

HSL 102.24, 1%, 0.25%

LAB 45.72, -46.02, 49.71

 

CMYK 81 / 0 / 100 / 58

HEX #146B00

RGB 20 107 0

HSL 108.79, 1%, 0.21%

LAB 39.01, -43.17, 44.22

 

CMYK 51 / 0 / 69 / 30

HEX #58B238

RGB 88 178 56

HSL 104.26, 0.52%, 0.46%

LAB 65.12, -49.04, 51.93

 

CMYK 33 / 0 / 69 / 30

HEX #78B238

RGB 120 178 56

HSL 88.52, 0.52%, 0.46%

LAB 66.61, -38.39, 53.95

 

CMYK 14 / 0 / 69 / 30

HEX #99B238

RGB 153 178 56

HSL 72.3, 0.52%, 0.46%

LAB 68.68, -25.43, 56.73

 

CMYK 0 / 5 / 69 / 30

HEX #B2A938

RGB 178 169 56

HSL 55.57, 0.52%, 0.46%

LAB 68.11, -10.21, 56.8

 

CMYK 0 / 24 / 69 / 30

HEX #B28838

RGB 178 136 56

HSL 39.34, 0.52%, 0.46%

LAB 59.3, 7.62, 47.66

 

CMYK 51 / 0 / 69 / 30

HEX #58B238

RGB 88 178 56

HSL 104.26, 0.52%, 0.46%

LAB 65.12, -49.04, 51.93

 

CMYK 69 / 0 / 68 / 30

HEX #38B239

RGB 56 178 57

HSL 120.49, 0.52%, 0.46%

LAB 64.14, -56.78, 50.19

 

CMYK 69 / 0 / 49 / 30

HEX #38B25A

RGB 56 178 90

HSL 136.72, 0.52%, 0.46%

LAB 64.5, -52.61, 35.27

 

CMYK 69 / 0 / 31 / 30

HEX #38B27B

RGB 56 178 123

HSL 152.95, 0.52%, 0.46%

LAB 65.05, -46.48, 18.58

 

CMYK 69 / 0 / 12 / 30

HEX #38B29C

RGB 56 178 156

HSL 169.18, 0.52%, 0.46%

LAB 65.81, -38.59, 1.51

 

CMYK 51 / 0 / 69 / 30

HEX #58B238

RGB 88 178 56

HSL 104.26, 0.52%, 0.46%

LAB 65.12, -49.04, 51.93

 

CMYK 60 / 0 / 81 / 23

HEX #4EC525

RGB 78 197 37

HSL 104.63, 0.68%, 0.46%

LAB 70.65, -59.95, 63.72

 

CMYK 68 / 0 / 92 / 15

HEX #45D812

RGB 69 216 18

HSL 104.55, 0.85%, 0.46%

LAB 76.33, -68.79, 72.47

 

CMYK 51 / 0 / 69 / 30

HEX #58B238

RGB 88 178 56

HSL 104.26, 0.52%, 0.46%

LAB 65.12, -49.04, 51.93

 

CMYK 39 / 0 / 53 / 38

HEX #619F4B

RGB 97 159 75

HSL 104.29, 0.36%, 0.46%

LAB 59.75, -36.23, 37.31

 

CMYK 24 / 0 / 33 / 45

HEX #6A8C5E

RGB 106 140 94

HSL 104.35, 0.2%, 0.46%

LAB 54.69, -21.1, 20.83

 

CMYK 5 / 0 / 7 / 53

HEX #737971

RGB 115 121 113

HSL 105, 0.03%, 0.46%

LAB 50.11, -3.87, 3.6

 

CMYK 6 / 23 / 0 / 48

HEX #7C6684

RGB 124 102 132

HSL 284, 0.13%, 0.46%

LAB 46.25, 14.65, -13.33

 

CMYK 14 / 0 / 69 / 30

HEX #99B238

RGB 153 178 56

HSL 72.3, 0.52%, 0.46%

LAB 68.68, -25.43, 56.73

 

CMYK 32 / 0 / 69 / 30

HEX #79B238

RGB 121 178 56

HSL 88.03, 0.52%, 0.46%

LAB 66.67, -38.03, 54.03

 

CMYK 51 / 0 / 69 / 30

HEX #58B238

RGB 88 178 56

HSL 104.26, 0.52%, 0.46%

LAB 65.12, -49.04, 51.93

 

CMYK 69 / 0 / 69 / 30

HEX #38B238

RGB 56 178 56

HSL 120, 0.52%, 0.46%

LAB 64.13, -56.87, 50.59

 

CMYK 69 / 0 / 51 / 30

HEX #38B258

RGB 56 178 88

HSL 135.74, 0.52%, 0.46%

LAB 64.47, -52.91, 36.24

 

CMYK 50 / 0 / 69 / 55

HEX #397324

RGB 57 115 36

HSL 104.05, 0.52%, 0.3%

LAB 43.15, -34.6, 36.63

 

CMYK 51 / 0 / 68 / 43

HEX #48922E

RGB 72 146 46

HSL 104.4, 0.52%, 0.38%

LAB 54.17, -41.93, 44.25

 

CMYK 51 / 0 / 69 / 30

HEX #58B238

RGB 88 178 56

HSL 104.26, 0.52%, 0.46%

LAB 65.12, -49.04, 51.93

 

CMYK 45 / 0 / 61 / 22

HEX #6CC64D

RGB 108 198 77

HSL 104.63, 0.51%, 0.54%

LAB 72.3, -49.05, 51.12

 

CMYK 36 / 0 / 48 / 18

HEX #86D06C

RGB 134 208 108

HSL 104.4, 0.52%, 0.62%

LAB 76.84, -41.46, 42.29

 

CMYK 51 / 0 / 69 / 30

HEX #58B338

RGB 88 179 56

HSL 104.39, 0.52%, 0.46%

LAB 65.44, -49.43, 52.26

 

CMYK 69 / 0 / 4 / 30

HEX #38B2AA

RGB 56 178 170

HSL 176.07, 0.52%, 0.46%

LAB 66.2, -34.78, -5.68

 

CMYK 0 / 69 / 23 / 30

HEX #B23889

RGB 178 56 137

HSL 320.16, 0.52%, 0.46%

LAB 44.38, 57.06, -18.55

 

CMYK 51 / 0 / 69 / 30

HEX #58B338

RGB 88 179 56

HSL 104.39, 0.52%, 0.46%

LAB 65.44, -49.43, 52.26

 

CMYK 69 / 51 / 0 / 30

HEX #3858B2

RGB 56 88 178

HSL 224.26, 0.52%, 0.46%

LAB 39.64, 18.82, -51.44

 

CMYK 0 / 69 / 51 / 30

HEX #B23858

RGB 178 56 88

HSL 344.26, 0.52%, 0.46%

LAB 42.76, 51.54, 9.29

 

CMYK 51 / 0 / 69 / 30

HEX #58B338

RGB 88 179 56

HSL 104.39, 0.52%, 0.46%

LAB 65.44, -49.43, 52.26

 

CMYK 69 / 0 / 4 / 30

HEX #38B2AA

RGB 56 178 170

HSL 176.07, 0.52%, 0.46%

LAB 66.2, -34.78, -5.68

 

CMYK 19 / 69 / 0 / 30

HEX #9138B2

RGB 145 56 178

HSL 283.77, 0.52%, 0.46%

LAB 41.32, 55.83, -48.29

 

CMYK 0 / 69 / 64 / 30

HEX #B23840

RGB 178 56 64

HSL 356.07, 0.52%, 0.46%

LAB 42.25, 49.74, 23.47

 

CMYK 51 / 0 / 69 / 30

HEX #58B338

RGB 88 179 56

HSL 104.39, 0.52%, 0.46%

LAB 65.44, -49.43, 52.26

 

CMYK 69 / 16 / 0 / 30

HEX #3895B2

RGB 56 149 178

HSL 194.26, 0.52%, 0.46%

LAB 57.61, -17.84, -23.13

 

CMYK 19 / 69 / 0 / 30

HEX #9138B2

RGB 145 56 178

HSL 283.77, 0.52%, 0.46%

LAB 41.32, 55.83, -48.29

 

CMYK 0 / 53 / 69 / 30

HEX #B25438

RGB 178 84 56

HSL 13.77, 0.52%, 0.46%

LAB 47.09, 36.17, 34.08

 

Description

Color code: HEX #58B338 | qconv.com Color code: HEX #58B338 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 179 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 179 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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