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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58B1FD it is the complementary color #A74E02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58B1FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58B1FD shade: #5DB1F8, #6EC3FF, #7FD5FF, #90E7FF and #A1F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58B1FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58B1FD shade: #58B1FD, #479FEA, #368DD7, #257BC4 and #1469B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58B1FD shade: #58B1FD, #5884FD, #5858FD, #8458FD and #B158FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58B1FD shade: #58B1FD, #5884FD and #5858FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58B1FD shade matches the following richer shades: #58B1FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58B1FD shade: #58B1FD, #65B0EF, #73AFE2, #81AED4 and #8EADC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58B1FD shade: #58FDEF, #58DFFD, #58B3FD, #5887FD and #585BFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58B1FD shade: #068BFC, #2F9EFC, #58B1FD, #81C4FD and #AAD7FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58B1FD shade: #58B1FD, #C358FD and #F5FD58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58B1FD shade: #58B1FD, #FD58B3 and #B3FD58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58B1FD shade: #58B1FD, #C358FD, #FDA258 and #92FD58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58B1FD shade: #58B1FD, #F558FD, #FDA258 and #60FD58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

Complementary color

CMYK 0 / 53 / 99 / 35

HEX #A74E02

RGB 167 78 2

HSL 27.64, 0.98%, 0.33%

LAB 43.75, 33.1, 52.92

 

CMYK 63 / 29 / 0 / 3

HEX #5DB1F8

RGB 93 177 248

HSL 207.48, 0.92%, 0.67%

LAB 69.86, -4.41, -42.86

 

CMYK 57 / 24 / 0 / 0

HEX #6EC3FF

RGB 110 195 255

HSL 204.83, 1%, 0.72%

LAB 75.8, -8.92, -37.32

 

CMYK 50 / 16 / 0 / 0

HEX #7FD5FF

RGB 127 213 255

HSL 199.69, 1%, 0.75%

LAB 81.47, -14.89, -28.53

 

CMYK 44 / 9 / 0 / 0

HEX #90E7FF

RGB 144 231 255

HSL 192.97, 1%, 0.78%

LAB 87.14, -20.18, -19.83

 

CMYK 37 / 2 / 0 / 0

HEX #A1F9FF

RGB 161 249 255

HSL 183.83, 1%, 0.82%

LAB 92.82, -24.88, -11.24

 

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

CMYK 70 / 32 / 0 / 8

HEX #479FEA

RGB 71 159 234

HSL 207.61, 0.8%, 0.6%

LAB 63.41, -2.41, -45.4

 

CMYK 75 / 34 / 0 / 16

HEX #368DD7

RGB 54 141 215

HSL 207.58, 0.67%, 0.53%

LAB 56.82, -0.91, -45.26

 

CMYK 81 / 37 / 0 / 23

HEX #257BC4

RGB 37 123 196

HSL 207.55, 0.68%, 0.46%

LAB 50.15, 0.99, -45.1

 

CMYK 89 / 41 / 0 / 31

HEX #1469B1

RGB 20 105 177

HSL 207.52, 0.8%, 0.39%

LAB 43.4, 3.4, -44.88

 

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

CMYK 65 / 48 / 0 / 1

HEX #5884FD

RGB 88 132 253

HSL 224, 0.98%, 0.67%

LAB 57.72, 22.69, -64.87

 

CMYK 65 / 65 / 0 / 1

HEX #5858FD

RGB 88 88 253

HSL 240, 0.98%, 0.67%

LAB 47.17, 49.13, -82.01

 

CMYK 48 / 65 / 0 / 1

HEX #8458FD

RGB 132 88 253

HSL 256, 0.98%, 0.67%

LAB 50.66, 55.86, -76.16

 

CMYK 30 / 65 / 0 / 1

HEX #B158FD

RGB 177 88 253

HSL 272.36, 0.98%, 0.67%

LAB 55.5, 64.46, -68.08

 

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

CMYK 65 / 48 / 0 / 1

HEX #5884FD

RGB 88 132 253

HSL 224, 0.98%, 0.67%

LAB 57.72, 22.69, -64.87

 

CMYK 65 / 65 / 0 / 1

HEX #5858FD

RGB 88 88 253

HSL 240, 0.98%, 0.67%

LAB 47.17, 49.13, -82.01

 

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

CMYK 58 / 26 / 0 / 6

HEX #65B0EF

RGB 101 176 239

HSL 207.39, 0.81%, 0.67%

LAB 69.5, -5.22, -38.5

 

CMYK 49 / 23 / 0 / 11

HEX #73AFE2

RGB 115 175 226

HSL 207.57, 0.66%, 0.67%

LAB 69.32, -5.58, -31.64

 

CMYK 39 / 18 / 0 / 17

HEX #81AED4

RGB 129 174 212

HSL 207.47, 0.49%, 0.67%

LAB 69.25, -5.45, -24.01

 

CMYK 28 / 13 / 0 / 22

HEX #8EADC6

RGB 142 173 198

HSL 206.79, 0.33%, 0.67%

LAB 69.27, -4.79, -16.21

 

CMYK 65 / 0 / 6 / 1

HEX #58FDEF

RGB 88 253 239

HSL 174.91, 0.98%, 0.67%

LAB 91.03, -45.38, -5.86

 

CMYK 65 / 12 / 0 / 1

HEX #58DFFD

RGB 88 223 253

HSL 190.91, 0.98%, 0.67%

LAB 82.88, -27.65, -25.43

 

CMYK 65 / 29 / 0 / 1

HEX #58B3FD

RGB 88 179 253

HSL 206.91, 0.98%, 0.67%

LAB 70.46, -4.74, -44.64

 

CMYK 65 / 47 / 0 / 1

HEX #5887FD

RGB 88 135 253

HSL 222.91, 0.98%, 0.67%

LAB 58.5, 20.87, -63.62

 

CMYK 65 / 64 / 0 / 1

HEX #585BFD

RGB 88 91 253

HSL 238.91, 0.98%, 0.67%

LAB 47.81, 47.4, -80.95

 

CMYK 98 / 45 / 0 / 1

HEX #068BFC

RGB 6 139 252

HSL 207.56, 0.98%, 0.51%

LAB 57.59, 10.99, -64.64

 

CMYK 81 / 37 / 0 / 1

HEX #2F9EFC

RGB 47 158 252

HSL 207.51, 0.97%, 0.59%

LAB 63.41, 1.76, -55.29

 

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

CMYK 49 / 23 / 0 / 1

HEX #81C4FD

RGB 129 196 253

HSL 207.58, 0.97%, 0.75%

LAB 76.82, -6.06, -34.6

 

CMYK 33 / 15 / 0 / 0

HEX #AAD7FE

RGB 170 215 254

HSL 207.86, 0.98%, 0.83%

LAB 84.12, -5.6, -23.76

 

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

CMYK 23 / 65 / 0 / 1

HEX #C358FD

RGB 195 88 253

HSL 278.91, 0.98%, 0.67%

LAB 57.73, 68.2, -64.38

 

CMYK 3 / 0 / 65 / 1

HEX #F5FD58

RGB 245 253 88

HSL 62.91, 0.98%, 0.67%

LAB 96.15, -22.3, 74.69

 

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

CMYK 0 / 65 / 29 / 1

HEX #FD58B3

RGB 253 88 179

HSL 326.91, 0.98%, 0.67%

LAB 62.61, 70.47, -14.44

 

CMYK 29 / 0 / 65 / 1

HEX #B3FD58

RGB 179 253 88

HSL 86.91, 0.98%, 0.67%

LAB 91.93, -47.34, 68.98

 

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

CMYK 23 / 65 / 0 / 1

HEX #C358FD

RGB 195 88 253

HSL 278.91, 0.98%, 0.67%

LAB 57.73, 68.2, -64.38

 

CMYK 0 / 36 / 65 / 1

HEX #FDA258

RGB 253 162 88

HSL 26.91, 0.98%, 0.67%

LAB 74.46, 27.21, 51.59

 

CMYK 42 / 0 / 65 / 1

HEX #92FD58

RGB 146 253 88

HSL 98.91, 0.98%, 0.67%

LAB 90.35, -58.2, 66.83

 

CMYK 65 / 30 / 0 / 1

HEX #58B1FD

RGB 88 177 253

HSL 207.64, 0.98%, 0.67%

LAB 69.9, -3.63, -45.51

 

CMYK 3 / 65 / 0 / 1

HEX #F558FD

RGB 245 88 253

HSL 297.09, 0.98%, 0.67%

LAB 64.55, 79.02, -53.09

 

CMYK 0 / 36 / 65 / 1

HEX #FDA258

RGB 253 162 88

HSL 26.91, 0.98%, 0.67%

LAB 74.46, 27.21, 51.59

 

CMYK 62 / 0 / 65 / 1

HEX #60FD58

RGB 96 253 88

HSL 117.09, 0.98%, 0.67%

LAB 88.66, -71.15, 64.51

 

Description

Color code: HEX #58B1FD | qconv.com Color code: HEX #58B1FD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 177 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 177 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 30 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 30% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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