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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58B723 it is the complementary color #A748DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58B723. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58B723 shade: #5DB71E, #6EC931, #7FDB44, #90ED57 and #A1FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58B723. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58B723 shade: #58B723, #47A510, #369300, #258100 and #146F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58B723 shade: #58B823, #80B823, #A8B823, #B89F23 and #B87723

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58B723 shade: #58B823, #30B823, #23B83E, #23B866 and #23B88E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58B723 shade matches the following richer shades: #58B823 and #53C911

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58B723 shade: #58B823, #5DA634, #629446, #678258 and #6C716A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58B723 shade: #A9B823, #81B823, #59B823, #32B823 and #23B83B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58B723 shade: #377215, #47951C, #58B823, #6AD72D and #82DD50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58B723 shade: #58B723, #23B89F and #B82395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58B723 shade: #58B723, #2359B8 and #B82359

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58B723 shade: #58B723, #23B89F, #8123B8 and #B8233B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58B723 shade: #58B723, #23A4B8, #8123B8 and #B83623

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 81 / 28

HEX #58B723

RGB 88 183 35

HSL 98.51, 0.68%, 0.43%

LAB 66.57, -52.38, 60.63

 

Complementary color

CMYK 24 / 67 / 0 / 14

HEX #A748DC

RGB 167 72 220

HSL 278.51, 0.68%, 0.57%

LAB 49.52, 62.41, -59.28

 

CMYK 49 / 0 / 84 / 28

HEX #5DB71E

RGB 93 183 30

HSL 95.29, 0.72%, 0.42%

LAB 66.74, -51.13, 62.19

 

CMYK 45 / 0 / 76 / 21

HEX #6EC931

RGB 110 201 49

HSL 95.92, 0.61%, 0.49%

LAB 73.1, -51.85, 62.83

 

CMYK 42 / 0 / 69 / 14

HEX #7FDB44

RGB 127 219 68

HSL 96.56, 0.68%, 0.56%

LAB 79.38, -52.31, 62.68

 

CMYK 39 / 0 / 63 / 7

HEX #90ED57

RGB 144 237 87

HSL 97.2, 0.81%, 0.64%

LAB 85.6, -52.58, 62.07

 

CMYK 37 / 0 / 58 / 0

HEX #A1FF6A

RGB 161 255 106

HSL 97.85, 1%, 0.71%

LAB 91.75, -52.73, 61.2

 

CMYK 52 / 0 / 81 / 28

HEX #58B723

RGB 88 183 35

HSL 98.51, 0.68%, 0.43%

LAB 66.57, -52.38, 60.63

 

CMYK 57 / 0 / 90 / 35

HEX #47A510

RGB 71 165 16

HSL 97.85, 0.82%, 0.35%

LAB 60.15, -51.3, 59.2

 

CMYK 63 / 0 / 100 / 42

HEX #369300

RGB 54 147 0

HSL 97.96, 1%, 0.29%

LAB 53.66, -49.72, 56.21

 

CMYK 71 / 0 / 100 / 49

HEX #258100

RGB 37 129 0

HSL 102.79, 1%, 0.25%

LAB 47.1, -47.39, 50.81

 

CMYK 82 / 0 / 100 / 56

HEX #146F00

RGB 20 111 0

HSL 109.19, 1%, 0.22%

LAB 40.44, -44.48, 45.36

 

CMYK 52 / 0 / 81 / 28

HEX #58B823

RGB 88 184 35

HSL 98.66, 0.68%, 0.43%

LAB 66.88, -52.75, 60.92

 

CMYK 30 / 0 / 81 / 28

HEX #80B823

RGB 128 184 35

HSL 82.55, 0.68%, 0.43%

LAB 68.75, -39.27, 63.31

 

CMYK 9 / 0 / 81 / 28

HEX #A8B823

RGB 168 184 35

HSL 66.44, 0.68%, 0.43%

LAB 71.37, -23.08, 66.64

 

CMYK 0 / 14 / 81 / 28

HEX #B89F23

RGB 184 159 35

HSL 49.93, 0.68%, 0.43%

LAB 65.83, -3.2, 62.31

 

CMYK 0 / 35 / 81 / 28

HEX #B87723

RGB 184 119 35

HSL 33.83, 0.68%, 0.43%

LAB 55.59, 18.75, 53.16

 

CMYK 52 / 0 / 81 / 28

HEX #58B823

RGB 88 184 35

HSL 98.66, 0.68%, 0.43%

LAB 66.88, -52.75, 60.92

 

CMYK 74 / 0 / 81 / 28

HEX #30B823

RGB 48 184 35

HSL 114.77, 0.68%, 0.43%

LAB 65.77, -61.85, 59.49

 

CMYK 81 / 0 / 66 / 28

HEX #23B83E

RGB 35 184 62

HSL 130.87, 0.68%, 0.43%

LAB 65.74, -61.5, 49.73

 

CMYK 81 / 0 / 45 / 28

HEX #23B866

RGB 35 184 102

HSL 146.98, 0.68%, 0.43%

LAB 66.21, -55.82, 31.22

 

CMYK 81 / 0 / 23 / 28

HEX #23B88E

RGB 35 184 142

HSL 163.09, 0.68%, 0.43%

LAB 66.97, -47.34, 10.84

 

CMYK 52 / 0 / 81 / 28

HEX #58B823

RGB 88 184 35

HSL 98.66, 0.68%, 0.43%

LAB 66.88, -52.75, 60.92

 

CMYK 59 / 0 / 92 / 21

HEX #53C911

RGB 83 201 17

HSL 98.48, 0.84%, 0.43%

LAB 72, -60.84, 69.15

 

CMYK 52 / 0 / 81 / 28

HEX #58B823

RGB 88 184 35

HSL 98.66, 0.68%, 0.43%

LAB 66.88, -52.75, 60.92

 

CMYK 44 / 0 / 69 / 35

HEX #5DA634

RGB 93 166 52

HSL 98.42, 0.52%, 0.43%

LAB 61.52, -42.98, 49.82

 

CMYK 34 / 0 / 53 / 42

HEX #629446

RGB 98 148 70

HSL 98.46, 0.36%, 0.43%

LAB 56.31, -31.44, 35.69

 

CMYK 21 / 0 / 32 / 49

HEX #678258

RGB 103 130 88

HSL 98.57, 0.19%, 0.43%

LAB 51.33, -18, 19.67

 

CMYK 4 / 0 / 6 / 56

HEX #6C716A

RGB 108 113 106

HSL 102.86, 0.03%, 0.43%

LAB 47.03, -3.33, 3.22

 

CMYK 8 / 0 / 81 / 28

HEX #A9B823

RGB 169 184 35

HSL 66.04, 0.68%, 0.43%

LAB 71.44, -22.66, 66.73

 

CMYK 30 / 0 / 81 / 28

HEX #81B823

RGB 129 184 35

HSL 82.15, 0.68%, 0.43%

LAB 68.8, -38.89, 63.38

 

CMYK 52 / 0 / 81 / 28

HEX #59B823

RGB 89 184 35

HSL 98.26, 0.68%, 0.43%

LAB 66.92, -52.46, 60.97

 

CMYK 73 / 0 / 81 / 28

HEX #32B823

RGB 50 184 35

HSL 113.96, 0.68%, 0.43%

LAB 65.81, -61.52, 59.54

 

CMYK 81 / 0 / 68 / 28

HEX #23B83B

RGB 35 184 59

HSL 129.66, 0.68%, 0.43%

LAB 65.71, -61.8, 50.94

 

CMYK 52 / 0 / 82 / 55

HEX #377215

RGB 55 114 21

HSL 98.06, 0.69%, 0.26%

LAB 42.61, -36.03, 42.08

 

CMYK 52 / 0 / 81 / 42

HEX #47951C

RGB 71 149 28

HSL 98.68, 0.68%, 0.35%

LAB 54.99, -44.75, 51.7

 

CMYK 52 / 0 / 81 / 28

HEX #58B823

RGB 88 184 35

HSL 98.66, 0.68%, 0.43%

LAB 66.88, -52.75, 60.92

 

CMYK 51 / 0 / 79 / 16

HEX #6AD72D

RGB 106 215 45

HSL 98.47, 0.68%, 0.51%

LAB 77.19, -58.57, 67.89

 

CMYK 41 / 0 / 64 / 13

HEX #82DD50

RGB 130 221 80

HSL 98.72, 0.67%, 0.59%

LAB 80.2, -51.19, 58.86

 

CMYK 52 / 0 / 81 / 28

HEX #58B723

RGB 88 183 35

HSL 98.51, 0.68%, 0.43%

LAB 66.57, -52.38, 60.63

 

CMYK 81 / 0 / 14 / 28

HEX #23B89F

RGB 35 184 159

HSL 169.93, 0.68%, 0.43%

LAB 67.38, -42.98, 2.09

 

CMYK 0 / 81 / 19 / 28

HEX #B82395

RGB 184 35 149

HSL 314.09, 0.68%, 0.43%

LAB 43.6, 66.82, -26.94

 

CMYK 52 / 0 / 81 / 28

HEX #58B723

RGB 88 183 35

HSL 98.51, 0.68%, 0.43%

LAB 66.57, -52.38, 60.63

 

CMYK 81 / 52 / 0 / 28

HEX #2359B8

RGB 35 89 184

HSL 218.26, 0.68%, 0.43%

LAB 39.52, 17.77, -55.2

 

CMYK 0 / 81 / 52 / 28

HEX #B82359

RGB 184 35 89

HSL 338.26, 0.68%, 0.43%

LAB 41.4, 60.39, 6.89

 

CMYK 52 / 0 / 81 / 28

HEX #58B723

RGB 88 183 35

HSL 98.51, 0.68%, 0.43%

LAB 66.57, -52.38, 60.63

 

CMYK 81 / 0 / 14 / 28

HEX #23B89F

RGB 35 184 159

HSL 169.93, 0.68%, 0.43%

LAB 67.38, -42.98, 2.09

 

CMYK 30 / 81 / 0 / 28

HEX #8123B8

RGB 129 35 184

HSL 277.85, 0.68%, 0.43%

LAB 36.61, 61.97, -59.56

 

CMYK 0 / 81 / 68 / 28

HEX #B8233B

RGB 184 35 59

HSL 350.34, 0.68%, 0.43%

LAB 40.75, 58.42, 24.9

 

CMYK 52 / 0 / 81 / 28

HEX #58B723

RGB 88 183 35

HSL 98.51, 0.68%, 0.43%

LAB 66.57, -52.38, 60.63

 

CMYK 81 / 11 / 0 / 28

HEX #23A4B8

RGB 35 164 184

HSL 188.05, 0.68%, 0.43%

LAB 61.97, -26.23, -19.88

 

CMYK 30 / 81 / 0 / 28

HEX #8123B8

RGB 129 35 184

HSL 277.85, 0.68%, 0.43%

LAB 36.61, 61.97, -59.56

 

CMYK 0 / 71 / 81 / 28

HEX #B83623

RGB 184 54 35

HSL 7.65, 0.68%, 0.43%

LAB 42.69, 51.16, 41.03

 

Description

Color code: HEX #58B723 | qconv.com Color code: HEX #58B723 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 183 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 183 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 81 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 81% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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