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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58AD85 it is the complementary color #A7527A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58AD85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58AD85 shade: #5DAD80, #6EBF93, #7FD1A6, #90E3B9 and #A1F5CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58AD85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58AD85 shade: #58AD85, #479B72, #36895F, #25774C and #146539

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58AD85 shade: #57AC84, #57AC6D, #58AC57, #6FAC57 and #86AC57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58AD85 shade: #57AC84, #57AC9B, #57A6AC, #578FAC and #5778AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58AD85 shade matches the following richer shades: #57AC84, #43C085, #2FD486, #1AE988 and #06FD89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58AD85 shade: #57AC84, #6B9883, #808482, #946F80 and #A85B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58AD85 shade: #58AC57, #57AC6C, #57AC83, #57AC9A and #57A8AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58AD85 shade: #3A765A, #48926F, #57AC84, #73BA98 and #8EC7AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58AD85 shade: #58AD85, #576FAC and #AC6157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58AD85 shade: #58AD85, #8357AC and #AC8357

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58AD85 shade: #58AD85, #576FAC, #AC5780 and #AC9457

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58AD85 shade: #58AD85, #5857AC, #AC5780 and #ABAC57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 23 / 32

HEX #58AD85

RGB 88 173 133

HSL 151.76, 0.34%, 0.51%

LAB 64.69, -35.31, 12.75

 

Complementary color

CMYK 0 / 51 / 27 / 35

HEX #A7527A

RGB 167 82 122

HSL 331.76, 0.34%, 0.49%

LAB 46.52, 39.67, -6.37

 

CMYK 46 / 0 / 26 / 32

HEX #5DAD80

RGB 93 173 128

HSL 146.25, 0.33%, 0.52%

LAB 64.78, -35.03, 15.66

 

CMYK 42 / 0 / 23 / 25

HEX #6EBF93

RGB 110 191 147

HSL 147.41, 0.39%, 0.59%

LAB 71.34, -34.8, 14.57

 

CMYK 39 / 0 / 21 / 18

HEX #7FD1A6

RGB 127 209 166

HSL 148.54, 0.47%, 0.66%

LAB 77.8, -34.55, 13.57

 

CMYK 37 / 0 / 19 / 11

HEX #90E3B9

RGB 144 227 185

HSL 149.64, 0.6%, 0.73%

LAB 84.16, -34.3, 12.63

 

CMYK 34 / 0 / 17 / 4

HEX #A1F5CC

RGB 161 245 204

HSL 150.71, 0.81%, 0.8%

LAB 90.43, -34.06, 11.74

 

CMYK 49 / 0 / 23 / 32

HEX #58AD85

RGB 88 173 133

HSL 151.76, 0.34%, 0.51%

LAB 64.69, -35.31, 12.75

 

CMYK 54 / 0 / 26 / 39

HEX #479B72

RGB 71 155 114

HSL 150.71, 0.37%, 0.44%

LAB 58.03, -35.44, 13.91

 

CMYK 61 / 0 / 31 / 46

HEX #36895F

RGB 54 137 95

HSL 149.64, 0.43%, 0.37%

LAB 51.27, -35.46, 15.2

 

CMYK 69 / 0 / 36 / 53

HEX #25774C

RGB 37 119 76

HSL 148.54, 0.53%, 0.31%

LAB 44.39, -35.27, 16.66

 

CMYK 80 / 0 / 44 / 60

HEX #146539

RGB 20 101 57

HSL 147.41, 0.67%, 0.24%

LAB 37.39, -34.65, 18.33

 

CMYK 49 / 0 / 23 / 33

HEX #57AC84

RGB 87 172 132

HSL 151.76, 0.34%, 0.51%

LAB 64.32, -35.32, 12.78

 

CMYK 49 / 0 / 37 / 33

HEX #57AC6D

RGB 87 172 109

HSL 135.53, 0.34%, 0.51%

LAB 63.86, -39.86, 24.7

 

CMYK 49 / 0 / 49 / 33

HEX #58AC57

RGB 88 172 87

HSL 119.29, 0.34%, 0.51%

LAB 63.56, -43.11, 35.84

 

CMYK 35 / 0 / 49 / 33

HEX #6FAC57

RGB 111 172 87

HSL 103.06, 0.34%, 0.51%

LAB 64.62, -35.8, 37.38

 

CMYK 22 / 0 / 49 / 33

HEX #86AC57

RGB 134 172 87

HSL 86.82, 0.34%, 0.51%

LAB 65.95, -27.4, 39.31

 

CMYK 49 / 0 / 23 / 33

HEX #57AC84

RGB 87 172 132

HSL 151.76, 0.34%, 0.51%

LAB 64.32, -35.32, 12.78

 

CMYK 49 / 0 / 10 / 33

HEX #57AC9B

RGB 87 172 155

HSL 168, 0.34%, 0.51%

LAB 64.88, -29.99, 0.83

 

CMYK 49 / 3 / 0 / 33

HEX #57A6AC

RGB 87 166 172

HSL 184.24, 0.34%, 0.51%

LAB 63.57, -22.56, -10.61

 

CMYK 49 / 17 / 0 / 33

HEX #578FAC

RGB 87 143 172

HSL 200.47, 0.34%, 0.51%

LAB 56.73, -10.28, -20.96

 

CMYK 49 / 30 / 0 / 33

HEX #5778AC

RGB 87 120 172

HSL 216.71, 0.34%, 0.51%

LAB 50.02, 3.05, -31.33

 

CMYK 49 / 0 / 23 / 33

HEX #57AC84

RGB 87 172 132

HSL 151.76, 0.34%, 0.51%

LAB 64.32, -35.32, 12.78

 

CMYK 65 / 0 / 31 / 25

HEX #43C085

RGB 67 192 133

HSL 151.68, 0.5%, 0.51%

LAB 69.88, -48.14, 19.86

 

CMYK 78 / 0 / 37 / 17

HEX #2FD486

RGB 47 212 134

HSL 151.64, 0.66%, 0.51%

LAB 75.71, -58.61, 27.17

 

CMYK 89 / 0 / 42 / 9

HEX #1AE988

RGB 26 233 136

HSL 151.88, 0.82%, 0.51%

LAB 81.99, -67.39, 34.42

 

CMYK 98 / 0 / 46 / 1

HEX #06FD89

RGB 6 253 137

HSL 151.82, 0.98%, 0.51%

LAB 88.01, -74.53, 41.7

 

CMYK 49 / 0 / 23 / 33

HEX #57AC84

RGB 87 172 132

HSL 151.76, 0.34%, 0.51%

LAB 64.32, -35.32, 12.78

 

CMYK 30 / 0 / 14 / 40

HEX #6B9883

RGB 107 152 131

HSL 152, 0.18%, 0.51%

LAB 59.18, -19.92, 6.18

 

CMYK 3 / 0 / 2 / 48

HEX #808482

RGB 128 132 130

HSL 150, 0.02%, 0.51%

LAB 54.77, -1.88, 0.55

 

CMYK 0 / 25 / 14 / 42

HEX #946F80

RGB 148 111 128

HSL 332.43, 0.15%, 0.51%

LAB 50.95, 17.46, -3.66

 

CMYK 0 / 46 / 24 / 34

HEX #A85B7F

RGB 168 91 127

HSL 331.95, 0.31%, 0.51%

LAB 48.68, 35.98, -6.14

 

CMYK 49 / 0 / 49 / 33

HEX #58AC57

RGB 88 172 87

HSL 119.29, 0.34%, 0.51%

LAB 63.56, -43.11, 35.84

 

CMYK 49 / 0 / 37 / 33

HEX #57AC6C

RGB 87 172 108

HSL 134.82, 0.34%, 0.51%

LAB 63.85, -40.04, 25.21

 

CMYK 49 / 0 / 24 / 33

HEX #57AC83

RGB 87 172 131

HSL 151.06, 0.34%, 0.51%

LAB 64.3, -35.53, 13.3

 

CMYK 49 / 0 / 10 / 33

HEX #57AC9A

RGB 87 172 154

HSL 167.29, 0.34%, 0.51%

LAB 64.85, -30.23, 1.34

 

CMYK 49 / 2 / 0 / 33

HEX #57A8AC

RGB 87 168 172

HSL 182.82, 0.34%, 0.51%

LAB 64.17, -23.58, -9.71

 

CMYK 51 / 0 / 24 / 54

HEX #3A765A

RGB 58 118 90

HSL 152, 0.34%, 0.35%

LAB 45.07, -26.67, 9.52

 

CMYK 51 / 0 / 24 / 43

HEX #48926F

RGB 72 146 111

HSL 151.62, 0.34%, 0.43%

LAB 55.16, -31.67, 11.59

 

CMYK 49 / 0 / 23 / 33

HEX #57AC84

RGB 87 172 132

HSL 151.76, 0.34%, 0.51%

LAB 64.32, -35.32, 12.78

 

CMYK 38 / 0 / 18 / 27

HEX #73BA98

RGB 115 186 152

HSL 151.27, 0.34%, 0.59%

LAB 70.2, -29.99, 10.28

 

CMYK 29 / 0 / 14 / 22

HEX #8EC7AC

RGB 142 199 172

HSL 151.58, 0.34%, 0.67%

LAB 75.81, -24.1, 7.63

 

CMYK 49 / 0 / 23 / 32

HEX #58AD85

RGB 88 173 133

HSL 151.76, 0.34%, 0.51%

LAB 64.69, -35.31, 12.75

 

CMYK 49 / 35 / 0 / 33

HEX #576FAC

RGB 87 111 172

HSL 223.06, 0.34%, 0.51%

LAB 47.46, 8.51, -35.35

 

CMYK 0 / 44 / 49 / 33

HEX #AC6157

RGB 172 97 87

HSL 7.06, 0.34%, 0.51%

LAB 49.51, 29.26, 19.01

 

CMYK 49 / 0 / 23 / 32

HEX #58AD85

RGB 88 173 133

HSL 151.76, 0.34%, 0.51%

LAB 64.69, -35.31, 12.75

 

CMYK 24 / 49 / 0 / 33

HEX #8357AC

RGB 131 87 172

HSL 271.06, 0.34%, 0.51%

LAB 45.11, 35.05, -38.81

 

CMYK 0 / 24 / 49 / 33

HEX #AC8357

RGB 172 131 87

HSL 31.06, 0.34%, 0.51%

LAB 57.74, 10.22, 29.78

 

CMYK 49 / 0 / 23 / 32

HEX #58AD85

RGB 88 173 133

HSL 151.76, 0.34%, 0.51%

LAB 64.69, -35.31, 12.75

 

CMYK 49 / 35 / 0 / 33

HEX #576FAC

RGB 87 111 172

HSL 223.06, 0.34%, 0.51%

LAB 47.46, 8.51, -35.35

 

CMYK 0 / 49 / 26 / 33

HEX #AC5780

RGB 172 87 128

HSL 331.06, 0.34%, 0.51%

LAB 48.44, 39.65, -7.05

 

CMYK 0 / 14 / 49 / 33

HEX #AC9457

RGB 172 148 87

HSL 43.06, 0.34%, 0.51%

LAB 62.2, 0.78, 35.38

 

CMYK 49 / 0 / 23 / 32

HEX #58AD85

RGB 88 173 133

HSL 151.76, 0.34%, 0.51%

LAB 64.69, -35.31, 12.75

 

CMYK 49 / 49 / 0 / 33

HEX #5857AC

RGB 88 87 172

HSL 240.71, 0.34%, 0.51%

LAB 41.01, 23.75, -45.59

 

CMYK 0 / 49 / 26 / 33

HEX #AC5780

RGB 172 87 128

HSL 331.06, 0.34%, 0.51%

LAB 48.44, 39.65, -7.05

 

CMYK 1 / 0 / 49 / 33

HEX #ABAC57

RGB 171 172 87

HSL 60.71, 0.34%, 0.51%

LAB 68.64, -12.47, 43.19

 

Description

Color code: HEX #58AD85 | qconv.com Color code: HEX #58AD85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 173 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 173 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 23 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 23% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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