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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58A82A it is the complementary color #A757D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58A82A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58A82A shade: #5DA825, #6EBA38, #7FCC4B, #90DE5E and #A1F071

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58A82A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58A82A shade: #58A82A, #479617, #368404, #257200 and #146000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58A82A shade: #57A729, #79A729, #9BA729, #A79129 and #A76F29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58A82A shade: #57A729, #35A729, #29A73F, #29A761 and #29A783

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58A82A shade matches the following richer shades: #57A729, #53B818 and #4EC907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58A82A shade: #57A729, #5C963A, #60854B, #65745C and #69636D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58A82A shade: #9AA729, #79A729, #57A729, #36A729 and #29A73E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58A82A shade: #356519, #468621, #57A729, #68C832 and #80D350

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58A82A shade: #58A82A, #29A792 and #A7298A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58A82A shade: #58A82A, #2957A7 and #A72957

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58A82A shade: #58A82A, #29A792, #7929A7 and #A7293E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58A82A shade: #58A82A, #2996A7, #7929A7 and #A73A29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 75 / 34

HEX #58A82A

RGB 88 168 42

HSL 98.1, 0.6%, 0.41%

LAB 61.87, -46.15, 53.92

 

Complementary color

CMYK 22 / 59 / 0 / 16

HEX #A757D5

RGB 167 87 213

HSL 278.1, 0.6%, 0.59%

LAB 51.65, 53.88, -51.87

 

CMYK 45 / 0 / 78 / 34

HEX #5DA825

RGB 93 168 37

HSL 94.35, 0.64%, 0.4%

LAB 62.05, -44.85, 55.86

 

CMYK 41 / 0 / 70 / 27

HEX #6EBA38

RGB 110 186 56

HSL 95.08, 0.54%, 0.47%

LAB 68.55, -45.34, 55.8

 

CMYK 38 / 0 / 63 / 20

HEX #7FCC4B

RGB 127 204 75

HSL 95.81, 0.56%, 0.55%

LAB 74.95, -45.61, 55.17

 

CMYK 35 / 0 / 58 / 13

HEX #90DE5E

RGB 144 222 94

HSL 96.56, 0.66%, 0.62%

LAB 81.28, -45.74, 54.25

 

CMYK 33 / 0 / 53 / 6

HEX #A1F071

RGB 161 240 113

HSL 97.32, 0.81%, 0.69%

LAB 87.53, -45.77, 53.2

 

CMYK 48 / 0 / 75 / 34

HEX #58A82A

RGB 88 168 42

HSL 98.1, 0.6%, 0.41%

LAB 61.87, -46.15, 53.92

 

CMYK 53 / 0 / 85 / 41

HEX #479617

RGB 71 150 23

HSL 97.32, 0.73%, 0.34%

LAB 55.29, -45.39, 53.41

 

CMYK 59 / 0 / 97 / 48

HEX #368404

RGB 54 132 4

HSL 96.56, 0.94%, 0.27%

LAB 48.63, -44.16, 51.45

 

CMYK 68 / 0 / 100 / 55

HEX #257200

RGB 37 114 0

HSL 100.53, 1%, 0.22%

LAB 41.89, -42.15, 46.68

 

CMYK 79 / 0 / 100 / 62

HEX #146000

RGB 20 96 0

HSL 107.5, 1%, 0.19%

LAB 35.03, -39.47, 41.05

 

CMYK 48 / 0 / 75 / 35

HEX #57A729

RGB 87 167 41

HSL 98.1, 0.61%, 0.41%

LAB 61.5, -46.14, 53.9

 

CMYK 28 / 0 / 75 / 35

HEX #79A729

RGB 121 167 41

HSL 81.9, 0.61%, 0.41%

LAB 63.23, -34.03, 56.17

 

CMYK 7 / 0 / 75 / 35

HEX #9BA729

RGB 155 167 41

HSL 65.71, 0.61%, 0.41%

LAB 65.57, -19.93, 59.21

 

CMYK 0 / 13 / 75 / 35

HEX #A79129

RGB 167 145 41

HSL 49.52, 0.61%, 0.41%

LAB 60.45, -3.04, 54.75

 

CMYK 0 / 34 / 75 / 35

HEX #A76F29

RGB 167 111 41

HSL 33.33, 0.61%, 0.41%

LAB 51.55, 15.94, 46.06

 

CMYK 48 / 0 / 75 / 35

HEX #57A729

RGB 87 167 41

HSL 98.1, 0.61%, 0.41%

LAB 61.5, -46.14, 53.9

 

CMYK 68 / 0 / 75 / 35

HEX #35A729

RGB 53 167 41

HSL 114.29, 0.61%, 0.41%

LAB 60.39, -54.99, 52.42

 

CMYK 75 / 0 / 62 / 35

HEX #29A73F

RGB 41 167 63

HSL 130.48, 0.61%, 0.41%

LAB 60.31, -54.98, 43.26

 

CMYK 75 / 0 / 42 / 35

HEX #29A761

RGB 41 167 97

HSL 146.67, 0.61%, 0.41%

LAB 60.76, -49.74, 26.77

 

CMYK 75 / 0 / 22 / 35

HEX #29A783

RGB 41 167 131

HSL 162.86, 0.61%, 0.41%

LAB 61.44, -42.3, 9.08

 

CMYK 48 / 0 / 75 / 35

HEX #57A729

RGB 87 167 41

HSL 98.1, 0.61%, 0.41%

LAB 61.5, -46.14, 53.9

 

CMYK 55 / 0 / 87 / 28

HEX #53B818

RGB 83 184 24

HSL 97.88, 0.77%, 0.41%

LAB 66.66, -54.64, 63.37

 

CMYK 61 / 0 / 97 / 21

HEX #4EC907

RGB 78 201 7

HSL 98.04, 0.93%, 0.41%

LAB 71.83, -62.26, 70.14

 

CMYK 48 / 0 / 75 / 35

HEX #57A729

RGB 87 167 41

HSL 98.1, 0.61%, 0.41%

LAB 61.5, -46.14, 53.9

 

CMYK 39 / 0 / 61 / 41

HEX #5C963A

RGB 92 150 58

HSL 97.83, 0.44%, 0.41%

LAB 56.48, -35.85, 41.68

 

CMYK 28 / 0 / 44 / 48

HEX #60854B

RGB 96 133 75

HSL 98.28, 0.28%, 0.41%

LAB 51.58, -24.22, 27.16

 

CMYK 13 / 0 / 21 / 55

HEX #65745C

RGB 101 116 92

HSL 97.5, 0.12%, 0.41%

LAB 47.01, -10.45, 11.43

 

CMYK 4 / 9 / 0 / 57

HEX #69636D

RGB 105 99 109

HSL 276, 0.05%, 0.41%

LAB 42.81, 4.44, -4.79

 

CMYK 8 / 0 / 75 / 35

HEX #9AA729

RGB 154 167 41

HSL 66.19, 0.61%, 0.41%

LAB 65.49, -20.36, 59.11

 

CMYK 28 / 0 / 75 / 35

HEX #79A729

RGB 121 167 41

HSL 81.9, 0.61%, 0.41%

LAB 63.23, -34.03, 56.17

 

CMYK 48 / 0 / 75 / 35

HEX #57A729

RGB 87 167 41

HSL 98.1, 0.61%, 0.41%

LAB 61.5, -46.14, 53.9

 

CMYK 68 / 0 / 75 / 35

HEX #36A729

RGB 54 167 41

HSL 113.81, 0.61%, 0.41%

LAB 60.41, -54.78, 52.45

 

CMYK 75 / 0 / 63 / 35

HEX #29A73E

RGB 41 167 62

HSL 130, 0.61%, 0.41%

LAB 60.3, -55.1, 43.7

 

CMYK 48 / 0 / 75 / 60

HEX #356519

RGB 53 101 25

HSL 97.89, 0.6%, 0.25%

LAB 38.08, -30.79, 36.07

 

CMYK 48 / 0 / 75 / 47

HEX #468621

RGB 70 134 33

HSL 98.02, 0.6%, 0.33%

LAB 50.05, -38.66, 45.22

 

CMYK 48 / 0 / 75 / 35

HEX #57A729

RGB 87 167 41

HSL 98.1, 0.61%, 0.41%

LAB 61.5, -46.14, 53.9

 

CMYK 48 / 0 / 75 / 22

HEX #68C832

RGB 104 200 50

HSL 98.4, 0.6%, 0.49%

LAB 72.55, -53.24, 61.89

 

CMYK 39 / 0 / 62 / 17

HEX #80D350

RGB 128 211 80

HSL 98.02, 0.6%, 0.57%

LAB 77.14, -47.75, 55.47

 

CMYK 48 / 0 / 75 / 34

HEX #58A82A

RGB 88 168 42

HSL 98.1, 0.6%, 0.41%

LAB 61.87, -46.15, 53.92

 

CMYK 75 / 0 / 13 / 35

HEX #29A792

RGB 41 167 146

HSL 170, 0.61%, 0.41%

LAB 61.81, -38.39, 1.23

 

CMYK 0 / 75 / 17 / 35

HEX #A7298A

RGB 167 41 138

HSL 313.81, 0.61%, 0.41%

LAB 40.63, 59.68, -25.1

 

CMYK 48 / 0 / 75 / 34

HEX #58A82A

RGB 88 168 42

HSL 98.1, 0.6%, 0.41%

LAB 61.87, -46.15, 53.92

 

CMYK 75 / 48 / 0 / 35

HEX #2957A7

RGB 41 87 167

HSL 218.1, 0.61%, 0.41%

LAB 37.98, 13.16, -47.63

 

CMYK 0 / 75 / 48 / 35

HEX #A72957

RGB 167 41 87

HSL 338.1, 0.61%, 0.41%

LAB 38.71, 53.7, 3.88

 

CMYK 48 / 0 / 75 / 34

HEX #58A82A

RGB 88 168 42

HSL 98.1, 0.6%, 0.41%

LAB 61.87, -46.15, 53.92

 

CMYK 75 / 0 / 13 / 35

HEX #29A792

RGB 41 167 146

HSL 170, 0.61%, 0.41%

LAB 61.81, -38.39, 1.23

 

CMYK 28 / 75 / 0 / 35

HEX #7929A7

RGB 121 41 167

HSL 278.1, 0.61%, 0.41%

LAB 34.88, 54.74, -52.29

 

CMYK 0 / 75 / 63 / 35

HEX #A7293E

RGB 167 41 62

HSL 350, 0.61%, 0.41%

LAB 38.11, 51.75, 18.96

 

CMYK 48 / 0 / 75 / 34

HEX #58A82A

RGB 88 168 42

HSL 98.1, 0.6%, 0.41%

LAB 61.87, -46.15, 53.92

 

CMYK 75 / 10 / 0 / 35

HEX #2996A7

RGB 41 150 167

HSL 188.1, 0.61%, 0.41%

LAB 57.15, -23.99, -17.61

 

CMYK 28 / 75 / 0 / 35

HEX #7929A7

RGB 121 41 167

HSL 278.1, 0.61%, 0.41%

LAB 34.88, 54.74, -52.29

 

CMYK 0 / 65 / 75 / 35

HEX #A73A29

RGB 167 58 41

HSL 8.1, 0.61%, 0.41%

LAB 40.25, 43.88, 34.26

 

Description

Color code: HEX #58A82A | qconv.com Color code: HEX #58A82A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 168 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 168 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 75 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 75% 34% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

36% - 골프존 부킹
Link: http://booking.golfzon.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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