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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58A492 it is the complementary color #A75B6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58A492. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58A492 shade: #5DA48D, #6EB6A0, #7FC8B3, #90DAC6 and #A1ECD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58A492. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58A492 shade: #58A492, #47927F, #36806C, #256E59 and #145C46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58A492 shade: #57A290, #57A27C, #57A268, #5AA257 and #6FA257

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58A492 shade: #57A290, #579FA2, #578BA2, #5777A2 and #5763A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58A492 shade matches the following richer shades: #57A290, #43B69B, #2FCAA5, #1ADFB0 and #06F3BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58A492 shade: #57A290, #6B8E86, #7F7A7B, #946570 and #A85166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58A492 shade: #57A267, #57A27B, #57A28F, #57A1A2 and #578DA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58A492 shade: #3A6C60, #498778, #57A290, #70B2A2 and #8BC0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58A492 shade: #58A492, #575BA2 and #A27157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58A492 shade: #58A492, #8F57A2 and #A28F57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58A492 shade: #58A492, #575BA2, #A2576A and #A29E57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58A492 shade: #58A492, #6A57A2, #A2576A and #8FA257

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 11 / 36

HEX #58A492

RGB 88 164 146

HSL 165.79, 0.3%, 0.49%

LAB 62.25, -28.05, 2.04

 

Complementary color

CMYK 0 / 46 / 35 / 35

HEX #A75B6D

RGB 167 91 109

HSL 345.79, 0.3%, 0.51%

LAB 48.01, 33.12, 3.67

 

CMYK 43 / 0 / 14 / 36

HEX #5DA48D

RGB 93 164 141

HSL 160.56, 0.28%, 0.5%

LAB 62.34, -27.92, 4.99

 

CMYK 40 / 0 / 12 / 29

HEX #6EB6A0

RGB 110 182 160

HSL 161.67, 0.33%, 0.57%

LAB 68.97, -27.73, 4.12

 

CMYK 37 / 0 / 11 / 22

HEX #7FC8B3

RGB 127 200 179

HSL 162.74, 0.4%, 0.64%

LAB 75.5, -27.53, 3.31

 

CMYK 34 / 0 / 9 / 15

HEX #90DAC6

RGB 144 218 198

HSL 163.78, 0.5%, 0.71%

LAB 81.92, -27.34, 2.55

 

CMYK 32 / 0 / 8 / 7

HEX #A1ECD9

RGB 161 236 217

HSL 164.8, 0.66%, 0.78%

LAB 88.25, -27.15, 1.83

 

CMYK 46 / 0 / 11 / 36

HEX #58A492

RGB 88 164 146

HSL 165.79, 0.3%, 0.49%

LAB 62.25, -28.05, 2.04

 

CMYK 51 / 0 / 13 / 43

HEX #47927F

RGB 71 146 127

HSL 164.8, 0.35%, 0.43%

LAB 55.51, -28.15, 2.95

 

CMYK 58 / 0 / 16 / 50

HEX #36806C

RGB 54 128 108

HSL 163.78, 0.41%, 0.36%

LAB 48.64, -28.17, 3.97

 

CMYK 66 / 0 / 19 / 57

HEX #256E59

RGB 37 110 89

HSL 162.74, 0.5%, 0.29%

LAB 41.64, -28.02, 5.14

 

CMYK 78 / 0 / 24 / 64

HEX #145C46

RGB 20 92 70

HSL 161.67, 0.64%, 0.22%

LAB 34.49, -27.55, 6.51

 

CMYK 46 / 0 / 11 / 36

HEX #57A290

RGB 87 162 144

HSL 165.6, 0.3%, 0.49%

LAB 61.55, -27.81, 2.14

 

CMYK 46 / 0 / 23 / 36

HEX #57A27C

RGB 87 162 124

HSL 149.6, 0.3%, 0.49%

LAB 61.06, -32.38, 12.65

 

CMYK 46 / 0 / 36 / 36

HEX #57A268

RGB 87 162 104

HSL 133.6, 0.3%, 0.49%

LAB 60.66, -36.31, 23.13

 

CMYK 44 / 0 / 46 / 36

HEX #5AA257

RGB 90 162 87

HSL 117.6, 0.3%, 0.49%

LAB 60.52, -38.2, 32.04

 

CMYK 31 / 0 / 46 / 36

HEX #6FA257

RGB 111 162 87

HSL 100.8, 0.3%, 0.49%

LAB 61.58, -31.17, 33.6

 

CMYK 46 / 0 / 11 / 36

HEX #57A290

RGB 87 162 144

HSL 165.6, 0.3%, 0.49%

LAB 61.55, -27.81, 2.14

 

CMYK 46 / 2 / 0 / 36

HEX #579FA2

RGB 87 159 162

HSL 182.4, 0.3%, 0.49%

LAB 61.16, -21.69, -8.59

 

CMYK 46 / 14 / 0 / 36

HEX #578BA2

RGB 87 139 162

HSL 198.4, 0.3%, 0.49%

LAB 55.18, -10.97, -17.6

 

CMYK 46 / 27 / 0 / 36

HEX #5777A2

RGB 87 119 162

HSL 214.4, 0.3%, 0.49%

LAB 49.29, 0.57, -26.65

 

CMYK 46 / 39 / 0 / 36

HEX #5763A2

RGB 87 99 162

HSL 230.4, 0.3%, 0.49%

LAB 43.59, 12.82, -35.57

 

CMYK 46 / 0 / 11 / 36

HEX #57A290

RGB 87 162 144

HSL 165.6, 0.3%, 0.49%

LAB 61.55, -27.81, 2.14

 

CMYK 63 / 0 / 15 / 29

HEX #43B69B

RGB 67 182 155

HSL 165.91, 0.46%, 0.49%

LAB 67.29, -38.82, 4.24

 

CMYK 77 / 0 / 18 / 21

HEX #2FCAA5

RGB 47 202 165

HSL 165.68, 0.62%, 0.49%

LAB 73.26, -47.81, 7.32

 

CMYK 88 / 0 / 21 / 13

HEX #1ADFB0

RGB 26 223 176

HSL 165.69, 0.79%, 0.49%

LAB 79.69, -55.26, 10.59

 

CMYK 98 / 0 / 23 / 5

HEX #06F3BB

RGB 6 243 187

HSL 165.82, 0.95%, 0.49%

LAB 85.87, -61.01, 13.59

 

CMYK 46 / 0 / 11 / 36

HEX #57A290

RGB 87 162 144

HSL 165.6, 0.3%, 0.49%

LAB 61.55, -27.81, 2.14

 

CMYK 25 / 0 / 6 / 44

HEX #6B8E86

RGB 107 142 134

HSL 166.29, 0.14%, 0.49%

LAB 56.28, -13.96, 0.28

 

CMYK 0 / 4 / 3 / 50

HEX #7F7A7B

RGB 127 122 123

HSL 348, 0.02%, 0.49%

LAB 51.68, 2.1, 0.13

 

CMYK 0 / 32 / 24 / 42

HEX #946570

RGB 148 101 112

HSL 345.96, 0.19%, 0.49%

LAB 47.97, 20.61, 1.51

 

CMYK 0 / 52 / 39 / 34

HEX #A85166

RGB 168 81 102

HSL 345.52, 0.35%, 0.49%

LAB 45.86, 37.94, 4.85

 

CMYK 46 / 0 / 36 / 36

HEX #57A267

RGB 87 162 103

HSL 132.8, 0.3%, 0.49%

LAB 60.65, -36.49, 23.65

 

CMYK 46 / 0 / 24 / 36

HEX #57A27B

RGB 87 162 123

HSL 148.8, 0.3%, 0.49%

LAB 61.04, -32.59, 13.18

 

CMYK 46 / 0 / 12 / 36

HEX #57A28F

RGB 87 162 143

HSL 164.8, 0.3%, 0.49%

LAB 61.52, -28.06, 2.66

 

CMYK 46 / 1 / 0 / 36

HEX #57A1A2

RGB 87 161 162

HSL 180.8, 0.3%, 0.49%

LAB 61.76, -22.71, -7.69

 

CMYK 46 / 13 / 0 / 36

HEX #578DA2

RGB 87 141 162

HSL 196.8, 0.3%, 0.49%

LAB 55.77, -12.08, -16.7

 

CMYK 46 / 0 / 11 / 58

HEX #3A6C60

RGB 58 108 96

HSL 165.6, 0.3%, 0.33%

LAB 41.95, -20.07, 1.47

 

CMYK 46 / 0 / 11 / 47

HEX #498778

RGB 73 135 120

HSL 165.48, 0.3%, 0.41%

LAB 51.95, -23.88, 1.84

 

CMYK 46 / 0 / 11 / 36

HEX #57A290

RGB 87 162 144

HSL 165.6, 0.3%, 0.49%

LAB 61.55, -27.81, 2.14

 

CMYK 37 / 0 / 9 / 30

HEX #70B2A2

RGB 112 178 162

HSL 165.45, 0.3%, 0.57%

LAB 67.94, -24.73, 1.53

 

CMYK 28 / 0 / 6 / 25

HEX #8BC0B4

RGB 139 192 180

HSL 166.42, 0.3%, 0.65%

LAB 73.86, -19.83, 0.46

 

CMYK 46 / 0 / 11 / 36

HEX #58A492

RGB 88 164 146

HSL 165.79, 0.3%, 0.49%

LAB 62.25, -28.05, 2.04

 

CMYK 46 / 44 / 0 / 36

HEX #575BA2

RGB 87 91 162

HSL 236.8, 0.3%, 0.49%

LAB 41.4, 17.85, -39.04

 

CMYK 0 / 30 / 46 / 36

HEX #A27157

RGB 162 113 87

HSL 20.8, 0.3%, 0.49%

LAB 52.04, 16.15, 22.16

 

CMYK 46 / 0 / 11 / 36

HEX #58A492

RGB 88 164 146

HSL 165.79, 0.3%, 0.49%

LAB 62.25, -28.05, 2.04

 

CMYK 12 / 46 / 0 / 36

HEX #8F57A2

RGB 143 87 162

HSL 284.8, 0.3%, 0.49%

LAB 45.99, 36.28, -31.42

 

CMYK 0 / 12 / 46 / 36

HEX #A28F57

RGB 162 143 87

HSL 44.8, 0.3%, 0.49%

LAB 59.9, -0.75, 32.31

 

CMYK 46 / 0 / 11 / 36

HEX #58A492

RGB 88 164 146

HSL 165.79, 0.3%, 0.49%

LAB 62.25, -28.05, 2.04

 

CMYK 46 / 44 / 0 / 36

HEX #575BA2

RGB 87 91 162

HSL 236.8, 0.3%, 0.49%

LAB 41.4, 17.85, -39.04

 

CMYK 0 / 46 / 35 / 36

HEX #A2576A

RGB 162 87 106

HSL 344.8, 0.3%, 0.49%

LAB 46.36, 33.03, 3.02

 

CMYK 0 / 2 / 46 / 36

HEX #A29E57

RGB 162 158 87

HSL 56.8, 0.3%, 0.49%

LAB 64.02, -8.89, 37.42

 

CMYK 46 / 0 / 11 / 36

HEX #58A492

RGB 88 164 146

HSL 165.79, 0.3%, 0.49%

LAB 62.25, -28.05, 2.04

 

CMYK 35 / 46 / 0 / 36

HEX #6A57A2

RGB 106 87 162

HSL 255.2, 0.3%, 0.49%

LAB 41.98, 25.42, -38.01

 

CMYK 0 / 46 / 35 / 36

HEX #A2576A

RGB 162 87 106

HSL 344.8, 0.3%, 0.49%

LAB 46.36, 33.03, 3.02

 

CMYK 12 / 0 / 46 / 36

HEX #8FA257

RGB 143 162 87

HSL 75.2, 0.3%, 0.49%

LAB 63.65, -18.86, 36.63

 

Description

Color code: HEX #58A492 | qconv.com Color code: HEX #58A492 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 164 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 164 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 11 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 11% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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