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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #587CB4 it is the complementary color #A7834B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #587CB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #587CB4 shade: #5D7CAF, #6E8EC2, #7FA0D5, #90B2E8 and #A1C4FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #587CB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #587CB4 shade: #587CB4, #476AA1, #36588E, #25467B and #143468

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #587CB4 shade: #597DB4, #5964B4, #6759B4, #7F59B4 and #9859B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #587CB4 shade: #597DB4, #5964B4 and #5959B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #587CB4 shade matches the following richer shades: #597DB4, #4679C8, #3274DB and #1F70EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #587CB4 shade: #597DB4, #6C81A1, #80858D, #93897A and #A78E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #587CB4 shade: #59AEB4, #5996B4, #597EB4, #5965B4 and #6559B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #587CB4 shade: #3A5681, #47699E, #597DB4, #7693C1 and #92A9CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #587CB4 shade: #587CB4, #A259B4 and #A2B459

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #587CB4 shade: #587CB4, #B4597E and #7EB459

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #587CB4 shade: #587CB4, #A259B4, #B49059 and #6BB459

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #587CB4 shade: #587CB4, #B459AB, #B49059 and #59B462

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 31 / 0 / 29

HEX #587CB4

RGB 88 124 180

HSL 216.52, 0.38%, 0.53%

LAB 51.59, 3.39, -33.5

 

Complementary color

CMYK 0 / 22 / 55 / 35

HEX #A7834B

RGB 167 131 75

HSL 36.52, 0.38%, 0.47%

LAB 57.03, 6.94, 35.27

 

CMYK 47 / 29 / 0 / 31

HEX #5D7CAF

RGB 93 124 175

HSL 217.32, 0.34%, 0.53%

LAB 51.65, 3.08, -30.5

 

CMYK 43 / 27 / 0 / 24

HEX #6E8EC2

RGB 110 142 194

HSL 217.14, 0.41%, 0.6%

LAB 58.56, 2.53, -30.54

 

CMYK 40 / 25 / 0 / 16

HEX #7FA0D5

RGB 127 160 213

HSL 216.98, 0.51%, 0.67%

LAB 65.32, 2.07, -30.61

 

CMYK 38 / 23 / 0 / 9

HEX #90B2E8

RGB 144 178 232

HSL 216.82, 0.66%, 0.74%

LAB 71.96, 1.67, -30.71

 

CMYK 36 / 22 / 0 / 2

HEX #A1C4FB

RGB 161 196 251

HSL 216.67, 0.92%, 0.81%

LAB 78.47, 1.33, -30.84

 

CMYK 51 / 31 / 0 / 29

HEX #587CB4

RGB 88 124 180

HSL 216.52, 0.38%, 0.53%

LAB 51.59, 3.39, -33.5

 

CMYK 56 / 34 / 0 / 37

HEX #476AA1

RGB 71 106 161

HSL 216.67, 0.39%, 0.45%

LAB 44.55, 4.24, -33.54

 

CMYK 62 / 38 / 0 / 44

HEX #36588E

RGB 54 88 142

HSL 216.82, 0.45%, 0.38%

LAB 37.33, 5.34, -33.62

 

CMYK 70 / 43 / 0 / 52

HEX #25467B

RGB 37 70 123

HSL 216.98, 0.54%, 0.31%

LAB 29.92, 6.83, -33.74

 

CMYK 81 / 50 / 0 / 59

HEX #143468

RGB 20 52 104

HSL 217.14, 0.68%, 0.24%

LAB 22.32, 8.98, -33.86

 

CMYK 51 / 31 / 0 / 29

HEX #597DB4

RGB 89 125 180

HSL 216.26, 0.38%, 0.53%

LAB 51.93, 3.04, -32.96

 

CMYK 51 / 44 / 0 / 29

HEX #5964B4

RGB 89 100 180

HSL 232.75, 0.38%, 0.53%

LAB 44.99, 18.36, -43.93

 

CMYK 43 / 51 / 0 / 29

HEX #6759B4

RGB 103 89 180

HSL 249.23, 0.38%, 0.53%

LAB 43.25, 28.55, -46.64

 

CMYK 29 / 51 / 0 / 29

HEX #7F59B4

RGB 127 89 180

HSL 265.05, 0.38%, 0.53%

LAB 45.57, 34.78, -42.8

 

CMYK 16 / 51 / 0 / 29

HEX #9859B4

RGB 152 89 180

HSL 281.54, 0.38%, 0.53%

LAB 48.41, 41.72, -38.13

 

CMYK 51 / 31 / 0 / 29

HEX #597DB4

RGB 89 125 180

HSL 216.26, 0.38%, 0.53%

LAB 51.93, 3.04, -32.96

 

CMYK 51 / 44 / 0 / 29

HEX #5964B4

RGB 89 100 180

HSL 232.75, 0.38%, 0.53%

LAB 44.99, 18.36, -43.93

 

CMYK 51 / 51 / 0 / 29

HEX #5959B4

RGB 89 89 180

HSL 240, 0.38%, 0.53%

LAB 42.1, 25.25, -48.55

 

CMYK 51 / 31 / 0 / 29

HEX #597DB4

RGB 89 125 180

HSL 216.26, 0.38%, 0.53%

LAB 51.93, 3.04, -32.96

 

CMYK 65 / 40 / 0 / 22

HEX #4679C8

RGB 70 121 200

HSL 216.46, 0.54%, 0.53%

LAB 50.86, 8.16, -46.19

 

CMYK 77 / 47 / 0 / 14

HEX #3274DB

RGB 50 116 219

HSL 216.57, 0.7%, 0.53%

LAB 49.84, 15.32, -58.67

 

CMYK 87 / 53 / 0 / 7

HEX #1F70EE

RGB 31 112 238

HSL 216.52, 0.86%, 0.53%

LAB 49.56, 23.44, -69.83

 

CMYK 51 / 31 / 0 / 29

HEX #597DB4

RGB 89 125 180

HSL 216.26, 0.38%, 0.53%

LAB 51.93, 3.04, -32.96

 

CMYK 33 / 20 / 0 / 37

HEX #6C81A1

RGB 108 129 161

HSL 216.23, 0.22%, 0.53%

LAB 53.45, 0.34, -19.55

 

CMYK 9 / 6 / 0 / 45

HEX #80858D

RGB 128 133 141

HSL 216.92, 0.05%, 0.53%

LAB 55.37, -0.17, -4.93

 

CMYK 0 / 7 / 17 / 42

HEX #93897A

RGB 147 137 122

HSL 36, 0.1%, 0.53%

LAB 57.56, 1.11, 9.39

 

CMYK 0 / 15 / 38 / 35

HEX #A78E67

RGB 167 142 103

HSL 36.56, 0.27%, 0.53%

LAB 60.37, 3.72, 24.28

 

CMYK 51 / 3 / 0 / 29

HEX #59AEB4

RGB 89 174 180

HSL 183.96, 0.38%, 0.53%

LAB 66.28, -23.99, -11

 

CMYK 51 / 17 / 0 / 29

HEX #5996B4

RGB 89 150 180

HSL 199.78, 0.38%, 0.53%

LAB 59.19, -11.32, -21.74

 

CMYK 51 / 30 / 0 / 29

HEX #597EB4

RGB 89 126 180

HSL 215.6, 0.38%, 0.53%

LAB 52.22, 2.44, -32.52

 

CMYK 51 / 44 / 0 / 29

HEX #5965B4

RGB 89 101 180

HSL 232.09, 0.38%, 0.53%

LAB 45.26, 17.74, -43.5

 

CMYK 44 / 51 / 0 / 29

HEX #6559B4

RGB 101 89 180

HSL 247.91, 0.38%, 0.53%

LAB 43.07, 28.06, -46.93

 

CMYK 55 / 33 / 0 / 49

HEX #3A5681

RGB 58 86 129

HSL 216.34, 0.38%, 0.37%

LAB 36.25, 2.97, -27.37

 

CMYK 55 / 34 / 0 / 38

HEX #47699E

RGB 71 105 158

HSL 216.55, 0.38%, 0.45%

LAB 44.11, 3.86, -32.46

 

CMYK 51 / 31 / 0 / 29

HEX #597DB4

RGB 89 125 180

HSL 216.26, 0.38%, 0.53%

LAB 51.93, 3.04, -32.96

 

CMYK 39 / 24 / 0 / 24

HEX #7693C1

RGB 118 147 193

HSL 216.8, 0.38%, 0.61%

LAB 60.4, 1.51, -27.09

 

CMYK 29 / 18 / 0 / 19

HEX #92A9CE

RGB 146 169 206

HSL 217, 0.38%, 0.69%

LAB 68.71, 0.55, -21.44

 

CMYK 51 / 31 / 0 / 29

HEX #587CB4

RGB 88 124 180

HSL 216.52, 0.38%, 0.53%

LAB 51.59, 3.39, -33.5

 

CMYK 10 / 51 / 0 / 29

HEX #A259B4

RGB 162 89 180

HSL 288.13, 0.38%, 0.53%

LAB 49.64, 44.56, -36.09

 

CMYK 10 / 0 / 51 / 29

HEX #A2B459

RGB 162 180 89

HSL 71.87, 0.38%, 0.53%

LAB 70.21, -20.07, 43.91

 

CMYK 51 / 31 / 0 / 29

HEX #587CB4

RGB 88 124 180

HSL 216.52, 0.38%, 0.53%

LAB 51.59, 3.39, -33.5

 

CMYK 0 / 51 / 30 / 29

HEX #B4597E

RGB 180 89 126

HSL 335.6, 0.38%, 0.53%

LAB 49.92, 41.09, -3.53

 

CMYK 30 / 0 / 51 / 29

HEX #7EB459

RGB 126 180 89

HSL 95.6, 0.38%, 0.53%

LAB 67.87, -33.94, 40.54

 

CMYK 51 / 31 / 0 / 29

HEX #587CB4

RGB 88 124 180

HSL 216.52, 0.38%, 0.53%

LAB 51.59, 3.39, -33.5

 

CMYK 10 / 51 / 0 / 29

HEX #A259B4

RGB 162 89 180

HSL 288.13, 0.38%, 0.53%

LAB 49.64, 44.56, -36.09

 

CMYK 0 / 20 / 51 / 29

HEX #B49059

RGB 180 144 89

HSL 36.26, 0.38%, 0.53%

LAB 61.97, 6.59, 34.22

 

CMYK 41 / 0 / 51 / 29

HEX #6BB459

RGB 107 180 89

HSL 108.13, 0.38%, 0.53%

LAB 66.89, -40.44, 39.12

 

CMYK 51 / 31 / 0 / 29

HEX #587CB4

RGB 88 124 180

HSL 216.52, 0.38%, 0.53%

LAB 51.59, 3.39, -33.5

 

CMYK 0 / 51 / 5 / 29

HEX #B459AB

RGB 180 89 171

HSL 305.93, 0.38%, 0.53%

LAB 51.6, 48.1, -27.62

 

CMYK 0 / 20 / 51 / 29

HEX #B49059

RGB 180 144 89

HSL 36.26, 0.38%, 0.53%

LAB 61.97, 6.59, 34.22

 

CMYK 51 / 0 / 46 / 29

HEX #59B462

RGB 89 180 98

HSL 125.93, 0.38%, 0.53%

LAB 66.25, -44.56, 33.61

 

Description

Color code: HEX #587CB4 | qconv.com Color code: HEX #587CB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 124 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 124 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 31 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 31% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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