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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5871B0 it is the complementary color #A78E4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5871B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5871B0 shade: #5D71AB, #6E83BE, #7F95D1, #90A7E4 and #A1B9F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5871B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5871B0 shade: #5871B0, #475F9D, #364D8A, #253B77 and #142964

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5871B0 shade: #5871B0, #5859B0, #6F58B0, #8658B0 and #9E58B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5871B0 shade: #5871B0, #5859B0 and #5858B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5871B0 shade matches the following richer shades: #5871B0, #4469C4, #3060D8 and #1D57EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5871B0 shade: #5871B0, #6C7A9C, #808289, #938B75 and #A79361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5871B0 shade: #58A1B0, #588AB0, #5872B0, #585BB0 and #6D58B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5871B0 shade: #3A4D7C, #475E98, #5871B0, #7489BD and #90A1CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5871B0 shade: #5871B0, #A758B0 and #96B058

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5871B0 shade: #5871B0, #B05872 and #72B058

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5871B0 shade: #5871B0, #A758B0, #B09658 and #61B058

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5871B0 shade: #5871B0, #B0589F, #B09658 and #58B06A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

Complementary color

CMYK 0 / 15 / 53 / 35

HEX #A78E4F

RGB 167 142 79

HSL 42.95, 0.36%, 0.48%

LAB 60, 1.17, 36.77

 

CMYK 46 / 34 / 0 / 33

HEX #5D71AB

RGB 93 113 171

HSL 224.62, 0.32%, 0.52%

LAB 48.36, 8.5, -33.33

 

CMYK 42 / 31 / 0 / 25

HEX #6E83BE

RGB 110 131 190

HSL 224.25, 0.38%, 0.59%

LAB 55.34, 7.81, -33.27

 

CMYK 39 / 29 / 0 / 18

HEX #7F95D1

RGB 127 149 209

HSL 223.9, 0.47%, 0.66%

LAB 62.18, 7.23, -33.26

 

CMYK 37 / 27 / 0 / 11

HEX #90A7E4

RGB 144 167 228

HSL 223.57, 0.61%, 0.73%

LAB 68.87, 6.74, -33.3

 

CMYK 35 / 25 / 0 / 3

HEX #A1B9F7

RGB 161 185 247

HSL 223.26, 0.84%, 0.8%

LAB 75.45, 6.31, -33.36

 

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

CMYK 55 / 39 / 0 / 38

HEX #475F9D

RGB 71 95 157

HSL 223.26, 0.38%, 0.45%

LAB 41.15, 9.8, -36.53

 

CMYK 61 / 44 / 0 / 46

HEX #364D8A

RGB 54 77 138

HSL 223.57, 0.44%, 0.38%

LAB 33.83, 11.09, -36.74

 

CMYK 69 / 50 / 0 / 53

HEX #253B77

RGB 37 59 119

HSL 223.9, 0.53%, 0.31%

LAB 26.31, 12.83, -37

 

CMYK 80 / 59 / 0 / 61

HEX #142964

RGB 20 41 100

HSL 224.25, 0.67%, 0.24%

LAB 18.6, 15.29, -37.26

 

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

CMYK 50 / 49 / 0 / 31

HEX #5859B0

RGB 88 89 176

HSL 239.32, 0.36%, 0.52%

LAB 41.77, 23.76, -46.72

 

CMYK 37 / 50 / 0 / 31

HEX #6F58B0

RGB 111 88 176

HSL 255.68, 0.36%, 0.52%

LAB 43.5, 30.05, -43.85

 

CMYK 24 / 50 / 0 / 31

HEX #8658B0

RGB 134 88 176

HSL 271.36, 0.36%, 0.52%

LAB 45.88, 36.29, -39.91

 

CMYK 10 / 50 / 0 / 31

HEX #9E58B0

RGB 158 88 176

HSL 287.73, 0.36%, 0.52%

LAB 48.74, 43.12, -35.22

 

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

CMYK 50 / 49 / 0 / 31

HEX #5859B0

RGB 88 89 176

HSL 239.32, 0.36%, 0.52%

LAB 41.77, 23.76, -46.72

 

CMYK 50 / 50 / 0 / 31

HEX #5858B0

RGB 88 88 176

HSL 240, 0.36%, 0.52%

LAB 41.51, 24.38, -47.14

 

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

CMYK 65 / 46 / 0 / 23

HEX #4469C4

RGB 68 105 196

HSL 222.66, 0.52%, 0.52%

LAB 46.07, 16.37, -51.56

 

CMYK 78 / 56 / 0 / 15

HEX #3060D8

RGB 48 96 216

HSL 222.86, 0.68%, 0.52%

LAB 44.16, 26.72, -66.14

 

CMYK 88 / 63 / 0 / 7

HEX #1D57EC

RGB 29 87 236

HSL 223.19, 0.84%, 0.52%

LAB 42.96, 38.48, -79.47

 

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

CMYK 31 / 22 / 0 / 39

HEX #6C7A9C

RGB 108 122 156

HSL 222.5, 0.2%, 0.52%

LAB 51.28, 3.11, -19.97

 

CMYK 7 / 5 / 0 / 46

HEX #808289

RGB 128 130 137

HSL 226.67, 0.04%, 0.52%

LAB 54.41, 0.7, -4.03

 

CMYK 0 / 5 / 20 / 42

HEX #938B75

RGB 147 139 117

HSL 44, 0.12%, 0.52%

LAB 57.99, -0.83, 12.85

 

CMYK 0 / 12 / 42 / 35

HEX #A79361

RGB 167 147 97

HSL 42.86, 0.28%, 0.52%

LAB 61.61, 0.25, 29.18

 

CMYK 50 / 9 / 0 / 31

HEX #58A1B0

RGB 88 161 176

HSL 190.23, 0.36%, 0.52%

LAB 62.25, -18.63, -14.83

 

CMYK 50 / 22 / 0 / 31

HEX #588AB0

RGB 88 138 176

HSL 205.91, 0.36%, 0.52%

LAB 55.47, -6.02, -25.18

 

CMYK 50 / 35 / 0 / 31

HEX #5872B0

RGB 88 114 176

HSL 222.27, 0.36%, 0.52%

LAB 48.57, 8.18, -35.94

 

CMYK 50 / 48 / 0 / 31

HEX #585BB0

RGB 88 91 176

HSL 237.95, 0.36%, 0.52%

LAB 42.29, 22.5, -45.89

 

CMYK 38 / 50 / 0 / 31

HEX #6D58B0

RGB 109 88 176

HSL 254.32, 0.36%, 0.52%

LAB 43.31, 29.53, -44.16

 

CMYK 53 / 38 / 0 / 51

HEX #3A4D7C

RGB 58 77 124

HSL 222.73, 0.36%, 0.36%

LAB 33.27, 7.09, -28.98

 

CMYK 53 / 38 / 0 / 40

HEX #475E98

RGB 71 94 152

HSL 222.96, 0.36%, 0.44%

LAB 40.59, 8.76, -34.42

 

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

CMYK 39 / 28 / 0 / 26

HEX #7489BD

RGB 116 137 189

HSL 222.74, 0.36%, 0.6%

LAB 57.35, 5.63, -29.56

 

CMYK 29 / 21 / 0 / 20

HEX #90A1CB

RGB 144 161 203

HSL 222.71, 0.36%, 0.68%

LAB 66.31, 3.67, -23.45

 

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

CMYK 5 / 50 / 0 / 31

HEX #A758B0

RGB 167 88 176

HSL 293.86, 0.36%, 0.52%

LAB 49.89, 45.72, -33.32

 

CMYK 15 / 0 / 50 / 31

HEX #96B058

RGB 150 176 88

HSL 77.73, 0.36%, 0.52%

LAB 68.2, -23, 41.78

 

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

CMYK 0 / 50 / 35 / 31

HEX #B05872

RGB 176 88 114

HSL 342.27, 0.36%, 0.52%

LAB 48.79, 38.64, 1.95

 

CMYK 35 / 0 / 50 / 31

HEX #72B058

RGB 114 176 88

HSL 102.27, 0.36%, 0.52%

LAB 66.01, -36.46, 38.62

 

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

CMYK 5 / 50 / 0 / 31

HEX #A758B0

RGB 167 88 176

HSL 293.86, 0.36%, 0.52%

LAB 49.89, 45.72, -33.32

 

CMYK 0 / 15 / 50 / 31

HEX #B09658

RGB 176 150 88

HSL 42.27, 0.36%, 0.52%

LAB 63.13, 1.49, 36.1

 

CMYK 45 / 0 / 50 / 31

HEX #61B058

RGB 97 176 88

HSL 113.86, 0.36%, 0.52%

LAB 65.2, -41.99, 37.44

 

CMYK 50 / 36 / 0 / 31

HEX #5871B0

RGB 88 113 176

HSL 222.95, 0.36%, 0.52%

LAB 48.28, 8.79, -36.38

 

CMYK 0 / 50 / 10 / 31

HEX #B0589F

RGB 176 88 159

HSL 311.59, 0.36%, 0.52%

LAB 50.35, 45.32, -22.55

 

CMYK 0 / 15 / 50 / 31

HEX #B09658

RGB 176 150 88

HSL 42.27, 0.36%, 0.52%

LAB 63.13, 1.49, 36.1

 

CMYK 50 / 0 / 40 / 31

HEX #58B06A

RGB 88 176 106

HSL 132.27, 0.36%, 0.52%

LAB 65.09, -41.85, 27.93

 

Description

Color code: HEX #5871B0 | qconv.com Color code: HEX #5871B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 113 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 113 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 36 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 36% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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