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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #586C2C it is the complementary color #A793D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #586C2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #586C2C shade: #5D6C27, #6E7E3A, #7F904D, #90A260 and #A1B473

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #586C2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #586C2C shade: #586C2C, #475A19, #364806, #253600 and #142400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #586C2C shade: #586C2C, #696C2C, #6C5E2C, #6C4C2C and #6C3B2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #586C2C shade: #586C2C, #476C2C, #356C2C, #2C6C34 and #2C6C45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #586C2C shade matches the following richer shades: #586C2C, #5D791F, #618513 and #669107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #586C2C shade: #586C2C, #536038, #4F5345, #4A4751 and #453B5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #586C2C shade: #6C5D2C, #6A6C2C, #596C2C, #486C2C and #376C2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #586C2C shade: #283214, #404F20, #586C2C, #708938 and #88A744

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #586C2C shade: #586C2C, #2C6C4C and #662C6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #586C2C shade: #586C2C, #2C596C and #6C2C59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #586C2C shade: #586C2C, #2C6C4C, #3F2C6C and #6C2C4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #586C2C shade: #586C2C, #2C6C5F, #3F2C6C and #6C2C39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

Complementary color

CMYK 21 / 30 / 0 / 17

HEX #A793D3

RGB 167 147 211

HSL 258.75, 0.42%, 0.7%

LAB 64.79, 20.51, -30.08

 

CMYK 14 / 0 / 64 / 58

HEX #5D6C27

RGB 93 108 39

HSL 73.04, 0.47%, 0.29%

LAB 43.06, -16.64, 35.75

 

CMYK 13 / 0 / 54 / 51

HEX #6E7E3A

RGB 110 126 58

HSL 74.12, 0.37%, 0.36%

LAB 50.15, -17, 34.66

 

CMYK 12 / 0 / 47 / 44

HEX #7F904D

RGB 127 144 77

HSL 75.22, 0.3%, 0.43%

LAB 57.07, -17.24, 33.44

 

CMYK 11 / 0 / 41 / 36

HEX #90A260

RGB 144 162 96

HSL 76.36, 0.26%, 0.51%

LAB 63.85, -17.39, 32.21

 

CMYK 11 / 0 / 36 / 29

HEX #A1B473

RGB 161 180 115

HSL 77.54, 0.3%, 0.58%

LAB 70.5, -17.49, 31.02

 

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

CMYK 21 / 0 / 72 / 65

HEX #475A19

RGB 71 90 25

HSL 77.54, 0.57%, 0.23%

LAB 35.44, -18.01, 33.7

 

CMYK 25 / 0 / 92 / 72

HEX #364806

RGB 54 72 6

HSL 76.36, 0.85%, 0.15%

LAB 27.93, -17.33, 33.63

 

CMYK 31 / 0 / 100 / 79

HEX #253600

RGB 37 54 0

HSL 78.89, 1%, 0.11%

LAB 20.17, -16, 27.98

 

CMYK 44 / 0 / 100 / 86

HEX #142400

RGB 20 36 0

HSL 86.67, 1%, 0.07%

LAB 12.03, -14.27, 17.54

 

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

CMYK 3 / 0 / 59 / 58

HEX #696C2C

RGB 105 108 44

HSL 62.81, 0.42%, 0.3%

LAB 44.1, -10.75, 34.71

 

CMYK 0 / 13 / 59 / 58

HEX #6C5E2C

RGB 108 94 44

HSL 46.88, 0.42%, 0.3%

LAB 40.21, -1.28, 30.32

 

CMYK 0 / 30 / 59 / 58

HEX #6C4C2C

RGB 108 76 44

HSL 30, 0.42%, 0.3%

LAB 35.08, 9.59, 24.21

 

CMYK 0 / 45 / 59 / 58

HEX #6C3B2C

RGB 108 59 44

HSL 14.06, 0.42%, 0.3%

LAB 30.64, 19.95, 18.66

 

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

CMYK 34 / 0 / 59 / 58

HEX #476C2C

RGB 71 108 44

HSL 94.69, 0.42%, 0.3%

LAB 41.61, -25.44, 31.19

 

CMYK 51 / 0 / 59 / 58

HEX #356C2C

RGB 53 108 44

HSL 111.56, 0.42%, 0.3%

LAB 40.68, -31.9, 29.87

 

CMYK 59 / 0 / 52 / 58

HEX #2C6C34

RGB 44 108 52

HSL 127.5, 0.42%, 0.3%

LAB 40.42, -33.41, 25.19

 

CMYK 59 / 0 / 36 / 58

HEX #2C6C45

RGB 44 108 69

HSL 143.44, 0.42%, 0.3%

LAB 40.72, -30.26, 15.83

 

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

CMYK 23 / 0 / 74 / 53

HEX #5D791F

RGB 93 121 31

HSL 78.67, 0.59%, 0.3%

LAB 47.11, -24, 43.49

 

CMYK 27 / 0 / 86 / 48

HEX #618513

RGB 97 133 19

HSL 78.95, 0.75%, 0.3%

LAB 51.11, -28.81, 51.25

 

CMYK 30 / 0 / 95 / 43

HEX #669107

RGB 102 145 7

HSL 78.7, 0.91%, 0.3%

LAB 55.17, -32.74, 57.15

 

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

CMYK 14 / 0 / 42 / 62

HEX #536038

RGB 83 96 56

HSL 79.5, 0.26%, 0.3%

LAB 38.71, -12.53, 21.21

 

CMYK 5 / 0 / 17 / 67

HEX #4F5345

RGB 79 83 69

HSL 77.14, 0.09%, 0.3%

LAB 34.56, -4.49, 7.67

 

CMYK 9 / 12 / 0 / 68

HEX #4A4751

RGB 74 71 81

HSL 258, 0.07%, 0.3%

LAB 30.77, 3.51, -5.51

 

CMYK 26 / 37 / 0 / 64

HEX #453B5D

RGB 69 59 93

HSL 257.65, 0.22%, 0.3%

LAB 27.25, 12.59, -18.69

 

CMYK 0 / 14 / 59 / 58

HEX #6C5D2C

RGB 108 93 44

HSL 45.94, 0.42%, 0.3%

LAB 39.91, -0.69, 29.98

 

CMYK 2 / 0 / 59 / 58

HEX #6A6C2C

RGB 106 108 44

HSL 61.88, 0.42%, 0.3%

LAB 44.19, -10.29, 34.84

 

CMYK 18 / 0 / 59 / 58

HEX #596C2C

RGB 89 108 44

HSL 77.81, 0.42%, 0.3%

LAB 42.81, -17.94, 32.9

 

CMYK 33 / 0 / 59 / 58

HEX #486C2C

RGB 72 108 44

HSL 93.75, 0.42%, 0.3%

LAB 41.67, -25.05, 31.28

 

CMYK 49 / 0 / 59 / 58

HEX #376C2C

RGB 55 108 44

HSL 109.69, 0.42%, 0.3%

LAB 40.77, -31.25, 30

 

CMYK 20 / 0 / 60 / 80

HEX #283214

RGB 40 50 20

HSL 80, 0.43%, 0.14%

LAB 19.15, -10.29, 17.56

 

CMYK 19 / 0 / 59 / 69

HEX #404F20

RGB 64 79 32

HSL 79.15, 0.42%, 0.22%

LAB 31.32, -14.49, 25.47

 

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

CMYK 18 / 0 / 59 / 46

HEX #708938

RGB 112 137 56

HSL 78.52, 0.42%, 0.38%

LAB 53.62, -22.07, 39.72

 

CMYK 19 / 0 / 59 / 35

HEX #88A744

RGB 136 167 68

HSL 78.79, 0.42%, 0.46%

LAB 64.39, -26.1, 46.68

 

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

CMYK 59 / 0 / 30 / 58

HEX #2C6C4C

RGB 44 108 76

HSL 150, 0.42%, 0.3%

LAB 40.87, -28.72, 11.89

 

CMYK 6 / 59 / 0 / 58

HEX #662C6C

RGB 102 44 108

HSL 294.38, 0.42%, 0.3%

LAB 28.67, 36.1, -25.85

 

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

CMYK 59 / 18 / 0 / 58

HEX #2C596C

RGB 44 89 108

HSL 197.81, 0.42%, 0.3%

LAB 35.52, -9.38, -15.58

 

CMYK 0 / 59 / 18 / 58

HEX #6C2C59

RGB 108 44 89

HSL 317.81, 0.42%, 0.3%

LAB 28.67, 34.4, -13.47

 

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

CMYK 59 / 0 / 30 / 58

HEX #2C6C4C

RGB 44 108 76

HSL 150, 0.42%, 0.3%

LAB 40.87, -28.72, 11.89

 

CMYK 42 / 59 / 0 / 58

HEX #3F2C6C

RGB 63 44 108

HSL 257.81, 0.42%, 0.3%

LAB 23.47, 25.07, -34.42

 

CMYK 0 / 59 / 30 / 58

HEX #6C2C4C

RGB 108 44 76

HSL 330, 0.42%, 0.3%

LAB 28.14, 32.34, -5.72

 

CMYK 19 / 0 / 59 / 58

HEX #586C2C

RGB 88 108 44

HSL 78.75, 0.42%, 0.3%

LAB 42.74, -18.38, 32.79

 

CMYK 59 / 0 / 12 / 58

HEX #2C6C5F

RGB 44 108 95

HSL 167.81, 0.42%, 0.3%

LAB 41.35, -23.91, 1.13

 

CMYK 42 / 59 / 0 / 58

HEX #3F2C6C

RGB 63 44 108

HSL 257.81, 0.42%, 0.3%

LAB 23.47, 25.07, -34.42

 

CMYK 0 / 59 / 47 / 58

HEX #6C2C39

RGB 108 44 57

HSL 347.81, 0.42%, 0.3%

LAB 27.53, 29.86, 6.02

 

Description

Color code: HEX #586C2C | qconv.com Color code: HEX #586C2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 108 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 108 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 59 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 59% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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