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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #586702 it is the complementary color #A798FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #586702. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #586702 shade: #5D6700, #6E7910, #7F8B23, #909D36 and #A1AF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #586702. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #586702 shade: #586702, #475500, #364300, #253100 and #141F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #586702 shade: #596802, #685C02, #684002, #682502 and #680902

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #586702 shade: #596802, #3D6802, #226802, #066802 and #026819

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #586702 shade matches the following richer shades: #596802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #586702 shade: #596802, #53600A, #4D5713, #474E1C and #414624

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #586702 shade: #683F02, #685B02, #5B6802, #3F6802 and #246802

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #586702 shade: #141800, #374001, #596802, #7C9102 and #9EB903

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #586702 shade: #586702, #026824 and #4D0268

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #586702 shade: #586702, #025B68 and #68025B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #586702 shade: #586702, #026824, #0F0268 and #680246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #586702 shade: #586702, #026843, #0F0268 and #680227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 98 / 60

HEX #586702

RGB 88 103 2

HSL 68.91, 0.96%, 0.21%

LAB 40.86, -18.17, 46.51

 

Complementary color

CMYK 34 / 40 / 0 / 1

HEX #A798FD

RGB 167 152 253

HSL 248.91, 0.96%, 0.79%

LAB 67.85, 27.99, -48.44

 

CMYK 10 / 0 / 100 / 60

HEX #5D6700

RGB 93 103 0

HSL 65.83, 1%, 0.2%

LAB 41.26, -15.88, 47.51

 

CMYK 9 / 0 / 87 / 53

HEX #6E7910

RGB 110 121 16

HSL 66.29, 0.77%, 0.27%

LAB 48.29, -17.15, 49.96

 

CMYK 9 / 0 / 75 / 45

HEX #7F8B23

RGB 127 139 35

HSL 66.92, 0.6%, 0.34%

LAB 55.17, -18.13, 50.69

 

CMYK 8 / 0 / 66 / 38

HEX #909D36

RGB 144 157 54

HSL 67.57, 0.49%, 0.41%

LAB 61.92, -18.85, 50.36

 

CMYK 8 / 0 / 58 / 31

HEX #A1AF49

RGB 161 175 73

HSL 68.24, 0.41%, 0.49%

LAB 68.55, -19.4, 49.53

 

CMYK 15 / 0 / 98 / 60

HEX #586702

RGB 88 103 2

HSL 68.91, 0.96%, 0.21%

LAB 40.86, -18.17, 46.51

 

CMYK 16 / 0 / 100 / 67

HEX #475500

RGB 71 85 0

HSL 69.88, 1%, 0.17%

LAB 33.64, -16.59, 41.02

 

CMYK 19 / 0 / 100 / 74

HEX #364300

RGB 54 67 0

HSL 71.64, 1%, 0.13%

LAB 26.15, -14.9, 34.5

 

CMYK 24 / 0 / 100 / 81

HEX #253100

RGB 37 49 0

HSL 74.69, 1%, 0.1%

LAB 18.32, -13.16, 25.84

 

CMYK 35 / 0 / 100 / 88

HEX #141F00

RGB 20 31 0

HSL 81.29, 1%, 0.06%

LAB 10.02, -11.3, 14.75

 

CMYK 14 / 0 / 98 / 59

HEX #596802

RGB 89 104 2

HSL 68.82, 0.96%, 0.21%

LAB 41.26, -18.24, 46.85

 

CMYK 0 / 12 / 98 / 59

HEX #685C02

RGB 104 92 2

HSL 52.94, 0.96%, 0.21%

LAB 38.9, -4.22, 45.66

 

CMYK 0 / 38 / 98 / 59

HEX #684002

RGB 104 64 2

HSL 36.47, 0.96%, 0.21%

LAB 30.91, 12.76, 39.91

 

CMYK 0 / 64 / 98 / 59

HEX #682502

RGB 104 37 2

HSL 20.59, 0.96%, 0.21%

LAB 24.55, 28.45, 34.52

 

CMYK 0 / 91 / 98 / 59

HEX #680902

RGB 104 9 2

HSL 4.12, 0.96%, 0.21%

LAB 20.61, 39.26, 30.42

 

CMYK 14 / 0 / 98 / 59

HEX #596802

RGB 89 104 2

HSL 68.82, 0.96%, 0.21%

LAB 41.26, -18.24, 46.85

 

CMYK 41 / 0 / 98 / 59

HEX #3D6802

RGB 61 104 2

HSL 85.29, 0.96%, 0.21%

LAB 39.41, -30.39, 44.6

 

CMYK 67 / 0 / 98 / 59

HEX #226802

RGB 34 104 2

HSL 101.18, 0.96%, 0.21%

LAB 38.28, -39.16, 43.22

 

CMYK 94 / 0 / 98 / 59

HEX #066802

RGB 6 104 2

HSL 117.65, 0.96%, 0.21%

LAB 37.74, -43.84, 42.56

 

CMYK 98 / 0 / 76 / 59

HEX #026819

RGB 2 104 25

HSL 133.53, 0.96%, 0.21%

LAB 37.81, -42.74, 35.37

 

CMYK 14 / 0 / 98 / 59

HEX #596802

RGB 89 104 2

HSL 68.82, 0.96%, 0.21%

LAB 41.26, -18.24, 46.85

 

CMYK 14 / 0 / 98 / 59

HEX #596802

RGB 89 104 2

HSL 68.82, 0.96%, 0.21%

LAB 41.26, -18.24, 46.85

 

CMYK 14 / 0 / 90 / 62

HEX #53600A

RGB 83 96 10

HSL 69.07, 0.81%, 0.21%

LAB 38.25, -16.49, 42.11

 

CMYK 11 / 0 / 78 / 66

HEX #4D5713

RGB 77 87 19

HSL 68.82, 0.64%, 0.21%

LAB 34.89, -13.96, 35.87

 

CMYK 9 / 0 / 64 / 69

HEX #474E1C

RGB 71 78 28

HSL 68.4, 0.47%, 0.21%

LAB 31.51, -11.03, 28

 

CMYK 7 / 0 / 49 / 73

HEX #414624

RGB 65 70 36

HSL 68.82, 0.32%, 0.21%

LAB 28.46, -8.28, 19.75

 

CMYK 0 / 39 / 98 / 59

HEX #683F02

RGB 104 63 2

HSL 35.88, 0.96%, 0.21%

LAB 30.65, 13.37, 39.72

 

CMYK 0 / 13 / 98 / 59

HEX #685B02

RGB 104 91 2

HSL 52.35, 0.96%, 0.21%

LAB 38.6, -3.63, 45.44

 

CMYK 13 / 0 / 98 / 59

HEX #5B6802

RGB 91 104 2

HSL 67.65, 0.96%, 0.21%

LAB 41.42, -17.3, 47.04

 

CMYK 39 / 0 / 98 / 59

HEX #3F6802

RGB 63 104 2

HSL 84.12, 0.96%, 0.21%

LAB 39.52, -29.6, 44.73

 

CMYK 65 / 0 / 98 / 59

HEX #246802

RGB 36 104 2

HSL 100, 0.96%, 0.21%

LAB 38.34, -38.64, 43.3

 

CMYK 17 / 0 / 100 / 91

HEX #141800

RGB 20 24 0

HSL 70, 1%, 0.05%

LAB 7.24, -6.03, 10.74

 

CMYK 14 / 0 / 98 / 75

HEX #374001

RGB 55 64 1

HSL 68.57, 0.97%, 0.13%

LAB 25.2, -12.62, 33.24

 

CMYK 14 / 0 / 98 / 59

HEX #596802

RGB 89 104 2

HSL 68.82, 0.96%, 0.21%

LAB 41.26, -18.24, 46.85

 

CMYK 14 / 0 / 99 / 43

HEX #7C9102

RGB 124 145 2

HSL 68.81, 0.97%, 0.29%

LAB 56.62, -23.54, 59.73

 

CMYK 15 / 0 / 98 / 27

HEX #9EB903

RGB 158 185 3

HSL 68.9, 0.97%, 0.37%

LAB 70.85, -28.48, 71.46

 

CMYK 15 / 0 / 98 / 60

HEX #586702

RGB 88 103 2

HSL 68.91, 0.96%, 0.21%

LAB 40.86, -18.17, 46.51

 

CMYK 98 / 0 / 65 / 59

HEX #026824

RGB 2 104 36

HSL 140, 0.96%, 0.21%

LAB 37.92, -41.45, 30.42

 

CMYK 26 / 98 / 0 / 59

HEX #4D0268

RGB 77 2 104

HSL 284.12, 0.96%, 0.21%

LAB 18.46, 45.82, -39.85

 

CMYK 15 / 0 / 98 / 60

HEX #586702

RGB 88 103 2

HSL 68.91, 0.96%, 0.21%

LAB 40.86, -18.17, 46.51

 

CMYK 98 / 13 / 0 / 59

HEX #025B68

RGB 2 91 104

HSL 187.65, 0.96%, 0.21%

LAB 34.99, -17.82, -13.99

 

CMYK 0 / 98 / 13 / 59

HEX #68025B

RGB 104 2 91

HSL 307.65, 0.96%, 0.21%

LAB 22.8, 48.35, -23.99

 

CMYK 15 / 0 / 98 / 60

HEX #586702

RGB 88 103 2

HSL 68.91, 0.96%, 0.21%

LAB 40.86, -18.17, 46.51

 

CMYK 98 / 0 / 65 / 59

HEX #026824

RGB 2 104 36

HSL 140, 0.96%, 0.21%

LAB 37.92, -41.45, 30.42

 

CMYK 86 / 98 / 0 / 59

HEX #0F0268

RGB 15 2 104

HSL 247.65, 0.96%, 0.21%

LAB 10.14, 40.21, -53.85

 

CMYK 0 / 98 / 33 / 59

HEX #680246

RGB 104 2 70

HSL 320, 0.96%, 0.21%

LAB 21.68, 45.5, -11.54

 

CMYK 15 / 0 / 98 / 60

HEX #586702

RGB 88 103 2

HSL 68.91, 0.96%, 0.21%

LAB 40.86, -18.17, 46.51

 

CMYK 98 / 0 / 36 / 59

HEX #026843

RGB 2 104 67

HSL 158.24, 0.96%, 0.21%

LAB 38.41, -35.56, 13.74

 

CMYK 86 / 98 / 0 / 59

HEX #0F0268

RGB 15 2 104

HSL 247.65, 0.96%, 0.21%

LAB 10.14, 40.21, -53.85

 

CMYK 0 / 98 / 63 / 59

HEX #680227

RGB 104 2 39

HSL 338.24, 0.96%, 0.21%

LAB 20.57, 42.53, 8.55

 

Description

Color code: HEX #586702 | qconv.com Color code: HEX #586702 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 103 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 103 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 98 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 98% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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