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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #586699 it is the complementary color #A79966. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #586699. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #586699 shade: #5D6694, #6E78A7, #7F8ABA, #909CCD and #A1AEE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #586699. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #586699 shade: #586699, #475486, #364273, #253060 and #141E4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #586699 shade: #576598, #5B5798, #6C5798, #7D5798 and #8F5798

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #586699 shade: #576598 and #575798

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #586699 shade matches the following richer shades: #576598, #445AAB, #304FBE, #1D44D2 and #0939E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #586699 shade: #576598, #6A7084, #7E7B71, #91865E and #A5914A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #586699 shade: #578898, #577698, #576598, #5A5798 and #6B5798

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #586699 shade: #394263, #48537E, #576598, #6D7AAB and #8792BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #586699 shade: #586699, #975798 and #7F9857

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #586699 shade: #586699, #985765 and #659857

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #586699 shade: #586699, #975798, #988A57 and #589857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #586699 shade: #586699, #985785, #988A57 and #579869

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 33 / 0 / 40

HEX #586699

RGB 88 102 153

HSL 227.08, 0.27%, 0.47%

LAB 44.06, 8.46, -29.5

 

Complementary color

CMYK 0 / 8 / 39 / 35

HEX #A79966

RGB 167 153 102

HSL 47.08, 0.27%, 0.53%

LAB 63.31, -2.45, 28.68

 

CMYK 37 / 31 / 0 / 42

HEX #5D6694

RGB 93 102 148

HSL 230.18, 0.23%, 0.47%

LAB 44.19, 8.42, -26.29

 

CMYK 34 / 28 / 0 / 35

HEX #6E78A7

RGB 110 120 167

HSL 229.47, 0.24%, 0.54%

LAB 51.31, 7.87, -26.31

 

CMYK 32 / 26 / 0 / 27

HEX #7F8ABA

RGB 127 138 186

HSL 228.81, 0.3%, 0.61%

LAB 58.26, 7.4, -26.38

 

CMYK 30 / 24 / 0 / 20

HEX #909CCD

RGB 144 156 205

HSL 228.2, 0.38%, 0.68%

LAB 65.05, 6.99, -26.49

 

CMYK 28 / 22 / 0 / 12

HEX #A1AEE0

RGB 161 174 224

HSL 227.62, 0.5%, 0.75%

LAB 71.71, 6.63, -26.64

 

CMYK 42 / 33 / 0 / 40

HEX #586699

RGB 88 102 153

HSL 227.08, 0.27%, 0.47%

LAB 44.06, 8.46, -29.5

 

CMYK 47 / 37 / 0 / 47

HEX #475486

RGB 71 84 134

HSL 227.62, 0.31%, 0.4%

LAB 36.75, 9.25, -29.6

 

CMYK 53 / 43 / 0 / 55

HEX #364273

RGB 54 66 115

HSL 228.2, 0.36%, 0.33%

LAB 29.21, 10.29, -29.79

 

CMYK 61 / 50 / 0 / 62

HEX #253060

RGB 37 48 96

HSL 228.81, 0.44%, 0.26%

LAB 21.4, 11.7, -30.07

 

CMYK 74 / 61 / 0 / 70

HEX #141E4D

RGB 20 30 77

HSL 229.47, 0.59%, 0.19%

LAB 13.31, 13.8, -30.43

 

CMYK 43 / 34 / 0 / 40

HEX #576598

RGB 87 101 152

HSL 227.08, 0.27%, 0.47%

LAB 43.65, 8.5, -29.53

 

CMYK 40 / 43 / 0 / 40

HEX #5B5798

RGB 91 87 152

HSL 243.69, 0.27%, 0.47%

LAB 40.09, 18.38, -35.12

 

CMYK 29 / 43 / 0 / 40

HEX #6C5798

RGB 108 87 152

HSL 259.38, 0.27%, 0.47%

LAB 41.64, 23.29, -32.57

 

CMYK 18 / 43 / 0 / 40

HEX #7D5798

RGB 125 87 152

HSL 275.08, 0.27%, 0.47%

LAB 43.42, 28.49, -29.65

 

CMYK 6 / 43 / 0 / 40

HEX #8F5798

RGB 143 87 152

HSL 291.69, 0.27%, 0.47%

LAB 45.53, 34.17, -26.21

 

CMYK 43 / 34 / 0 / 40

HEX #576598

RGB 87 101 152

HSL 227.08, 0.27%, 0.47%

LAB 43.65, 8.5, -29.53

 

CMYK 43 / 43 / 0 / 40

HEX #575798

RGB 87 87 152

HSL 240, 0.27%, 0.47%

LAB 39.76, 17.29, -35.66

 

CMYK 43 / 34 / 0 / 40

HEX #576598

RGB 87 101 152

HSL 227.08, 0.27%, 0.47%

LAB 43.65, 8.5, -29.53

 

CMYK 60 / 47 / 0 / 33

HEX #445AAB

RGB 68 90 171

HSL 227.18, 0.43%, 0.47%

LAB 40.38, 17.15, -46.08

 

CMYK 75 / 58 / 0 / 25

HEX #304FBE

RGB 48 79 190

HSL 226.9, 0.6%, 0.47%

LAB 37.73, 28.04, -61.59

 

CMYK 86 / 68 / 0 / 18

HEX #1D44D2

RGB 29 68 210

HSL 227.07, 0.76%, 0.47%

LAB 36.08, 40.88, -75.96

 

CMYK 96 / 75 / 0 / 10

HEX #0939E5

RGB 9 57 229

HSL 226.91, 0.92%, 0.47%

LAB 35.28, 53.39, -88.18

 

CMYK 43 / 34 / 0 / 40

HEX #576598

RGB 87 101 152

HSL 227.08, 0.27%, 0.47%

LAB 43.65, 8.5, -29.53

 

CMYK 20 / 15 / 0 / 48

HEX #6A7084

RGB 106 112 132

HSL 226.15, 0.11%, 0.47%

LAB 47.39, 2.29, -11.76

 

CMYK 0 / 2 / 10 / 51

HEX #7E7B71

RGB 126 123 113

HSL 46.15, 0.05%, 0.47%

LAB 51.6, -0.75, 5.87

 

CMYK 0 / 8 / 35 / 43

HEX #91865E

RGB 145 134 94

HSL 47.06, 0.21%, 0.47%

LAB 55.97, -2.17, 23.07

 

CMYK 0 / 12 / 55 / 35

HEX #A5914A

RGB 165 145 74

HSL 46.81, 0.38%, 0.47%

LAB 60.56, -1.79, 39.96

 

CMYK 43 / 11 / 0 / 40

HEX #578898

RGB 87 136 152

HSL 194.77, 0.27%, 0.47%

LAB 53.92, -12.14, -13.74

 

CMYK 43 / 22 / 0 / 40

HEX #577698

RGB 87 118 152

HSL 211.38, 0.27%, 0.47%

LAB 48.57, -1.82, -21.9

 

CMYK 43 / 34 / 0 / 40

HEX #576598

RGB 87 101 152

HSL 227.08, 0.27%, 0.47%

LAB 43.65, 8.5, -29.53

 

CMYK 41 / 43 / 0 / 40

HEX #5A5798

RGB 90 87 152

HSL 242.77, 0.27%, 0.47%

LAB 40.01, 18.11, -35.25

 

CMYK 30 / 43 / 0 / 40

HEX #6B5798

RGB 107 87 152

HSL 258.46, 0.27%, 0.47%

LAB 41.55, 22.99, -32.73

 

CMYK 42 / 33 / 0 / 61

HEX #394263

RGB 57 66 99

HSL 227.14, 0.27%, 0.31%

LAB 28.56, 5.78, -20.61

 

CMYK 43 / 34 / 0 / 51

HEX #48537E

RGB 72 83 126

HSL 227.78, 0.27%, 0.39%

LAB 36.12, 7.64, -25.67

 

CMYK 43 / 34 / 0 / 40

HEX #576598

RGB 87 101 152

HSL 227.08, 0.27%, 0.47%

LAB 43.65, 8.5, -29.53

 

CMYK 36 / 29 / 0 / 33

HEX #6D7AAB

RGB 109 122 171

HSL 227.42, 0.27%, 0.55%

LAB 51.96, 7.48, -27.63

 

CMYK 27 / 22 / 0 / 27

HEX #8792BA

RGB 135 146 186

HSL 227.06, 0.27%, 0.63%

LAB 61.01, 5.2, -22.11

 

CMYK 42 / 33 / 0 / 40

HEX #586699

RGB 88 102 153

HSL 227.08, 0.27%, 0.47%

LAB 44.06, 8.46, -29.5

 

CMYK 1 / 43 / 0 / 40

HEX #975798

RGB 151 87 152

HSL 299.08, 0.27%, 0.47%

LAB 46.53, 36.72, -24.58

 

CMYK 16 / 0 / 43 / 40

HEX #7F9857

RGB 127 152 87

HSL 83.08, 0.27%, 0.47%

LAB 59.58, -20.17, 31.29

 

CMYK 42 / 33 / 0 / 40

HEX #586699

RGB 88 102 153

HSL 227.08, 0.27%, 0.47%

LAB 44.06, 8.46, -29.5

 

CMYK 0 / 43 / 34 / 40

HEX #985765

RGB 152 87 101

HSL 347.08, 0.27%, 0.47%

LAB 44.85, 28.57, 3.69

 

CMYK 34 / 0 / 43 / 40

HEX #659857

RGB 101 152 87

HSL 107.08, 0.27%, 0.47%

LAB 57.95, -29.96, 28.89

 

CMYK 42 / 33 / 0 / 40

HEX #586699

RGB 88 102 153

HSL 227.08, 0.27%, 0.47%

LAB 44.06, 8.46, -29.5

 

CMYK 1 / 43 / 0 / 40

HEX #975798

RGB 151 87 152

HSL 299.08, 0.27%, 0.47%

LAB 46.53, 36.72, -24.58

 

CMYK 0 / 9 / 43 / 40

HEX #988A57

RGB 152 138 87

HSL 47.08, 0.27%, 0.47%

LAB 57.6, -2.27, 29.19

 

CMYK 42 / 0 / 43 / 40

HEX #589857

RGB 88 152 87

HSL 119.08, 0.27%, 0.47%

LAB 57.29, -34.33, 27.9

 

CMYK 42 / 33 / 0 / 40

HEX #586699

RGB 88 102 153

HSL 227.08, 0.27%, 0.47%

LAB 44.06, 8.46, -29.5

 

CMYK 0 / 43 / 13 / 40

HEX #985785

RGB 152 87 133

HSL 317.54, 0.27%, 0.47%

LAB 45.89, 33.54, -14.17

 

CMYK 0 / 9 / 43 / 40

HEX #988A57

RGB 152 138 87

HSL 47.08, 0.27%, 0.47%

LAB 57.6, -2.27, 29.19

 

CMYK 43 / 0 / 31 / 40

HEX #579869

RGB 87 152 105

HSL 136.62, 0.27%, 0.47%

LAB 57.56, -31.5, 18.39

 

Description

Color code: HEX #586699 | qconv.com Color code: HEX #586699 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 102 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 102 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 33 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 33% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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