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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #585DC9 it is the complementary color #A7A236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #585DC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #585DC9 shade: #5D5DC4, #6E6FD7, #7F81EA, #9093FD and #A1A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #585DC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #585DC9 shade: #585DC9, #474BB6, #3639A3, #252790 and #14157D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #585DC9 shade: #595EC9, #7259C9, #9059C9, #AE59C9 and #C959C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #585DC9 shade: #595EC9 and #5959C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #585DC9 shade matches the following richer shades: #595EC9, #474EDB, #353EEC and #242DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #585DC9 shade: #595EC9, #6B6EB7, #7C7EA5, #8E8E94 and #A09F82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #585DC9 shade: #599AC9, #597CC9, #595FC9, #7159C9 and #8F59C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #585DC9 shade: #33379D, #3D42BC, #595EC9, #787CD3 and #979ADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #585DC9 shade: #585DC9, #C959B8 and #8BC959

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #585DC9 shade: #585DC9, #C9595F and #5FC959

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #585DC9 shade: #585DC9, #C959B8, #C9C359 and #59C96A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #585DC9 shade: #585DC9, #C95996, #C9C359 and #59C98B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 54 / 0 / 21

HEX #585DC9

RGB 88 93 201

HSL 237.35, 0.51%, 0.57%

LAB 44.41, 29.3, -57.05

 

Complementary color

CMYK 0 / 3 / 68 / 35

HEX #A7A236

RGB 167 162 54

HSL 57.35, 0.51%, 0.43%

LAB 65.22, -11.46, 54.36

 

CMYK 53 / 53 / 0 / 23

HEX #5D5DC4

RGB 93 93 196

HSL 240, 0.47%, 0.57%

LAB 44.44, 28.71, -54.1

 

CMYK 49 / 48 / 0 / 16

HEX #6E6FD7

RGB 110 111 215

HSL 239.43, 0.57%, 0.64%

LAB 51.37, 27.3, -53.77

 

CMYK 46 / 45 / 0 / 8

HEX #7F81EA

RGB 127 129 234

HSL 238.88, 0.72%, 0.71%

LAB 58.18, 26.1, -53.49

 

CMYK 43 / 42 / 0 / 1

HEX #9093FD

RGB 144 147 253

HSL 238.35, 0.96%, 0.78%

LAB 64.87, 25.05, -53.25

 

CMYK 37 / 35 / 0 / 0

HEX #A1A5FF

RGB 161 165 255

HSL 237.45, 1%, 0.82%

LAB 70.67, 19.57, -45.12

 

CMYK 56 / 54 / 0 / 21

HEX #585DC9

RGB 88 93 201

HSL 237.35, 0.51%, 0.57%

LAB 44.41, 29.3, -57.05

 

CMYK 61 / 59 / 0 / 29

HEX #474BB6

RGB 71 75 182

HSL 237.84, 0.44%, 0.5%

LAB 37.39, 31.13, -57.39

 

CMYK 67 / 65 / 0 / 36

HEX #3639A3

RGB 54 57 163

HSL 238.35, 0.5%, 0.43%

LAB 30.29, 33.29, -57.67

 

CMYK 74 / 73 / 0 / 44

HEX #252790

RGB 37 39 144

HSL 238.88, 0.59%, 0.35%

LAB 23.2, 35.76, -57.74

 

CMYK 84 / 83 / 0 / 51

HEX #14157D

RGB 20 21 125

HSL 239.43, 0.72%, 0.28%

LAB 16.33, 38.21, -57.17

 

CMYK 56 / 53 / 0 / 21

HEX #595EC9

RGB 89 94 201

HSL 237.32, 0.51%, 0.57%

LAB 44.73, 28.88, -56.53

 

CMYK 43 / 56 / 0 / 21

HEX #7259C9

RGB 114 89 201

HSL 253.39, 0.51%, 0.57%

LAB 45.55, 37.23, -55.1

 

CMYK 28 / 56 / 0 / 21

HEX #9059C9

RGB 144 89 201

HSL 269.46, 0.51%, 0.57%

LAB 48.62, 44.42, -50

 

CMYK 13 / 56 / 0 / 21

HEX #AE59C9

RGB 174 89 201

HSL 285.54, 0.51%, 0.57%

LAB 52.24, 52.12, -44.02

 

CMYK 0 / 56 / 2 / 21

HEX #C959C5

RGB 201 89 197

HSL 302.14, 0.51%, 0.57%

LAB 55.68, 58.53, -36.07

 

CMYK 56 / 53 / 0 / 21

HEX #595EC9

RGB 89 94 201

HSL 237.32, 0.51%, 0.57%

LAB 44.73, 28.88, -56.53

 

CMYK 56 / 56 / 0 / 21

HEX #5959C9

RGB 89 89 201

HSL 240, 0.51%, 0.57%

LAB 43.49, 31.97, -58.53

 

CMYK 56 / 53 / 0 / 21

HEX #595EC9

RGB 89 94 201

HSL 237.32, 0.51%, 0.57%

LAB 44.73, 28.88, -56.53

 

CMYK 68 / 64 / 0 / 14

HEX #474EDB

RGB 71 78 219

HSL 237.16, 0.67%, 0.57%

LAB 41.06, 41.76, -72.87

 

CMYK 78 / 74 / 0 / 7

HEX #353EEC

RGB 53 62 236

HSL 237.05, 0.83%, 0.57%

LAB 38.3, 54.82, -87.12

 

CMYK 86 / 82 / 0 / 0

HEX #242DFE

RGB 36 45 254

HSL 237.52, 0.99%, 0.57%

LAB 36.76, 67.77, -99.85

 

CMYK 56 / 53 / 0 / 21

HEX #595EC9

RGB 89 94 201

HSL 237.32, 0.51%, 0.57%

LAB 44.73, 28.88, -56.53

 

CMYK 42 / 40 / 0 / 28

HEX #6B6EB7

RGB 107 110 183

HSL 237.63, 0.35%, 0.57%

LAB 49.13, 17.6, -39.03

 

CMYK 25 / 24 / 0 / 35

HEX #7C7EA5

RGB 124 126 165

HSL 237.07, 0.19%, 0.57%

LAB 53.95, 8.11, -21

 

CMYK 4 / 4 / 0 / 42

HEX #8E8E94

RGB 142 142 148

HSL 240, 0.03%, 0.57%

LAB 59.19, 1.2, -3.19

 

CMYK 0 / 1 / 19 / 37

HEX #A09F82

RGB 160 159 130

HSL 58, 0.14%, 0.57%

LAB 64.87, -4.68, 15.3

 

CMYK 56 / 23 / 0 / 21

HEX #599AC9

RGB 89 154 201

HSL 205.18, 0.51%, 0.57%

LAB 61.18, -7.19, -30.5

 

CMYK 56 / 38 / 0 / 21

HEX #597CC9

RGB 89 124 201

HSL 221.25, 0.51%, 0.57%

LAB 52.68, 10.35, -43.81

 

CMYK 56 / 53 / 0 / 21

HEX #595FC9

RGB 89 95 201

HSL 236.79, 0.51%, 0.57%

LAB 44.98, 28.26, -56.13

 

CMYK 44 / 56 / 0 / 21

HEX #7159C9

RGB 113 89 201

HSL 252.86, 0.51%, 0.57%

LAB 45.46, 37, -55.25

 

CMYK 29 / 56 / 0 / 21

HEX #8F59C9

RGB 143 89 201

HSL 268.93, 0.51%, 0.57%

LAB 48.51, 44.17, -50.18

 

CMYK 68 / 65 / 0 / 38

HEX #33379D

RGB 51 55 157

HSL 237.74, 0.51%, 0.41%

LAB 29.08, 32.02, -56.02

 

CMYK 68 / 65 / 0 / 26

HEX #3D42BC

RGB 61 66 188

HSL 237.64, 0.51%, 0.49%

LAB 35.04, 37.27, -64.78

 

CMYK 56 / 53 / 0 / 21

HEX #595EC9

RGB 89 94 201

HSL 237.32, 0.51%, 0.57%

LAB 44.73, 28.88, -56.53

 

CMYK 43 / 41 / 0 / 17

HEX #787CD3

RGB 120 124 211

HSL 237.36, 0.51%, 0.65%

LAB 55.19, 20.67, -45.39

 

CMYK 32 / 30 / 0 / 13

HEX #979ADD

RGB 151 154 221

HSL 237.43, 0.51%, 0.73%

LAB 65.68, 14.23, -34.36

 

CMYK 56 / 54 / 0 / 21

HEX #585DC9

RGB 88 93 201

HSL 237.35, 0.51%, 0.57%

LAB 44.41, 29.3, -57.05

 

CMYK 0 / 56 / 8 / 21

HEX #C959B8

RGB 201 89 184

HSL 309.11, 0.51%, 0.57%

LAB 55.1, 56.36, -29.51

 

CMYK 31 / 0 / 56 / 21

HEX #8BC959

RGB 139 201 89

HSL 93.21, 0.51%, 0.57%

LAB 74.81, -38.83, 48.98

 

CMYK 56 / 54 / 0 / 21

HEX #585DC9

RGB 88 93 201

HSL 237.35, 0.51%, 0.57%

LAB 44.41, 29.3, -57.05

 

CMYK 0 / 56 / 53 / 21

HEX #C9595F

RGB 201 89 95

HSL 356.79, 0.51%, 0.57%

LAB 52.27, 45.11, 18.74

 

CMYK 53 / 0 / 56 / 21

HEX #5FC959

RGB 95 201 89

HSL 116.79, 0.51%, 0.57%

LAB 72.84, -52.61, 46.17

 

CMYK 56 / 54 / 0 / 21

HEX #585DC9

RGB 88 93 201

HSL 237.35, 0.51%, 0.57%

LAB 44.41, 29.3, -57.05

 

CMYK 0 / 56 / 8 / 21

HEX #C959B8

RGB 201 89 184

HSL 309.11, 0.51%, 0.57%

LAB 55.1, 56.36, -29.51

 

CMYK 0 / 3 / 56 / 21

HEX #C9C359

RGB 201 195 89

HSL 56.79, 0.51%, 0.57%

LAB 77.38, -11.64, 53.04

 

CMYK 56 / 0 / 47 / 21

HEX #59C96A

RGB 89 201 106

HSL 129.11, 0.51%, 0.57%

LAB 72.85, -51.85, 37.91

 

CMYK 56 / 54 / 0 / 21

HEX #585DC9

RGB 88 93 201

HSL 237.35, 0.51%, 0.57%

LAB 44.41, 29.3, -57.05

 

CMYK 0 / 56 / 25 / 21

HEX #C95996

RGB 201 89 150

HSL 327.32, 0.51%, 0.57%

LAB 53.78, 51.25, -11.7

 

CMYK 0 / 3 / 56 / 21

HEX #C9C359

RGB 201 195 89

HSL 56.79, 0.51%, 0.57%

LAB 77.38, -11.64, 53.04

 

CMYK 56 / 0 / 31 / 21

HEX #59C98B

RGB 89 201 139

HSL 146.79, 0.51%, 0.57%

LAB 73.39, -46.14, 21.57

 

Description

Color code: HEX #585DC9 | qconv.com Color code: HEX #585DC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 93 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 93 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 54 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 54% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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