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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #584C0D it is the complementary color #A7B3F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #584C0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #584C0D shade: #5D4C08, #6E5E1B, #7F702E, #908241 and #A19454

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #584C0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #584C0D shade: #584C0D, #473A00, #362800, #251600 and #140400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #584C0D shade: #584C0D, #58380D, #58230D, #580F0D and #580D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #584C0D shade: #584C0D, #50580D, #3C580D, #27580D and #13580D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #584C0D shade matches the following richer shades: #584C0D and #605205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #584C0D shade: #584C0D, #504715, #48411D, #3F3B26 and #37362E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #584C0D shade: #58230D, #58380D, #584C0D, #51580D and #3D580D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #584C0D shade: #100E02, #342D07, #584C0D, #7C6B12 and #A08A17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #584C0D shade: #584C0D, #0D580F and #2D0D58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #584C0D shade: #584C0D, #0D584C and #4C0D58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #584C0D shade: #584C0D, #0D580F, #0D1958 and #580D56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #584C0D shade: #584C0D, #0D5826, #0D1958 and #580D3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

Complementary color

CMYK 31 / 26 / 0 / 5

HEX #A7B3F2

RGB 167 179 242

HSL 230.4, 0.74%, 0.8%

LAB 74.1, 10.02, -32.7

 

CMYK 0 / 18 / 91 / 64

HEX #5D4C08

RGB 93 76 8

HSL 48, 0.84%, 0.2%

LAB 32.95, 0.01, 38.64

 

CMYK 0 / 15 / 75 / 57

HEX #6E5E1B

RGB 110 94 27

HSL 48.43, 0.61%, 0.27%

LAB 40.25, -1.53, 38.82

 

CMYK 0 / 12 / 64 / 50

HEX #7F702E

RGB 127 112 46

HSL 48.89, 0.47%, 0.34%

LAB 47.36, -2.67, 37.92

 

CMYK 0 / 10 / 55 / 44

HEX #908241

RGB 144 130 65

HSL 49.37, 0.38%, 0.41%

LAB 54.32, -3.55, 36.7

 

CMYK 0 / 8 / 48 / 37

HEX #A19454

RGB 161 148 84

HSL 49.87, 0.31%, 0.48%

LAB 61.13, -4.23, 35.41

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 0 / 18 / 100 / 72

HEX #473A00

RGB 71 58 0

HSL 49.01, 1%, 0.14%

LAB 24.85, -0.54, 33.88

 

CMYK 0 / 26 / 100 / 79

HEX #362800

RGB 54 40 0

HSL 44.44, 1%, 0.11%

LAB 17, 1.97, 24.67

 

CMYK 0 / 41 / 100 / 85

HEX #251600

RGB 37 22 0

HSL 35.68, 1%, 0.07%

LAB 8.71, 4.82, 13.15

 

CMYK 0 / 80 / 100 / 92

HEX #140400

RGB 20 4 0

HSL 12, 1%, 0.04%

LAB 2.13, 4.42, 3.27

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 0 / 36 / 85 / 65

HEX #58380D

RGB 88 56 13

HSL 34.4, 0.74%, 0.2%

LAB 26.54, 10.16, 30.88

 

CMYK 0 / 60 / 85 / 65

HEX #58230D

RGB 88 35 13

HSL 17.6, 0.74%, 0.2%

LAB 21.23, 23.03, 25.57

 

CMYK 0 / 83 / 85 / 65

HEX #580F0D

RGB 88 15 13

HSL 1.6, 0.74%, 0.2%

LAB 17.67, 32.59, 21.49

 

CMYK 0 / 85 / 85 / 65

HEX #580D0D

RGB 88 13 13

HSL 0, 0.74%, 0.2%

LAB 17.42, 33.29, 21.18

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 9 / 0 / 85 / 65

HEX #50580D

RGB 80 88 13

HSL 66.4, 0.74%, 0.2%

LAB 35.43, -13.39, 38.68

 

CMYK 32 / 0 / 85 / 65

HEX #3C580D

RGB 60 88 13

HSL 82.4, 0.74%, 0.2%

LAB 33.92, -22.64, 36.74

 

CMYK 56 / 0 / 85 / 65

HEX #27580D

RGB 39 88 13

HSL 99.2, 0.74%, 0.2%

LAB 32.79, -30.77, 35.28

 

CMYK 78 / 0 / 85 / 65

HEX #13580D

RGB 19 88 13

HSL 115.2, 0.74%, 0.2%

LAB 32.14, -36.06, 34.44

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 0 / 15 / 95 / 62

HEX #605205

RGB 96 82 5

HSL 50.77, 0.9%, 0.2%

LAB 35.07, -2.2, 41.47

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 0 / 11 / 74 / 69

HEX #504715

RGB 80 71 21

HSL 50.85, 0.58%, 0.2%

LAB 30.07, -2.92, 30.26

 

CMYK 0 / 10 / 60 / 72

HEX #48411D

RGB 72 65 29

HSL 50.23, 0.43%, 0.2%

LAB 27.43, -2.57, 22.79

 

CMYK 0 / 6 / 40 / 75

HEX #3F3B26

RGB 63 59 38

HSL 50.4, 0.25%, 0.2%

LAB 24.72, -2.11, 13.67

 

CMYK 0 / 2 / 16 / 78

HEX #37362E

RGB 55 54 46

HSL 53.33, 0.09%, 0.2%

LAB 22.47, -1.27, 5.19

 

CMYK 0 / 60 / 85 / 65

HEX #58230D

RGB 88 35 13

HSL 17.6, 0.74%, 0.2%

LAB 21.23, 23.03, 25.57

 

CMYK 0 / 36 / 85 / 65

HEX #58380D

RGB 88 56 13

HSL 34.4, 0.74%, 0.2%

LAB 26.54, 10.16, 30.88

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 8 / 0 / 85 / 65

HEX #51580D

RGB 81 88 13

HSL 65.6, 0.74%, 0.2%

LAB 35.51, -12.9, 38.78

 

CMYK 31 / 0 / 85 / 65

HEX #3D580D

RGB 61 88 13

HSL 81.6, 0.74%, 0.2%

LAB 33.98, -22.21, 36.83

 

CMYK 0 / 13 / 88 / 94

HEX #100E02

RGB 16 14 2

HSL 51.43, 0.78%, 0.04%

LAB 3.87, -1.05, 4.96

 

CMYK 0 / 13 / 87 / 80

HEX #342D07

RGB 52 45 7

HSL 50.67, 0.76%, 0.12%

LAB 18.46, -2, 23.52

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 0 / 14 / 85 / 51

HEX #7C6B12

RGB 124 107 18

HSL 50.38, 0.75%, 0.28%

LAB 45.42, -2.72, 47.46

 

CMYK 0 / 14 / 86 / 37

HEX #A08A17

RGB 160 138 23

HSL 50.36, 0.75%, 0.36%

LAB 57.76, -3.06, 57.92

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 85 / 0 / 83 / 65

HEX #0D580F

RGB 13 88 15

HSL 121.6, 0.74%, 0.2%

LAB 32.03, -36.94, 33.57

 

CMYK 49 / 85 / 0 / 65

HEX #2D0D58

RGB 45 13 88

HSL 265.6, 0.74%, 0.2%

LAB 12.92, 33.12, -38.44

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 85 / 0 / 14 / 65

HEX #0D584C

RGB 13 88 76

HSL 170.4, 0.74%, 0.2%

LAB 33.11, -24.82, 0.76

 

CMYK 14 / 85 / 0 / 65

HEX #4C0D58

RGB 76 13 88

HSL 290.4, 0.74%, 0.2%

LAB 18.05, 39.15, -29.89

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 85 / 0 / 83 / 65

HEX #0D580F

RGB 13 88 15

HSL 121.6, 0.74%, 0.2%

LAB 32.03, -36.94, 33.57

 

CMYK 85 / 72 / 0 / 65

HEX #0D1958

RGB 13 25 88

HSL 230.4, 0.74%, 0.2%

LAB 12.51, 21.19, -39.23

 

CMYK 0 / 85 / 2 / 65

HEX #580D56

RGB 88 13 86

HSL 301.6, 0.74%, 0.2%

LAB 20.18, 41.44, -25

 

CMYK 0 / 14 / 85 / 65

HEX #584C0D

RGB 88 76 13

HSL 50.4, 0.74%, 0.2%

LAB 32.42, -2.35, 36.27

 

CMYK 85 / 0 / 57 / 65

HEX #0D5826

RGB 13 88 38

HSL 140, 0.74%, 0.2%

LAB 32.27, -34.06, 22.73

 

CMYK 85 / 72 / 0 / 65

HEX #0D1958

RGB 13 25 88

HSL 230.4, 0.74%, 0.2%

LAB 12.51, 21.19, -39.23

 

CMYK 0 / 85 / 28 / 65

HEX #580D3F

RGB 88 13 63

HSL 320, 0.74%, 0.2%

LAB 18.89, 37.77, -11.27

 

Description

Color code: HEX #584C0D | qconv.com Color code: HEX #584C0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 76 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 76 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 85 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 85% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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